Hello,
I have some spare time and would like to do some work in testing the
MusicXML converter. I tried to download the test cases zip file at the link
below (as found on this site) but the link is broken:
http://lilypond.org/doc/v2.12/input/regression/musicxml/MusicXML-TestSuite-0.1.zip
Can
I've used just about every notaion program that exists, but I still like to
just write out my sheets on staff paper with a pencil prior to entering the
data into a formal notaion software like lilypond or whatever.
It would be wonderful if I could generate lilypond source code from a
BopLand.org wrote:
This is an announcement about new LilyPond based project.
http://bopland.org
The BopLand.org project is FREE knowledge database for improvising
musician.
The database contains hundreds of beautiful melodic patterns played by
outstanding jazz musicians like Bill
Mats Bengtsson-4 wrote:
Rick Hansen (aka RickH) wrote:
Such a program could not make the assumption that the root of the chord
is
always being sung by the bass or any other voice, or being sung at all.
But
if the lp syntax allowed marking what note is the current chord root
Father Gordon Gilbert wrote:
Rune -
Your example works on its own, and is roughly what I'm looking for, but
when
I try to incorporate that syntax into my own (2.11.32) score, it doesn't
work. I'd like to see the chordnames at the top of the choirstaff so I
can
check my work.
My
Patrick Taylor Ramsey-2 wrote:
Hello, all.
I'm a bit flummoxed; I've been searching for the last hour and a half for
a way
to typeset roman numeral chord notation (ii, V65/V, N6) under a staff in
lilypond and found nothing, except for a lone message dating from 2003
stating that
Kieran Coulter wrote:
Hi, I am planning on starting a method book series for lilypond. I am
curious what the general format is for mixing various fonts and styles,
pictures, and lilypond exercises and pieces to play. I'll have a look at
what is in the documentation in the meantime, but I
I would buy the manual in a nice spiral book, perhaps the sales could be used
to pay developers. The cost of printing and binding the PDF at my local
office store is not cheap, and I'd much rather have the money go to the
devs. and to the doc writers. If you guys could work something out and
Helge Kruse wrote:
Hello,
writing a piece for guitar I include tabs. At some difficult I want
additionally write a fret diagram to show, how to set the fingers. Maybe
most guitar players think that's overkill, but the player should see as
fast
as possible how to set the left hand
The FretBoards context that I sponsored some time back, still needs to be
added to the instrument specific section of the manual.
Graham Percival-2 wrote:
Are you interested in helping LilyPond? There are many tasks that are
available which do not have time to do ourselves. Some of
FWIW, I assemble my song books using ghostscript. I create batch jobs that
compile all the songs into separate PDF's, I make table of contents, index,
texts, etc. in the word processor of my choice and print those pages to PDF
file(s). Certain educational pages I also make in my word processor
for the starting point of the next song
compile.
Also all songs are based on a common shared template that keeps the overall
style strictly enforced.
Rick Hansen (aka RickH) wrote:
FWIW, I assemble my song books using ghostscript. I create batch jobs
that compile all the songs into separate PDF's, I
Currently entering rhythmic slashes are a pain in the butt and have numerous
kludge solutions. For example, if you simply change the noteheads to slash
and set the notes to middle-line b the visual result and spacing is
perfect. However the day you need to transpose, the slashes are all over
Ijust installed 2.11.15 on Windows XP. I get the following right at the
point that LP is converting the ps file to pdf. In the end I get a ps file
but no pdf. Is there some setup of the system PATH statement that needs to
be made so that gs is recognized? The path to the lilypond bin is in my
v2.11.15
Looking at the folder C:\Program Files\LilyPond\usr\bin where lilypond is
installed, it appears that the executeable called gs does not have a .exe
extension. How is the operating system suppoed to know that this is an
executeable file (I presume its ghostsscript)? When compilinmg
Bodo Maass wrote:
Hi,
I want a new line to start with a different clef. However, I always get a
second copy of the new clef on the old line, just before the line break. I
have simplified it to this example:
start test.ly
\version 2.11.10
{
\time 2/4
{
\clef
There is a way around it, scan the archive for jazzychord, there are some
posts on using a chord names exceptions list, it should be in the manual
too.
