Karl Hammar wrote
> Reggie:
> ...
>> Andrew thank you for the vibrato but you say it's able to create close to
>> my
>> image? How would I learn which code to change for that to happen? I
>> probably
>> need to draw curves free as I move forward but I need SVG
Andrew Bernard wrote
> HI Reggie,
>
> If you want to draw all sorts of freeform curves, then that's a whole
> topic
> of it's own. compared to the algorithmic code for the vibrato.
>
> Let us know.
>
> Andrew
Andrew thank you for the vibrato but you say it's able
Hi. I cannot find how to create graphic lines anywhere in LilyPond like this.
I find basic shapes but nothing like this modern style. How do you provide
the angle and length to adjust for score? Please suggest code for this.
Thanks!
752ddda41273_10157508106580761_7457284070309888000_o.jpg
Thomas Morley-2 wrote
> Am Mo., 28. Okt. 2019 um 11:22 Uhr schrieb Reggie
> reegistoop@
> :
>>
>> Hello list. I am struggling with this. Please don't laugh I just feel
>> like
>> crying I cannot see what is right in front of me I must be. I am
>> attempt
\translate #'(0.5 . 1.0)
> \fontsize #-4
> \with-dimensions #'(0 . 1.2) #'(0 . -2)
> \↓
> }
> }
>
> That should get you going in the right direction.
>
> regards,
> Shane
>
> On Mon, Oct 28, 2019 at 6:22 AM Reggie
> reegistoop@
> wrote:
>
&
Hello list. I am struggling with this. Please don't laugh I just feel like
crying I cannot see what is right in front of me I must be. I am attempting
to learn more deeper in lilypond and try a cadenza sort of passage. I see
two problems I am bad at. One, how do I get the trills to be side by
Good afternoon.
I would really appreciate if some help could come from someone who knows how
to begin engraving a score that I need to do for a job. It is a string
orchestra piece but the divisi is confusing me I have no idea where to
start. Is there any template for this please?
The piece
Hello. I have a long score composition with a lot of lyrics. I would like to
keep my input clean. Is it possible to put lyrics in a completely other file
and \include it in score file or is lyrics unable to be included in sucha
way?
Thank you. What is the syntax example please?
--
Sent from:
Aaron Hill wrote
> On 2019-05-11 10:52 am, Reggie wrote:
>> Is there any easy way to quickly see or convert absolutely font to #3
>> or #5
>> and so on? In frescobaldi like a function() or something. Thank you for
>> any
>> help.
>
> Within \markup, you
Hello everyone. I understand you always have the option to use absolute font
for markup, tempo, and other markings for fonts. However is there a chart or
cheat "sheet" showing the conversion or what the current font is without
always refercing the documentation internals? For example, if I'm in
Lukas-Fabian Moser wrote
> Am 05.03.19 um 19:27 schrieb Rachel Knight:
>> That idea should have worked, but the ties don’t look quite right.
>> Below is a compilable example.
>
> Yes, that's why working with hidden extra notes is a bit messy: We have
> to prevent those from taking up space.
I also would like to know why this fails not just the fix.
Павел Буданов-2 wrote
> How to control vertical spacing in the middle of a piece?
>
> \new StaffGroup \with
> { \override StaffGrouper.staff-staff-spacing.padding = 10 } % It's OK
> <<
>\new Staff
>{
> c' c' c' c'
>
Mark Knoop-4 wrote
> You can do this with a simple TextSpanner:
>
> \version "2.19.82"
>
> onStaffExtender = {
> \override TextSpanner.style = #'line
> \override TextSpanner.thickness = #6
> \override TextSpanner.to-barline = ##t
> \override TextSpanner.outside-staff-priority = ##f
>
Hello I was trying to create a score where a staff goes away and a simple
horizontal arrow continues in its place even over page breaks. I cannot
understand where to find this answer and I believe the framengraver is too
much for myneeds. Is it possible?
