along:
\set tupletSpannerDuration = #(ly:make-moment 1 8)
\times 2/3 { a16 b a b[ a b] a b a b[ a b] }
Maybe now would be a good time for me to learn this.
Are you saying there isn't an auto-beaming solution for you?
Paul
2009/11/9 Paul Scott waterho...@ultrasw.com
mailto:waterho...@ultrasw.com
, *q*uarter
I just execute the one I want for the code which follows it.
Forgive me if I'm not understanding your need.
Paul Scott
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James E. Bailey wrote:
I don't know exactly how your music is set up, but \mark may be what you
want.
Or s4*0\markup{ Fine }
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Graham Percival wrote:
On Fri, Jul 24, 2009 at 02:05:01PM -0500, Tim McNamara wrote:
On Jul 24, 2009, at 11:47 AM, Paul Scott wrote:
I am still concerned why AU 2.2.1 doesn't seem to make sense.
Sorry to be pig-ignorant here, but what the frak is AU 2.2.1?
The main
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a
Tim McNamara wrote:
On Jul 24, 2009, at 1:51 AM, Paul Scott wrote:
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell
David Stocker wrote:
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a file called init.el It may
already be
Tim McNamara wrote:
On Jul 24, 2009, at 11:47 AM, Paul Scott wrote:
I am still concerned why AU 2.2.1 doesn't seem to make sense.
Sorry to be pig-ignorant here, but what the frak is AU 2.2.1?
Obviously it's some kind of abbreviation for documentation, but
unfortunately I've not seen
David Stocker wrote:
Paul Scott wrote:
Doing that to the best of my ability I get:
File mode specification error: (file-error Cannot open load file
lilypond-mode)
This is how I interpreted your instructions:
(setq load-path (append (list (expand-file-name
/usr/local/lilypond/usr/share
line.)
This has been discussed here before. This is the way LilyPond works.
Lily's way is consistent with many printed scores even though your way
is sometimes done.
Paul Scott
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David Stocker wrote:
To clarify, replace everything between the with the exact syntax
and spelling of your site-lisp directory. I just realized that bold
and italic may show up on some people's system as * * and extra / /
Thanks!
I'll try this later today on my laptop. (running Debian
James E. Bailey wrote:
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp
.
Paul Scott
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.
Paul Scott
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?
Thanks,
Paul Scott
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Sorry for the noise. I didn't think the first version of this email
had succeeded.
Paul
Paul Scott wrote:
Hans Aberg wrote:
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
... a question come up about the name for some notation.
In rock (and maybe jazz) guitar, there is a note described
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory. I
don't see a makefile and 'make install' doesn't find
and after the cadenza.
Put this at the end of the \score block:
\layout {
\context { \RemoveEmptyStaffContext }
HTH,
Paul Scott
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games. Other than that, it should die an
unmerciful death and never be mentioned in the same sentence as
web or home page. :)
(I mostly agree). Not that I'm recommending it but an animated gif
could be less offensive than Flash if useful.
Paul Scott
Mark Polesky wrote:
Paul Scott wrote:
2.13.1
I have read all of NR 3.5
Should the following work to unfold the above repeats for a MIDI
file?
I'm assuming you read this page:
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Repeats-in-MIDI
I said I read all of 3.5
simple
changes to your code to get back to my structure and no longer have
working code. I have attached that code.
unfold-repeatspaul.ly
Description: Binary data
I will also make some comments on your thoughts below.
On Jun 6, 2009, at 1:19 PM, Mark Polesky wrote:
Paul Scott wrote
tempoWholesPerMinute = #(ly:make-moment 120 4) }
}
}
Thanks,
Paul Scott
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in source code?
Much or all of the non C++ code is already on your machine. On my system
cd /usr/local/lilypond/usr/share/lilypond/current/
and
grep TimeScaledMusic */*
Showed me that the code was in
scm/define-music-display-methods.scm
Paul Scott
JEdit, etc. could develop into a full GUI for those
who need that a lot more people would be served and it would certainly
compete with Finale.