Bryan Murdaugh wrote:
If I try to display a chord symbol (in the ChordNames context), using
g1:5^3
(which looks like it should work from
Linda Seltzer wrote:
Dear Friends,
Having previously worked at ATT Labs, where I was a member of the User
Experience Forum, I would like to make a few comments as a relative
outsider seeing the Lilypond project for the first time. This is a great
endeavor and the software output is
See chapter 10.1.3 about the function I sponsored using the -dclip-systems
command line option. If thats not the right chapter just search the manual
for -dclip-systems. You can output snippets to pdf and eps (eps is better
quality). I'm outputting musical fragments into word processors and
Use task manager to see if some other process or possible spyware is hogging
CPU resources. I have had excellent performance on even my older XP and
Win2K machine. The first time you run LP after a fresh install might take a
little longer but not that long, as I think it registers the fonts on
Ander D wrote:
I have a solo voice score. It has two sections. The first section has
two
verses. The first verse has its own ending and the second verse also has
its
own ending, which comprises the rest of the song. The second section has
a DS
al coda. I need help with organizing
= #3.0
\once \override Score.RehearsalMark #'break-align-symbol = #'key-signature
\mark \markup { \musicglyph #scripts.coda \super \smaller \column { To
Coda } }
Rick Hansen (aka RickH) wrote:
Ander D wrote:
I have a solo voice score. It has two sections. The first section has
two
Carl D. Sorensen wrote:
Rick H wrote:
A user-maintained table of chord shapes wouldn't be transposable. It's
using the Lilypond chord naming structure that makes the transposing
work, IMO. This functionality wouldn't work for you, because you're an
excellent guitar player. It
Orm Finnendahl wrote:
Hi,
I just wanted to add to my recent comments. It might seem that my
posts are unadequately critical. Although they are fueled by my
frustration using the program I want to make clear that I really
appreciate the tremendous and excellent work which has been done
Brett Duncan-2 wrote:
Here's a different idea: instead of specifying the ratio for a tuplet or
set of tuplets, what about specifying the duration of a tuplet, and
letting LP determine what number appears over the beam?
For example, where we now use
\times 2/3 { a8 b c }
to get a
David Rogers wrote:
Orm Finnendahl wrote:
Am 28. Dezember 2006, 11:30 Uhr (-0800) schrieb David Rogers:
bf16[d, f ef] \tuplet 4 { { { d16 ef f } { g a } } { bf32a c bf d c
bf a
g f
g ef } }
The above would generate a parent tuplet with the number 5 and two
sub-tuplets with 3 and
Orm Finnendahl wrote:
Hi,
don't know if that's the one you already caught. This segfaults on my
machine:
\version 2.11.2
\score {
\new Staff {
\relative c' {
\acciaccatura d16 s16
}
}
}
It doesn't segfault if the
Eduardo Vieira-3 wrote:
Citando Rick Hansen (aka RickH) [EMAIL PROTECTED]:
If you have done this can you share it or sell it to me? (please dont
suggest m4, I gave up on that monster)
Thanks
Hi, Rick! Yes, this preprocessor looks scary, as well as some advanced
programming
installation alone, and just putting a helper application in front of it.
Han-Wen Nienhuys-2 wrote:
Rick Hansen (aka RickH) escreveu:
How can I code a grace note (actually that is really a grace rest) but
also
make it completly invisible and take up no space, on a one-time/as-needed
basis
Matevž Jekovec-2 wrote:
Is there a predefined constant in Lily which shows the current date
and/or system time.
This would be useful for the footer tag for example, when was the
document generated - this would mark the version of the score then, if
you made any newer versions of your
Anybody?
Rick Hansen (aka RickH) wrote:
The simple substitution example below should be pretty easy, but I'm in a
pickle, can someone show me how to replace the note name in the transpose
statement with the note specified on the function call (parameter called
root)?
But it gets
Has anyone on this list extended the \include lilypond command to also do
simple token replacement as it is including the text? IOW like this:
\include myFile.ly @myToken1=a; @myToken2=25; @myToken3=replace with
this
Whereby @myToken1, 2 and 3 above will be whole word searched and replaced
seb-g wrote:
On Thu, Dec 21, 2006 at 02:48:24PM -0800, [EMAIL PROTECTED]
wrote:
The simple substitution example below should be pretty easy, but I'm in
a
pickle, can someone show me how to replace the note name in the
transpose
statement with the note specified on the function call
How can I code a grace note (actually that is really a grace rest) but also
make it completly invisible and take up no space, on a one-time/as-needed
basis?
