Caio,
You almost have it. Just add a hyphen - immediately before \markup inside
the function and when you call the function in the music with \circled (or
using an underscore _ or carat ^ if a specific direction is needed) and it
should work in both versions (2.18.2 and 2.19.23):
circled =
Just use the normal direction indicators _ and ^ to control the \repeatTie.
- Abraham
On Monday, July 20, 2015, William Marchant [via Lilypond]
ml-node+s1069038n178883...@n5.nabble.com wrote:
tisimst,
I have a similar problem. The answer given provides the new slur-end
below the notes
Do something like this:
{
\repeat volta 2 {
c'1 (
}
\alternative {
{ d'1 ) }
{ e'1-\repeatTie }
}
}
On Mon, Jul 20, 2015 at 4:34 PM, Garrett Fitzgerald [via Lilypond]
ml-node+s1069038n178880...@n5.nabble.com wrote:
How do you do the notation when you're slurring from the
On Sunday, July 19, 2015, Urs Liska [via Lilypond]
ml-node+s1069038n178808...@n5.nabble.com wrote:
Am 19. Juli 2015 10:41:44 MESZ, schrieb Malte Meyn [hidden email]
http:///user/SendEmail.jtp?type=nodenode=178808i=0:
I don’t have a very clear idea but I know that the music font “Bravura”
I definitely have lots of suggestions, but I wonder if you can provide a
minimal example showing what you are at and why it's not what you want?
That way I know if any of my suggestions are of any help. Thanks!
Also, have you read through the Learning and Notation manual's sections on
using
On Thu, Jul 16, 2015 at 2:40 PM, karol [via Lilypond]
ml-node+s1069038n178721...@n5.nabble.com wrote:
Yes, Abraham, I've tried this. But the drawback of this solution is thet
it doesn't scale to bigger staff size.
Try: #(set-global-staff-size 26) and you'll get what I mean.
I see what you
On Thu, Jul 16, 2015 at 12:46 PM, Paul Morris [via Lilypond]
ml-node+s1069038n178711...@n5.nabble.com wrote:
On Jul 16, 2015, at 2:18 PM, Karol Majewski [hidden email]
http:///user/SendEmail.jtp?type=nodenode=178711i=0 wrote:
I use the following code for changing TimeSignature font. But
On Thu, Jul 16, 2015 at 2:09 PM, karol [via Lilypond]
ml-node+s1069038n178719...@n5.nabble.com wrote:
Abraham, I'll try to explain why setting baseline-skip to 0 is a bad idea
here. Take a look at the attachment. This is what is happening if you set
baseline-skip to 0.
In case of some
On Thu, Jul 16, 2015 at 1:34 PM, Paul Morris [via Lilypond]
ml-node+s1069038n17871...@n5.nabble.com wrote:
On Jul 16, 2015, at 3:16 PM, Karol Majewski [hidden email]
http:///user/SendEmail.jtp?type=nodenode=178716i=0 wrote:
Paul, I,ve came up with this, but it doesn't help. Is setting
Welcome, Bruno! You've come to the right place! I hope you find your use of
LilyPond satisfying and beneficial!
To answer your question:
Use \normal-text { ... } to make its contents the default roman weight.
- Abraham
On Thursday, July 16, 2015, Bruno Ruviaro [via Lilypond]
On Wed, Jul 15, 2015 at 12:28 PM, Malte Meyn-3 [via Lilypond]
ml-node+s1069038n178689...@n5.nabble.com wrote:
...
My first thought was “I need a music function that accesses
currentBarNumber” but that (and, for the more advanced version,
measureLength) is a context property. Now I don’t know
Chris,
On Mon, Jul 13, 2015 at 4:24 PM, Chris Yate [via Lilypond]
ml-node+s1069038n178668...@n5.nabble.com wrote:
Hi,
I'm not sure what I'm meant to do to fix this... Have already used
explicit positioning for the rests but that doesn't stop the warnings.
Granted they're *only* warnings
Stefan,
On Thu, Jul 9, 2015 at 1:37 PM, Stefan Thomas-5 [via Lilypond]
ml-node+s1069038n178538...@n5.nabble.com wrote:
Dear Knute,
thanks for the reply.