Paul Scott
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.
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and lyrics.
What's most interesting is that the few that I looked at say they were
engraved by Lilypond. In my few minutes there I didn't see if we could
get the Lily source.
Paul Scott
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On Apr 3, 2009, at 3:49 PM, Anthony W. Youngman wrote:
In message
7ca3d5a30904031519ya3b89hb87cf8f81a544...@mail.gmail.com, Neil
Puttock n.putt...@gmail.com writes
2009/4/3 Anthony W. Youngman lilyp...@thewolery.demon.co.uk:
In message mj9t1jgcvk1jf...@thewolery.demon.co.uk, Anthony W.
consistently produce
attractive results. What are any of you doing to solve this?
Thanks,
Paul Scott
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if it is all rests?
TIA,
Paul Scott
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Hi Kieren,
Oops!
Thanks!
Paul
Kieren MacMillan wrote:
Hi Paul,
Is there currently a way to cause the first staff of every system to
exist even if it is all rests?
There are several hints/suggestions in the list archive and/or LSR.
Kieren.
Kieren MacMillan wrote:
Hi Paul,
Thanks for answering, Mats. With the following code the bar number
displaces the notes in each bar to the right. If I remove the two
self-alignment-X overrides the bar number does not displace any music.
\layout
{
\context
{
\Score
Kieren MacMillan wrote:
Hi Paul,
I just searched through the docs and I don't find the meaning of
X-extent.
What does it mean? What does the above do?
Google
X-extent site:lilypond.org/doc/v2.12
[Hint to everyone: using the 'site' Google-keyword is a great method
of searching the
Trevor Daniels wrote:
Paul Scott wrote Saturday, January 31, 2009 8:47 PM
Kieren MacMillan wrote:
The first property description on that page is:
X-extent (pair of numbers) Hard coded extent in X direction.
I had no trouble finding X-extent in the docs. Reading that did not
tell me
Paul Scott wrote:
Mats Bengtsson wrote:
I don't understand what you mean, can you provide an example?
Thanks for answering, Mats. With the following code the bar number
displaces the notes in each bar to the right. If I remove the two
self-alignment-X overrides the bar number does
\barNumberDown
\repeat unfold 52 c2
\set Score.currentBarNumber = #100
\repeat unfold 48 c4
}
/Mats
Paul Scott wrote:
Hi,
12.2.1
When numbering all bars the default bar numbers seem to be at the end
of the previous bar which is confusing to the reader. When I use
\override Score.BarNumber
numbers is moved to the right which looks ugly. Is there
another way to move the bar numbers without moving the music?
Thanks,
Paul Scott
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for many many versions
since 's' became functional enough.
2. I usually use _ (underscore) to skip applying a lyric syllable to a
note. ( \repeat unfold nn _ )
3. Are the quotes on unfold necessary? I don't put quotes on volta,
unfold or percent and haven't for qui9tes a while.
Paul Scott
Mark Polesky wrote:
Mats Bengtsson wrote:
If you replace it by \once \override
Score.BarNumber #'transparent = ##t,
it should work. Sorry!
Paul,
alternatively you could use this solution:
barNumberMark = {
\once \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
\mark
to eliminate the bar
numbers.
More later,
Paul Scott
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in it's \score block.
HTH,
Paul Scott
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BUT, how do I do this:
subsubtitle = { version + \date}
I cannot find an example, and haven't been able to figure it out
empirically.
Just add \markup.
subsubtitle = \markup{ version \date }
Paul Scott
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stable version of
Lily is released.
Paul Scott
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Hi,
From here lilypond.org seems to be down. I can't even ping it.
Paul Scott
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Reinhold Kainhofer wrote:
Am Freitag, 26. September 2008 schrieb Patrick Horgan:
Paul Scott wrote:
Hi,
From here lilypond.org seems to be down. I can't even ping it.
