Hi,
Using the following code in 3/4 time
\partial 1 g'4 | %Bar0
c,4. d8 e[ g] | %Bar 1
gets the following error.
barcheck failed at: -3/4
\partial 1 g'4
| %Bar0
The engraving completes, and the error can be ignored,
but I still would like to correct it.
I have tried all sorts of other
Hi,
Using the following code in 3/4 time
\partial 1 g'4 | %Bar0
c,4. d8 e[ g] | %Bar 1
gets the following error.
barcheck failed at: -3/4
\partial 1 g'4
You probably want to write \partial 4 instead of \partial 1
because the g'4 is only a quarter note and not a whole note.
Hello,
today is not my day. Since several hours I try to solve a problem in a
score, but I don't find my fault or the right syntax. I always get the
warning:
test3.ly:18:26: Warnung: Taktüberprüfung gescheitert bei: -1/16
s2 a4. s8
| % 1
The condensed
Hajo Dezelski dl1...@googlemail.com writes:
Hello,
today is not my day. Since several hours I try to solve a problem in a
score, but I don't find my fault or the right syntax. I always get the
warning:
test3.ly:18:26: Warnung: Taktüberprüfung gescheitert bei: -1/16
s2 a4. s8
On 01.02.2010, at 16:06, Hajo Dezelski wrote:
Hello,
today is not my day. Since several hours I try to solve a problem in a
score, but I don't find my fault or the right syntax. I always get the
warning:
test3.ly:18:26: Warnung: Taktüberprüfung gescheitert bei: -1/16
s2 a4.
Hello,
thanks for your hint.
Removing the bar helped nothing, the warning still exists.
nothing= Of course the score looks right, but when I publish score
in Mutopia, I try to provide a Lilypond Sourcescore which compiles
without warnings and errors. Otherwise people may think that ...
@David
Hi Hajo,
This is why I always recommend that you *don't* put \partial and \repeat in
every voice...
Try the attached instead.
Hope this helps!
Kieren.
\version 2.13.10
global = {
\clef treble
\key d \minor
\time 4/4
\repeat volta 2 {
\partial 16 s16
s2...
}
\repeat volta 2
Hello Kieren,
this helped indeed. Thanks! But I dont understand how you did it. Did
you put a second melody before (underneath )? And if the MelodyOne has
254 Bars, do I have to write:
\repeat volta 2 {
\partial 16 s16
s255...
}
\repeat volta 2 {
\partial 16 s16
s254
}
I
After looking at my own trials:
Before the example which I sent to the list I also tried:
\context Staff { \clef treble \key d \minor \time 4/4 \partial 16
\melody }
without declaring \partial in the voices. But that provided the same warning.
Anyway: subtile changes provide sometimes
Hi Hajo,
Did you put a second melody before (underneath )?
Sorry: I don't understand this question.
And if the MelodyOne has 254 Bars, do I have to write:
If you only need multiple voices for one small bit (e.g., a single note), then
write them inline, instead of splitting the voices for
Hello Kieren,
now I got it. Never thought about this possibilty. Thanks again.
Problem solved. We can move on.
Hajo
---
... indessen wandelt harmlos droben das Gestirn
On Mon, Feb 1, 2010 at 7:19 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Hajo,
Did you put a second
As has been pointed out in previous answers, one solution is to
make a separate \score block for each movement (this is probably
the most common way to typeset several moments). However, if
the movements go attacca and should be typeset like that, you
can use \partial commands to handle all your
Am 02.12.2008 um 01:35 schrieb Jay Hamilton:
Hello-
I'm using 2.10 on windoze
And I figured out a solution but not sure that it's the only or
best one.
Problem, I'm setting/arranging a sonata for a duet. The first
movement begins on the beat the 2nd movement begins with a \partial 8
The
Hello-
I'm using 2.10 on windoze
And I figured out a solution but not sure that it's the only or best one.
Problem, I'm setting/arranging a sonata for a duet. The first movement begins
on the beat the 2nd movement begins with a \partial 8
The third movement begins on the beat.
I checked the
Jay Hamilton wrote:
Hello-
I'm using 2.10 on windoze
And I figured out a solution but not sure that it's the only or best one.
Problem, I'm setting/arranging a sonata for a duet. The first movement begins
on the beat the 2nd movement begins with a \partial 8
The third movement begins on the
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