At 21:13 on 19 Aug 2016, David Kastrup wrote:
>Mark Knoop <m...@opus11.net> writes:
>> Hi Mats,
>>
>> How does the attached look to you? Note I have moved the
>> Keep_alive_together_engraver to the GrandStaff level so that the vln
>> I and vln II groups
_together_engraver to the GrandStaff level so that the vln I
and vln II groups can work independently. The problem now is making the
system start braces cooperate.
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\version "2.19.40"
viI = \relative c'' {
\repeat unfold 8 { c4 d e d | }
\tag #'viIsolo { \repeat unfold
At 20:18 on 16 Aug 2016, Mark Knoop wrote:
>At 12:13 on 16 Aug 2016, tisimst wrote:
>>A great example (better and more likely to happen than mine)! Maybe
>>you'll be able to check this item off you wish-list soon!
>
>Thanks both for those. I probably won't do anything
if you have
them.
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.
Many thanks for your input.
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at >> }
\markup "desired \unfoldRepeats in all staves"
\score { \unfoldRepeats << \withrepeat \desired >> }
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m context to achieve this.
Note this currently doesn't work well in a frenched score as the
MarkLine context can't know if the staves below it are still alive.
However I have just submitted a potential fix for this, see here
https://codereview.appspot.com/308910043/
; needs to be straightened out.
>
>LilyPond. Check the front page of the website.
$ git grep LilyPond Documentation/ | wc -l
11154
$ git grep Lilypond Documentation/ | wc -l
329
$ git grep "Lily Pond" Documentation/ | wc -l
2
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This phenomenon seems to occur for any "book" past the first one.
>
>This phenomenon did not occur in v2.19.38.
>
>Is there a fix? Is this a bug?
Seems to be fixed in git. I think it was issue 4918.
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%\override VerticalAxisGroup.remove-layer = #'()
%\override VerticalAxisGroup.remove-layer = ##f
} { \bars }
\new Staff = "brass" \with {
\override VerticalAxisGroup.remove-layer = ##f
} { \brass }
\new Staff = "brasstwo" \with {
\ov
>should use a tweak except when I try the above in the Tweak syntax, I
>get an error. Thanks!
Well, you don't mention what you tried. This seems to work:
{
r1\fermata
-\tweak TextScript.stencil #(make-stencil-boxer 0.1 0.3
ly:text-interface::p
t;ever, or (additionally) to only reset when explicitly instructed)?
\paper {
reset-footnotes-on-new-page = ##f
}
will do the first. I'm afraid I can't help with the other points.
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Thanks David,
At 15:01 on 23 Apr 2016, David Kastrup wrote:
>Mark Knoop <m...@opus11.net> writes:
>> On upgrading to 2.19.32, one of my regular functions no longer works.
>> It seems that a single number as the first argument is now accepted
>> as a number-list whereas
4 ##t 4/4
% not specifying first argument no longer works
\myFunction 4 4/4
}
I suspect this is related to commit
2a66e23f356503ef916d51efa3f00cae5958dc48
Issue 4811/1: Allow property paths as scalars and in assignments
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example the 'b' would actually be absolute b''. How would one do
>this without creating a new \relative expression?
\resetRelativeOctave
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ment of piano pedalling
in Chapter 11 (page 333 and onwards) Ped is left aligned as Kieren
states.
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At 15:04 on 24 Mar 2016, Mark Knoop wrote:
>At 09:29 on 24 Mar 2016, Kieren MacMillan wrote:
>>> In all of Gould's examples, it's more the "e" that's centered on the
>>> notehead.
>>
>>We must have different Goulds: not only are all of the examp
if this is relevant to your current work on this, but it would
be great to have a global override to create beams over rests WITHOUT
having to manually enter them. The implementation would need quite some
thought as to the kind of parameters needed, e.g. maximum-rest-value,
minimum-beam-
At 17:15 on 12 Jan 2016, Werner LEMBERG wrote:
>> b) have *no* beamlets at all and let the subdivision be calculated
>>as usual (fourth attachment)
>
>This is what I prefer.
>
+1. Gould seems to always use stemlets with beamlets when the beam
count
This could perhaps replace a
substantial part of your OpenLilyLibRepo class.
[1] http://www.pygit2.org/
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glyph-name for alteration
3/2
eisis
eighthtones.ly:56:1: warning: Could not find glyph-name for alteration
9/8
eisiq
On Thu, Jul 30, 2015 at 5:47 PM, Mark Knoop m...@opus11.net wrote:
At 17:28 on 30 Jul 2015, Nike Hedges wrote:
Hi,
I want to write eighth tones, 1/8 rather than 1/4.