I would like to have a simple arrow go
Trevor Bača-2 wrote
> Hi Reggie,
>
> To layer text spanners with David N.'s new functionality, you must \tweak
> spanner properties rather than overriding them.
>
> %%% BEGIN %%%
>
> \version "2.19.82"
> \include "text-spanner-id.ly"
> {
>
David Kastrup wrote
> Reggie
> reegistoop@
> writes:
>
>> Using a David's function to allow layering spanners,
>
> I like "a David's function". It's like describing a caste of priests.
>
> --
> David Kastrup
>
> ___
Using a David's function to allow layering spanners, could you please tell me
how to acheive the spanners over one another and not overlap? I know the
colors example tweak command but using real words and spanner I cannot
figure out how to make them on top of each other. Begin at the same time.
Valentin Villenave-3 wrote
> On 2/7/19, Reggie
> reegistoop@
> wrote:
>> I understand yes but there actually is a section of the piece later where
>> there is a divisi with time signature changes.
>
> Then you should replace
> \remove Time_Signature_engrav
Valentin Villenave-3 wrote
> Well, since you’re starting in the middle of the score, it doesn’t
> make sense to print a Time Signature like if it was the beginning.
> However, this will also remove new Time Signatures, so if you need to
> change \time in your divisi section, you’ll need to use
David Kastrup wrote
> Andrew Bernard
> andrew.bernard@
> writes:
>
>> Hi David,
>>
>> Really great advice and useful to know. However, I have a long section
>> run
>> of spanners for sul ponticello to natural. I did'nt want to tweak every
>> occurrence for literally a hundred times, or call a
Valentin Villenave-3 wrote
> Here is how I would type your example, using many variables (and no
> \tags, like I did earlier). As you can see, everything with notes is
> defined first, and _then_ comes every structural information: what
> should be printed where, in which group, coming after this
Valentin Villenave-3 wrote
> On 2/6/19, Reggie
> reegistoop@
> wrote:
>> Hi. I have put together as much as I can to truly do my best. I hope I am
>> able to get some help to learn why I am wrong. I have a few questions.
>> One,
>> how can I input notes in V
Valentin Villenave-3 wrote
> On 2/6/19, Reggie
> reegistoop@
> wrote:
>> Hi. I have put together as much as I can to truly do my best. I hope I am
>> able to get some help to learn why I am wrong. I have a few questions.
>> One,
>> how can I input notes in V
Michael Gerdau wrote
>> Hi. I have put together as much as I can to truly do my best. I hope I am
>> able to get some help to learn why I am wrong. I have a few questions.
>> One,
>> how can I input notes in Violin in the empty measures below divisisi? I
>> don't understand where to insert in my
Hi. I have put together as much as I can to truly do my best. I hope I am
able to get some help to learn why I am wrong. I have a few questions. One,
how can I input notes in Violin in the empty measures below divisisi? I
don't understand where to insert in my code please. Second, how can I put a
Kieren MacMillan wrote
> Hi Reggie,
>
>> Why has nobody offered this "solution" if it's common knowledge
>> to all who know the manual line by line?
>
> The solution — including essentially my \showStaff and \hideStaff
> functions, under different names —
Kieren MacMillan wrote
> Reggie,
>
>>> You don’t have to; I select staves and have them appear
>>> and disappear as desired all the time.
>>
>> * Then why can't Andrew? Why did he post in the first place?
>> Why is a hack the only answer solution?
>
David Kastrup wrote
> Please work on your quoting. It's rather hard to figure out who said
> what.
>
> Reggie
> reegistoop@
> writes:
>>
>>> Lilypond is so bizarre sometimes with things.
>>
>> A totally useless and inflammatory comment.
>>
Hi Reggie,
> I would also want to know how to do this basic layout setting which all
> other notation Programs have done since the dawning of time.
