I need help on two items.
Bar 4 (below) is the end of the verse and the start of the chorus. The fs,g,a
notes are the end of the verse and I want to have the lyrics aah aah aah for
these notes. The pickup for the chorus is the d,d notes and I want to have the
lyrics I could for these notes. I
I'm using lilypond book with latex and I want to write a sentence like this:
Guitar music is written with a treble clef \musicglyph #clefs.G rather than
a bass clef \musicglyph #clefs.F, which is correctly indicated by a small 8
under the treble clef \musicglyph #treble_8.
and get music
I want to have a TextSpanner that spans a single chord WITHOUT any spanner line
after the spanner text. In the example below, I want the 3 barre indications to
all line up vertically across the chords at the TextSpanner height. If the
spanner puts a line for the single chord, it forces the text
http://lilypond.org/doc/v2.13/Documentation/notation/writing-text#index-text-spanners_002c-formatting
See the two snippets, they might help.
Well, not that helpful. What kind of Event should I specify? And my guess is
that span will still try to put a line of some form after the text.
I'm trying to factor out common code in some music functions. Below is a
fragment of the code illustrating my problem. It's been years since I've used
Lisp so please appreciate the naivety in this question.
I want to do a computation at the call and pass the result as an argument to
a function
I'm creating a glyph to include in a picture showing the range of notes on a
classical guitar (see below).
1. How do I remove the system_start_delimiter (large opening brace) at the start
of the score? I've tried a number of things to remove the brace but none
were successful.
2. How do I
Le 19/02/2011 20:21, Peter Buhr a écrit :
I'm attempting to use lilypond-book but have run into the following
anomaly.
...
I think you have to put the whole path for test.ind
if your test.ind is one directory upstairs of out2 you could also write:
\input{../test.ind}
So I
I'm attempting to use lilypond-book but have run into the following anomaly.
The latex file below demonstrates the problem. There is a line \input{test.ind}
to include the index file generated by the makeindex command. Normal procedure
is to start with an empty (0 byte) xxx.ind file, do several
I want rit. to be under the fs/e, and the span line to go all the way to the
final gs *below* the markup XII harmonics. However, I can't find a place to
start the textspan. Help!!
\version 2.13.40
\include english.ly
#(set-default-paper-size letter)
#(set-global-staff-size 24)
#(define RH
G'day. Sorry, if I don't use the correct lilypond nomenclature.
Below are two bars of notes. The first bar is done with 2 voices inline and the
second bar is done with 2 voices out-of-line. In the first bar, the string
positions are not on the left of the notes, while they are in the second bar.
In the following example, the arpeggio symbol appears over the time signature,
about 1cm from the chord, and the finger number is to the left of the arpeggio
symbol, while I want the finger number to be on the right of the arpeggio
symbol. Suggestions?
\version 2.13.40
\include english.ly
Nick Payne wrote:
See http://lists.gnu.org/archive/html/lilypond-user/2010-05/msg00176.html
Thanks. Works well.
Mark Polesky and David Rogers wrote:
Why not just write a whole note?
My experience is that a whole note is inappropriate. Assume a guitar and a bar
with 4 notes. The first
I want to specify a duration (tie length) for \laissezVibrer as in:
a4\laissezVibrer{1}
meaning put a tie of duration whole-note on the 1/4 note a. Knowing how long
to let a note ring seems essential to describe the music for a player. I
searched the web and found others asking a similar
-title-spacing = #'((space . 0) (padding . 3) (stretchability . 0)
(minimum-distance . 0))
tagline =
}
\layout {
indent = 0.0
}
\header {
title = Street Spirit (Fadeout)
composer = Radio Head
enteredby = Peter Buhr
}
melody = \relative c' {
\set
\in
bottom-margin = 5\in
ragged-last-bottom=##f
tagline =
}
\layout {
indent = 0.0
}
\header {
title = I Saw Three Ships
composer = Traditional
enteredby = Peter Buhr
}
harmonies = \chordmode {
s8 | f4. c/f | f c/f |
f2. | c/f | f4. c/f |
f4. c/f
Below is a simple E major scale. I don't want lilypond to stretch the stems of
the lower notes up to the B staff line. I want all the note-stems to be the
same length for both stemUp and stemDown notes. Is there an option to turn off
the stem stretching?
\version 2.13.3
\include english.ly
I don't want lilypond to stretch the stems of the lower notes up to the B
staff line. ...
I think it looks very odd to do this, but here you go:
\override Stem #'no-stem-extend = ##t
Thanks, that's doing what I want. In general, I agree it looks very odd.
However, I'm decorating
When writing the fingering for guitar, there is a notation used to indicate a
guide finger in left-hand shifting. The fingering mark looks like -3, but the
- is rotated up about 30 degrees, which means to silently slide the 3rd
finger from its previous position to this marked note on the same
You can rotate objects and markups. I've done a little experiment here that
doesn't look very good yet but may put you on the right track. Search the
Notation Reference manual for rotation, formatting text, positioning
objects, and the like.
\version 2.13.4
\relative c'' {
In 30 years of playing guitar (jazz and rock), I have never seen this
notation. Is there an example on the Web you can point to? I'd be
interested in seeing how it's used.
Ummm, I'll look on the web to see if I can fine something. However, what I'm
reading from is the Guitar Repertoire
Below is a open guitar-scale without tempo. I have 2 problems. And I have tried
to do due-diligence before posting to see if the information is available in
either the LSR or LilyPond Notation Reference, but I found nothing using my
search parameters.
1. The low E in the scale is too close to the
The following is a left-hand octave-exercise for guitar. It has no tempo. I do
not want the natural symbols to appear in the exercise. I used
Staff.extraNatural = ##f is an attempt to eliminate the naturals as per the
instructions on page 6 of the Notation Reference manual, but that did not
help.
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