Err! I've never really sorted out the cconcept of contexts. I've just
copied them when they looked OK Then fiddled.
I've got the immediate problem solved thanks to you both & I am now
trying to research cotenxts in a more formal way.
Many thanks
Steve
On Wed, Jul 19, 2017 at 02:25:06PM
Hello all,
Having trouble finding how to silence chordNames while not silencing
the rest of the arrangement. I would have thought it wa easy but can't
spot it. Can someone point me at it.
Many thanks Steve
___
lilypond-user mailing list
On Sun, Apr 16, 2017 at 07:44:55PM -0500, David Wright wrote:
> On Sun 16 Apr 2017 at 20:35:41 (+0100), Steve Downes wrote:
> > I attach a short script together with the rejection notice. I feel
> > confident I shall feel foolish when I recieve a reply but what am I
>
I attach a short script together with the rejection notice. I feel
confident I shall feel foolish when I recieve a reply but what am I
doing wrong here?
The version number is correct. & the same as my previous work.
I can see no problem with the script as far as it's gone & neither,
I cannot understand why anybody uses html (except their software point
them at it) I decided 20 years ago when word processors were coming in
with various formats that I would always use plain text unless there
was a strong reason not to because:-
1) it took less storage
2) it travelled faster
3)
It may or may not be relevant but I find if I do what have you done I
can get it change to sample to a guitar sound. However it doesn't
sound like a guitar to me unless I sort out the chord voicing to a
guitar inversion as well. This is quite a bit of work so I usually
silence the chord names so
On Wed, Apr 08, 2015 at 01:25:05AM -0700, PharoahS wrote:
Hi Nathan
Thank you for your answer,
I use timidity with debian
Did you listen to my code exemple? Have you a long sound or short snaps?
--
View this message in context:
Works for me noted for future use.
Thanks
Steve
On Fri, Apr 03, 2015 at 01:22:45PM +0100, Neil Puttock wrote:
On 3 April 2015 at 12:19, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
I'm sorry, doesn't seem to work too... ;(
This should work:
#(define t tuplet)
Is it possible to reduce the chordmode volume while keeping it in
displaying the chords in the PDF?
Failing which is it possible to maintain the PDF output while
silencing the midi output and/of change the instrument. Piano stops me
listening constructively.
Steve
Hello list people,
I have started writing bass line chord charts to assist in the
integration of a new bass player. I would like to make a good job of
it because if it works well I will build it into a band library.
It is normal in my (jazz) market to use % in a bar to mean repeat
previous bar
Surely if it's his solo it is up to him/her how he wishes to interpret
it. His interpretation can change ( should change) if his mood
changes.
Steve
On Sat, Dec 14, 2013 at 12:41:36PM +0100, Xavier Noria wrote:
Not specific to Lilypond but hope you don't mind the question, I have
looked for
thanks
Steve
On Tue, Nov 08, 2011 at 02:28:31PM -0800, -Eluze wrote:
hi
steve downes wrote:
To get rid of all except piano staffs which only contain Whole
Measure Rests, use:
\layout {
\context {
\RemoveEmptyStaffContext
\override VerticalAxisGroup #'remove-first
I have a situation I feel there should be an answer to but cannot find it. I
write arrangements which start with, say, 8 bars intro during which , again
say, up to 4 front line instruments are doing nothing. I either want to
suppress their staffs during the intro or not create them till the end
On Tue, Nov 08, 2011 at 06:50:32PM -, Phil Holmes wrote:
- Original Message - From: Steve Downes
st...@kingswayelec.co.uk
To: lilypond-user Mailinglist lilypond-user@gnu.org
Sent: Tuesday, November 08, 2011 6:46 PM
Subject: Hiding or delaying new staffs
I have a situation I
I have been using the excellent jazzcombo template by Amelie Zapf, I
am now doing my third fake sheet. So far just a bass staff chords
annotations above it. The first two, all the examples in the
manuals, put the chords above the staff, where I want them. My third,
which I am working on now,
On Mon, Nov 07, 2011 at 10:04:04AM +, Steve Downes wrote:
I have been using the excellent jazzcombo template by Amelie Zapf, I
am now doing my third fake sheet. So far just a bass staff chords
annotations above it. The first two, all the examples in the
manuals, put the chords above
On Mon, Nov 07, 2011 at 01:17:12PM +0100, eluze wrote:
have a look at 'Vertically aligning ossias and lyrics' in
http://lilypond.org/doc/v2.15/Documentation/notation/modifying-single-staves#ossia-staves
Eluze
Sorted now, thanks very much for your help
Steve
Hello all,
New to this group so I hope I get it rightish.
I have done a choir arrangement (in Rosegarden) exported to lilypond. this
has worked fine after a bit of work. I now want to condense this into a piano
part with trb bs clefs. I have been adapting it using the parallelMusic
method
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