But the question was more about how could the style of some headers be
changed generally.
I think I have to do it with scoreTitleMarkup
Victor,
You have gotten some great advice. Sorry they don't work for you. As I've
been thinking about your dilemma I wondered if you could just do something
like
\layout {
\context {
\Score
\denies PianoStaff
}
}
on the top-level to remove the PianoStaff altogether (assuming this is
On Wed, Jul 8, 2015 at 11:26 AM, Víctor [via Lilypond]
ml-node+s1069038n17851...@n5.nabble.com wrote:
Abraham:
You just gave me a wonderful solution, I'll explain myself:
My current file layout is like this:
*formato.ly http://formato.ly*
\version 2.19.15
\include snippets.ly%
Short answer: No.
Long answer: Still no. However, you could just use block comments %{ ...
%} around the staff you want to temporarily disable.
HTH,
Abraham
On Tuesday, July 7, 2015, Víctor [via Lilypond]
ml-node+s1069038n178484...@n5.nabble.com wrote:
Hello Lilyponders:
Is there a way to
]
http:///user/SendEmail.jtp?type=nodenode=178466i=1 wrote:
7. Re:\tuplet (tisimst)
Message: 7
Date: Sun, 5 Jul 2015 22:22:40 -0700 (MST)
From: tisimst [hidden email]
http:///user/SendEmail.jtp?type=nodenode=178466i=2
To: [hidden email] http:///user/SendEmail.jtp?type=nodenode=178466i=3
I'm not sure I understand what you are asking... What kind of tuplet are
you trying to create relative to the notes with fermatas?
- Abraham
On Sunday, July 5, 2015, MING TSANG [via Lilypond]
ml-node+s1069038n178460...@n5.nabble.com wrote:
Lilyponders,
How can I code tuplet in lieu of three
Steven,
What is the purpose of your \partial in the middle of the score? Are there
any repeat sections around it? Is it used to transition between keys (or
similar)? Do you have a picture to show what you want?
Thanks,
Abraham
On Thu, Jul 2, 2015 at 4:50 PM, Steven Weber [via Lilypond]
Harm,
On Wed, Jul 1, 2015 at 6:06 AM, Thomas Morley-2 [via Lilypond]
ml-node+s1069038n178375...@n5.nabble.com wrote:
2015-07-01 13:32 GMT+02:00 David Nalesnik [hidden email]
http:///user/SendEmail.jtp?type=nodenode=178375i=0:
Hi Wim,
On Wed, Jul 1, 2015 at 5:18 AM, Wim van Dommelen
Nick Payne-3 wrote
Needs Adobe Reader - I haven't found a 3rd party PDF viewer that can use
the index in PDF portfolios.
On Windows, I use SumatraPDF and it *mostly* works. It doesn't seem to
handle cross-manual links, but everything else seems to work pretty well. I
could open each of the
Andrew,
Looks like you need to go into the file
/home/[$HOME]/.lilypond/openlilylib/ly/openlilylib and change the line
(ly:parser-include-string parser \\include
\_internal/init-openlilylib.ily\)
to
(ly:parser-include-string \\include \_internal/init-openlilylib.ily\)
(i.e., remove the parser
On Fri, Jun 26, 2015 at 3:31 PM, David Kastrup [via Lilypond]
ml-node+s1069038n178244...@n5.nabble.com wrote:
tisimst [hidden email]
http:///user/SendEmail.jtp?type=nodenode=178244i=0 writes:
Andrew,
Looks like you need to go into the file
/home/[$HOME]/.lilypond/openlilylib/ly
I haven't noticed anything unusual. I am subscribed to the -user, -devel,
and bugs- lists, so sometimes that causes many more copies of the same
message than I need to see if the sender CC's multiple lists, but other
than that, everything has shown up to my inbox normally. Nabble may also
On Thu, Jun 25, 2015 at 10:14 AM, Wols Lists [via Lilypond]
ml-node+s1069038n17820...@n5.nabble.com wrote:
On 24/06/15 18:42, Paul Scott wrote:
Because in individual part score, it will look silly (alternative
endings,
but they are identical)
Not silly at all. It lets the violists
Nice work, Pierre! That's a fantastic way to differentiate verses.
