On Wed 16 Nov 2022 at 06:21:41 (-0500), Kieren MacMillan wrote:
>
> >> What about creating all the parts for a score? I certainly
> >> don't want to type all the common structure in each part.
> > If you type the structure first, then as you use emacs, it's easy to
> > copy and paste sufficient
Le 16/11/2022 à 12:21, Kieren MacMillan a écrit :
What about creating all the parts for a score? I certainly
don't want to type all the common structure in each part.
If you type the structure first, then as you use emacs, it's easy to
copy and paste sufficient copies of it before you enter the
Hi all,
>> What about creating all the parts for a score? I certainly
>> don't want to type all the common structure in each part.
> If you type the structure first, then as you use emacs, it's easy to
> copy and paste sufficient copies of it before you enter the notes.
Okay… but yet another
On Tue 15 Nov 2022 at 14:41:28 (-0700), Paul Scott wrote:
> On 11/15/22 1:57 PM, Jean Abou Samra wrote:
> > Le 15/11/2022 à 21:50, Paul Scott a écrit :
> > > What about creating all the parts for a score? I certainly
> > > don't want to type all the common structure in each part.
If you type the
Hi Jean,
> Clearer documentation would be a good first step, but my ultimate
> wish would be a warning if this construct is used
Yes, please!
> because Hyrum's law
That's the second apparently-reasonably-widely-known thing I learned about
today!
(The other was the Mendoza line.)
Thanks for
Le 15/11/2022 à 23:03, Kieren MacMillan a écrit :
It’s not for you to sweat about, though it will be nice to make things explicit
in the documentation so nobody else builds up a 20-plus-year library of
minefield-laden scores.
Clearer documentation would be a good first step, but my
Hi Jean (et al.),
>> Interesting! It makes sense, of course… but I must admit that I have been
>> using \repeat in my \global variable and NOT in my other note variables for
>> my entire time using Lilypond, and [as far as I know] never ran into a
>> problem. I really did think it was the
Le 15/11/2022 à 22:51, Kieren MacMillan a écrit :
Hi all,
On Nov 15, 2022, at 4:20 PM, Jean Abou Samra wrote:
\repeat, on the other hand, is a command that does not stand alone
but transforms a piece of music. It should be applied to all music
that it is supposed to transform.
Interesting!
On 11/15/22 2:51 PM, Kieren MacMillan wrote:
Hi all,
On Nov 15, 2022, at 4:20 PM, Jean Abou Samra wrote:
\repeat, on the other hand, is a command that does not stand alone
but transforms a piece of music. It should be applied to all music
that it is supposed to transform.
Interesting! It
Le 15/11/2022 à 22:46, Paul Scott a écrit :
Did you see the documentation advising mismatched \repeat-s across
staves?
No, can you point me to it?
See my previous message. The documentation does not do it apart from
one example that is considered a documentation bug.
OpenPGP_signature
Le 15/11/2022 à 22:41, Paul Scott a écrit :
On 11/15/22 1:57 PM, Jean Abou Samra wrote:
Le 15/11/2022 à 21:50, Paul Scott a écrit :
What about creating all the parts for a score? I certainly don't
want to type all the common structure in each part.
It is really that troublesome? It's the
Hi all,
> On Nov 15, 2022, at 4:20 PM, Jean Abou Samra wrote:
> \repeat, on the other hand, is a command that does not stand alone
> but transforms a piece of music. It should be applied to all music
> that it is supposed to transform.
Interesting! It makes sense, of course… but I must admit
On 11/15/22 2:20 PM, Jean Abou Samra wrote:
Le 15/11/2022 à 22:10, Paul Scott a écrit :
On 11/15/22 13:57, Jean Abou Samra wrote:
It is really that troublesome?
Yes.
It's the way it's intended to be used.
?? I learned much of what I do here and, of course, in the documentation
I hope
On 11/15/22 1:57 PM, Jean Abou Samra wrote:
Le 15/11/2022 à 21:50, Paul Scott a écrit :
What about creating all the parts for a score? I certainly don't want
to type all the common structure in each part.
It is really that troublesome? It's the way it's intended to be used.
Can you show
Le 15/11/2022 à 22:10, Paul Scott a écrit :
On 11/15/22 13:57, Jean Abou Samra wrote:
It is really that troublesome?
Yes.
It's the way it's intended to be used.
?? I learned much of what I do here and, of course, in the documentation
I hope others will comment on this. I'm sure I've seen
On 11/15/22 13:57, Jean Abou Samra wrote:
Le 15/11/2022 à 21:50, Paul Scott a écrit :
What about creating all the parts for a score? I certainly don't want
to type all the common structure in each part.
It is really that troublesome?
Yes.
It's the way it's intended to be used.
?? I
Le 15/11/2022 à 21:50, Paul Scott a écrit :
What about creating all the parts for a score? I certainly don't want
to type all the common structure in each part.
It is really that troublesome? It's the way it's intended to be used.
You will find that \section and \fine only affect their
On 11/15/22 1:42 PM, Jean Abou Samra wrote:
By the way, I would strongly discourage your score structure:
\version "2.23.81"
timing = {
[\repeat segno stuff]
}
music = \fixed c' {
[without \repeat segno]
}
\score { \new Staff << \timing \music >> }
LilyPond does not make efforts to
By the way, I would strongly discourage your score structure:
\version "2.23.81"
timing = {
[\repeat segno stuff]
}
music = \fixed c' {
[without \repeat segno]
}
\score { \new Staff << \timing \music >> }
LilyPond does not make efforts to support differing repeat
structures across
I forgot to send my reply to the list that I figured out 1.
On 11/15/22 11:16 AM, Jean Abou Samra wrote:
Le 15/11/2022 à 19:10, Paul Scott a écrit :
I'm, trying to learn the new segno repeat structure.
1. Why do I get a second staff?
This has nothing to do with segno repeats, you'll get
Le 15/11/2022 à 19:10, Paul Scott a écrit :
I'm, trying to learn the new segno repeat structure.
1. Why do I get a second staff?
This has nothing to do with segno repeats, you'll get the same with
\version "2.23.81"
<<
{ c }
{ c' }
>>
The fix isto use
\score { \new Staff << \timing
I just answered 1. by adding \new Staff \new Voice in the score block.
On 11/15/22 11:10 AM, Paul Scott wrote:
I'm, trying to learn the new segno repeat structure.
1. Why do I get a second staff?
2. What does \volta #'() do?
TIA for any help.
Paul
I'm, trying to learn the new segno repeat structure.
1. Why do I get a second staff?
2. What does \volta #'() do?
TIA for any help.
Paul
\version "2.23.81"
timing = {
\set Score.dalSegnoTextFormatter = #format-dal-segno-text-brief
s1
\repeat segno 2 {
s1
\alternative {
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