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hank you, david
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Roy
Quoting "Paul Scott" <[EMAIL PROTECTED]>:
notesetter wrote:
Is there an Ubuntu package for LilyPond? Suppose I'm using LilyPond 2.10.33
and want to upgrade to the latest (development) branch. Is there a "software
source" I can type in and then have the latest version downloaded and
installed vi
What LilyPond version do you use? Don't expect an example written for
version 2.5 to provide optimal layout in a later version, especially
not if it uses such strange tricks as this particular example. To find
a relevant example to use as a starting point, look at the "Templates"
section of the m
art using, or does it matter 'cause
they all seem to be to be different ways of saying the same thing?
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E. Weehaeli wrote:
it is only after a long search that I found an easy way to repeat a part of a
melody
- with an upbeat
- ending before the end of a measure
- having different durations in the alternatives
- without producing warnings in the log
isn't this a third way that should/could be
http://paste.ubuntu.com/23359/
I want to have it like here,>> pop music:
http://lilypond.org/web/switch/howto
~d
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x27;d like to have the notes, then the
fingerings, then the slur.
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Anthony wrote:
On Wed, Jun 25, 2008 at 9:09 AM, Mats Bengtsson
<[EMAIL PROTECTED]> wrote:
Just insert the slur the same way as if the acciaccatura note was an
ordinary note:
\relative c'{
\afterGrace c( { \once \override Stem #'stroke-style = #"grace" d8) }
}
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ond-internals/User-backend-properties.html
Cheers,
Reinhold
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R. You can view it in HTML or PDF.
Cheers,
- Graham
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V!ctor Adán wrote:
Not sure why the docs say "You cannot explicitly instantiate a Score
context..." though. What does this mean?
This used to be true, but was changed in some previous release.
Probably, this paragraph of the documentation
hasn't been updated since then. Clearly, the sentenc
the right
direction?
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Graham Percival wrote:
On Wed, 18 Jun 2008 17:26:26 +0100
"Neil Puttock" <[EMAIL PROTECTED]> wrote:
Hi Ralph,
2008/6/18 Palmer, Ralph <[EMAIL PROTECTED]>:
I've been working on Repeats for the GDP, and found that
\set Score.repeatCommands = #'( start-repeat )
doesn't work if it's at t
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Phone: (
Peter Kaplan wrote:
Francisco Vila gmail.com> writes:
Here goes another (uglier) starting point:
arrows = \markup { \postscript #psarrows }
{ c'1-\arrows }
% end
Thanks, Francisco! Unfortunately when I try to implement this code, lilypond
fails to recognize \postscript. I'm i
\once
\override Stem #'length = #$length
#})
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e {
<<
\new ChordNames {
\set chordChanges = ##t
\transposeHarmonies
}
\new Staff \transposeMelody
>>
\midi{
\context {
\Score tempoWholesPerMinute = #(ly:make-moment 85 4) % set midi tempo
}
}
}
==
Risto Vääräniemi wrote:
2008/6/13 Mats Bengtsson :
\lyricmode has nothing to do with it. It just tells the part of Lilypond
that interprets your .ly file, that anything within the \lyricmode{...}
should be treated syntactically as lyrics and note as note names.
What you probably mean is
h = #(ly:make-moment 3 8) or \set
Score.beatLength = #(ly:make-moment 3 8) but no results. Note that this
strange thing is happening only in the score, and not in the parts.
Thank you for your help,
Andrea
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Mats Bengtsson
Risto Vääräniemi wrote:
I don't usually use \addlyrics to but the same happens with \lyricmode, too.
\lyricmode has nothing to do with it. It just tells the part of Lilypond
that interprets your
.ly file, that anything within the \lyricmode{...} should be treated
syntactically as
lyrics a
taffVoiceNames #3 #"T." #"B."
\clef "F" \Global
\new Voice { \voiceOne \NotesFiller }
\new Voice { \voiceTwo \NotesBassus }
>>
\context Lyrics = thewords \lyricsto "one" { \Words }
>>
\layout { indent = 65\mm }
}
----
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Victor Eijkhout wrote:
Meaning, not lyrics, but the notes. Suppose I want to shrink a whole
score by a few percent so that it takes one page less?
See section "Setting the staff size" in the reference manual.
Or in piano + solo instrument, it's customary to print the solo
slightly smalle
Graham Percival wrote:
On Wed, 11 Jun 2008 23:57:00 +0200
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Graham Percival wrote:
Rewriting the parser for such a trivial thing would be a waste of
resources. Just get used to typing #, just like {} or ,' or any
other piece of lil
s!
- Jesse
On Wed, Jun 11, 2008 at 2:43 AM, Mats Bengtsson
<[EMAIL PROTECTED]> wrote:
Jesse Engle wrote:
Is it possible to display roman numeral symbols in Lilypond?
Of course, just as you can typeset any other text.