That claim seems hyperbolic, and almost certainly not true. (If I recall
correctly, NoteWriter v1 didn’t have any such ability.) In any case,
Andrew Bernard wrote
> I want to remove some staves containing only rests and yet retain others
> in
> my quartet score. [When there is a long solo I want the other parts
> suppressed, but when just one instrument is at rest I want the empty staff
> to show in the set of four].
>
> The
Aaron Hill wrote
> On 2019-01-26 6:08 am, Reggie wrote:
>> Hi. I tried to look here and attempt adding delimiter code but no
>> matter what
>> I do I cannot show a brace or bracket or anything to put my two oboes
>> together for the duration of the 2 staves on a few p
One more question. I wonder if Lily can do this :)))
Think about this
\new StaffGroup
\relative c'' <<
\set StaffGroup.systemStartDelimiterHierarchy
= #'(SystemStartSquare (SystemStartBrace (SystemStartBracket a
(SystemStartSquare b) ) c ) d)
\new Staff { c1
Aaron Hill wrote
> On 2019-01-26 6:08 am, Reggie wrote:
>> Hi. I tried to look here and attempt adding delimiter code but no
>> matter what
>> I do I cannot show a brace or bracket or anything to put my two oboes
>> together for the duration of the 2 staves on a few p
Hi. I tried to look here and attempt adding delimiter code but no matter what
I do I cannot show a brace or bracket or anything to put my two oboes
together for the duration of the 2 staves on a few pages. Then it should go
back to normal grouping in code. Can you please tell me how I am wrong?
Aaron Hill wrote
> On 2019-01-24 1:20 pm, Reggie wrote:
>> David Kastrup wrote
>>> Reggie wrote:
>>>> \override Staff.Clef.stencil = ##t
>>> ^^
>>> what is that even supposed to be/do?
>>
>
David Wright wrote
> On Thu 24 Jan 2019 at 13:22:53 (-0700), Reggie wrote:
>> Good evening. I am attempting a worksheet of sorts and would like to hide
>> a
>> staff for a little while then bring it back with the clef on the right
>> side
>> of the barline.
&g
David Kastrup wrote
> Reggie
> reegistoop@
> writes:
>
>> Good evening. I am attempting a worksheet of sorts and would like to hide
>> a
>> staff for a little while then bring it back with the clef on the right
>> side
>> of the barline. I have
Good evening. I am attempting a worksheet of sorts and would like to hide a
staff for a little while then bring it back with the clef on the right side
of the barline. I have the result I want, I wish to know why it's ruining my
other staff? So much extra space at the beginning of the other staff
Kieren MacMillan wrote
> Hi Reggie,
>
>> Nothing is above my title. I have a normal Piece of music. I
>> would like to have my title move UP vertically only but not move my
>> music
>> at all. The top system and beyond is just fine.
>
> Then you need to de
Aaron Hill wrote
> A side commentary, if you would not mind. You have posted a few times
> asking for features that seem to show a focus on WYSIWYG-style
> activities. You are probably used to using tools that let you click and
> drag items around on a virtual paper, placing things wherever
Karlin High wrote
> On 1/21/2019 5:02 PM, Reggie wrote:
>> I literally want just move up the TITLE and not touch anything
>> else.
>
> Could you attach an image or PDF showing the form of your current
> layout? I'm curious about what is currently above the title.
> -
Kieren MacMillan wrote
> Hi Reggie,
>
>> How is it possible to simply? move a title of a piece vertical up?
>
> %%% SNIPPET BEGINS
> \version "2.19.80"
>
> \bookpart {
> \header {
> title = \markup "My Default Title"
> }
>
And actually you are incorrect that command pushes all systems down in my
Piece so I literally want just move up the TITLE and not touch anything
else. This is not possible I can't see it yet. Sorry but no. Your raise does
not only move title it bothers my music.
