Probably by doing a voicing like the example in the link you send
new Voice \relative {
<<
{ d''1^\trill_( }
{ s2 s4. \grace { c16 d } }
>>
c1)
}
But with a \slashedGrace
new Voice \relative {
<<
{ d''1^\trill }
{ s2 s4. \slashedGrace { d8-( } }
>>
c1)
}
Hope it
Hello!
I'm trying to reproduce the curved line shown in the attached image.
The "Snake" is used to tell the interpreter that the other staff fragment
should be played by the two hands, or more accurated, IN the two hands. And
is intended so not to charge so much the score. (I know, I could
Link for the example image...
https://drive.google.com/open?id=1vuTzR23XOfx1gTEra-aMv-oz35s_XY0h
El mar., 17 de jul. de 2018 a la(s) 16:30, Helge Kruse (helge.kr...@gmx.net)
escribió:
> Am 17.07.2018 um 19:09 schrieb Marcos Press:
> > Actually I'm not certain of which method to use
The \tag metoth does not respect the time of removed bars. Still nice tip ;)
El El mar, 17 de jul de 2018 a las 14:11, Marcos Press
escribió:
> My bad! Send without attach!
> Sorry!
> Here...
>
> El El mar, 17 de jul de 2018 a las 14:09, Marcos Press
> escribió:
>
>&g
and unnecesary eye data.
How would you resolve these?
El El mar, 17 de jul de 2018 a las 02:06, Helge Kruse
escribió:
> Marcos Press schrieb am Di., 17. Juli 2018, 02:58:
>
>> Is there any way to set RemoveEmptyStaves just for SKIP's or when the
>> rest/skip is larger than 1 (one) bar?
>
ff \removeWithTag #'yes \music
>
> %%
>
> 2018-07-17 7:06 GMT+02:00 Helge Kruse :
>
>> Marcos Press schrieb am Di., 17. Juli 2018, 02:58:
>>
>>> Is there any way to set RemoveEmptyStaves just for SKIP's or when the
>>> rest/skip is larger than 1 (one) bar?
>
Is there any way to set RemoveEmptyStaves just for SKIP's or when the
rest/skip is larger than 1 (one) bar?
{
a1 | b4 a8 g b2 |
R1 | % no Remove
a1 | b4 a8 g b2 |
R1*2 | % yes Remove
a1 | b4 a8 g b2 |
R1 | % no Remove
f1 |
}
Thanks!
Marcos.
___
Once again I'm applying \bendAfter in my score and find these strange
behavior...
code:
\version "2.18.2"
\relative c'' {
% print bend after mono-voice note Great! %
2 c2-\bendAfter #+4
% no bend printed over chord-voice %
2-\bendAfter #+4 c2
% Works in poly-voice but diferent
Hi list!,
Can anyone try these and tell me why does lilypond eliminate the second
alternative?
My output said that there are more \alternatives than repetitions, but
thats not true.
\version "2.18.2"
\relative a'' {
\time 6/8
\repeat volta 2 {
<<
{ a8-.-- g-.-- r r4 fis8-.-- | fis8-.--
Hi!
>From my experience as violinist wich I still are :) I can say that:
- The lower information is an alternative. Wich you use depending on your
likes on interpretation. Basically, because the same note in different
position and string sounds quite... diferent.
- Digits for Finguers.
- Roman
he other manuals – so you shouldn’t miss
> studying that! It’ll be very rewarding.
>
But now to your question :-)
>
> Am 01.09.2015 um 22:34 schrieb Marcos Press:
>
>> Dear list,
>>
>> Iḿ trying to add the lyric of a folk song to a score.
>>
>> How
Dear list,
Iḿ trying to add the lyric of a folk song to a score.
How do I tell the lyric in wich measure to start?
All the things I found in google, the manuals and snippets always deals
lyrics starting at the same moment of the music.
What I need is
\chords { blah blah blah blah }
\music {
Kond /n.d.n.s.l./
2015-04-22 10:30 GMT+02:00 Marcos Press tdy.p...@gmail.com:
Hi Mr Eltes,
I think the way of using it depends a little on your system.
Under Linux, the easy way is to open a terminal and run the .midi file
through midi2ly and the resulting .ly file through lilypond
Hi Mr Eltes,
I think the way of using it depends a little on your system.
Under Linux, the easy way is to open a terminal and run the .midi file
through midi2ly and the resulting .ly file through lilypond and there
you'll have the .pdf file to print.
$ midi2ly myfile.midi
[...]
$ lilypond
Hi List!
Can someone tell why the small fragment in the attached .ly file, gives
these error?
$ lilypond rep.ly
GNU LilyPond 2.18.2
...
rep.ly:8:1: error: syntax error, unexpected \alternative
\alternative {
rep.ly:3:1: error: se han encontrado errores, se ignora la expresión musical
-Schneider
pierre.schneider.pa...@gmail.com:
Hi Marcos,
2014-11-21 17:02 GMT+01:00 Marcos Press tdy.p...@gmail.com:
Can someone tell why the small fragment in the attached .ly file, gives
these error?
You have to put the barlines at the right places ; the following code
won't give you any
Thanks.