From here too
I can get to the homepage without problems.
The homepage is now back here
} following a note.
HTH,
Paul Scott
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compile to PS (--ps).
I do the same thing on my Linus box.
Paul Scott
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)
Paul Scott
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I am unable to get the attachment (I get http error 404). What am I missing?
Your browser is probably the default application for perl scripts. Try
right-clicking and doing a Save As
Paul Scott
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files, or you create one stylesheet containing all your
customizations, which you then include into all your .ly files).
I just usually use the \header fields piece or poet for the
instrument. These fields are both on the left already.
Paul Scott
)
HTH
Paul Scott
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Dominic Neumann wrote:
Good point!
But if I have a score with three ore more verses and one refrain at
the beginning, I define a command refrSkip which I add at the
beginning of verses 2, 3, ...
refrSkip = \repeat unfold 42 { _ }
doesn´t work then.
I use it that way:
\addlyrics {
%
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Patricia Erickson wrote:
I tried to look at the user list archives and found another
person had the same problem back
not be completely intuitive. The
lyrics just go along straight following the notes ignoring any other
structural commands like \volta and \alternative. You have to put skips
in your music to skip endings, etc. where you don't want lyrics. I
usually do this with _ (underscore).
HTH,
Paul Scott
of the learning
of the Linux command.
HTH,
Paul Scott
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Kieren MacMillan wrote:
Hi all,
You have to put skips in your music to skip endings, etc.
where you don't want lyrics. I usually do this with _ (underscore).
I tend to use
\repeat unfold 42 \skip
where 42 is replaced with the appropriate number of skips required.
Sure.
I haven't
Dominic Neumann wrote:
It can be, but this only works in \lyricmode:
Which is the only way I do lyrics. :)
Paul
OKAY: \repeat unfold 4 \skip 1
NOT OKAY: \repeat unfold 4 _
OKAY: \lyricmode { \repeat unfold 4 _ }
ALSO OKAY: \repeat unfold 4 \lyricmode { _ }
Instead of what Kieren said
Trevor Daniels wrote:
Paul Scott wrote Sunday, July 27, 2008 4:01 AM
Hi,
When I use { } \\ { } without voice naming to show note variations
in different verses of a song the parallel music gets skipped by the
lyrics. I have read all the relevant 2.11 docs without finding a way to
name
Kieren MacMillan wrote:
Hi Paul,
When I use { } \\ { } without voice naming to show note variations
in different verses of a song the parallel music gets skipped by the
lyrics. I have read all the relevant 2.11 docs without finding a way to
name the voices so that the lyrics get attached
Joseph Haig wrote:
2008/7/26 notesetter [EMAIL PROTECTED]:
Is there an Ubuntu package for LilyPond? Suppose I'm using LilyPond 2.10.33
and want to upgrade to the latest (development) branch. Is there a software
source I can type in and then have the latest version downloaded and
installed
or pointers to documentation to make more sense of this?
TIA,
Paul Scott
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are trivial to install on any LInux system:
http://lilypond.org/web/install/#2.11
I run them on Debian which as you know is the base for Ubuntu.
Paul Scott
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commands like cueOn (and Off) and
caesuraOn, etc.
Paul Scott
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correctly
\new Staff {
\clef bass
\key d \major
\relative c {
d e d g a}
\chordmode {
d e:m d g a:sus}
}
Maybe you want the chords parallel to the roots. Something like this:
chords1.ly
Description: Binary data
Paul Scott
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instrumentation as the original composition.
(Thanks for reminding me to use \transposition for midi output).
Paul Scott
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Kieren MacMillan wrote:
Hi Paul,
I always do this manually even if I put the concert key in a global
block.
I'm not sure what you mean here... what do you always do manually?
Change the key in the music when the player changes to an instrument in
another key. I do have shortcut macros for
Kieren MacMillan wrote:
Hi Paul,
Change the key in the music when the player
changes to an instrument in another key.
