Re: Thriple flat/sharp glyphs...

> Please find attached the proofsheet I'm planning to attach to the > issue tracker (if nothing dreadful happens). There's also a concise > test of \chordmode and note entry. MIDI output isn't contained, but > it's working as it should. > > issue3356-proofsheet.pdf >

Re: Thriple flat/sharp glyphs...

> Version 2: Abrahams equalized flats: > test-issue3356-condensed.pdf > > Thanks. And this is still my preferred version. Werner ___ lilypond-user mailing list lil

Re: Thriple flat/sharp glyphs...

Nice work! > 2. Abraham's equally compressed flats > > Both flats are equally compressed as a compromise, thus keeping the > original glyph width: > > > This is my favourite. Werner

Re: Build error. MergeFonts: Can't find font: feta11.pfb

> Invoking "t1asm parmesan-noteheads14.pt1 parmesan-noteheads14.pfb"... > mf2pt1: You'll need either to install t1utils and rerun mf2pt1 or find > another way to convert parmesan-noteheads14.pt1 to > parmesan-noteheads14.pfb > […] > > t1utils (including t1asm) are installed in the correct version

Re: Tromba "mo"

> Just out of curiosity - shouldn't it be "tromba prim*a*/second*a*" > in Italian (1ma/2da)? Indeed. > Or is it a case of "modo russico" ;) Hehe, I think you are right :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://list

Re: Tromba "mo"

>>> I've got a manuscript with two "Trombas" - in "mo" and "do". Obviously, the other one is `II do' – Tromba secondo :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tromba "mo"

> a 18th century cantata - I found (very few) links with google where > you can see "Tromba I mo" "Oboe I mo" and "Cornu I mo"  - so its not a > typo... Uh, oh, this means `Tromba primo', `first Tromba', so please forget what I talked about solmisation :-) Werner ___

Re: Tromba "mo"

> What MS, what context? I don't know of 'mo' in any tonic sol fa. `mo' is a term from (German?) `relative solmisation', cf. https://de.wikipedia.org/wiki/Solmisation#Relative_Solmisation However, I have never seen this in any score... >> I've got a manuscript with two "Trombas" - in "mo" an

Re: Tweaking Hairpin shape

> Sure, I attached a few from here > Thanks, but in this score there is not a single heavily rotated hairpin; I would say that the differences are not of any importance. > . Oh, and an orche

Re: Tweaking Hairpin shape

> I wanted to make it so that the two lines that form the hairpin > would end in the same vertical line, Please show a real-world example for that. I can't remember having ever seen this... Werner ___ lilypond-user mailing list lilypond-user@gnu

Re: Font names convention

> When in the .tex file I write > >   \setmainfont{Adobe Garamond Pro} > > the font is correctly used, but the "fullname" I get out of the Lua > object is "AGaramondPro-Regular". This looks like the PostScript name. > This is also what is shown in the properties of the PDF, but with > differen

Re: Issues about optical spacing

> I [...] submit this article which discusses the topic in detail. > > https://quod.lib.umich.edu/cache//b/b/p/bbp2372.2002.097/bbp2372.2002.097.pdf#page=2;zoom=75 > > I would love to see Lilypond incorporate this improved algorithm > [...] This sounds like an interesting GSoC project! Han-Wen

Re: Crop only top and bottom

> I have looked for ways to crop the EPS to only two borders of the > bounding box but didn't find anything useful so far. While I can't help with the lilypond issue, I suggest to have a look at the `pdfcrop' program that comes with TeXLive: It supports a `--margins' option. Werner ___

Re: getting paid for an include (I offer)

>> ??? Are you really trying to reactivate Neue Deutsche >> Orgeltabulatur, three hundred years after it was abandonded? > > There can be multiple reasons why one would do that: [...] All of these are valid points. However, it seems to me that he wants to actually *add* features to this tablatu

Re: getting paid for an include (I offer)

> sadly, you are right. I had a closer look at what I thought to be an > ''es'' but is a ''dis'', > > Nevertheless, in my idea it should be the user who would choose > alternatives (historical (only sharps and b), my-way (flats, sharps > and even double-falts and d-sharps), and alternative. ???