Seams the way would be to just use the macro :) which its a great one ;)
2014-11-18 16:30 GMT-03:00 Noeck noeck.marb...@gmx.de:
{a4 r}*4
Wouldn't be great?
I remember a discussion about this long time ago. A possible workaround
is described in
Several things can be made.
#*# One. Put the slur down.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Curves.html#Slurs
Still works in 2.17 as well.
\version 2.17.96
{
\slurDown
a'8( b'4.) r2
}
[image: Imágenes integradas 2]
#*# Two. Put a silent note.
I just use a random scale
You can start here:
http://www.lilypond.org/doc/v2.17/Documentation/notation/displaying-pitches.html#key-signature
2013/11/29 Ryan McClure ryanmichaelmccl...@gmail.com
If you try this, you can get a key signature close to what you need...I'm
unsure how to add brackets around the flats,
Try here:
http://lilypond.org/doc/v2.17/Documentation/notation/visibility-of-objects.html
2013/11/29 Mr. Server Acim servera...@ttmail.com
Hello,
We are writing a book about Harmony with my friend. At the begining
chapter we will give basic music theory knowledges.
I am trying to write a C
One World!
2013/11/26 Janek Warchoł janek.lilyp...@gmail.com
2013/11/26 David Kastrup d...@gnu.org:
Philippe Massart phili...@philmassart.net writes:
Regarding Rachmaninov, his work will enter public domain in Belgium
(and most of European countries) in a few weeks, the January 1st
!
And pretty sure the concerts would be great too!
Marcos.
2013/11/26 David Kastrup d...@gnu.org
Marcos Press tdy.p...@gmail.com writes:
2013/11/26 Janek Warchoł janek.lilyp...@gmail.com
2013/11/26 David Kastrup d...@gnu.org:
Philippe Massart phili...@philmassart.net writes
Keeping away from theoricals constructions of different languages and
sticking to the image to achive, I think these should do some trick. Surely
it could be perfected.
\score {
\relative c'' {
c^\markup \concat { 1\char #186 } % from pls snip
b^\markup{ 1°}
Hi, is lilypond web down?
I make a test whit www.isup.me and gives me that lilypond is down.
Any hint? Do I miss a down news post?
Thanks
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Ok!
Thanks!
2013/11/10 Federico Bruni fedel...@gmail.com
Il dom, nov 10, 2013 at 4:18 , Marcos Press tdy.p...@gmail.com ha
scritto:
Hi, is lilypond web down?
I make a test whit www.isup.me and gives me that lilypond is down.
Any hint? Do I miss a down news post?
confirmed
it happens
couldn't remember
why I couldn't use it :)
About my orginal question, Marc answer was the reason I keep getting that
warning.
2013/10/25 Urs Liska u...@openlilylib.org
Am 25.10.2013 15:45, schrieb Marcos Press:
Hi all!
Every time I run lilypond-book I have the same first three lines
Absolutly right.
You really have some perception powers :)
I was not telling lilypond-book to use xelatex.
Now it detects the marging and the result is much much better than before :)
Thanks.
2013/10/25 Marc Hohl m...@hohlart.de
Am 25.10.2013 15:45, schrieb Marcos Press:
Hi all!
Every
Hi all!
Every time I run lilypond-book I have the same first three lines:
Running `pdflatex' on file `/tmp/tmpk95zdA.tex' to detect default page
settings.
lilypond-book: warning: Unable to auto-detect default settings:
lilypond-book: warning: cannot detect textwidth from LaTeX
Then,
I'm using the same as Mark but with back slash.
c \[ a b e d \]
It's actually a ligature in the docs.
http://www.lilypond.org/doc/v2.17/Documentation/notation/ancient-notation_002d_002dcommon-features#ligatures
also take a look at
Graet!
Thanks!
2013/10/20 Federico Bruni fedel...@gmail.com
2013/10/20 Marcos Press tdy.p...@gmail.com
The result I need is the one that said correct.
I don't know whay, in 2.16 the
\override Stem.transparent = ##t
It just turn transparent the steams, without toching the Beams.
But now
of interpretation of a violin
studie book.
Thanks
2013/10/20 David Kastrup d...@gnu.org
Federico Bruni fedel...@gmail.com writes:
2013/10/20 Marcos Press tdy.p...@gmail.com
The result I need is the one that said correct.
I don't know whay, in 2.16 the
\override Stem.transparent
Hi! I'm full of questions today :D
In these case, I have three times the same last ligature and when I repeat
it a fourth time, it doesn't print the same before like you can see at the
attached file.
Why?
\version 2.17.28
one = \relative c''{e8-. g( e) c( b[) d( b) a8*1/2]( s8*1/2)}
two =
. They are, as file_name.
And the length is not a problem since I just try adding nearly 10 char more
and it works perfectly.
Was these known? And I miss it?
2013/10/19 David Kastrup d...@gnu.org
Please keep the list copied.
Marcos Press tdy.p...@gmail.com writes:
Absolutly right Incredible
have remove them now :), but the space is still there.
2013/10/19 David Kastrup d...@gnu.org
Marcos Press tdy.p...@gmail.com writes:
Sorry!!!