Or, do you want something more automated that
treats
Graham Percival wrote:
Oh, come on! What is so hard about typing #? On an English
keyboard, you already need to be pressing the shift key to get the
" that you'll type for your string anyway.
Rewriting the parser for such a trivial thing would be a waste of
resources. Just get used to typing
his code?
I am running Lilypond 2.10.33.
Thanks for your help,
Andrea
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Risto Vääräniemi wrote:
Do you
remember what was the version you still got the midi file? With 2.10
and 2.11 you must have the \midi block inside a \score block to get
the midi.
It's always been this way in LilyPond.
/Mats
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use it for, I'm sure you can get a more helpful answer.
/Mats
- Jesse
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Valentin Villenave wrote:
BTW:
I read, lilypond originally was written in C++, but during the developing
process
the authors hdecided schema is more suitable for this task.
No. LilyPond was originally written in some other language (I don't
know... Python? TeX?)
No, the main part
ll write two notes, close to each other (like in the case of
two whole notes coinciding)?
Thanks for any suggestion!
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As I just reported on the bug mailing list, I finally managed to find
the culprit,
namely that the property style was set on the TimeSignature grob. Adding
the line
\override Staff.TimeSignature #'style = ##f
solves the problem!
/Mats
Valentin Villenave wrote:
2008/5/30 Mats Beng
;accidentals.flat"
s1
}
Any ideas as to why?
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r?
Bye
stezano
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arline engraver to the dynamics context.
But in fact, it didn't work great so far. Please try it and tell us if
you're luckier than me :-)
Cheers,
Valentin
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utive"
lyrics...
coffer
--
View this message in context:
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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Quoting Myron Marston <[EMAIL PROTECTED]>:
Isn't there a midi-to-lily converter? I figure that must have an algorithm
like this...
Yes, midi2ly does include such an algorithm and this is one of the
main reasons that midi2ly isn't as useful as it otherwise might be. Of
course, an added compli
ing example not do so?
\version "2.10.33"
\new Staff = "mycontext" \relative c' { c4 d e f g2. }
\context Staff = "mycontext" \relative c' { g'4 g f e d c1 }
On 6/2/08, James E. Bailey <[EMAIL PROTECTED]> wrote:
Am 02.06.20
James E. Bailey wrote:
Am 02.06.2008 um 09:57 schrieb Valentin Villenave:
2008/6/1 James E. Bailey <[EMAIL PROTECTED]>:
How coincidental. I've been wondering myself about the difference
between
\new and \context. I kinda just use them interchangably and see if
anything
new happens.
The
p it on the lilypond-icon i only get an
errormessage. Greetings from Peter Helner
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erhaps a bug ?
Looks like a regression to me.
Mats, can you confirm before I add it to the tracker?
Thanks,
Valentin
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istinfo/lilypond-user
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Phone: (+46) 8 790 8463
Fax: (+46) 8 7
ose c deses \music
}
\layout { ragged-right = ##t}
}
%
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Valentin Villenave wrote:
2008/5/23 Mats Bengtsson <[EMAIL PROTECTED]>:
As far as I can see in the source code, there is no support to assign a
\header block to a variable.
However, for \paper and \layout it should work fine.
If I remember correctly, it only works for
stinfo/lilypond-user
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e it's the only thing that should show up on the
staff.
Thanks
George
Mats Bengtsson-4 wrote:
I would guess that you are in the middle of some polyphonic section,
perhaps you used the
<<{...} \\ {...} >> construct? Or maybe you inserted a \voiceOne
somewhere?
/Mats
Ge
ermataMarkup |
%%
Instead of hanging from the second line as the full-bar rest should, it
hangs from the top line of the staff. So, what's going on?
Thanks
George
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Fax: (+46) 8 790 726
James E. Bailey wrote:
Is it possible to get lilypond to use two clefs? I'm looking at some
music wherein two clefs are used. I see the documentation on adding
clefs as a markup, but then I don't get the key signature doubled,
which I kinda need.
You lost me here! Can you please clarify what
is 9/8 instead of 12/8.
Any way to get this properly notated?
Thanks a bunch for the help.
Jon
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SE-10
Valentin Villenave wrote:
\addlyrics {
"1" "+ 2 " "+" "3" "4" | "1" "+ 2 +" "3 4"
}
You are using explicit durations here;
No! The \addlyrics construct copies the durations from the music, i.e.
any durations specified
explicitly in the lyrics are ignored.
The simplest way I ca
kubuntu 8.04.
Can you help me?
Thanks in advance
Silvan
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a \bar "|" r8 a4. a2
}
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ormat?
Please help me. I want to use LilyPond.
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Marc Hohl wrote:
have a look at
http://lsr.dsi.unimi.it/LSR/Snippet?id=365
There you can find the definitions
cr = \override NoteHead #'style = #'cross
Unfortunately, this was an ill chosen name of the macro, since \cr is
defined by
default to mean something completely different. In fact, y
Quoting Stefan Thomas <[EMAIL PROTECTED]>:
Oh, many thanks!