--
Sent from:
How is it possible to simply? move a title of a piece vertical up? Without
moving the systems below first or any systems? I don't want to mess up
markup-system-spacing.minimum-distance or
markup-system-spacing.basic-distance or so on. Just move a title up Y offset
something amount without
Aaron Hill wrote
> On 2019-01-16 5:24 pm, Reggie wrote:
>> First, are you saying that every time I want to manually adjust one
>> staff in
>> a system in one instance I must create a new voice just to hack this?
>> Like
>> you did? What about my original code
Aaron Hill wrote
> On 2019-01-16 2:04 pm, Reggie wrote:
>> Please can you help me? I cannot move just ONE staff in a system, it's
>> moving THE system as a unit which is wrong. I am so sad. What did I
>> break?
>> How difficult is it to just move ONE staff w
Andrew Bernard wrote
> Hi Reggie,
>
> If I understand you aright, you want explicit positioning of a system.
> This
> is in the NR at Section 4.4.2 Explicit staff an system positions.
> (2.19.82).
>
> Andrew
>
> __
Andrew Bernard wrote
> Hi Reggie,
>
> If I understand you aright, you want explicit positioning of a system.
> This
> is in the NR at Section 4.4.2 Explicit staff an system positions.
> (2.19.82).
>
> Andrew
>
> __
Karlin High wrote
> On 1/15/2019 10:46 AM, Reggie wrote:
>> How can LilyPond allow me to adjust various spacing between systems in a
>> piece without causing movement to any others
>
> The Joram Berger LilyPond spacing map often clarifies things for me:
> htt
How can LilyPond allow me to adjust various spacing between systems in a
piece without causing movement to any others since I already created staves
correctly using override in with command? I am not undertanding. Somewhere
in all my c's?
\version "2.19.82"
<<
\relative c'
\new Staff {
Aaron Hill wrote
> On 2019-01-07 7:55 am, Reggie wrote:
>> Hi Aaron thank you for that help. I don't like to use indepedant meters
>> however since this section I believe should be cadenza for easy input.
>> However, I add spacer rests like you said but it makes everything
Aaron Hill wrote
> On 2019-01-07 6:04 am, Reggie wrote:
>> Please can someone show me in Lilypond how possibly can you adjust or
>> change
>> the space before the first repeats in order to acheive the attached
>> image? I
>> don't know if you move padding
Please can someone show me in Lilypond how possibly can you adjust or change
the space before the first repeats in order to acheive the attached image? I
don't know if you move padding or add hidden to padding but I'm confused.
Thank you. My best effort
\version "2.19.82"
<<
\new Staff
Aaron Hill wrote
> On 2018-12-28 3:45 pm, Reggie wrote:
>> Again you don't understand the first post. He wants a finale sibelius
>> pre
>> engraving blank bar layout. I am aware of all your code aaron but
>> thanks
>> though :)) not neccsarry
>
> I am
Aaron Hill wrote
> On 2018-12-28 2:01 pm, Reggie wrote:
>> Kieren and David I think you don't understand I believe the poster
>> wanted to
>> see blank music ahead of engraving like the other program software
>> does. Not
>> simple to just hide and unfol
Kieren MacMillan wrote
> Hi Philip,
>
>> When working with Lilypond I want Lilypond to print the empty measures
>> from
>> every instrument, like how Denemo is doing by default. For example:
>> instr. 1
>> has 10 measures of music. I want lilypond to print the empty measures of
>> all
>> staffs
Philip Bergwerf wrote
> When working with Lilypond I want Lilypond to print the empty measures
> from
> every instrument, like how Denemo is doing by default. For example: instr.
> 1
> has 10 measures of music. I want lilypond to print the empty measures of
> all
> staffs in the project. Is there
Kieren MacMillan wrote
> Hi Reggie,
>
>> WHy does measure now have no spacing out duration even though I use { }
>> around the whole feather area? See it works then it doesn't work.