I'd like to be able to change the current duration that lilypond has set
without actually having to introduce any music to the score that
Eduardo Vieira-3 wrote:
Citando Rick Hansen (aka RickH) [EMAIL PROTECTED]:
If you have done this can you share it or sell it to me? (please dont
suggest m4, I gave up on that monster)
Thanks
Hi, Rick! Yes, this preprocessor looks scary, as well as some advanced
programming
Thanks,
Browsing the manual GEMA looks like it could work to do both substitution
and conditional outputting, I'll try it.
Rick
Eduardo Vieira-3 wrote:
Citando Rick Hansen (aka RickH) [EMAIL PROTECTED]:
If you have done this can you share it or sell it to me? (please dont
suggest
seb-g wrote:
Hi there,
I am working on a guitar chord library for lily [1] based on the
\fret-diagram command.
The generator is written in python.
The chord configuration file is quite simple:
--
Sebastien Gross
___
Rick Hansen (aka RickH) wrote:
seb-g wrote:
Hi there,
I am working on a guitar chord library for lily [1] based on the
\fret-diagram command.
The generator is written in python.
The chord configuration file is quite simple:
--
Sebastien Gross
How can I change the current duration in my music without actually entering
something that will take up any beats? IOW we all know that duration is
sticky, it remains at whatever you last set it to so that you do not have
to continually type in duration numbers. What command can I enter to set
seb-g wrote:
Hi there,
I am working on a guitar chord library for lily [1] based on the
\fret-diagram command.
The generator is written in python.
--
Sebastien Gross
___
lilypond-user mailing list
lilypond-user@gnu.org
in the
input file.
You may want to use a pure preprocessor like m4 to
handle this situation.
/Mats
Rick Hansen (aka RickH) wrote:
How can I change the current duration in my music without actually
entering
something that will take up any beats? IOW we all know that duration is
sticky
seb-g wrote:
On Thu, Dec 21, 2006 at 09:05:20AM -0800, [EMAIL PROTECTED]
wrote:
Yes, as Mats said please check out the FretBoards context, I sponsored
it!
It will allow you to transpose fret diagrams and enter fret diagrams
using
standard lilypond notes, it will auto detect the
seb-g wrote:
On Thu, Dec 21, 2006 at 12:45:52PM -0800, [EMAIL PROTECTED]
wrote:
Here is an example of my non-programmers approach to forming a chord
library: (note this example can only be run in version 2.11.4 or better
due
to a crash issue)
Ok I will install 2.11.4. I am still
The simple substitution example below should be pretty easy, but I'm in a
pickle, can someone show me how to replace the note name in the transpose
statement with the note specified on the function call (parameter called
root)?
But it gets the following error:
string:2:13: error: syntax error,
seb-g wrote:
On Thu, Dec 21, 2006 at 03:05:25PM -0800, [EMAIL PROTECTED]
wrote:
A define-music-function would be better than tags, then the whole library
would be inside a function where you just specify the chord name as a
string
parameter then have a giant IF statement to generate the
Luc wrote:
Hi
I am using Notepad++ (on Windows XP home) to write LilypPond scores.
Besides many other comforts, this editor allows to add own languages as
plugins for highlighting and colouring different kinds of keywords
(actually there are 4 types that can be defined) and automatic
Kress, Stephen-2 wrote:
It is true that Java is, by default, a p-code style language. However,
what Bertalan Fodor was referring to is what's called the Just in Time
compiler. The JIT must not be confused with Java's command line compiler.
The command line compiler (or those built
v2.11.2 Windows...
In the following example one tag filter works but the other fails.
If you use the chordfret filter name to generate the chord inversions it
fails, but if you use the chordname tag filter to generate those chord
inversions it works. Conversely I also tried \removeWithTag but
Anthony W. Youngman wrote:
In message [EMAIL PROTECTED], Rick Hansen (aka RickH)
[EMAIL PROTECTED] writes
I've never seen a Java application run fast on Windows, ever, in fact they
are so slow that they are unbearable to use.
Is that Microsoft's JVM, or Sun's?
And it wouldn't
Geoff Horton wrote:
Often one can gain productivity by fitting his way of work to the editor
:-)
Bert
Sometimes, yes. Often ... I don't know about that, and I'm not really
a fan of the idea. Tools exist for me; I don't exist for tools.
I don't mean to discourage anyone from trying
v2.11.0 Windows2000.
