On Thu, Feb 14, 2013 at 6:05 PM, Janek Warchoł wrote:
> As for demonstrations, you might be interested in the attachment. It
> contains a small git repository (13 commits) with Lily sources of a
> choir part from 3rd movement of Antonin Dvorak's Stabat Mater. [...]
Apparently the attachment didn
Am 14.02.2013 18:05, schrieb Janek Warchoł:
Hi all,
On Thu, Feb 14, 2013 at 4:44 PM, Urs Liska wrote:
I will soon pick up on that communication, and then I'll surely raise the
engraving issue, showing them some of my 'raw' scores, Janek's beautiful
final versions and maybe some exemplary git c
Am 14.02.2013 17:50, schrieb Joseph Rushton Wakeling:
On 02/14/2013 05:32 PM, Urs Liska wrote:
Maybe I'll get in touch with you before. I already intended to
present the
outline of the presentation here and ask for feedback - I think it's
an issue
that concerns many of us ...
(The presentation
On 02/14/2013 05:32 PM, Urs Liska wrote:
Maybe I'll get in touch with you before. I already intended to present the
outline of the presentation here and ask for feedback - I think it's an issue
that concerns many of us ...
(The presentation is due at the end of April, so it will be some time stil
Am 14.02.2013 17:21, schrieb Joseph Rushton Wakeling:
On 02/14/2013 04:44 PM, Urs Liska wrote:
While it may not seem to be intuitive you can actually write
extremely robust
"house style" sheets (or rather libraries which I find much more
reliable than
any preset templates or whatever you could
On 02/14/2013 04:44 PM, Urs Liska wrote:
While it may not seem to be intuitive you can actually write extremely robust
"house style" sheets (or rather libraries which I find much more reliable than
any preset templates or whatever you could use with WYSIWYG software.
With the additional advantage
Am 14.02.2013 16:05, schrieb Joseph Rushton Wakeling:
On 02/14/2013 01:36 PM, David Kastrup wrote:
a) a reliable and scaleable mechanism to make individual problems go
away by manual labor. WYSIWYG systems offer that. I think that
Frescobaldi tries offering a bit of that as well.
The really
On 02/14/2013 04:17 PM, David Kastrup wrote:
Uh, they fired the original developers and their team without much of a
migration strategy. It is unlikely that substantial new developments
are planned, or this would have been an economically stupid course.
I'm not saying it was a smart thing to d
Joseph Rushton Wakeling writes:
> On 02/14/2013 01:36 PM, David Kastrup wrote:
>> a) a reliable and scaleable mechanism to make individual problems go
>> away by manual labor. WYSIWYG systems offer that. I think that
>> Frescobaldi tries offering a bit of that as well.
>
> The really simple way
On 02/14/2013 01:36 PM, David Kastrup wrote:
a) a reliable and scaleable mechanism to make individual problems go
away by manual labor. WYSIWYG systems offer that. I think that
Frescobaldi tries offering a bit of that as well.
The really simple way of putting this: "It needs to be as easy as
Il 14/02/2013 13:36, David Kastrup ha scritto:
For commercial viability, LilyPond is lacking two mechanisms: a) a
reliable and scaleable mechanism to make individual problems go away
by manual labor. WYSIWYG systems offer that. I think that Frescobaldi
tries offering a bit of that as well.
I
2013/2/10 Joseph Rushton Wakeling :
> On 02/10/2013 05:21 PM, Luca Rossetto Casel wrote:
>>
>> Another one,
>> http://www.youtube.com/watch?v=m5uPPJj_M_o
>
>
> Does anyone know anything about the computer engraving software shown in
> this second video? I don't recognize it, but it's striking how
Thomas Morley writes:
> 2013/2/14 Wim van Dommelen :
>
>> I was a little upset when I read "they decided to disperse the
>> collection",
>> but it is true, I've contacted them and you can indeed buy a random plate,
>
> I seem to remember having heard that Henle now uses Sibelius.
> If that's true
2013/2/14 Wim van Dommelen :
> I was a little upset when I read "they decided to disperse the collection",
> but it is true, I've contacted them and you can indeed buy a random plate,
I seem to remember having heard that Henle now uses Sibelius.