Re: getting paid for an include (I offer)

> About the flat in the new german TAB, AFAIK there doesn't exist a flat at all in the Neue Deutsche Orgeltabulatur. > I would be pleased if you confirm me, or not: in Scheidemann's > Judentanz, I read the (recurrent) es as it is and not as a s. I don't understand this sentence. Please rephras

Re: getting paid for an include (I offer)

>> https://de.wikipedia.org/wiki/Tabulatur#Neue_deutsche_Orgeltabulatur > > Hi, I would be interested maybe; coincidentally I’m just now reading > Willi Apel’s book on notation and the next chapter I’ll read is > about the old and the new German organ tab. It's an interesting topic indeed – even

Re: getting paid for an include (I offer)

>>> I would like to use the keyboard TAB >>> (https://de.wikipedia.org/wiki/Tabulatur) as alternative to "normal" >>> notation. >> >> Which one? There are so many tablutures. Please give an example >> (i.e., the `normal' notation and the tablature version). > > Excuse me, the New German Tabulatu

Re: getting paid for an include (I offer)

> I would like to use the keyboard TAB > (https://de.wikipedia.org/wiki/Tabulatur) as alternative to "normal" > notation. Which one? There are so many tablutures. Please give an example (i.e., the `normal' notation and the tablature version). Werner __

Re: variable

>> I'm sorry for the trivial question but why this code is wrong? >> >> \version "2.19.80" >> >> music = {a b} >> \music >> >> >> My understanding was that "\music" is substituted by its value "{a >> b}" > > You need to put anything in between. LilyPond looks at \music > before deciding the

Re: Markings on a percent bar

> The problem, from my point of view, is that lilypond syntax is > simple and makes sense to me. As soon as scheme gets involved, the > learning curve is like hitting a cliff. Are you aware of Urs's introduction to Scheme? https://scheme-book.ursliska.de Werner _

Re: Scheme help? snippet for movement page headers

> Oh ugh, Nabble wrapped my lines and now it's all ugly. :( One of the reasons to avoid source code lines longer than, say 78 characters... Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypon

Re: [OT] Linux Users

> It just can't handle Khmer lyric. This is not a lilypond issue at all, AFAIC. I guess that the used Pandoc and HarfBuzz library versions are not recent enough. Please send me a small lilypond example with Khmer lyrics, together with an image that shows how the text should look like (using the

Re: How about a StaffGroup containing a single Staff?

> Are there situations when a brace should be produced for such a > single staff staff group, and if so, how can that be obtained? See the snippet section in http://lilypond.org/doc/v2.19/Documentation/notation/displaying-staves#grouping-staves how to achieve that. Werner

Re: Tuplets curved brackets?

> How can one undo the effect of tupletBracketToSlur to use it on a > per-tuplet basis? Prefixing it with \once is not a solution I’ve > seen. Try `\single'. Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailma

Re: shifting spanners horizontally

>> the horizontal position of ordinary grobs can be adjusted with >> >> \tweak X-offset ... >> >> or something similar. What's the equivalent for spanners to shift >> the beginning and/or the end horizontally? A quick search in both >> the documentation and the internet didn't yield something

shifting spanners horizontally

Folks, the horizontal position of ordinary grobs can be adjusted with \tweak X-offset ... or something similar. What's the equivalent for spanners to shift the beginning and/or the end horizontally? A quick search in both the documentation and the internet didn't yield something significan

Re: Suggestions for page layout

> Peter, I will also look at pdfbook to see how it compares to pdftk > and whether that is more appropriate to incorporate. Please note that unfortunately there is a high probability that pdftk will soon be no longer part of common GNU/Linux distributions. Reason is that this toolbox (written in

Re: Overly large text font size issue

>>> I doubt this is a problem with LilyPond per se — possibly trouble >>> lies within my environment — but lately I've encountered something >>> very strange: font size for text has exploded when I compile >>> LilyPond files that used to look fine in the past using the very >>> same LilyPond versi

Re: Ties between voices?