In the code that follows, I'm trying to combine the variables \varNames and
\varFrets into single tagged variables since these note streams always
used in pairs under different contexts. In this example the proper output
occurs using \varNames and \varFrets in the Staff and
Notice in the following example (which will run as-is) that I am explicitely
removing the string number engraver. Yet, alas, the string numbers remain
on the staff portion.
How can I globally remove the string numbers from the standard notation
staff, and still reuse the same music on the
lives by default, you'll find out that it's in the Voice context.
I think that's all information you need.
Don't ask me what the String_number_engraver does, though.
/Mats
Quoting Rick Hansen (aka RickH) [EMAIL PROTECTED]:
Notice in the following example (which will run as-is) that I
Han-Wen Nienhuys-2 wrote:
Bertalan Fodor escreveu:
Install the 2.10.0-1 version of LilyPond (and not the bad, 2.10.0-2)
Then you will be able to run convert-ly by:
- running 'python convert-ly' from C:\Program Files\LilyPond\usr\bin
- or by clicking the convert-ly button in LilyPondTool
confrey wrote:
Hi everybody,
I know some text editors have a support for lilypond; I'd like to know
what's a fine editor for lilypond, and if it is possible to customize
gedit (sintax highlighting and statement recognition adn completation).
bye
confrey
--
confrey
James E. Bailey-2 wrote:
I was reading the archives on how to define a custom page size, and
I'm a little confused as to whether the issue was resolved, meaning,
I've read the archives, and tried the suggestions there, but still
cannot output my page size.
I've added to the file
Ok...
I must be missing something very simple, but I've been beating a dead horse
for the past few weeks trying to get convert-ly and other utilities to run
on Windows XP.
From te command prompt I change directory to C:\Program
Files\LilyPond\usr\bin which is where lilyponfd is installed, but
Bertalan Fodor-2 wrote:
Install the 2.10.0-1 version of LilyPond (and not the bad, 2.10.0-2)
Then you will be able to run convert-ly by:
- running 'python convert-ly' from C:\Program Files\LilyPond\usr\bin
- or by clicking the convert-ly button in LilyPondTool (if you use that)
Bert
Bertalan Fodor-2 wrote:
Install the 2.10.0-1 version of LilyPond (and not the bad, 2.10.0-2)
Then you will be able to run convert-ly by:
- running 'python convert-ly' from C:\Program Files\LilyPond\usr\bin
- or by clicking the convert-ly button in LilyPondTool (if you use that)
Bert
and Settings\HP_Administrator\Desktop\musicfiles\gibbons
C:\Documents and
Settings\HP_Administrator\Desktop\musicfiles\gibbonsconvert-ly
cantus.ly
convert-ly.py (GNU LilyPond) 2.8.5
Processing `cantus.ly'...
Applying conversion:
Good luck!
Bonnie
Rick Hansen (aka RickH) wrote
Bonnie Rogers wrote:
Just as I thought - you are trying too hard! I'm not a programmer
either. What on earth is all that import stuff? If you have the
music in a desktop folder and cd to that folder you won't have to bother
with any of that. Just type convert-ly and the file name.
I am under the impression that the dresolution option flag setting only
applies to PNG generation. Is this true? And that the PDF that lily
generates really has no resolution of it's own to worry about? IOW can I
assume that the PDF file is already at pre-press quality if it is being
printed
Mats Bengtsson-4 wrote:
All fonts should be Type1 fonts, i.e. they are described by
vector graphics, not bitmaps. The same goes for slurs,
beams and other objects that are output directly as
graphics. So, there should be no need to worry about
resolution as far as I know.
/Mats
Erik Sandberg-2 wrote:
On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote:
Hello,
Is it possible to indicate pitches in the format c4 instead of c'?
And if not, does anybody know of any plans to create this possibility?
If you really need this, I'd recommend you to use sed or
Frédéric Chiasson wrote:
Hi,
I just saw a message about the tagline Engraved by Lilypond and I was
wondering if it is legal to sell our own partitions of our own
compositions
engraved with Lilypond? Is there any limitation you put against a
«commercial» use (for now, it is really «on
I'm not a Scheme programmer, but how does one concatenate more data onto the
end of an existing variable? Is there a string concatenation expression in
scheme that will let someone add onto the end of a string using subsequent
commands. For example (below is in a java pseudocode where += means
Nicolas Sceaux wrote:
Rick Hansen (aka RickH) [EMAIL PROTECTED] writes:
I want to begin compartmentalizing my rather long lilypond templates
to something beyond numerous \include files to make it easier to
manage.