I believe
}
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'' geseq' biseq'' }
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Description: Binary data
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of years
ago. Thanks to Keith OHara.
https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01296.html
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alignTo.ily
Description: Binary data
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properties.
Documentation/internals/pianopedalbracket.html
Documentation/internals/line_002dinterface.html
\version 2.19.21
{
\override Staff.PianoPedalBracket.style = #'dashed-line
\set Staff.pedalSustainStyle = #'bracket
c4\sustainOn g c d
d\sustainOff\sustainOn g, c2
\bar |.
}
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Thanks to Jan-Peter's lalily, I now have a working solution, attached.
At 09:05 on 09 Jul 2015, Mark Knoop wrote:
Thanks Jan-Peter,
I'll take a look at this and post back if I make any progress.
Cheers,
Mark
At 09:21 on 09 Jul 2015, Jan-Peter Voigt wrote:
Hi Mark,
I know this issue and wrote
like, you can see, if the use of
lalily conceptually does, what you want. And perhaps there will be
times, when I am able extract this to openlilylib.
Cheers,
Jan-Peter
Am 08.07.2015 um 13:41 schrieb Mark Knoop:
I'm trying to include the title of the current movement in the page
header
{
% setting piece here has no effect,
% even without a bookpart level header
\header { piece = Movement 3 }
\repeat unfold 400 e'1
}
}
}
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At 10:15 on 12 Jun 2015, Damian leGassick wrote:
Dear all
I need to set this tremolo:
{
\time 3/4
r4 \scaleDurations #'(2 . 1) \repeat tremolo 4 { e'''!64 c'''! } r4
}
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with me (evince on Debian/Gnome). I've given up on this long time
ago.
Works for me on Fedora using my install script here:
https://github.com/markk/textedit-ly
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) is possible with http://gillesth.free.fr/Lilypond/extractMusic/
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define and use a barline that is false except for the end of
line.
\defineBarLine #'(| #f #f)
\repeat unfold 50 { c'1 \bar }
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to happen under certain circumstances: when the line is
full, and the rests are ultimately followed by some music.
\version 2.19.18 % same result with 2.18.2
{
R1
^\markup \column { attached to }
R1
R1
R1^\markup \column { attached to R1 }
c'1
\repeat unfold 16 c'16
}
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At 18:06 on 09 May 2015, Mark Knoop wrote:
Not sure if this qualifies as a bug, but it's a little unexpected and
annoying. Using an empty chord to attach markup with full-bar rests
seems to change the spacing of the bars, the bar with the is
significantly shorter. Using a zero-duration skip (s1*0
-
Automatic accidentals, and choose your preferred accidental style.
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-to-extract-the-current-time-signature-td170857.html
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\version 2.18.2
\include openlilylib
\include editorial-tools/edition-engraver/definitions.ily
\editionMod score 5 0/8 score.Staff.A \set Staff.timeSignatureFraction = 3/2
uppermusic = \relative c' {
\time 3/2
\repeat unfold 8
At 19:58 on 13 Apr 2015, Mark Knoop wrote:
At 13:59 on 13 Apr 2015, Kieren MacMillan wrote:
The “presentation layer” comprises, in part, choices that must be made
to physically represent the content on the page, given the page
geometry, clarity considerations, etc. In this Piano/Conductor
-snippets/shaping-bezier-curves
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-engraver in OLL is adaptable?
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.
Documentation/internals/beam.html
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)
\draw-line #`(,str . -0.5)
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?
Just write #foo. Or even #(+ foo 3), #(/ foo 2.735),
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for the purpose of
accidentals. It's not a natural barline so you need to tell
LilyPond where it is in the bar. Before \bar |, add the line:
\set Timing.measurePosition = #(ly:make-moment 4/4)
and all will be well without forcing any accidentals.
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At 17:14 on 25 Mar 2015, MarcM wrote:
thanks that helped: http://lilybin.com/tvja0h/3
Interesting that moving the fingering alters the tie position also. It
doesn't look like the tie would have collided with the fingering in the
tie's default position.
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tries
transforming the original in sort of modern notation.
That is an interesting case. It would seem to me that ideally there
should be two properties (perhaps three?) to control this behaviour for
notes, rests and multimeasure rests respectively.
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At 12:31 on 24 Mar 2015, Kevin Barry wrote:
On Tue, Mar 24, 2015 at 9:01 AM, Mark Knoop m...@opus11.net wrote:
At 18:16 on 23 Mar 2015, Mark Knoop wrote:
Barlines disappear when skipBars is true and a note duration
continues over the bar. I don't think this should happen.