>
> No… it works and then it still works. ;)
>
> \new Staff
> \relative c' {
Kieren MacMillan wrote
> Hi Reggie,
>
>> WHy does measure now have no spacing out duration even though I use { }
>> around the whole feather area? See it works then it doesn't work.
>
> No… it works and then it still works. ;)
>
> \new Staff
> \relative c' {
Thomas Morley-2 wrote
> Am Fr., 21. Dez. 2018 um 23:18 Uhr schrieb Reggie
> reegistoop@
> :
>
>>
>> Is there a way in LilyPond to simply add a beam line without changing the
>> time or anything else behind the elements? I mean, visually say I had a
>> c16
Michael Stickles wrote
> Our choir has developed some "in-house" markings which I'm trying to
> replicate in LilyPond. One is the use of a double slash to visually
> indicate the last section of a piece when the musical pattern changes
> for that last part.
>
> I can replicate that by using a
I am trying to understand theoretically why this is failing. It's only 16
pages. I am a minimalist composer so as a test I tried this extreme
situation. But yet I don't quite agree rather that it's that extreme. It's
only 16 pages and LilyPond crashes.
\version "2.19.82"
{
\time 4/4
\repeat
Thomas Morley-2 wrote
>> Do you think it's even possible to write a function to automatically
>> space
>> according to the feather beam length and duration?
>
> As said, likely it's possible.
> Speaking only for myself, I doubt I've the time to try.
>
> Cheers,
> Harm
>
>
Flaming Hakama by Elaine wrote
> Yes, you can use tags for segmenting large works into smaller chunks.
>
> And it is possible to use them for other things as well. Besides
> segmenting the work, I use them for MIDI vs PDF, as well as Score vs Parts
> (vs Lead Sheet), and sometimes for
Trevor Daniels wrote
> "Reggie"
> reegistoop@
> wrote 21/12/2018 19:10:12
>>\relative c'
>>{
>> \override Beam.grow-direction = #LEFT
>> \featherDurations #(ly:make-moment 2/1)
>> c32[ d e f g f e f d f g f d e d f] c4~c | c1 |
>
Reggie wrote
> Aaron Hill wrote
>> Given the current implementation, it would be necessary to use an
>> approximate rational like 50/63 as the moment in order to get 'f' to be
>> half of 'c'. Why that number? Well, it's a close approximation to the
>> irrational
Aaron Hill wrote
> Given the current implementation, it would be necessary to use an
> approximate rational like 50/63 as the moment in order to get 'f' to be
> half of 'c'. Why that number? Well, it's a close approximation to the
> irrational cube root of one half. We determine this exact
Aaron Hill wrote
> This means your score really should be bar check clean *before* you ever
> use \featherDurations.
>
> At the end of the day, there is no real need to use any math for the
> \featherDurations moment. Any positive rational less than one will
> produce an accelerando, while
Aaron Hill wrote
> At the end of the day, there is no real need to use any math for the
> \featherDurations moment. Any positive rational less than one will
> produce an accelerando, while fractions greater than one generate a
> ritardando. The best thing to do is to listen to the MIDI output
Thomas Morley-2 wrote
> \featherDurations changes durations, nothing more!! It does not change
> spacing on it's own.
> The changed spacing is more a side-effect. Doing note-spacing is a
> very involved process, durations are only one element of the
> calculation.
>
> So I ensure you
Thomas Morley-2 wrote
> Meanwhile I think you didn't understand that feathered beams, done with
> \override Beam.grow-direction = #RIGHT
> and
> \featherDurations
> are _independant_ from each other. See:
>
> \version "2.19.82"
>
> {
> r2..
