underneath as lyrics.
Hope this helps,
Joe
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\version 2.11.64
\paper {
ragged-right = ##f
}
notes
think it's a good idea.
Jon
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Francisco Vila wrote:
2008/11/14 Jonathan Kulp [EMAIL PROTECTED]:
I have only upgraded a couple of times, and it was in response to this
thread, just to test it out. It's possible that I upgraded one more time
before that. I always use the Add/Remove program tool built into Windows,
accessed
Francisco Vila wrote:
2008/11/14 Jonathan Kulp [EMAIL PROTECTED]:
I have only upgraded a couple of times, and it was in response to this
thread, just to test it out. It's possible that I upgraded one more time
before that. I always use the Add/Remove program tool built into Windows,
accessed
and it wasn't even connected to the
internet...
Jon
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, but not nearly as
slow as on Vista. It's not slow enough where I'd think there was any
real problem.
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of RAM, Intel dual-core processor.
Jon
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the subject line? Thunderbird thinks it belongs with
the old thread.
Jon
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Gateway
box in my office running Ubuntu 8.04. Man. Glad to be back on the
Linux side :)
Jon
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Francisco Vila wrote:
2008/11/12 Jonathan Kulp [EMAIL PROTECTED]:
For the sake of testing, I booted into my Vista Home Premium partition and
installed the latest Lilypond binary from the download page. I ran a
lilypond file once and it took about 90 seconds, then ran it a second time
on the first run, and then it would be faster on the second? I'm
confused. To be honest I don't care very much and was only trying it to
confirm the problem. :)
Jon
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lilypond-user
installed correctly. Check the Learning Manual here to see how
best to get started:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/index
Good luck!
Jon
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|.
}
%%
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script that
runs the lilypond book command and opens the dvi file for preview, or if
I include a -p flag it converts the dvi file to .pdf and then opens it
for preview.
I'll share the workbook once it's in decent shape. Glad you're
interested :)
Jon
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students (and
those of any other instructor who wants to use it) can avoid paying $50+
for a skimpy workbook published by Prentice-Hall. :( I'll post it
online when I'm done and give a heads-up so people can go see it.
Thanks and all best,
Jon
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)
Hope this helps
best regards
rene
Am Dienstag, den 04.11.2008, 13:48 -0600 schrieb Jonathan Kulp:
Hi All,
I'm getting to know lilypond-book, both with html and LaTeX source
files, running running Ubuntu 8.04 with 2.11.63.
As suggested in the manual, I've specifed an output directory
?
Best,
Jon
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= melody \melody
\context Voice = tenor \tenor
\context Voice = bass \bass
\layout {
indent = 0.0\cm % remove indent on first staff
}
\midi { %causes generation of midi score
}
}
=== end code ===
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it personally. So for ten or fifteen minutes' work, I think
we had a success!
Thanks for the report. If you helped even one person avoid spending all
that money on a proprietary app, then it was worth the effort. Maybe
we'll be seeing the new users on the list soon. :)
Jon
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. I
already added the \p (piano). But I also need an \ (crescendo) and \
(descrescendo) in the first and second measure respectively. But I never
got any dynamics except the piano. Can you say me how to do?
Best regards,
Helge
- Original Message - From: Jonathan Kulp [EMAIL PROTECTED
Did I mention that it wasn't elegant?! Well, it worked on my example
anyway :)
Jon
Eluze wrote:
Jonathan Kulp-2 wrote:
Maybe not the most elegant solution, but the spacing turns out better if
you put the two things in separate markups instead of in columns inside
a single markup:
yes
= ##t
\context Voice = melody \melody
\context Voice = tenor \tenor
\context Voice = bass \bass
}
\layout {
indent = 0.0\cm % remove indent on first staff
}
\midi { %causes generation of midi score
}
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\version 2.11.62
#(set
= melody \melody
\context Voice = tenor \tenor
\context Voice = bass \bass
}
\layout {
indent = 0.0\cm % remove indent on first staff
}
\midi { %causes generation of midi score
}
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that the variable names will match the appropiate ones in the
templates.