I miss click the reply link instead of reply-to-all.
These was my complete path:
~/partes/Biblioteca/Metodos-Violin/Kayser-Op20-36-Estudios
Great!
Thank you very much.
Marcos.
2013/10/19 David Kastrup d...@gnu.org
Marcos Press tdy.p...@gmail.com writes:
No, I add them because they are no standard Bash chars.
If I autocomplete the command line they appear.
If I execute the ls command they don't.
Same with the space
Hi list!
I'm still having problems with lilypond-book.
Am I doing something wrong?
The file:
###
\documentclass[a4paper]{article}
\begin{document}
Some text and now\\
\begin[notime]{lilypond}
\relative{c4 d e f g a b c}
\end{lilypond}
Some notes.
\end{document}
###
Command and terminal
Marcos Press tdy.p...@gmail.com schrieb:
Hi list!
I'm still having problems with lilypond-book.
Am I doing something wrong?
The file:
###
\documentclass[a4paper]{article}
\begin{document}
Some text and now\\
\begin[notime]{lilypond}
\relative{c4 d e f g a b c}
\end{lilypond}
Some
input file.
Maybe you should send your actual file as an attachment (to rule out email
mangling) so others can test it.
Best
Urs
Marcos Press tdy.p...@gmail.com schrieb:
Hi list!
I'm still having problems with lilypond-book.
Am I doing something wrong?
The file:
###
\documentclass
Marcos Press tdy.p...@gmail.com writes:
Hi list!
I'm still having problems with lilypond-book.
Am I doing something wrong?
The file:
###
\documentclass[a4paper]{article}
\begin{document}
Some text and now\\
\begin[notime]{lilypond}
\relative{c4 d e f g a b c}
\end
Thanks!
I'll make another question then.
2013/10/4 Marc Hohl m...@hohlart.de
Hi Marcos,
Am 02.10.2013 17:08, schrieb Marcos Press:
Thanks for answering!
My file is the following example from lilypond manuals:
##
\documentclass[]{article}
\begin{document}
Normal LaTeX
error, v # invalid expression
sre_constants.error: bad character range
Thanks again for any help!
Marcos
2013/10/2 Marc Hohl m...@hohlart.de
Am 30.09.2013 19:56, schrieb Marcos Press:
I'm not sure what is happening...
LaTeX does not know any lilypond package.
That's
I'm not sure what is happening...
LaTeX does not know any lilypond package.
Lilypond-book gives these error always:
~$ lilypond-book --pdf --output=out file.lytex
[...]
File /usr/lib/python2.7/re.py, line 242, in _compile
raise error, v # invalid expression
sre_constants.error: bad
Hi!
Finaly I decide to learn LaTeX, and integrateit with Lilypond.
I've been writting in LaTeX with the usuall learning curbe problems. And
finaly arrive to the moment of putting some music within the text.
So I type many diferent trys, and nothing works. Always the same output.
So I decide to
Same bug with the Select a standard chord: box.
Xubuntu 13.04 x64 on firefox 23.0
For the rest. Great Work!!!
2013/8/25 Mike Blackstock blackstock.m...@gmail.com
re I'm no artist - that makes two of us.
You could just use this bigger version of your favicon:
Use to have Export to Lylipond in a menu or something like that. But I do
prefer it without anchovies.
In the old days, before the pizza, I use to export others formats to midi
or MusicXML or PS and then to Lylipond with diferent small free software
without having to do that thing of the
Thanks Noeck!
#(ly:make-moment 6 8) produces separately grouped tuplets every 6/8 -
which is probably a full measure in your case (if you use \times 6/8).
I asume here you are talking about \time and not \times (or future \tuplet)
function
In general, if you want to group tuplets after
With the hopefully-2.17.11 syntax this would be
{
\time 6/8
\tuplet 4/6 4. { e16 fis g gis a ais b b }
}
Now this still is mathematics. It seems closer to the kind of
mathematics you'd use in music. Though I am not sure I'd not prefer
Well, calculating tuplets is much more
Hi list!
I always have some problems with the tuplets, but generaly I end up findig
a solusion by my own. Today is not the day :)
The problem is more with the spanner but I'm not sure the tuplet is
configured correcly.
Here, all seams ok.
Compile with no error and perfect graphic with one spanner
Hi Kieren,
Yes, because 1/3 is not the moment you want (I think).
Try
set tupletSpannerDuration = #(ly:make-moment 6 8)
Actualy the moment I want would be the one that I can get with separated
\times. Like:
\times 6/4 { e16[ fis g gis] }
\times 6/4 { a16[ ais b b] }
But, wich would
Interesting!, a way for simplifying things!
But the confusion with tuplets, starts when I have to use then in
non-regular \time or non-regular tuplets like my example that its both
things at the same time.
In a \time 4/4 or 2/4 its easy to grasp the use of a standard \times 2/3
But in a \time
Hi. First of all, I'm sorry if my english it's not clear, but I'm not english
speaker and less writer.
I start using LilyPond a month ago, and it feels great realy great. But I have
a problem with the \header block. I coudn't find how to format the text in
it. I want, for example, to reduce
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