\version 2.18.2
At 15:43 on 24 Mar 2015, Kevin Barry wrote:
On Tue, Mar 24, 2015 at 2:38 PM, Mark Knoop m...@opus11.net wrote:
{ \time 2/4 c'4 c'1 c'4 } % 3 bars, 2nd of which is empty
{ \time 2/4 c'4 c'2 c'4 } % 2 bars, neither of which is empty
At best I would consider these to be non-standard notation
At 23:42 on 23 Mar 2015, Kevin Barry wrote:
On Mon, Mar 23, 2015 at 6:16 PM, Mark Knoop m...@opus11.net wrote:
Barlines disappear when skipBars is true and a note duration
continues over the bar. I don't think this should happen.
It is consistent with the IR definition of the property: `If set
{
#(set-paper-size b4 'portrait)
}
}
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c' { c d e } c
%\addGliss \transpose c e \relative c' { c d e } c
}
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At 20:08 on 13 Mar 2015, Marc Hohl wrote:
Am 13.03.2015 um 19:32 schrieb Mark Knoop:
Hi,
I'm trying to make a function to add a glissando to the last note of
a music expression. I've got to a version which works with simple
music expressions. However, I need to use it with transposed
are described
more fully in Script.
Cynthia, perhaps you could suggest a way to make this easier to find?
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\small text == #(make-small-markup text)
etc.
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) (markup?)
Not quite as small...
(interpret-markup layout props
#{\markup \override #'(font-size . -0.5) { \normal-text #text }#}))
\markup \small test
\markup \smallish test
\header { title = #(make-smallish-markup test) }
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'quoted-transposition (ly:make-pitch 0 0)))
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will be:
\transposedCueDuringWithClef #flute Mvmnt 1 #1 a bass { r2 }
(Do you really want the flute cue with a bass clef?)
On Wed, 2014-08-27 at 09:29 +0100, Mark Knoop wrote:
At 09:21 on 27 Aug 2014, Richard Shann wrote:
I have just got to grips with the marvellous cue facilities in
LilyPond
)
\ottava #1 e' f'\fermata] \ottava #0
}
lower = \relative {
\clef bass
s2*3
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = lower \lower
}
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}
Is there any way to tweak the ottava height? Or is this a bug I should
report?
Hi Alf,
Yes, this looks like a bug to me. You can workaround by adding
\once \override Staff.OttavaBracket.extra-offset = #'(0 . 2)
before the \ottava.
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-event rest-event tie-event beam-event tuplet-span-event
; additional events
;StreamEvent ; this works, but also adds dynamics and slurs
)
}
}
}
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At 20:10 on 02 Aug 2014, David Kastrup wrote:
Mark Knoop m...@opus11.net writes:
Through experimentation I have discovered that tweaks are effective
in quoted cues, however overrides do not work. It is possible to make
overrides work by adding StreamEvent to quotedCueEventTypes, however
At 20:10 on 02 Aug 2014, David Kastrup wrote:
Mark Knoop m...@opus11.net writes:
Through experimentation I have discovered that tweaks are effective
in quoted cues, however overrides do not work. It is possible to make
overrides work by adding StreamEvent to quotedCueEventTypes, however
the number of bars at which Kirchenpausen
become a simple line rest. You can change this default (10) with:
\override MultiMeasureRest.expand-limit = #3 % or the number you want
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braces).
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in the essay includes:
\override NoteSpacing.stem-spacing-correction = #0.6
as opposed to the default of #0.5. Might it be a good idea for the
feature to be illustrated with the default value?
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both events happen at the same moment in time, you have to use
tweak.
\version 2.18.0
\score {
{
-\tweak outside-staff-priority #1000
^\markup Above the next text please
a'4-\tweak outside-staff-priority #0 ^below please
}
}
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' a' }
\time 4/4
\repeat unfold 8 { c'4 }
\break
\time 5/4
\repeatBars 40 { d' e' f' g' a' }
\time 4/4
\repeat unfold 20 { c'4 }
\break
\repeatBars 40 { d' e' f' g' }
\repeat unfold 20 { c'4 }
}
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{
{
\new Staff {
c'1
c'1
\repeat volta 2 { c'1 }
}
\new Staff {
\repeat volta 2 { c'1 }
c'1
c'1
}
}
}
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{ \removeWithTag #'part \music } }
%
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At 09:57 on 05 Feb 2014, Mark Knoop wrote:
I'm making a music function below to automatically create a repeat
structure. It's useable at the moment, but there are a couple of
improvements that could be made - any suggestions for these would be
very helpful.
1. The main problem is where to revert
to the text and
TextSpanner.bound-details.left.padding = #-0.5
- the vertical position of the dashes (i.e. raise
it a little bit relatively to the text)
TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
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a number like #-0.5 instead of #CENTER
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which
doesn't occur in real music? ;)
Yes, it's a bug, the cause of which was discussed recently in this
thread:
http://comments.gmane.org/gmane.comp.gnu.lilypond.devel/56456
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motivic item in two whole systems!). But let me guess: Is this from
Mazeppa?