- Abraham
On Wed, Jun 24, 2015 at 2:33 PM, RomanticStrings [via Lilypond]
ml-node+s1069038n178169...@n5.nabble.com wrote:
Dear all,
Thank you! That works beautifully! I don't quite understand everything
that just
On Wed, Jun 24, 2015 at 4:44 PM, Simon Albrecht-2 [via Lilypond]
ml-node+s1069038n17817...@n5.nabble.com wrote:
Am 25.06.2015 um 00:34 schrieb PMA:
Hi List.
I have in piano staff a 6/8 bar of single 8ths, with the
first three in bass clef and the second three in treble.
I'd like all
Brian,
On Wed, Jun 24, 2015 at 11:45 AM, Brian Barker [via Lilypond]
ml-node+s1069038n178162...@n5.nabble.com wrote:
At 10:13 24/06/2015 -0700, Abraham Noname wrote:
On Wed, Jun 24, 2015 at 9:48 AM, Gergely Kontra [via Lilypond] wrote:
I am engraving an orchestral score, and ran into the
Gergely,
I believed I answered this already on the bugs list here:
http://lilypond.1069038.n5.nabble.com/repeat-volta-2-td178090.html#a178094
It got me thinking, though. Why don't you want the viola to have the
same \repeat
volta 2 { ... } \alternative { { ... } { ... } } structure, too? If you
Robert,
Doesn't look like you're doing anything wrong. In the code, it doesn't
appear that \bookpart is sensitive to this variable, except from the
top-level \paper block. I'm CC-ing the bug list because I'm not sure how
the \paper blocks are differentiated in top-level, \book and \bookpart
Luca,
On Tue, Jun 23, 2015 at 5:09 AM, Luca Danieli [via Lilypond]
ml-node+s1069038n178112...@n5.nabble.com wrote:
Hello Lilypond-ers again!
How can I write an appoggiatura, which goes into an acciaccatura, and then
into the main note?
More or less this is what I thought:
appoggiatura
Kaj,
On Fri, Jun 19, 2015 at 3:05 PM, 70147persson [via Lilypond]
ml-node+s1069038n17800...@n5.nabble.com wrote:
However, when I should apply this on my real score, I stumbled over a new
issue. I had not mentioned this, as I was not aware of it being a problem.
How can I put an instrument
Technically, it doesn't matter which extension you use. Both types work
with \include, but in the docs it does say that .ily files are supposed
to be the included files, so that's the one I tend to use for things like
this.
Regards,
Abraham
On Thursday, June 18, 2015, Daniel Contreras [via
That's great, Mario! Thanks for sharing!
On Tue, Jun 16, 2015 at 2:43 AM, Mario Moles-2 [via Lilypond]
ml-node+s1069038n177902...@n5.nabble.com wrote:
Hi!
The video I uploaded on youtube is my arrangement for four guitars of the
famous Libertango by Astor Piazzolla. It was done using
Knute,
On Thu, Jun 11, 2015 at 9:26 AM, Knute Snortum [via Lilypond]
ml-node+s1069038n177722...@n5.nabble.com wrote:
I have a situations where there is a tight chord played with two voices.
In the example, there is a c and a c-shard played at the same time, but
LilyPond is merging the notes.
Kieren,
It looks like this issue is hard-coded, forcing a beam to terminate at the
end of a measure (see scm/auto-beam.scm, in the function
default-auto-beam-check, in the conditional statements starting at around
line 100). My Scheme-fu is not enough for to adjust this function
appropriately.
://www.deutschlandradiokultur.de/das-junge-orchester-nrw-in-essen-oh-mensch.1091.de.html?dram:article_id=322010
Am 09.06.2015 um 09:20 schrieb tisimst:
What a wonderful thing, Urs, to have all your hard work pay off in this
way! Congrats to all who participated in inputting the contents
Carlos,
On Wed, Jun 10, 2015 at 5:40 PM, Carlo Stemberger-3 [via Lilypond]
ml-node+s1069038n177694...@n5.nabble.com wrote:
Thank you!