> I've got one I can't quite get right. I would like the tie from the > upper B whole note to be up instead of down. [...] Without looking at your example: Use `_~' and `^~' instead of `~' to immediately specify a tie's direction. Werner ___ li

Re: automatic partwriter

> I've attached the beginning of an automatic partwriter. [...] Nice! Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: multiple \keys and \time problem

>>> The idea is to make `supressRedundantKeySigs' set an >>> `is-redundant' flag in the redundant grob instead of calling >>> `ly:grob-suicide!'. A modified stencil function for KeySignature >>> can now check this flag together with `ly:item-break-dir' to >>> suppress the grob if necessary. > >

Re: multiple \keys and \time problem

>> I wonder whether it makes sense to provide this behaviour as the >> default for lilypond. Or to ask differently: Is there any practical >> use of having redundant calls to \time or \key actually print a time >> or key signature again? > > 1. The way the current "multi-instrumentalist" mechani

Re: multiple \keys and \time problem

> The idea is to make `supressRedundantKeySigs' set an `is-redundant' > flag in the redundant grob instead of calling `ly:grob-suicide!'. A > modified stencil function for KeySignature can now check this flag > together with `ly:item-break-dir' to suppress the grob if necessary. I wonder whether

Re: multiple \keys and \time problem

>> Thanks a lot! However, below you can find one case (using your >> second, improved version) where it is failing: the key signature at >> the beginning of a line gets canceled, which is incorrect.. > > Ofcourse, I should have thought of this. > > I'll have a look - my holidays ended, though :

Re: multiple \keys and \time problem

> after David Nalesnik's suppressRedundantTimeSig-engraver, c/p > unchanged, > http://www.mail-archive.com/lilypond-user@gnu.org/msg72628.html I > coded a suppressRedundantKeySig-engraver. Thanks a lot! However, below you can find one case (using your second, improved version) where it is failin

multiple \keys and \time problem

Folks, is it possible to make lilypond ignore multiple occurrences of \key or \time if they don't actually change the current key or time? Having \relative c' { \key d \major \time 2/2 d1 | d1 | \key d \major \time 2/2 d1 | d1 | } I get the attached output. However, I thi

Re: Jianpu equal spacing

> I am finally getting jianpu up and running. Thanks for all the > help. I found a snippet and made a scoresheet with jianpu and found > one problem. I will try to explain it as clearly as possible, but I > don't know the technical terms so I will also give an example. > [...] An image says mo

Re: Speedup with recent lilypond

> [...] but an "enormous speedup" would likely be a fix of the > defective Freetype font caching. Just to be clear: FreeType itself provides font caching within the library. However, lilypond doesn't use this functionality (and right so). You rather mean problems with the fontconfig library.

Re: How to select lyrics font?

> \layout { > \context { > \Lyrics > \override LyricText.font-name = #”Crimson Text" Minor glitch: The first doublequote character must be the ASCII one, too, so this line reads \override LyricText.font-name = #"Crimson Text" Note that we still don't have a proper interface to a

Re: Scaled grace

> Cool. We should definitely discuss the proper set of options and > include that to LilyPond (or if that's for some reason not desired > to openLilyLib). Definitely! Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.

Re: What can Premusic do that others can't?

> Werner, thanks for asking. I scored the second image you sent me. At > least, the parts of music exemplifying the complexity of > Chopin. Slurs and everything else have to be > discussed. http://pastebin.com/raw/APgfGgQz Here is the code, but > you will have to paste it into a text editor to dis

Re: What can Premusic do that others can't?

