hi all,
this is a general question for composers using lilypond. at what point in
your process do you generally start engraving? Like most composers coming
from the consumer notation softwares, I'm accustomed to working in pencil
first, but not to completely separating the engraving and composit
Hi all,
This one really is basic, but: a \tempo command in a large score will
automatically register on each part, right? that is, if I insert the
marking to change tempo in the flute part in bar 2, it will appear on every
other part...so where is it advisable to put it?
Thanks.
Tobin
_
Hi all,
What's the best way to handle a percussion part that has a lot of pitched
and un-pitched material?
The part is declared with just one \DrumStaff, but then \switchInstrument
seems powerless to take it out of \drummode. Seems like various
workarounds are possible, but I bet someone has a g
usic in question.
I really enjoyed those Balkan dances!
Tobin
On Thu, Nov 3, 2016 at 7:50 PM, mclaren wrote:
> Well, the 3's indicate 3:2 broken tuplets. There seems to be some
> controversy
> over whether Tobin Chodos really wanted a single 3:2 eighth note at the end
> of every
Is there no way to set beams to go over rests globally?
Thanks again - new to this list but learning a lot.
Tobin
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Hi all,
Forgive me if this is a too-easy issue for the list, but: is there a way to
define a time compound time signature such as 4/4 + 1/3? That is, the
measure is four quarter notes long plus one triplet eighth note.
Thanks.
Tobin Chodos