But when this happens at the same time as the \global key change,
don't you get an error?
For what I've done which includes transcribing pieces for different
than the
to me here is just temporarily turning off all of the
intelligent collision avoidance options.
Paul Scott
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the solution presented by Mats as an option.
Paul Scott
Cheers,
Valentin
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Robert Glover wrote:
I'm the (newbie) person whose post instigated this thread. I faithfully
applied the advice given, but alas the result was not satisfactory. The lead
sheet is a classic example of the worst possible case:
(snip)
Anyway, thank you very much for the timely
luis jure wrote:
El Wed, 11 Jun 2008 11:26:30 -0700
Paul Scott [EMAIL PROTECTED] escribió:
But that analysis software would be programmed by humans. :)
( the joke was supposed to lie there... :-) )
That's what I thought. :)
Paul
... :-)
But that analysis software would be programmed by humans. :)
Paul Scott
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to stderr I don't see how if you do the following:
lilypond test1.ly 2 err.txt
you get the error messages on the command line.
I'd be glad to follow this farther if you want.
Paul Scott
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http
James E. Bailey wrote:
Maybe I don't understand what role the 2 has in this. But it really
doesn't work for me
2 is stderr. (0 is stdin, 1 is stdout)
bash-3.2$ lilypond test1.ly 2 err.txt
There is no space between the 2 and the .
GNU LilyPond 2.11.47 »test1.ly« wird verarbeitet
this? Thanks.
With parallel music and skips
{ \someMusic } { s1*33 \pageBreak }
I have one parallel global part for time and tempo indications, etc.,
one for notes and one for dynamics and I do as above when necessary.
HTH,
Paul Scott
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On May 4, 2008, at 12:38 AM, James E. Bailey wrote:
Am 04.05.2008 um 05:59 schrieb Paul Scott:
On May 3, 2008, at 6:44 PM, plasmacarwash wrote:
Dear James,
Actually I was wondering, once we set the time signature and
choose which
value our notes will be (half, quart, eighth) -does
in amazinggraceGa.ly.
Paul Scott
amazinggracenotesa.ly
Description: Binary data
amazinggraceGa.ly
Description: Binary data
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(without breve's but easily modifiable to include them) is
in the attachment since I am on my Mac at the moment and I dcn't know
how to cut and paste from XDarwin to the Mac GUI.
mm.ly
Description: Binary data
I'll see if I can make the breve mod and create a snippet.
Paul Scott
On May 3, 2008, at 7:35 PM, Paul Scott wrote:
On Apr 29, 2008, at 4:35 AM, Risto Vääräniemi wrote:
2008/4/29 Nicolas Sceaux :
I think it's because there is no \concat markup command in 2.10.
Untested:
Looks nice. :-)
It seems to work with .11 .10. In fact, the results look better
On May 3, 2008, at 7:35 PM, Paul Scott wrote:
On Apr 29, 2008, at 4:35 AM, Risto Vääräniemi wrote:
2008/4/29 Nicolas Sceaux :
I think it's because there is no \concat markup command in 2.10.
Untested:
Looks nice. :-)
It seems to work with .11 .10. In fact, the results look better
was perusing the template(s) for piano and voice.
I wonder how that looks when done?
Try it and see.
Paul Scott
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is part of the problem and that the
problem might be with unmatched
And I did a visual check to make sure all of the {} and are
matching throughout the document. Any thoughts?
Editors like emacs will help you with symbol matching.
Paul Scott
and
dynamicspartb might or might not be the same.
etc., etc.
Paul Scott
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Valentin Villenave wrote:
2008/2/3, Paul Scott [EMAIL PROTECTED]:
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the part.
This is actually one of the snippets that I had to tag as
version-specific. So, we're aware
Graham Percival wrote:
There are a number of such examples. If you alter the snippet to
work with 2.11.38 and send it to me, the 2.11 version will appear
in the 2.11 docs.
