Thanks Mats, that works fine, except to have 4 mesures on each line one need : \set Score.proportionalNotationDuration = #(ly:make-moment 1 8)Some small tunnings and I got what I wanted.I encoutered another problem though :
When using \repeat percent 2 { ees1:7}, the measure spacing is broken.Do yo
Hi,Did anyone worked on a good layout structure for chord charts (only chords) ?I followed the instructions of the documentation (
http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Printing-chord-names.html#Printing-chord-names), but two of my big issues right now are :- Line breaks does wor
Thanks for the information, I have just downloaded ConTEXT and installed your highlighting file and user commands and everything is working very nice. I had endless problems with jEdit so I am glad you told about ConTEXT. I also find ConTEXT far better, particularly to access the different opened f
First, I think you are doing a wonderful job with the manual since it is so big and complete.I
am wondering, seeing all the simple "howto" questions you answer giving
a link in the documentation, if I would not be useful to simply gather
on a page all those "howto" questions and the related links w
Thanks, it works great !
I personnally prefer the minus sign which is a little shorter.
However, i had to write this complicated markup to obtain a correct "7 / b5" for semi-diminished chords (instead of the dashed circle).
- \markup { "-" \super {7/ \hspace #0.2 \teeny
{\raise #0.3 \flat} 5}
Hi there,Is there a way to get a dash (-) instead of m for minor chords in chordmode notation ?I found there is a special property to change the maj7 triangle to whatever we want, but is there nothing for the 'm' ?
The dash is widely used, in jazz at least, that's too bad if it it not possible to o
his ?
Thank you.
Thibaut Chevalier.
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There are old threads dealing with this.
I read that the simple \set fontSize is said not to be working, but in
this post :
http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00117.html
The following solution is suggested :
\context ChordNames {
\property ChordNames.chordChanges =
Here is a piece of code that should give you ideas. Try compile it.
I did not finished the second line but you should have gotten the idea.
To have proper slurs between all the notes in the chords, use the "multi
voice" entering mode which is something like that :
<< { a4( b4) } \\ { f4( g4) }