know what i did to cause the original problem, though...
thanks!
-steve
On Fri, Dec 19, 2008 at 11:14 AM, Jonathan Kulp wrote:
> steve berthiaume wrote:
>
>> hello,
>>
>> i'm trying to install lilypond on puppylinux 3.01, and i'm having a
>> problem
>
thanks for the suggestion, Jon; i tried it and got the same error.
i thought it may have been my python installation, but removing it didn't
seem to help either.
-steve
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hello,
i'm trying to install lilypond on puppylinux 3.01, and i'm having a problem
with extracting the files:
# sh lilypond-2.10.33-1.linux-x86.sh
LilyPond installer for version 2.10.33 release 1.
Use --help for help
You're about to install lilypond in /usr/local/lilypond/
A script in /usr/loc
could someone point me to where can i find the answer to this:
a note at the end of a repeat section needs to be tied back to the first
note of the section
thanks,
-steve (2.10.20)
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hello, i've looked in the "barlines" section of the manual, but couldn't
find this particular issue: ending repeat ":|" , line break, starting repeat
"|:" in next line:
\version "2.10.20"
\score
{\relative c'
{
\time 4/4
\key c \major
c1 d e f
\bar ":|" %this repeat
hope these questions aren't too stupid or nitpicky:
i am trying to add chord symbols as text markup rather than through chords
mode, because i can't make sense of the process as outlined in the manual or
regression tests (my problem).
in the following example, in changing font to verdana, i seem
hello,
what is the name of the font used for chord names? i'm adding chords as
text markup (version 2.10.20), and I would like the chord symbols to look
distinct from the other text.
thanks,
-steve
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mats advice helped; i'll post the code as reference for anyone else.
note: i'm still trying to decode the regression test- what's the "ignatzek"
thing all about? is that something someone added to lilypond, and the
program will know what to do with it?
here's the code:
\version "2.10.20"
hello,
i'm trying to define a set of custom chords for use in jazz charts, and i
would like to be able to have the numbers (7, 9, 11, 13, etc) raised above
the chord name. I use Brandt-Roemer standardized chord notation, so my
chords look like Cmi7, Cma9, Cdim, Cmi7b5 etc.
I've checked out the
hello,
i have my blank score sheet almost perfect, just need to increase the space
between the staves so the clefs don't overlap. when i insert \override
Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-5 . 5) within "/new
StaffGroup", it increases the space between systems instead of the staves
hello,
i'm trying to place a turn in between two note heads, but can't even seem to
move it from the stem down to one of the heads; _\turn doesn't seem to do
anything.
thanks again,
steve
\version "2.10.20"
\score
{
\relative c'
{fis4-- \breathe gis8.-> dis16--~ dis8
%%% place turn he
hello,
i saw the section in the manual for falls and doits, but nothing for scoops,
which look like doits, but come before the target note. is there any way to
do this?
thanks,
-steve
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Hello,
found something interesting today; there's a difference between:
[EMAIL PROTECTED]:~$ lilypond ~/Desktop/lilypond_files/[filename.ly]
and:
[EMAIL PROTECTED]:~/Desktop/lilypond_files$ lilypond [filename.ly]
if i run lilypond on a file that is not in the immediate directory, the file
get
hello,
can someone point me to the place in the manual where it is shown how to
place a group of notes in parenthesis? the \parenthesize command only works
on single notes in a chord, according to the manual.
i want to place {r16 fis gis b} in parentheses
thanks,
-steve
__
hello,
i've learned that, to raise an object (an articulation, for example), one
uses:
\override Script #'padding = #3
but what about lowering? neither of the following:
\override Script #'padding = #-3
\override Script #,padding = #3
seem to work.
thanks for the help!
-steve
__
hello,
i've figured out how to add rehearsal marks (boxed measure numbers) to the
score, but some of them appear at the beginning of the line, and overlap the
treble clef. any way to move this up a bit?
thanks,
steve
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hello,
i need to do a bunch of three-horn arrangements of pop tunes; and it's
better for me to check everything if all three staffs are on the same page
in a score. my first attempt was to write all the parts individually, then
combine them into a score. This seems to be the easiest way with my
Just so this doesn't get lost in the discussion, I wanted to make sure that
the space that is made available by removing the clef is used for notation,
and that I don't end up with a bar line on the left, followed by a big
space, then notation which is spaced as if there were a clef there.
That c
Thanks, that helped; but I overlooked the fact that this would also leave me
with no bar line on the left. I tried adding \bar "|" at line breaks, but
no luck. any ideas?
thanks,
-steve
2007/4/2, Mats Bengtsson <[EMAIL PROTECTED]>:The easiest way is to
insert a setting to make it invisible, s
hello,
is there any way to have the clef only appear in the first line of a part?
i couldn't find anything about that in the 'clef' section in the
documentation, and searching the archives for 'clef' produced no results
(!?).
thanks,
-steve
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hello; enjoying learning this program!
i want to enlarge the size of my trumpet chart, as we are all getting older
and must apparently continue to play in poorly-lit venues :-(.
what's the easiest way to do this? i've tried
\layout
{#(set-global-staff-size 20)}
but this only generates an
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