> As an example of what David is mentioning, have a look at the attached > png image (taken from Chopin's prelude op. 28/24) and try to notate > this. Oops, wrong image. Here's the right one. Werner ___ lilypond-user mailing list lilypond-user@gn

Re: Parallel Square Premusic

>> I'm very certain that Parallel Squares will revolutionize the field >> of music notation. There simply has never been anything like it. > > But there have been statements like that for every discipline of > science and arts a billion times over. It's almost a telltale sign > where they lead

Re: Entering (lute) tablature

> Re font-embedding, the attached uses the characters you suggested > above, Note that there is a fundamental problem with the transcription: It's not clear how long accidentals are valid. For such unmetered music it probably makes most sense to always write accidentals. A problematic place is

Re: tuplet slurs

> The attached is better structured and it supports 'shorten-pair for > the slurs. Very nice! Please submit this :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: tuplet slurs

>> For voices with lyrics it is common to put triplet indications >> always above the staff, using the following rules. >> >> . stems up or down, no beam: as usual (i.e., a number and a >> bracket at the top, as if using \tupletUp) >> >>. stems up, with beam: as usual (i.e., a number ov

long `instrument' names in frenched scores

In vocal scores it is common that singer parts that were omitted for some sytems are introduced again with its full name – not written in front of the system but at the beginning of the line. Do we have support for this feature already? Werner ___

tuplet slurs

For voices with lyrics it is common to put triplet indications always above the staff, using the following rules. . stems up or down, no beam: as usual (i.e., a number and a bracket at the top, as if using \tupletUp) . stems up, with beam: as usual (i.e., a number over the beam) The

Re: New LilyPond website

>>> Just for the record: With Firefox on Linux there's *no* problem. >> >>Indeed, sigh. This is one of the reasons I don't like working with >>HTML. Hopefully Blended can be improved to completely hide such >>issues for Joe User. > > I assume this doesn't have anything to do with Blender (or th

Re: New LilyPond website

>> . At the top, I get something like the attached image (using >> Chrome), regardless of the magnification. This looks bad. Isn't >> it possible to have the button size changed dynamically? > > Just for the record: With Firefox on Linux there's *no* problem. Indeed, sigh. This is one of

Re: New LilyPond website

> Ok, you can see the most current version of my design on > http://jmroper.com/lilypond Thanks. First, some comments regarding the layout. . I like the sans-serif font more that you've used in the previous version. Please restore it. . At the top, I get something like the attached image (u

Re: New LilyPond website

>> John, can you set up >> >> http://jmroper.com/lilypond/ >> >> with `blended' together with a README so that we can inspect the >> source code, CSS, etc., and the necessary steps to create it? I >> think only a direct comparison can answer our questions. > > Yes I can. I also have a Github r

Re: New LilyPond website

>> OK, I was asking because I have written a static command line HTML >> site generator that builds from HTML, Markdown, reStruturedText, >> Textile, Plain Text (.txt), and Microsoft Word (.docx). >> >> http://jmroper.com/blended > > I am not convinced that that changing our HTML generation is in

Re: New LilyPond website

> Ok, so what are the major things you would like from a new web > redesign (not including the docs)? > > I know of: > > Not reliant on JavaScript > Can be translated > Can be updated with each new build If possible, try an incremental approach! I'm quite sure that you can achieve almost every

Re: Which Linux distro for Lilypond

>> OK, thanks for working on this. However, it would be still >> valuable to know why module loading fails with a static version of >> guile. This might be either a bug or missing information in the >> documentation. > > It's a known problem ... there already is a related thread in > guile-user

Re: Which Linux distro for Lilypond

> After a loser look at the sources and the build system I think it's > better (= much easier) to stay with shared libraries. OK, thanks for working on this. However, it would be still valuable to know why module loading fails with a static version of guile. This might be either a bug or missin

Re: Which Linux distro for Lilypond

Hello Knut! > Using a guile 1.8.8 built with --disable-shared building of lilypond > fails early: Ouch. > Ok, let's look at srfi-1.scm line 221..223: > >;; Load the compiled primitives from the shared library. >;; >(load-extension "libguile-srfi-srfi-1-v-3" "scm_init_srfi_1") > > C