I wish there were a lilypond dedicated text editor with plug-ins
Frédéric Chiasson wrote:
Thanks for the quick answers! And yes, I will keep the tag, it is least I
can do to encourage such a wonderful project!
However is it possible to change the alignment, the size, the font or any
other characteristic of the tagline (while keeping it noticeable!) ?
Nicolas Sceaux wrote:
What you want is not string concatenation. { a4 b c d } is a music
expression, not a string, so look how it is stored internally:
\displayMusic { a b c d | }
\displayMusic { e f g a | }
\displayMusic { a b c d | e f g a | }
You'll see a SequenceMusic
Mats Bengtsson-4 wrote:
It seems that a standard preprocessor like m4 should be the best
solution to
your problems. If you search the mailing list archives, you will find a
number
of discussions related to preprocessors for purely textual replacement in
LilyPond input files. LilyPond
Mats,
This is sort of working, but how would I set the thickness property so that
the slash looks more like the slash notehead? Better yet, is there a way
to actually use the slashed note head character instead? (the slashed note
head looks like most fakebooks, but this beat-slash is too thick
Brett Duncan-2 wrote:
Han-Wen Nienhuys wrote:
Paul Scott escreveu:
Rick Hansen (aka RickH) wrote:
(snip)
Here is a solution, just change the notehead! (thanks to Brett who
sent me
the idea)
\paper {
ragged-right = ##t
}
\new Staff \relative c' {
\bar |:
\override
Trevor Daniels wrote:
I've never tried it, but could you use a drum voice to avoid
transposition problems?
In my case I cant just change to a drum voice because these measures are in
the midst of a voice that does play standard notation for most of the piece,
but in places I just
Kamal-4 wrote:
How do you attach a duration (or other notation) to an identifier?
Example:
I have:
8 16[ ]
I want to use as an identifier so I tried the following but
it didn't work:
var = { a c e }
\score {
{ \var \var16[ \var16] }
}
I am using lilypond 2.8.6
How can I get 4 slashes in a measure (in 4/4 time)? The following is the
closest I've come but only gives me 3 slashes. (In pop music this is a
common notation method when you just want the player to comp the changes in
time.) The example below will run as is:
\paper {
ragged-right = ##t
}
Rick Hansen (aka RickH) wrote:
How can I get 4 slashes in a measure (in 4/4 time)? The following is the
closest I've come but only gives me 3 slashes. (In pop music this is a
common notation method when you just want the player to comp the changes
in time.) The example below will run
Eduardo Vieira-3 wrote:
Hello list, is there a musical difference between these two styles of
slurring?
{ e( f() g) } and { e( f g) }
I have seen songs using either style. Which is more proper? Personally I
prefer
the latter. But I'm not a musician.
Eduardo
I have a very old version of ghostscript that I use outside my lilypond
work...
I want to upgrade ghostscript on my Windows machine for the work I do in
concatenating lily outputs into books, printing to PDF, etc.
But I am unsure as to what ghostscript to get the GPL or the AFPL?
I just want
so far.
fiëé visuëlle wrote:
Am 2006-11-03 um 19:03 schrieb Rick Hansen (aka RickH):
But I am unsure as to what ghostscript to get the GPL or the AFPL?
Since a while also the latest version of GS is available unter the
GPL, see
http://www.cs.wisc.edu/~ghost/
For private use
Frédéric Bron wrote:
Using lily 2.8.7 on Windows.
Why \chords { gs:dim7 } gives G#07 in the output and not G#dim (\include
english.ly)?
I want gs b d f .
Regards,
Fred
___
lilypond-user mailing list
lilypond-user@gnu.org
Frédéric Bron wrote:
Does this mean that if I want all dim7 chords be written dim, I need to
code 12 exceptions, one for each note?
No, the exceptions list would only need one exception coded with a root of
C, in your case c ef gf to override dim and c ef gf bff to override
dim7. I've
Frédéric Bron wrote:
I have tried to make a chord exception as indicated in the documentation
and
in
chord-name-exceptions.lyhttp://lilypond.org/doc/v2.8/Documentation/user/lilypond/source/input/regression/lily-496021814.lyto
replace 07 by dim but it did not work. Here is what I tried:
Frédéric Bron wrote:
I have tried to make a chord exception as indicated in the documentation
and
in
chord-name-exceptions.lyhttp://lilypond.org/doc/v2.8/Documentation/user/lilypond/source/input/regression/lily-496021814.lyto
replace 07 by dim but it did not work. Here is what I tried:
César Penagos wrote:
Dears Lilyponders:
I'm a very in-love user of Lilypond, actually I have installed the 2.9.26
version. I'm attend to update my preferred music score program.