Yes, and interestingly in this edition the rfz in the second system is
misplaced. It should be on the LH d' d'' octave.
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lilypond
There seems to be a bug - see attached screenshot. Key signatures are
inserted always as if in treble clef rather than appropriate to the
selected clef.
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as to where to start with such a function? I suppose
I just need to get the positions of the two noteheads and draw a thick
line in between.
Many thanks,
Mark
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(expecting number): gap
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At 16:03 on 16 Oct 2013, David Kastrup wrote:
Mark Knoop m...@opus11.net writes:
Is there any way to use a variable in a \markup \override?
That has nothing to do with LilyPond, but rather with Scheme.
gap = 5
bskip = #'(baseline-skip . 5)
' means: don't evaluate the following expression
example:
\version 2.17.27
partone = \relative c' {
c d e f g a b^combineText c d e r r
}
parttwo = \relative c' {
r r e f r r g a d e f g
}
\score {
\new Staff { \partone }
\new Staff { \parttwo }
\new Staff
\partcombine \partone \parttwo
}
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At 08:50 on 11 Oct 2013, James Worlton wrote:
On Fri, Oct 11, 2013 at 8:29 AM, Mark Knoop m...@opus11.net wrote:
Hi all,
I'm using partcombine and am looking for a way to add a text marking
when automatic combining starts. It seems the Part_combine_engraver
only provides text hooks
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}
{ s4\ s4 s4 s4 s4\!\poco\ s4 s4 s4\! }
}
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this for the layout you require, you can
always have a separate score block for midi output. i.e. just append to
your file something like:
\score {
{ s1*4 \VoiceMusic }
{ \PianoRHMusicIntro \PianoRHMusic }
{ \PianoLHMusicIntro \PianoLHMusic }
\midi { }
}
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. Then, for example when the brass are all not playing on one
page, I get two rehearsal figures without a staff in between.
Is it possible to get the Dynamics contexts to be aware of when the
intervening staffs have been removed?
Minimal example attached and any thoughts appreciated.
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\sixteens
}
\new Score \with {
% bar number set high to accentuate the problem
currentBarNumber = #200
barNumberVisibility = #(every-nth-bar-number-visible 1)
\override BarNumber.break-visibility = #end-of-line-invisible
} {
\music \sixteens
}
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At 20:36 on 07 Apr 2013, Orm Finnendahl wrote:
Hi Mark,
Am Sonntag, den 07. April 2013 um 16:48:14 Uhr (+0100) schrieb Mark
Knoop:
https://github.com/markk/textedit-ly
Thanks that was really helpful (especially the apparmor part! Ubuntu
seems to gradually digress into some bugridden version
At 10:50 on 08 Apr 2013, Orm Finnendahl wrote:
Am Montag, den 08. April 2013 um 08:47:45 Uhr (+0100) schrieb Mark
Knoop:
If you can send me that script and documentation I'll include it in
the git repo.
ok, here you go:
Updated now at https://github.com/markk/textedit-ly
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There is now a new version of this in Python which should work better
for most people. Now configurable to your favourite editor.
https://github.com/markk/textedit-ly
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a little easier. I've put the info and
necessary files here:
https://github.com/markk/textedit-ly
Let me know if this works for you.
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wrongly. (And with awful spacing in this
Sibelius produced image.)
http://en.wikipedia.org/wiki/File:Db_minor_key_signature.png
I believe the initial B-flat is optional.
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https
/watch?feature=player_detailpagev=Sh03YXzvDF4#t=89s
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{ }
}
===
and all will be well.
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TextSpanner #'(bound-details left-broken text) = ##f
\once \override TextSpanner #'(bound-details right-broken text) = ##f
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Mark Knoop
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is to stderr, so:
lilypond -dshow-available-fonts x 2 show-available-fonts.txt
should do the trick.
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://lilypond.org/doc/v2.14/Documentation/notation/writing-pitches#accidentals
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\5 d fis\5 d |
%% bar 21
fis4\5 d fis\5 d |
See Known issues and warnings here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Special-rhythmic-concerns#Grace-notes
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note (steven's
suggestion gives beaming by eight notes, that i don't find
satisfactory).
i know i saw once a solution to this, but i can't find where...
\set baseMoment = #(ly:make-moment 1 8)
\set subdivideBeams = ##t
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but the middle line mainly in
Baroque music and earlier.
The tenor clef (on the 4th line) is very common in cello, bassoon,
trombone music.
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command line software:
- pdftk: http://www.pdflabs.com/tools/pdftk-the-pdf-toolkit/
- convert: http://www.imagemagick.org/
unpaper is ideal for this also
http://unpaper.berlios.de/
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