On 09/20/2017 11:35 AM, Carl Sorensen wrote:
> On 9/19/17 5:33 PM, "David Kastrup" <d...@gnu.org> wrote:
>
>> Shamus Hammons <jlh...@acm.org> writes:
>>
>>> On 09/17/2017 01:50 AM, David Kastrup wrote:
>>>> Carl Sorensen <c_soren...
On 09/17/2017 01:50 AM, David Kastrup wrote:
> Carl Sorensen <c_soren...@byu.edu> writes:
>
>> On 9/16/17 8:09 AM, "Shamus Hammons" <jlh...@acm.org> wrote:
>>
>>> I have a dream, that one day Lilypond will make codas first class
>>> cit
http://shamusworld.gotdns.org/music/one-small-child.pdf (see page 2,
bars 33-34)
I have a dream, that one day Lilypond will make codas first class
citizens instead of having to exist as a series of ugly hacks. In that
day, I could simply write \coda (with maybe some options) and Lilypond
would
That works perfectly. Thank you!
On 09/14/2017 12:18 PM, Robin Bannister wrote:
> Shamus Hammons wrote:
>
>> This gets closer, but the flat sign is sitting all by itself, as if it
>> were a separate word and not part of the chord symbol (like so: "B b
>> maj7")
This gets closer, but the flat sign is sitting all by itself, as if it
were a separate word and not part of the chord symbol (like so: "B b
maj7"). Also, doesn't address the issue of the chord names floating too
high above the diagrams.
On 09/14/2017 11:26 AM, Robin Bannister wrote
quot;Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" }
> " "
> \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" }
> " "
> \center-column { "C#m11" \fret-diagram-terse #&