I don't understand why, but it helped!!
Once you think about it, it's fairly logical that the line-positions
property overrides the line-count property, especially if you look at
some of the examples of line-positions provided in the
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Quoting Valentin Villenave <[EMAIL PROTECTED]>:
2008/5/10 Stefan Thomas <[EMAIL PROTECTED]>:
how can I move a text-spanner downwards or upwards?
Greetings Stefan,
this is covered in the Learning Manual:
http://kainhofer.com/~lilypond/Documentation/user/lilypond-learning/Moving-objects.html
S
Mats Bengtsson wrote:
...
#(define (text-in-white-box grob)
(stencil-whiteout (ly:text-interface::print grob) 0.5))
This line should of course have been
(stencil-padded-whiteout (ly:text-interface::print grob) 0.5))
/Mats
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erriding
properties, but I can't identify the relevant ones.
Thanks
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Valentin Villenave wrote:
2008/5/7 Mats Bengtsson <[EMAIL PROTECTED]>:
One example, showing how to include the title of the
piece at the top of
every page, can be found at
http://lists.gnu.org/archive/html/lilypond-user/2007-02/msg00638.html
... or can also (more easily) be
Gilles Sadowski wrote:
Hello.
I want to insert a few (not all) chord names in a sheet.
I trid the following:
\relative c {
..
<< \chords { cis:m1 }
{ cis,1 } >>
..
}
but then the Chord name is below the melody.
Not so here; this code
You missed the ".." in the exam
o/lilypond-user
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Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Since you want to merge a dotted note with a non-dotted one, you also
need
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Simon Bailey wrote:
try:
<<
{
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g c g c])
} \\
{ c,2. }
>>
found here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Collision-resolution#Colli
ed in track 0.
For songs with several verses, I guess the lyric printouts won't make
any sense, no matter how
we place the information in the MIDI files.
/Mats
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Francisco, your answer is partially relevant here.
Yes, there's a limitation of 16 channels in MIDI. In LilyPond, each
Staff and Lyrics context
will result in a new MIDI channel and since channel 0 is reserved for
common information
and channel 10 is reserved for percussion, there are only 14 l
Frederick Dennis wrote:
The ignore melismata routine is fine but I would also like to use
dotted slurs.
If you search for "dotted" in the "LilyPond Index" in the manual (i.e.
the index of the manual),
you will find that there's a predefined macro \slurDotted that makes all
following slurs be
im http://www.lilypondforum.de/index.php
LilyPond-Forum .
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Frederick Dennis wrote:
Dear All,
I'm trying to set an SATB hymn with separate vocal staves and a piano
accomp. duplicating the voice parts
(sop. - stem up, alto - stemdown etc.)
I hope you have seen the "SATB vocal score and automatic piano
reduction" template
in the manual, (documentat
... Luca Turin.
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Peter Chubb wrote:
"Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> Why not typeset all of them with a single \markup:
Mats> c^\markup{\column {\natural \musicglyph #"scripts.turn" \flat }}
Because then there's no \turn articulati
416_4599.html>
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on about midi2ly???
Thanks
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Quoting Valentin Villenave <[EMAIL PROTECTED]>:
> % To modify a sequence of notes, it's easiest to use a filter:
This approach seems to differ from
http://lsr.dsi.unimi.it/LSR/Item?id=82
Reminder to Mats: Always check in LSR first! ;-)
Mats, Reinhold, can you give us some explanations abou
s to take a run at this. I'm baffled. (I need G-sharps!! :-))
The same problem occurs whether I run it on 2.10.33 or 2.11.44 (Linux
in both cases). Thanks,
Jon
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It seems that the articulation event has to be added after the note
event in order not to confuse
\relative. The following modification of Reinhold's code seems to work
better.
% To modify a sequence of notes, it's easiest to use a filter:
#(define (addStaccatoFilterFunction event)
(let ( (eve
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Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
\new Staff
<<
\new Voice = "zemusic" { \emusic }
\new Lyrics \lyricsto "zemusic" { a bunch of lyrics }
>>
>>
}
Cheers,
Reinhold
--
=
Mats Bengtsson
Signal Processing
Valentin Villenave wrote:
2008/4/14 Eric Hedekar <[EMAIL PROTECTED]>:
Just curious if there's a place to find lilypond templates, particularly one
for an orchestra score? I'm having too many errors while trying to program
my own layout with partcombine and staffgroup not getting along with
*and then* the
font-shape or font-series?
Thank you for a helpful answer to a learning newbie...:-)
coffer
Mats Bengtsson-4 wrote:
See the documentation of font-name in the Internals Reference:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals/font_002dinterface#font_002
ist
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
=====
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Swe
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