Re: Which Linux distro for Lilypond

> I can't speak for other distros, but at least as far as Debian is > concerned, if the upstream (i.e., lilypond) source tarball contains > a copy of the guile-1.8 sources, and the build script is tweaked > such that it installs a copy of guile 1.8 in paths private to > lilypond, e.g., /usr/lib/li

Re: Which Linux distro for Lilypond

>>> Where would I find suitable documentation or tutorials to do so >>> (doesn't have to be explicitly about Guile 1.8 vs. 2 of course)? >> >> It's rather simple. [...] > > To build lilypond we require guile-xx-dev (don't remember if we > require guile-xx-libs as well). Will the method described

Re: Which Linux distro for Lilypond

> You probably know about > http://lists.gnu.org/archive/html/guile-user/2016-11/msg00031.html > http://lists.gnu.org/archive/html/guile-devel/2016-12/msg00041.html > http://lists.gnu.org/archive/html/guile-devel/2017-01/msg3.html > > Regarding all the bugreports I listed there (probably with

Re: Which Linux distro for Lilypond

> ./configure --disable-error-on-warning --prefix=`pwd`/../gnu-packages Ah, using `pwd' here is a bad idea, sorry. You should rather use ./configure --disable-error-on-warning --prefix=$HOME/gnu-packages So here are the complete instructions again. cd $HOME mkdir gnu-packages wget ht

Re: Which Linux distro for Lilypond

> If you get a failure, simply restart the `configure' script (with > all options) until it succeeds. Of course you have to fix the problem first that makes `configure' fail :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://l

Re: Which Linux distro for Lilypond

>> Mhmm, compiling and installing guile 1.8 is not rocket science... > > Probably not, but ... > >> Have you tried that already? > > ... i am not familiar enough with all this packaging stuff to be > confident about installing alternative versions to system installed > packages ... You would i

Re: Which Linux distro for Lilypond

> Unfortunately I ran into this very issue, changing from Debian > stable (in the Linux Mint Debian Edition incarnation) to vanilla > Debian testing. I did this because the PyQt5 packages in stable are > too old to run current Frescobaldi from its Git repository. Now > that I managed to get Fresco

Re: Which Linux distro for Lilypond

>> OpenSuSE, I'd recommend to use the Tumbleweed variant. It's a good >> distribution, and a nice feature for developers is that it allows >> easy parallel installation of guile 1 and 2. > > Unfortunately, as always, there are trade-offs. I'm a SuSE guy > myself (back from SuSE 5.4 days iirc the

Re: New LilyPond website

>> I just don't think I am the best person for the job. > > Roper has finally posted something I agree with. Why this unwarranted hostility? His final design was sound, and I think we should adapt some key elements. And even if you think it was not, you shouldn't word it like that. Werner

Re: How to build LilyPond.app on macOS?

> Note I'm not saying it can't be done. OK, we agree :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to build LilyPond.app on macOS?

>> Can someone please provide me a hint about how to build >> LilyPond.app on macOS (natively, without any cross-compiling, >> ideally without compiling any dependencies like ghostscript etc.)? > > It is not meant to be compiled natively. This is not true. However, we rely heavily on the GNU st

Re: New LilyPond website

> Regarding the font: While I find it acceptable for most of the text, > I’d prefer something different for titles, esp. the main title. You have to be more specific. I like the current font look of http://jmroper.com/lilypond because it is very uniform, not distracting from the contents. W

Re: New LilyPond website

> I updated the font (again) and I think it works for everyone's > requests. I like it, thanks! Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: New LilyPond website

>>> I don't understand. Where is the point in recreating somthing >>> close to the old look? I thought the whole idea was to create >>> something new? He provides fine-tuning, e.g., responsive design suitable to different screen widths. I consider this quite valuable! > I updated the font with