> \featherDurations #(ly:make-moment 1 2)
> {
Kieren MacMillan wrote
> Hi Reggie,
>
>> the notes are not spaced out according to the feathered tempo. […]
>> They should be spaced out to show slow fast change
>
> Why is that necessary? I mean, you obviously *want* that… but I’m not sure
> they "should"
Kieren MacMillan wrote
> Hi Reggie,
>
>> the notes are not spaced out according to the feathered tempo. […]
>> They should be spaced out to show slow fast change
>
> Why is that necessary? I mean, you obviously *want* that… but I’m not sure
> they "should"
Thomas Morley-2 wrote
> Am Fr., 21. Dez. 2018 um 15:21 Uhr schrieb Reggie
> reegistoop@
> :
>
>> It's impossible to have feather
>> beams cross barlines and look correect why is this?
>
> ??
>
> What's wrong with:
>
> \version "2.19.82&quo
Thomas Morley-2 wrote
> Am Fr., 21. Dez. 2018 um 15:21 Uhr schrieb Reggie
> reegistoop@
> :
>
>> It's impossible to have feather
>> beams cross barlines and look correect why is this?
>
> ??
>
> What's wrong with:
>
> \version "2.19.82&quo
Thomas Morley-2 wrote
> Am Fr., 21. Dez. 2018 um 15:21 Uhr schrieb Reggie
> reegistoop@
> :
>
>> It's impossible to have feather
>> beams cross barlines and look correect why is this?
>
> ??
>
> What's wrong with:
>
> \version "2.19.82&quo
kontrapunktstefan wrote
> Dear Phil,
> thanks for Your explanations.
> I do have now another problem.
> What can I do, when I want to have feathered beams across barlines, like
> e.g.:
>
> \version "2.12.3"
> upper = {
> \override Beam #'grow-direction = #RIGHT
>
> \featherDurations
Michael Gerdau wrote
> First thing you have to answer for yourself is:
> What do I need feathered beams for?
> The answer should be something along the line "to visually notate an
> accellerando or rallentando".
> Assuming that's your answer then you should have a rough idea as to how
> strongly
Michael Gerdau wrote
>> I understand your math now but I do not understand how you began to know
>> how
>> to use math from the beginning. How did you determine which note NEEDED
>> the
>> math to it? Is there a sort of study sheet where we can look to find out
>> which notes need math for each
Thomas Morley-2 wrote
> {
> \time 1/4
> b16*4 | % i.e. 1/16 lasts 1/4
> b16*4/3 b b | % b16*4 is 1/4, so b16*4/3 is a third of 1/4
> %% similar for 1/32,
> b32*2 %{is 1/16%} *4 |
> b32*2*4/3 b b |
> %% etc
> }
>
> HTH,
> Harm
>
> ___
>
Thomas Morley-2 wrote
> Am Mo., 17. Dez. 2018 um 14:52 Uhr schrieb Reggie
> reegistoop@
> :
>
>> How do you change the amount of "beams" you feather when
>> the amount of notes is example 3. You need to just forget it? 3 beams
>> are
>> not
Vaughan McAlley wrote
> On Fri, 15 Dec 2017 at 19:34, N. Andrew Walsh
> n.andrew.walsh@
>
> wrote:
>
>> Hi List,
>>
>> I'm trying to use the \featherDurations command on a brief passage:
>>
>> \relative c' {
>> a,,^\markup { \italic "subito meno mosso" }\( b cis dis eis8\)
>> \override
Vaughan McAlley wrote
> On Fri, 15 Dec 2017 at 19:34, N. Andrew Walsh
> n.andrew.walsh@
>
> wrote:
>
>> Hi List,
>>
>> I'm trying to use the \featherDurations command on a brief passage:
>>
>> \relative c' {
>> a,,^\markup { \italic "subito meno mosso" }\( b cis dis eis8\)
>> \override
David Wright wrote
> On Sun 16 Dec 2018 at 11:05:05 (-0700), Reggie wrote:
>> Urs Liska-3 wrote
>> > one thing you will have to accept is that the segment approach you're
>> > after will not save compilation time of the score as a whole. What it
>> can
>> &g
Urs Liska-3 wrote
> Reggie,
>
> one thing you will have to accept is that the segment approach you're
> after will not save compilation time of the score as a whole. What it can
> do is give you a handle to compile only small chunks or "segments" at a
> time *while e
Kieren MacMillan wrote
> Hi Reggie,
>
>> I am not talking about what Kieren said in the lilybin that's mere simple
>> combining parts into score file
>
> You apparently missed the fact that I concatenated two halves of each part
> (violin and cello) and recombined th
Michael Gerdau wrote
>> You are close to what I need to help thank you very much. I am not
>> talking
>> about what Kieren said in the lilybin that's mere simple combining parts
>> into score file that's basic. I mean this so called segment handling that
>> people on the list have mentioned time
David Wright wrote
> You will have to accept a line break at each change of score, but then
> the only reason I would break a piece down into score fragments is
> because it's made up of sections with grossly differing layouts
> (like number of parts/choirs/soloists/accompaniment etc).