Summing up, currently there are 3 ways:
1) importing the PDF pages with the glyphs
2) importing an SVG file generated by LilyPond
3) using the feta fonts
What a wonderful thing, Urs, to have all your hard work pay off in this
way! Congrats to all who participated in inputting the contents of these
two large works. I can't wait to hear them played!!
Regards,
Abraham
On Sunday, June 7, 2015, Urs Liska [via Lilypond]
On Tue, Jun 9, 2015 at 9:38 AM, Richard Shann-2 [via Lilypond]
ml-node+s1069038n17764...@n5.nabble.com wrote:
On Tue, 2015-06-09 at 17:13 +0200, Marc Hohl wrote:
Am 09.06.2015 um 16:12 schrieb Carlo Stemberger:
Hi,
I'd like to use LilyPond glyphs[1] in Inkscape.
Currently what's
Stephen,
On Thu, Jun 4, 2015 at 5:03 AM, Kevin Barry [via Lilypond]
ml-node+s1069038n177476...@n5.nabble.com wrote:
On Thu, Jun 4, 2015 at 7:06 AM, Stephen MacNeil [hidden email]
http:///user/SendEmail.jtp?type=nodenode=177476i=0 wrote:
One score no hacks really and ... ya works great!
On Wed, Jun 3, 2015 at 2:31 PM, N. Andrew Walsh [via Lilypond]
ml-node+s1069038n17745...@n5.nabble.com wrote:
PS- reading that blog made my head hurt. Is working with Sibelius always
this nightmarishly clunky and dysfunctional?
Just for the record, I couldn't agree more :-)
On Wed, Jun 3,
Cool! What is the source for that?
On Wed, Jun 3, 2015 at 4:57 PM, Stephen MacNeil [via Lilypond]
ml-node+s1069038n177464...@n5.nabble.com wrote:
sorry missed sending here
This is what I got a bit different but as they say close enough for rock
and roll :)
On Wed, Jun 3, 2015 at 3:12 PM, Klaus Blum [via Lilypond]
ml-node+s1069038n177459...@n5.nabble.com wrote:
Hi Abraham,
whether or not this type of score makes sense... here is what I've got so
far:
%
-
...
%
LGTM! Nice work. I'd say that definitely does it. Would you be willing to
share the source for try4? Maybe it could be added to the LSR? I am
satisfied with that.
-Abraham
On Wednesday, June 3, 2015, Stephen MacNeil [via Lilypond]
ml-node+s1069038n177469...@n5.nabble.com wrote:
Well I had fun
Try:
\markup { \override '(baseline-skip . 1.1) ... }
and adjust to taste.
- Abraham
On Tuesday, May 26, 2015, Marco Bagolin [via Lilypond]
ml-node+s1069038n177109...@n5.nabble.com wrote:
Only another question...
How is possible to modify the copyright lines text interspacing?
I don't
Daniel,
On Mon, May 25, 2015 at 6:56 PM, Daniel Contreras [via Lilypond]
ml-node+s1069038n177052...@n5.nabble.com wrote:
Can anyone tell me why my compilation is so large? Is it including the
entire score all over again?
Like Nick said, the \include command takes the contents of the
+1!!
This was my exact thought last time I used this override.