Re: New LilyPond website

> I added a small shadow to the boxes, and I fixed some coloring of > links. You may have to force-refresh the page to see the changes > (CTRL + F5) Ah, I wasn't aware of that command, thanks! Werner ___ lilypond-user mailing list lilypond-user@

Re: New LilyPond website

>> > You make the argument of readability, and I counter it with this: >> > https://www.google.com/amp/www.webdesignerdepot.com/2013/03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google >> >> Perhaps a misunderstanding: The readability concern is the grey >> colour in combination with t

Re: New LilyPond website

> You make the argument of readability, and I counter it with this: > https://www.google.com/amp/www.webdesignerdepot.com/2013/03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google Perhaps a misunderstanding: The readability concern is the grey colour in combination with too thin letter

Re: New LilyPond website

>>> One of the major things on the site that make it look antiquated >>> is the LilyPond intro using the text that looks like it came from >>> a server error message. >> >> LOL > > Concise, readable, informative: must be an error. Hehe. It's very annoying to me that so many sites use extremely

Re: New LilyPond website

> jmroper.com/lilypond Nice! Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: New LilyPond website

>> As David K. pointed out, it must be viewable and navigatable by >> blind people. > > As I wrote, there are some aspects that need to be solved. I just > do not reject a potential valuable approach beforehand. Nobody does that. You are inferring this. >> Additionally, it must be possible to

Re: New LilyPond website

>> Additionally there has been *very strict* opposition to anything >> other than statically served sites for lilypond.org in the past. >> Not all of the reasons are bullet-proof but most are, and you will >> not get consent for anything else. > > If the web site must be cast in stone, then welco

Re: Solution to 7 over sqr(71) time against integer polyrhythms

> Nice try, but so obvious I already tried it long ago -- remove the > timing translator and default barline engraver from the Score > portion of the layout and insert it in the Staff portion. Nope. > Doesn't work with my score. As usual, please show us a minimum working example that exhibits th

Re: Can't get page breaks for 7 over square root of 71 meter

> A meter of 7/sqr(71) [...] > The problem comes from Lilypond's bizarre assumption that at some > point all the barlines in the score will line up. [...] > > That's a) insane, Mhmm. > b) stupid, Mhmm, mhmm. > c) unmusical, You are joking, aren't you? Show me *any* piece that uses this – e

Re: Changing voice order...

> So > \voiceOne \voiceTwo \voiceThree \voiceFour > becomes > \voiceUp \voiceDown \voiceUpTwo \voiceDownTwo I would make \voiceUp and \voiceDown be the same as \voiceUpOne and \voiceUpTwo, respectively, so that we can write \voiceUpOne \voiceDownOne \voiceUpTwo \voiceDownTwo Werner ___

Re: Changing voice order...

> I was thrilled and excited by your proposal. Having had some > leisure time this afternoon (although without net-access) I played > around with it. I've taken it as a local command, though. > > The result is a wrapper around simultaneous music, with and without > "\\". You can input straight

Re: Changing voice order...

>> \voiceOrder { 1, 3, 5, 7, 6, 4, 2 } >> << c'''2 \\ g'' \\ e'' \\ c'' \\ g' \\ e' \\ c' >> > > More like \voices 1,3,5,7,6,4,2 << ... >> if we want to keep in > current syntax. This is assuming a one-shot command taking the << > >> construct as its last argument. Hmm, my original idea was a

Re: Augmentation dots regtests

> Looking at these, I suspect dot-columns on voices should be the > default. Perhaps that would increase the motivation to fix its > issues ;) Hehe, good argument :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.

Re: Augmentation dots regtests

> Does moving the dot-column-engraver to voice sort out the confusing > horizontal spacing in these situations? First time I've seen that > and it does interesting things to the positioning of dots. Alas, it doesn't work reliably in many cases (because it works locally only) and it sometimes pro

Re: Changing voice order...