For many times i sow in the user archives, people asking for a graphical
interface. I thing there is a
Julian Peterson wrote:
I have a project in which I am training a computer to improvise in the
same style as an example piece of music.
I wrote a little program in supercollider to take a sequence of lilypond
notes, learn patterns from them and then generate
output for lilypond to
Is there a global way to change the neck position indication on fret board
markup to be arabic instead of roman? Without having to change the file
called \LilyPond\usr\share\lilypond\current\scm\fret-diagrams.scm ?
I'm trying to avoid making my own changes to the installed code base, so
that I
I have just sponsored some new guitar related items, and inadvertantly some
tab clean-up items that will be in future release.
I understand your idea, but I would also argue that using notes instead of
hard-coded fret and string numbers is the way to go.
This way your output can participate
Depends on your age, eyesight and the type of score too. For a simple fake
book lead sheet I like things big so that I can read it better in a dark
room at a distance, or at times when I'll have a cheat sheet on the floor at
my feet while performing something I have not fully memorized. As for
FYI, this bug also happens on volta brackets that continue or start at a new
system. The beginning of the volta bracket is pushed to the right by the
mark. This is exasperated by the fact that very often it is necessary to
put a To CODA mark at the beginning of first endings. In this very
If all you want to do is link and imbed musical snippets into a word
processor document then check out the new clip-regions capability in the
latest LiyPond. It will let you define an array of clip regions in the
\paper block then when you compile your main score all those clippings
will be
and ran it through a recent
2.9.x version, and it certainly gives me a single tab staff here.
Daniel's follow-up does exactly the same thing, but using more
key strokes (the \simultaneous are redundant, for example).
/Mats
Quoting Rick Hansen (aka RickH) [EMAIL PROTECTED]:
Thanks Mats
Thanks Mats, but this example is still producing 2 separate tab staffs, not a
single polyphonic one.
Rick
Mats Bengtsson-4 wrote:
See http://lists.gnu.org/archive/html/lilypond-user/2005-10/msg00285.html
/Mats
Quoting Rick Hansen (aka RickH) [EMAIL PROTECTED]:
Yes this has been
I prefer to set something like this in a \layout context, but you can also do
it where you declare your ChordNames staff or even in the middle of the
score amongst your notes (size exaggerated here):
\layout {
\context { \ChordNames
\override ChordName #'font-size = #10.5
}
}
If I'm not mistaken I belive parenthesis only applies to notes in chords so
to parenthesize a single note make a chord with just one note in it, also it
applies to the note after the \parenthesize:
\version 2.9.17
\include english.ly
\layout
{
line-width = 80\mm
}
theMusic = \relative
If you put that override in the \layout block on whatever context(s) you want
it applied to, then it will and you wont have to see it amongst your music
code.
Palmer, Ralph wrote:
Thanks, Trevor.
Will \override (as opposed to \once \override) give all subsequent
TextSpanner entries the
How much would this cost to sponsor? I've tried to describe it as best I
could below, and provided a sample of what the proposed source code might
look like and a description of what the output would be, please let me know
if there is any confusion about what I'm describing:
Begin:
% PROPOSED
You can take over all the titling yourself with the following \paper block
and by not setting any of the built in \header properties like title,
copyright, etc. (with the exception of tagline = to regain the bottom
space). Also use the \fill-line function to spread items left/right.
Rick
]:
On Thursday 12 October 2006 18:22, Rick Hansen (aka RickH) wrote:
Thanks for the suggestion Mats.
My motivation for this is that I am currently writing some lesson
material
that reference full scores and would like to make a nice word processor
document that flows, with illustrations
A -d option to set the \paper first-page-number property from the command
line job would be a real handy thing to have. Many people I assume, like
me, often print a score for inclusion into another separate book, or
concatenation with a bunch of other PDF files. It would be nice to not have
to
I would like to dynamically generate values for the following 3 hard-coded
properties based on a rule, and the current default paper size, but I dont
know scheme:
paper-height = 11.0\in
paper-width = 8.5\in
line-width = 7.7\in
So basically how would I code the above hard
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