PS Only LilyPond allows this.
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that the variable names will match the appropiate ones in the
templates.
PS Only LilyPond allows this.
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, the midi file that was created is
unreadable by my player.
If someone could download the music and help me out here I would greatly
appreciate it.
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\version 2.11.62
\include deutsch.ly
\include global.ly
\include triolen.ly
\include header.ly
%% ignore line
this?
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Nick Payne wrote:
-Original Message-
From: Jonathan Kulp [mailto:[EMAIL PROTECTED]
Sent: Wednesday, 22 October 2008 06:55
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Drum parts and horizontal beams
Jonathan Kulp wrote:
The Beam damping property is still probably what you
that -10 it will make it tilt a bit the other way.
Jon
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'...
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bd] sn8 bd sn
}
}
}
Can anyone help me?
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elegant
solution?
Andrew
On Sun, Oct 19, 2008 at 2:32 PM, Jonathan Kulp [EMAIL PROTECTED] wrote:
Well, it's easy enough to put two voices on the same staff and make their
stems go in opposite directions. See the docs where they discuss
single-staff polyphony (Learning Manual section 2.3.5 for version
{ \RemoveEmptyStaffContext}}
\midi {}
}
On Sun, Oct 19, 2008 at 5:34 PM, Jonathan Kulp [EMAIL PROTECTED] wrote:
I created a short example doing this with the staff-change command and it
gets the lower voice into the upper staff just fine, with the noteheads
merged and the stems going opposite directions
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{
}
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you suggest what I need to do?
Jonathan Kulp wrote:
This snippet appears to do what you're asking:
http://lilypond.org/doc/v2.11/input/lsr/lilypond-snippets/Expressive-marks
Go down to where it says Creating arpeggios across notes in different
voices.
Jon
.
Can you suggest what I need to do?
Jonathan Kulp wrote:
This snippet appears to do what you're asking:
http://lilypond.org/doc/v2.11/input/lsr/lilypond-snippets/Expressive-marks
Go down to where it says Creating arpeggios across notes in different
voices.
Jon
?
If so, then I must, in effect, dissect my scores into horizontal layers,
and their complexity instantly increases dramatically. I dread this.
t.
Jonathan Kulp wrote:
Ok this is better. I put the \set Staff.connectArpeggios in the score
block instead. This is more elegant:
% This shows
expects to do, except with true multi-voice scores (vocal,
orchestral, etc.).
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appreciated!
Tom
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[mailto:[EMAIL PROTECTED]
Sent: Monday, 13 October 2008 17:43
To: Jonathan Kulp
Cc: Nick Payne; lilypond-user@gnu.org
Subject: Re: Moving guitar fingering orientations
2008/10/12 Jonathan Kulp [EMAIL PROTECTED]:
Ah. I see it now. Yes, this is easily fixed. How can I alter this
snippet? Valentin
BTW this works with single notes, too. I changed it as follows and the
arpeggio still works fine:
\new Staff \with {
\consists Span_arpeggio_engraver
}
\relative c' {
\set Staff.connectArpeggios = ##t
{ e'4\arpeggio d f d f2 } \\
{ d,2\arpeggio g b2 }
}
Jonathan Kulp wrote
Ok I've changed it to include two examples of single notes with
fingering orientation set on them. Snippet copied at the bottom!
Jon
Valentin Villenave wrote:
2008/10/12 Jonathan Kulp [EMAIL PROTECTED]:
Ah. I see it now. Yes, this is easily fixed. How can I alter this
snippet? Valentin
the example?
Jon
Valentin Villenave wrote:
2008/10/12 Jonathan Kulp [EMAIL PROTECTED]:
Ah. I see it now. Yes, this is easily fixed. How can I alter this
snippet? Valentin, this is your purview, right? Is it o.k. if I just make
these small changes and email it to you?
Yes, please do!
Cheers
Sorry, I should have read more carefully. It actually does say
explicitly in the text that single notes need chord angle brackets
around them, but it might be useful to format this as a @warning anyway?