> To make it more visible I coded a small snippet annotating some info > to NoteHeads in > << .. \\ .. \\ ... ... ... >>-constructs. > > Output attached. Thanks! What about a two-step process: You first set up the order of the voices, then you input from top to bottom. Example: % current <

Re: Augmentation dots regtests

> 1) The kievan dot for a notehead on a line moved to a space, when it >should have stayed on a line. > > 2) When notes are displayed without a staff, the dot should stay on >the same level as the notehead, but it shifts up a half space. > > I'd welcome a critical review of the regtests to

Re: Augmentation dots reg test

>>What happens with your new code with overlapping, rather than >>stacked notes? E.g. << 4. // 2. >> (untested). >> >>I think from previous test cases it may become difficult to >>understand which dots behind to which notes. IIRC there's an >>outstanding bug about horizontal positioning in this si

Re: Augmentation dots reg test

> I would like your opinion on whether the attached regression test, > which is different from the current development regression tests, is > correct. I think it is, but I'd like your opinions. Thanks, it looks fine. However, I second Chris's concerns regarding more complicated cases where you

Re: Augmentation dot positioning

> Fortunately, it was much easier than I feared it might be. > > Here's a revised version. Now all examples look fine. Halleluja :-) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-use

Re: Augmentation dot positioning

[Note that currently the descriptions are sometimes incorrect in the tests.] > Anyway, I've run through all the tests, and I think that the default > algorithm works exactly according to the Powell algorithm, as I > understand it. Mhmm, 22b, and 24b are not correct IMHO: The lowest dot should b

Re: Changing voice order...

> Werner, that does not even make sense. [...] Ok, I completely misunderstood you, sorry. Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Changing voice order...

>>This concerns << ... \\ ... \\ ... ... >> >> >>If we have more than one voice, voices are assigned in order: >> >>1/2, 1/2/3, 1/2/3/4, 1/2/3/4/5, 1/2/3/4/5/6 ... >> >>while the documentation is quite explicit that, ordered from top to >>bottom, assignments should be more like >> >>1/2, 3/1/2, 3/

Re: Augmentation dot positioning

Thanks, Carl! > At a quick glance, the only two situations that need dots-limit =2 > are #11 and #23. Seconded. I also think that #13 also looks better with value 2 – the nearer the number of dots to the number of noteheads, the better. What about #24/2? Why is the lowest dot below the a's l

Re: Dynamic text font

Some more comments. > When using customised fonts for dynamics, the following works just > fine: > > \override DynamicText.font-name = "Noto Serif Bold Italic" But the font name is *not* `Noto Serif Bold Italic'! The font name is `Noto Serif', and the style is `Bold Italic'. That `Noto Serif

Re: Dynamic text font

> It’s commercially licenced. I can’t, therefore. OK. First, I would like to see the fontconfig entry. Say fc-list -v > fc-list.log on the command line, search the entry for your font in the created log file and post it here. Then please get `ttx' from https://github.com/fonttools/fontt

Re: Dynamic text font

> But I have a new commercial Open Type font on the Linux system, > correctly installed as proven by being able to use it in other > applications: > > \override DynamicText.font-name = "Core Slab M 27 Cn ExtraLight Italic" > > but lilypond does not use it, despite reporting its existence using >

Re: v2.19.47 on Mac x86 (Jacques Menu Muzhic)

>> https://bugs.freedesktop.org/show_bug.cgi?id=97546 >> >> The proposed fix hasn't been applied yet to the fontconfig git >> repository – maybe we should downgrade GUB's fontconfig version to >> 2.12.0 until this is fixed. > > I think that there is another possible solution. To use the > prop

Re: v2.19.47 on Mac x86 (Jacques Menu Muzhic)

> Most likely cause of the issue will be the 2.12.1 change that > improved cache validation logic (and for yet unknown reasons always > invalidates the cache of the Mac OS System fonts) > > https://www.freedesktop.org/software/fontconfig/release/ChangeLog-2.12.1 Aah, this rings a bell. https:/

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