- Abraham
On Monday, May 25, 2015, Kieren MacMillan [via Lilypond]
ml-node+s1069038n177038...@n5.nabble.com wrote:
Hi all,
The title says it all, really: I sometimes resort to using
Olivier,
On Thu, May 21, 2015 at 7:26 AM, Olivier Vogel [via Lilypond]
ml-node+s1069038n176852...@n5.nabble.com wrote:
2015-05-21 13:54 GMT+01:00 Kieren MacMillan [hidden email]
http:///user/SendEmail.jtp?type=nodenode=176852i=0:
May I ask why you’re not using Lilypond’s built-in (and
Kaj,
On Thu, May 21, 2015 at 2:05 AM, Kaj [via Lilypond]
ml-node+s1069038n176837...@n5.nabble.com wrote:
I am working on a piece of choir music. It consists of two parts, the
first of which is written on one staff, and the second two staves. The
upper staff in part two is a continuation of
Here's another non-single measure one in 6/8 time:
http://static1.squarespace.com/static/527ae92fe4b0febeee4f40d2/t/52a265f0e4b08d7f85fde3e5/1386374655454/02.png
On Thu, May 21, 2015 at 6:05 PM, Urs Liska [via Lilypond]
ml-node+s1069038n176869...@n5.nabble.com wrote:
Hi Simon,
both
Oh, and get rid of the
\override Beam.outside-staff-priority = #1000
unless you mean for there to be a space between the stems and beam. This is
unnecessary with the OttavaBracket override working properly.
- Abraham
On Mon, May 18, 2015 at 8:02 PM, Andrew Bernard [via Lilypond]
Not sure if this helps you, too, but it seems your example might could
benefit from the following:
\override Staff.OttavaBracket.whiteout = ##t
\override Staff.OttavaBracket.layer = #10
Just guessing, though. So my revision of your snippet now looks like this:
\version 2.19.20
treble =
Andrew,
You just haven't designated the correct context for the OttavaBracket.
Since they are created/managed in the Staff context, it should be
\override Staff.OttavaBracket.extra-offset = #...
- Abraham
On Mon, May 18, 2015 at 8:02 PM, Andrew Bernard [via Lilypond]
Knute,
On Fri, May 15, 2015 at 12:18 PM, Knute Snortum [via Lilypond]
ml-node+s1069038n176602...@n5.nabble.com wrote:
In this snippet, there are pieces of the bar line left between the
staves. Is this a bug?
Can't say if it's a bug or not, but if you add
\override SpanBar #'transparent =
Phil, et al,
On Thu, May 14, 2015 at 2:58 AM, Phil Holmes-2 [via Lilypond]
ml-node+s1069038n176560...@n5.nabble.com wrote:
Yes, yes, yes, yes:
{
\new Voice = melody \repeat unfold 20 { c''4 c' c c''' }
\new Lyrics \lyricsto melody { \set stanza = #Key One \repeat unfold 20
{ la } }
Guy,
On Tue, May 12, 2015 at 10:16 PM, Guy Stalnaker-2 [via Lilypond]
ml-node+s1069038n17652...@n5.nabble.com wrote:
All,
I cannot figure out why LP is doing this. The snippet is below. Note the
second to last blank measure and the following measure with the b-flat, a
chord which should
-node+s1069038n176520...@n5.nabble.com wrote:
tisimst tisimst.lilypond at gmail.com writes:
All,
I couldn't wait any longer, so here's a formal announcement about the
new
music fonts that I've been working on, by way of example. They are all
100%
LilyPond compatible
Please, a z-s rest
Fantastic work, David! Definitely more involved code than you would expect,
but very thoroughly done, allowing for non-centered alignments even. This
would make an excellent addition to the core code, IMHO. Perhaps called
centered-name-column?
The only thing that I would further request (and this
Stephen,
It looks like the images on the LSR are just PNG files.
