On 2021-05-22 14:51, Lukas-Fabian Moser wrote:
Hi Kaj,
Am 22.05.21 um 14:25 schrieb Kaj Persson:
How surprising! I tried using Devnull for a piece, but the lyrics did
not synchronize with the music. So I discovered that it ignores ties
and slurs. This makes this finesse useless for lyrics
How surprising! I tried using Devnull for a piece, but the lyrics did
not synchronize with the music. So I discovered that it ignores ties and
slurs. This makes this finesse useless for lyrics, which is a pity.
Could be useful. Well, yes, I know it is intended for cadenzas parties
in the music,
YES! YES! YES!
Thank you Carl. This was exactly the solution I have been searching for.
Now I must (a bit ashamed) admit that I have never heard of that
function/context Devnull and neither the functions skip-of-length or
mmrest-of-length. Devnull isn't even mentioned in Notary Reference, bu
Hello David and Aaron
You'll find my message at the bottom ...
On 2021-05-16 23:41, David Wright wrote:
On Sun 16 May 2021 at 06:07:22 (+0200), Kaj Persson wrote:
[ … ] I think I have read most of the
relevant parts in Notation manual and also Learning manual, but,
according to what
2021-05-15 20:31 skrev David Wright:
On Sat 15 May 2021 at 16:03:54 (+0200), Kaj Persson wrote:
In the Notation manual is described how to manage Lyrics in Repeat
conditions. It shows examples the Repeat section following an initial
part of music. There are also examples when the Repeat
Hi all
In the Notation manual is described how to manage Lyrics in Repeat
conditions. It shows examples the Repeat section following an initial
part of music. There are also examples when the Repeat starts the piece
and then followed by more music. But if you are searching the
combination of
I am working on an SATB piece, and want to produce two things: 1) the
note sheet and 2) a MIDI file as an aid for the singers in learning the
music. I want two voices on one staff, so I tried using the partcombine
facility.
At one point there is a long pause for the singers, where instruments
David,
On 2017-03-27 at 20:17, David Kastrup wrote:
Kaj Persson <70147pers...@telia.com> writes:
So the result you show printed is _exactly_ the result according to
my explanation, yet you say it isn't, possibly because of glossing
over half of the explanation, possibly
Den 2017-03-27 kl. 18:53, skrev David Kastrup:
Kaj Persson <70147pers...@telia.com> writes:
On 2017-03-27 at. 17:54, David Kastrup wrote:
Kaj Persson <70147pers...@telia.com> writes:
Oh sorry, this was not according to my intention. And yet I embraced
the code with the HTML t
On 2017-03-27 at. 17:54, David Kastrup wrote:
Kaj Persson <70147pers...@telia.com> writes:
Oh sorry, this was not according to my intention. And yet I embraced
the code with the HTML tags ... , a methode I have been
using several times before, with good results. Well I take your words
On 2017-03-27 at. 17:54, David Kastrup wrote:
Kaj Persson <70147pers...@telia.com> writes:
Oh sorry, this was not according to my intention. And yet I embraced
the code with the HTML tags ... , a methode I have been
using several times before, with good results. Well I take your words
Oh sorry, this was not according to my intention. And yet I embraced the
code with the HTML tags ... , a methode I have been using
several times before, with good results. Well I take your words and send
this e-mail again as pure text, which means I cannot paste the images,
why I instead attac
Den 2017-03-23 kl. 17:27, skrev Mats Bengtsson:
On 2017-03-23 10:18, wrote:
Hello all!
I had need of printing marks on several staves, so I moved the
Mark_engraver to the Staff context, all according to LilyPond NR, see
snippet below. Then I noticed, that I could not control the contents of
Reh
On 2017-03-23 at 16:39, Toine Schreurs wrote:
Try:
A = {
\mark #3 a'4 a' |
\set Staff.rehearsalMark = #6
\mark \default a' a'
} %etc
Yes, it does in fact work. I had seen this variable setting in the
Internal Reference manual, but it was noted "(read)" so i did not test it.
Howev
_performer to the
Staff-context:
\midi {
\context {
\Voice
\remove "Dynamic_performer"
}
\context {
\Staff
\consists "Dynamic_performer"
}
}
though, I haven't tested that!
HTH
Jan-Peter
Am 30.05.2016 um 11:34 schrieb Kaj Persson:
Hi Jan-Peter!
Hi Jan-Peter!
This, in fact, worked. Now I have to investigate the consequences for my
real case, as this is of course a wee more complicated than the simple
snippet. it deals with choir music with double voices (soprano and alto
etc.) in each staff, and also other things.
The question remai
Hi Phil,
Thank you for the hint. No I had not tried \new Dynamics, but now I
have. And sorry, that works even worse. Now there is no dynamic
difference, even with no name on the \Music voice. It's a pity, because
when you put the question I got the feeling that, this of course is the
answer, t
On 2015-09-19 05:06, Brett Duncan wrote:
On 19/09/15 8:49 AM, Kaj Persson wrote:
As you wrote Csus ought to mean that the first third is removed, and
nothing else. Among professional musicians, which I am not, but I
have friends who are, this is not the whole truth, there exists a de
facto
On 2015-09-18 21:39, Thomas Morley wrote:
2015-09-18 21:20 GMT+02:00 Blöchl Bernhard :
Am 18.09.2015 19:53, schrieb 70147pers...@telia.com:
...
Csus means it would be fine, if I
could define this once, and then use my definition(s) when entering
the music, instead of, like today, having t
Den 2015-09-17 11:33, skrev Thomas Morley:
2015-09-17 11:13 GMT+02:00 David Kastrup :
Thomas Morley writes:
2015-09-17 10:47 GMT+02:00 Simon Albrecht :
Hello Kaj,
On 17.09.2015 09:27, 70147pers...@telia.com wrote:
First I will declare, that I am not 100 percent sure this is a bug, but
frie
On 2015-05-21 15:30, tisimst wrote:
Kaj,
On Thu, May 21, 2015 at 2:05 AM, Kaj [via Lilypond] <[hidden email]
> wrote:
I am working on a piece of choir music. It consists of two parts,
the first of which is written on one staff, and the second two
staves. The upper staff in part t
Hi Paul,
I think that aids like this are very valuable to lead the novice past
all the pitfalls surrounding her/his way towards the bigger
understanding. At first you just use it, finding it a good help, which I
will do now. Later on by investigating how it works, it also leads to a
better in
Hi Kaj,
On Tue, Feb 3, 2015 at 1:37 PM, Kaj Persson mailto:kape_...@algonet.se>> wrote:
In the snippet collection, the "Repeats" section, there is one
named "Shortening volta brackets". I have use for just this,
since in a piece of music I n
In the snippet collection, the "Repeats" section, there is one named
"Shortening volta brackets". I have use for just this, since in a piece
of music I need some extra space in order to put a mark immediately
after the volta alternative bracket. So I tested it, and, yes, the
example promised we
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