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the
Graham Percival wrote:
There are a number of such examples. If you alter the snippet to
work with 2.11.38 and send it to me, the 2.11 version will appear
in the 2.11 docs.
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the
Can someone tell me how to fix this?
TIA,
Paul
Paul Scott wrote:
This example from the current LSR doesn't seem to work for 2.11.38.
No sharp appears.
Adding accidentals to a trillspanner
\relative c'' {
\override TrillSpanner #'edge-text = #(cons (markup #:line
(#:halign -0.5
Graham Percival wrote:
On Sun, 03 Feb 2008 22:05:31 -0700
Paul Scott [EMAIL PROTECTED] wrote:
Graham Percival wrote:
- run the example through convert-ly. It will probably warn you
about the text spanners.
The LSR code didn't have a version that I could see. I tried
)) )
b1\startTrillSpan b\stopTrillSpan
\override TrillSpanner #'edge-text =
#(cons (markup #:line (#:halign -0.5 #:musicglyph scripts.trill #:teeny #:raise 0.5 #:flat)) )
c\startTrillSpan c\stopTrillSpan
}
Paul Scott
What is the parent spanner referred to in:
Spanner `Hairpin' is not fully contained in parent spanner
?
Knowing that might make the error message easier to use.
TIA,
Paul Scott
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Trevor Daniels wrote:
Paul
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
...
\break % (if needed)
\once \override Score.RehearsalMark #'self-alignment-X =
#RIGHT
\once \override Score.RehearsalMark #'direction = #DOWN
\mark \markup Hi
Thanks much. (I
Trevor Daniels wrote:
Paul Scott wrote:
...
Thanks much. (I don't how I looked right past direction in the
RehearsalMark standard settings). :)
I see it's not mentioned in the Notation Reference (I've
made a note to add it to section 1.8.1 Text marks),
Good idea!!
Paul
How would I get text *under* the staff equivalent to using \mark and
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark \markup ...
TIA,
Paul Scott
Mats Bengtsson wrote:
Since you want it to apply to a horizontal line of markups, you have
to use
the #:line markup command:
That works for me! Thanks!
The documentation seems to imply that ( in Scheme is equivalent to {
in Lily for markup. I can use \tiny{ ... } in Lily but not #:tiny{ in
^first R1*2
s4*0^second R1*2
}
Paul Scott
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Trevor Daniels wrote:
Paul
Release 11 differs from release 10 in this respect. IIRC
release 10 expanded a bar to accommodate text attached to a
skip note in a multi-measure rest bar. The R11 NR now says
at the end of 1.2.2, Writing rests:
...
Long text is better attached to a
Mats Bengtsson wrote:
If you replace the spacing note with an ordinary note, you see better
what happens.
If you then keep playing around with the example, you will notice that
it's the *0
that's the culprit. If you use s4^... instead, the result looks much
better.
Thanks. It does look much
the \revert cancels the \override before the
\override happens:
\override Score.RehearsalMark #'font-size = #1
\mark text
\revert Score.RehearsalMark #'font-size
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Paul Scott wrote:
In 2.11.37 NR 6.1.5 mention is made of \revert not working. This
should probably be expanded to explain what it takes for an \override
to be established so that the corresponding \revert will work. If I
knew the answer I would attempt to do this but I don't.
OTOH
) )
)))
gives:
Preprocessing graphical objects./short.ly:9:34: In expression
(#:note notetype 1):
../short.ly:9:34: Wrong type to apply: #:note
?
I can get the code to work by applying #:tiny to each piece of the text
individually.
TIA,
Paul Scott
Mats Bengtsson wrote:
The TextScript and MultiMeasureRestText objects have the same
outside-staff-priority (450) by default. If you for example set
\override MultiMeasureRestText #'outside-staff-priority = #'400
your example will look better.
Thank you very much. That works perfectly for my
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