- Abraham
On Thu, May 7, 2015 at 9:19 AM, Stephen MacNeil [via Lilypond]
ml-node+s1069038n176293...@n5.nabble.com wrote:
I made a script a while ago that prints single or multiple pages to jpg or
pdf and those I can easily
Janek,
On Sat, May 2, 2015 at 4:41 PM, Janek Warchoł [via Lilypond]
ml-node+s1069038n175931...@n5.nabble.com wrote:
2015-04-30 17:51 GMT+02:00 Abraham Lee [hidden email]
http:///user/SendEmail.jtp?type=nodenode=175931i=0:
I've got a handful of others (perfect for this purpose and just
On Thu, Apr 30, 2015 at 1:08 PM, Urs Liska [via Lilypond]
ml-node+s1069038n175734...@n5.nabble.com wrote:
Am 30.04.2015 um 17:51 schrieb Abraham Lee:
Old Standard TT http://www.fontsquirrel.com/fonts/old-standard-TT is
nice and has most of the expected variants (roman, italic, bold, but not
On Thu, Apr 30, 2015 at 10:42 AM, PMA-2 [via Lilypond]
ml-node+s1069038n175722...@n5.nabble.com wrote:
tisimst wrote:
Peter,
On Thu, Apr 30, 2015 at 9:57 AM, PMA-2 [via Lilypond]
[hidden email] http:///user/SendEmail.jtp?type=nodenode=175722i=0
wrote:
Which Haydn Sonata
On Thu, Apr 30, 2015 at 10:45 AM, Abraham Lee tisimst.lilyp...@gmail.com
wrote:
On Thu, Apr 30, 2015 at 10:42 AM, PMA-2 [via Lilypond]
ml-node+s1069038n175722...@n5.nabble.com wrote:
tisimst wrote:
Peter,
On Thu, Apr 30, 2015 at 9:57 AM, PMA-2 [via Lilypond]
[hidden email] http
On Thu, Apr 30, 2015 at 9:26 AM, Ed Gordijn-2 [via Lilypond]
ml-node+s1069038n175711...@n5.nabble.com wrote:
Hi Abraham,
Oh, and I also uploaded a recently engraved score snippet from a Haydn
Sonata that you've just got to see that showcases the font. It's on the
Haydn font page
On Thu, Apr 30, 2015 at 1:14 PM, Urs Liska [via Lilypond]
ml-node+s1069038n175736...@n5.nabble.com wrote:
There *was* a solution to that, and I found that when trying to fix
exactly that issue with the Haydn example, but the solution didn't work for
me. Either the example was wrong, I did
On Thu, Apr 30, 2015 at 1:56 PM, David Nalesnik-2 [via Lilypond]
ml-node+s1069038n175742...@n5.nabble.com wrote:
You are probably thinking of the following snippet, which actually adds
tempoEquationText as well as several other context properties not part of
the official distribution:
Claus,
On Thu, Apr 30, 2015 at 1:09 PM, Claus Atzenbeck [via Lilypond]
ml-node+s1069038n175735...@n5.nabble.com wrote:
Hello all:
I need to engrave multiple dynamic marks next to each other, indicating
different dynamics for various repeats. Something like this:
Try something like:
On Thu, Apr 30, 2015 at 2:15 PM, Noeck [via Lilypond]
ml-node+s1069038n175744...@n5.nabble.com wrote:
Hi Abraham,
is this specific for 2.18 or how could this 'bug' in the score happen? I
mean, usually LP does such horizontal spacings very well, why not here?
And then I was it solved. I am
Ed,
On Thu, Apr 30, 2015 at 9:26 AM, Ed Gordijn-2 [via Lilypond]
ml-node+s1069038n175711...@n5.nabble.com wrote:
Hi Abraham,
Oh, and I also uploaded a recently engraved score snippet from a Haydn
Sonata that you've just got to see that showcases the font. It's on the
Haydn font page
Peter,
On Thu, Apr 30, 2015 at 9:57 AM, PMA-2 [via Lilypond]
ml-node+s1069038n17571...@n5.nabble.com wrote:
Which Haydn Sonata is this?
- Pete
Keyboard Sonata in D major, Hob. XVI:37 No. 50 (Joseph Haydn)
Here's the IMSLP link
On Thu, Apr 30, 2015 at 10:20 AM, tyronicus [via Lilypond]
ml-node+s1069038n175719...@n5.nabble.com wrote:
Joshua Nichols wrote
I'm looking for something other than minion pro. It also needs to have
serifs (if not clear by the indication in the subject). What do you all
use
(free or
tisimst wrote
All Haydn users,
I just discovered that I had a little bug in the font that messes up the
spacing when using the \tied-lyric markup function (i.e., it introduced
too
much space between the tied text). This has been fixed and an updated set
of fonts (v1.1) has been uploaded
Peter,
I like Trevor's suggestions. I'd also recommend the following:
1. In the first verse lyrics, change to (i.e., remove the space).
This makes One line up better with the notehead. You can also do \skip 4
instead. For some reason, in 2.18.2, using creates a manual melisma,
which is not
without
being a subscriber. How does one stop being a subscriber if I choose that
path?