Jon
Jonathan Kulp wrote:
Aha! I've already sent a revised snippet to Valentin that shows
- From: Jonathan Kulp [EMAIL PROTECTED]
To: Valentin Villenave [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Monday, October 13, 2008 5:21 PM
Subject: Re: Moving guitar fingering orientations
Sorry, I should have read more carefully. It actually does say
explicitly in the text
/lilypond-user
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It's the one I sent you. The bit in the learning manual is different,
and I don't think it's considered a snippet.
Jon
Valentin Villenave wrote:
2008/10/13 Jonathan Kulp [EMAIL PROTECTED]:
That's a good idea, Trevor, thanks.
So, what's the snippet in the end? :-)
Cheers,
Valentin
.
Can anyone suggest how to do this?
Thanks!
Tom
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,
- Graham
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of the manual
showing placing of fingering use actual chords as illustrations, and so it
is not made clear that a single note also requires the chord construct to
enable placing of the fingering. The same problem exists in the section
dealing with fingering at
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of
that. And as they are complete they should include \midi{} to
demonstrate that part of Lily's output.
But I'm not going to die in the ditch defending this - it
just seemed the right thing to do.
Cheers,
- Graham
Trevor
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of it for me :)
Jon
Valentin Villenave wrote:
2008/10/9 Jonathan Kulp [EMAIL PROTECTED]:
All the more reason to have it available to us! I've submitted the request
to bug-lily as suggested so perhaps it will appear in a future release.
Nothing yet on the bug list; may I remind you that as a non
), but anyway it was fun :-)
Cheers,
Valentin
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surey there is an easier way.
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better scans
of probably larger clefs. Anyone who could provide that, probably
adding it to
http://code.google.com/p/lilypond/issues/detail?id=693
?
Werner
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image of what LilyPond does and what it should do.
Cheers,
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Can someone tell me how to disable the reverb effect that is used by
default in the MIDI output? I don't see anything about this in the docs
and the reverb is such that I can't hear individual lines very well in
my orchestral piece. Oy...
Jon
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Thanks Graham. I didn't realize this (obviously) :)
Jon
Graham Percival wrote:
It's not in the docs because it's not lilypond. Consult the docs
for your MIDI player and/or synth.
Cheers,
- Graham
On Wed, 08 Oct 2008 13:52:25 -0500
Jonathan Kulp [EMAIL PROTECTED] wrote:
Can someone tell
to get what I wanted when I could have used drummode
and simplified everything. Better late than never I guess :)
Jon
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, of course) on many occasions.
Cheers,
Wol
All the more reason to have it available to us! I've submitted the
request to bug-lily as suggested so perhaps it will appear in a future
release.
Jon
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the English Wikipedia article
http://en.wikipedia.org/wiki/French_copyright_law), but not in hardly any
other country. However, we want to distribute lilypond also in France, so we
have to abide by their copyright laws, too.
Cheers,
Reinhold
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forbidden.
Not-cheers,
- Graham
On Tue, 07 Oct 2008 08:31:51 -0500
Jonathan Kulp [EMAIL PROTECTED] wrote:
So, do I need to do a different headword, or can this small excerpt
be considered fair use? (Or does the concept of fair use apply in
French copyright law?)
Jon
Reinhold Kainhofer wrote
there's a blank space. I
want to see how you did it.
Jon
Trevor Daniels wrote:
Jonathan Kulp wrote Tuesday, October 07, 2008 5:04 AM
Ok I've put together six bars of the Ravel quartet. File is attached
so you can see it looks like it'll be appropriate. It would be nice
to have a couple
. :)
Jonathan
Trevor Daniels wrote:
Jonathan
Here's your score with my slight mods. Thanks again
for doing this so promptly. It should appear in the
2.11 docs tomorrow.
Trevor
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of mine (who is
unfortunately wedded to Sibelius) has agreed I
could use a snippet from one of his works for the
vocal headword. Or would you like to contribute
a few bars from your opera, Valentin?