>
>
David Wright wrote
> We prefer you to do that so we don't have to second guess what you are
> really trying to do.
> That's because your example is so simple that it doesn't make it clear
> what you want to concatentate. The response assume you're just
> concatenating the notes into one part,
Phil Holmes wrote
> - Original Message -
> From: "Reggie"
> reegistoop@
>
> To:
> lilypond-user@
>
> Sent: Sunday, December 16, 2018 2:57 PM
> Subject: Re: Combine these segments for same score
>
>
>
>> That was my question
Kieren MacMillan wrote
> Hi Reggie,
>
>> That does not help and work.
>
> It works for me. Maybe you didn’t implement the suggestion correctly?
>
>> What are we to do if we have a full orchestra score with many staffs and
>> divisis
>> how do we create th
Schneidy wrote
> Hi Reggie,
> How about:
>
> \version "2.19.82"
> % current bar number?
> %\include "segment1.ly"
> %\include "segment2.ly"
> %\include "segment3.ly"
>
> %My other files are this code respectively 1 2 3
>
I cannot use LilyPond for large scores it takes hours to compile. Nowhere in
the documentation does it teach me how to merge. Can someone please show me
how to make a seamless score from these multiple "segments" name? Every time
I compile I get broken scores and not one piece together. Do I need
N. Andrew Walsh wrote
> Hi List,
>
> I'm trying to use the \featherDurations command on a brief passage:
>
> \relative c' {
> a,,^\markup { \italic "subito meno mosso" }\( b cis dis eis8\)
> \override Beam.grow-direction = #LEFT
> \featherDurations #(ly:make-moment 2/1)
> { a,32[\( b cis dis
Here is my code I do not understand why newspacing would have any effect on
previous notes and measures why not just what comes after? Like in the user
manual. Page here
http://lilypond.org/doc/v2.19/Documentation/notation/new-spacing-section Why
are the first 3 measures adjusted when the
Has anyone else seen this do you know who the author is? Some complaints
about gibberish and documentation and God knows what else. Is this a joke
one or seriously critical of the program? Or in cheek.
http://www.alethis.net/reference/lily/lily.html
--
Sent from:
ented in the Notation
> Reference manual it seems.
>
> Cheers,
> Xavier
>
>
> On Thu, 26 Jul 2018 at 03:07, Reggie
> reegistoop@
> wrote:
>>
>> For those of you who engrave orchestral music in which the strings often
> have
>> your typical div
>
> See more info on the bug tracker of issue 3518.
> https://code.google.com/archive/p/lilypond/issues/3518
>
> Works very well but unfortunately not documented in the Notation
> Reference manual it seems.
>
> Cheers,
> Xavier
>
>
> On Thu, 26 Jul 2018 at 03
Sorry is there a problem with Google translate please my apologies I fixed it
now from now on.
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Reggie wrote
> Reggie wrote
>> For those of you who engrave orchestral music in which the strings often
>> have
>> your typical divisi a2 or a3
>>
>> Suppose a performance is coming up and you need to print parts from the
>> full
>> score.
>>
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