Also, I see nabble has a login. Does this site allow replies to the posts
it contains?
Regards,
Lance
On Thu, Apr 23, 2015 at 10:20 AM, tisimst [hidden email]
http:///user/SendEmail.jtp?type
This is curious, but it can be taken care of. If the solo part is *always*
visible, then you can do:
\new Dynamics \with { \override VerticalAxisGroup.remove-empty = ##f }
{ ... }
in _just_ the solo staff. This, of course, will not be effective if there
are times when it is appropriate for it to
Lance,
On the other hand, all correspondence is archived according to these
threads using the free Nabble service. You can find it here:
lilypond.1069038.n5.nabble.com
It keeps the conversations in a more familiar forum-like format, so you
can go whenever you need without feeling like you have
On Wed, Apr 22, 2015 at 12:48 PM, Federico Bruni [via Lilypond]
ml-node+s1069038n175021...@n5.nabble.com wrote:
What I would find useful is an interactive guide to lilypond syntax:
https://code.google.com/p/lilypond/issues/detail?id=4200
I totally agree! How about some collaboration with
Larry,
On Wed, Apr 22, 2015 at 1:43 PM, Larry Kent-2 [via Lilypond]
ml-node+s1069038n175030...@n5.nabble.com wrote:
My problem is that too much of it is written like the following response
from Elaine, which looks like Pprogrammers Only Need Apply.
I get frustrated when I'm looking for
Kieren,
On Wed, Apr 22, 2015 at 3:12 PM, Kieren MacMillan [via Lilypond]
ml-node+s1069038n175042...@n5.nabble.com wrote:
Hi Joram (et al.),
just use point-and-click in Frescobaldi which brings me
quickly to the place where I want to change something.
That feature doesn't work for me.
All,
On Wed, Apr 22, 2015 at 2:21 PM, Noeck [via Lilypond]
ml-node+s1069038n175034...@n5.nabble.com wrote:
this is a triviality for most of you and it does not solve the original
issue of deleting a measure easily.
I have really enjoyed following this thread. It's always fascinating to
hear
On Wed, Apr 22, 2015 at 2:46 PM, David Bellows [via Lilypond]
ml-node+s1069038n175038...@n5.nabble.com wrote:
Looks really nice Abraham! The font situation is now becoming an
embarrassment of riches!
Thanks, David! I guess you could say that I never want custom
housestyles to be a stumbling
As explained in the docs:
http://www.lilypond.org/doc/v2.18/Documentation/notation/visibility-of-objects#special-considerations
the syntax \override Staff.KeySignature.break-visibility = #...
only affects the key signature at the *beginning* of the line (not sure
why, but that's what it says).
Wow! This is really an incredible improvement! Way to go, everyone, for
making such a phenomenal program that is also getting much, MUCH faster!
- Abraham
On Thu, Apr 16, 2015 at 9:41 AM, Paul Morris [via Lilypond]
ml-node+s1069038n174607...@n5.nabble.com wrote:
On Apr 16, 2015, at 9:00 AM,
Kieren Urs,
On Thu, Apr 16, 2015 at 12:15 PM, Kieren MacMillan [via Lilypond]
ml-node+s1069038n174622...@n5.nabble.com wrote:
Hi Urs,
I realize that I don't have a real idea about the size of our community,
and particularly regarding the availability of music typesetters who could
offer
On Wed, Apr 15, 2015 at 4:27 PM, Schneidy [via Lilypond]
ml-node+s1069038n174567...@n5.nabble.com wrote:
Hi Urs,
2015-04-15 23:17 GMT+02:00 Urs Liska [hidden email]
http:///user/SendEmail.jtp?type=nodenode=174567i=0:
Hi Pierre,
just looking shortly at your files this seems really great!
On Wed, Apr 15, 2015 at 3:49 PM, Stephen MacNeil [via Lilypond]
ml-node+s1069038n174563...@n5.nabble.com wrote:
wow very nice work pierre!!