Trevor
- Original Message - From: Jonathan Kulp [EMAIL PROTECTED]
To: Graham Percival [EMAIL
to finalize it and ask for lily experts [willing to] to
do
some code review to help me produce better results with higher code quality.
Cheers,
David
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%**
% Inspirational header for Unfretted Strings
from
before but with no visible difference in output on my end:
\version 2.11.61
\relative c' { fis2^( ~ fis4 g c,) }
Jon
Ari Torhamo wrote:
ma, 2008-10-06 kello 23:19 -0500, Jonathan Kulp kirjoitti:
Thanks Jon, but that isn't exactly what I mean. The problem isn't about
the arch
, maybe just the first section, up to
rehearsal mark 2. Would you be happy with that? If so, please send me
the Lily code, with comments giving the title, your name, date of
composition, and a statement saying you are happy to place the extract
in the public domain.
Trevor
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, 2008-10-07 kello 14:46 -0500, Jonathan Kulp kirjoitti:
Hmm. I thought the code I put there gave what you're describing. See
image attached. The slur is on the stem side, nowhere near the
notehead. Is this not what you meant? I'm using version 2.11.61 if
that makes a difference.
Here's
/eliminated several versions ago.
Now, you must use \override Slur #'positions and manually set the points…
HTH,
Kieren.
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Ari Torhamo wrote:
ti, 2008-10-07 kello 17:02 -0500, Jonathan Kulp kirjoitti:
Here's a quick test of Kieren's suggestion, showing first the overridden
slur and then one without the override. Not too hard to do as long as
there aren't too many.
This slur setting would be the norm
Unfretted string instruments. A fragment of a string quartet
maybe? Any suggestions or volunteers to produce one?
Trevor
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in public domain.
Ravel and Debussy are both PD, as are the early Webern that were
published in the U.S. before the 1920s.
Best,
Kieren.
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%**
% Inspirational header for Unfretted Strings section
)
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it has to have a page-worth of stuff.
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wrote:
What is the command to enlage the whole score; notes, lyrics, everything?
Thanks
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.TH lily2image 1 1.2 Jonathan Kulp, Patrick Horgan Lilypond Helper
Tools
.SH NAME
.LP
lily2image \- Convert lilypond source files into cropped musical examples in a
variety of image formats.
.SH SYNTAX
.LP
lily2image [\fIoption\fP] [\fIoption\fP
) being able to specify parameters with easy-to-remember flags instead
of long options I have to look up in the documentation every time.
I suppose you could say it's a reinvention of the wheel, but this wheel
rides more smoothly for me :)
Jon
Alexander Kobel wrote:
Jonathan Kulp wrote
with makefiles and a tag every now and then. My opera is yet to come... :-)
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Yes, that would probably do it. I'll see if I can sort any of it out
tonight after the kids are in bed. Thanks for the suggestion, as
always, Patrick. :)
Jon
Patrick Horgan wrote:
Jonathan Kulp wrote:
I've actually tried to do this. I booted into the Windows partition
of my machine
If you have the skills to translate it to Windows that'd be great. I
don't know the first thing about Windows so I can't do it myself. I'd
really appreciate it if someone could make a Windows version of
lily2image :)
Jon
Tomas Valusek wrote:
Jonathan Kulp napsal(a):
After much revision
and will probably start messing around with it when it
gets here.
Jon
Patrick Horgan wrote:
Tomas Valusek wrote:
Jonathan Kulp napsal(a):
After much revision, addition, and general fussing about with it, I'm
happy to post the official version of what we're calling
lily2image, a script for converting
the file and here is the
backtrace. The crash is in the instrument name code.
When I comment line 189 in the ly file, to remove the instrument name engraver
from the choirstaff, LilyPond does not segfault.
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is the
backtrace. The crash is in the instrument name code.
When I comment line 189 in the ly file, to remove the instrument name engraver
from the choirstaff, LilyPond does not segfault.
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help I'll check on it.
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#!/bin/bash
#**#
# Script for making image files from lilypond source suitable for use as #
# musical examples to insert in a document or web page
\relative c {
c16 g' c \change Staff = up es g r
}
}
}
Best regards,
Helge
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