Stephen
Amen to that! Very cool, Pierre!
- Abraham
--
View this message in context:
Thanks, everyone for your vote! I've closed the survey and the consensus
overwhelmingly suggests that I should NOT put my time towards making Susato
available, at least at such a cost. Not a problem! I have a bunch of other
projects to finish anyway, so perhaps it's for the best :-)
Happy
PIerre,
Your original post said that \markup \staff-lines-it #5 ... should create
5 staff lines? If so, there's no need for the 1+ in (iota (1+ n)), just (iota
n), no? Otherwise #5 will give you *6* staff lines.
Regards,
Abraham
On Tue, Apr 14, 2015 at 10:53 AM, Schneidy [via Lilypond]
On Tue, Apr 14, 2015 at 2:11 PM, Urs Liska [via Lilypond]
ml-node+s1069038n174522...@n5.nabble.com wrote:
7. Am I right, that to get the fonts, each zip file has to be downloaded
individually (except wget -r etc.)? How about providing one zip file
containing all fonts to install?
I
Thanks, Johan, for your feedback and to everyone else who's responded to
the survey so far!
I'll go ahead and leave it up for another day or so, then I'll make my
decision to pursue it further or not. I realize that I've kind-of saturated
the music font market for the moment (boy, it's been
+1!!
As I had to use this override the other day, I crossed my fingers and hoped
that extra-offset was a supported property and sadly learned that it isn't.
Seems like just the thing to be able to give a system a little nudge in either
direction when you need to. After all, that's what pretty
Peter,
Here's what I've done that works nicely, but requires a slight manual
intervention (changes/additions in *BOLD*):
1. DON'T remove Bar_engraver because Clefs can only be printed after a bar
line (even an invisible one, like with \bar )
2. Set Timing.defaultBarType = which correctly keeps
Pierre,
Following Paul's advice, here's working code (which you probably already
figured out, but just for the record). Note that you must use equal? for
comparisons since it's the only one suited for strings:
%-- SNIP --
#(define-markup-command (smiley-string layout props
Chris,
Can you post your code or attach a file so we can see what you've tried?
You can be explicit about the vertical location of the staves, but I
imagine that's not what you want to do.
- Abraham
On Tue, Apr 7, 2015 at 12:33 PM, Chris Trahan [via Lilypond]
On Wed, Apr 8, 2015 at 9:42 AM, Chris Trahan [via Lilypond]
ml-node+s1069038n174224...@n5.nabble.com wrote:
Abraham,
Here's the file. It's not a tiny example, I'm afraid.
Chris
From: tisimst [hidden email]
http:///user/SendEmail.jtp?type=nodenode=174224i=0
To: [hidden email] http
This worked for me:
%-- SNIP -
#(append! default-script-alist
(list
`(mon-articulation
. (
(text . ,#{ \markup \essai #})
(stencil . ,ly:text-interface::print)
; any other properties
(toward-stem-shift-in-column .
Daniel,
Sorry for my late reply. I'll send you the source files later today for
those scores. Hopefully they won't be too hard to follow :-)
Regards,
Abraham
On Sat, Apr 4, 2015 at 1:35 PM, Daniel Contreras [via Lilypond]
ml-node+s1069038n174065...@n5.nabble.com wrote:
Hello everyone,
I am
Agreed! Very nice looking score. I love the flexibility of this program!
Well done, everyone!
- Abraham
On Fri, Apr 3, 2015 at 1:47 PM, Schneidy [via Lilypond]
ml-node+s1069038n174021...@n5.nabble.com wrote:
Glad to hear, nice output!
Cheers,
Pierre
2015-04-03 16:00 GMT+02:00 James
I noticed :-)
On Fri, Apr 3, 2015 at 2:23 PM, James Worlton [via Lilypond]
ml-node+s1069038n174024...@n5.nabble.com wrote:
And kudos to you, Abraham, for making possible the use of other fonts! My
score is using the Cadence notation font.
James W
On Fri, Apr 3, 2015 at 3:11 PM, tisimst
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