If that's true, well, further Sibelius-development
Indeed, inspiring. Remembers me of a museum in Kopenhagen (mmmhh,
forgot the name) I once visited where they have a small exhibition of
these tools. Impressing.
I was a little upset when I read "they decided to disperse the
collection", but it is true, I've contacted them and you can indeed
On 02/12/2013 08:41 PM, David Kastrup wrote:
If you want different passages in music behave differently when included
in a single \transpose command, that more or less means that they need
to use different callbacks at least in some anchoring expressions (like
we use a relative-callback for doing
Joseph Rushton Wakeling writes:
> On 02/12/2013 02:50 PM, David Kastrup wrote:
>> Joseph Rushton Wakeling writes:
>>> What you actually want to see in a given passage is something like,
>>>
>>> {
>>>\set Staff.transposition = #'chromatic
>>>c'4 bf' gs' e'% any transposition applied t
On 02/12/2013 02:50 PM, David Kastrup wrote:
Joseph Rushton Wakeling writes:
What you actually want to see in a given passage is something like,
{
\set Staff.transposition = #'chromatic
c'4 bf' gs' e'% any transposition applied to this passage
% will be chromatic
On Tue, Feb 12, 2013 at 2:25 PM, Joseph Rushton Wakeling
wrote:
> you need to have a variety of rule sets (at least 2: chromatic and tonal),
> you need to be able to switch arbitrarily between the two (e.g. some music
> may have tonal parts and atonal parts).
+1
I had encountered a piece that nee
Joseph Rushton Wakeling writes:
> On 02/12/2013 01:24 PM, Janek Warchoł wrote:
>> we have a snippet
>> Documentation/snippets/transposing-pitches-with-minimum-accidentals-smart-transpose.ly
>
> The problem with this snippet is that it's conceived as a function
> that "wraps" a given piece of musi
On 02/12/2013 01:24 PM, Janek Warchoł wrote:
we have a snippet
Documentation/snippets/transposing-pitches-with-minimum-accidentals-smart-transpose.ly
The problem with this snippet is that it's conceived as a function that "wraps"
a given piece of music. But as I recall, if you put a transposi
On 02/12/2013 12:48 PM, David Kastrup wrote:
Looks we are missing the proper command for this. With \pitchedTrill,
transposition works.
Yes, absolutely. A proper command would also help with the appearance -- as it
stands getting the accidental placed just right over the trill sign is a bit
Joseph Rushton Wakeling writes:
> On 02/12/2013 03:05 AM, David Kastrup wrote:
>> The advantage LilyPond has over the hand engraver is that it does not
>> need to say "I don't make mistakes". The hand engraver puts down the
>> staff lines, and short of throwing the plate(s) away and starting ove
On 02/12/2013 03:05 AM, David Kastrup wrote:
The advantage LilyPond has over the hand engraver is that it does not
need to say "I don't make mistakes". The hand engraver puts down the
staff lines, and short of throwing the plate(s) away and starting over,
the layout has to fit those lines, and t
Truly inspiring to watch a master craftsman engraving. I too was
astonished at the cutting of beams and stems without a rule, and the
virtuoso slur engraving. When you consider slurs are thinner at the
ends, there must a lessening of the graver pressure at the ends of the
slur which is incredib
Am 12.02.2013 10:17, schrieb Werner LEMBERG:
Seeing him cutting stems and beams etc. freehand was incredible.
And seeing him 'draw' a slur made me think of how many iterations with
adjusted offsets *I* need to bring a slur to a form I'm happy with ...
Well, he has drawn stems, beams, slurs, etc.
> Seeing him cutting stems and beams etc. freehand was incredible.
> And seeing him 'draw' a slur made me think of how many iterations with
> adjusted offsets *I* need to bring a slur to a form I'm happy with ...
Well, he has drawn stems, beams, slurs, etc. beforehand with a pencil.
Werner
Am 12.02.2013 03:05, schrieb David Kastrup:
Janek Warchoł writes:
On Sun, Feb 10, 2013 at 12:18 PM, Urs Liska wrote:
"Music Engraving on Metal Plates":
http://www.youtube.com/watch?v=345o3Wu95Qo
That's awesome!
However, despite the fact that this man is truly skilled, there are
some imperfe
Janek Warchoł writes:
> On Sun, Feb 10, 2013 at 12:18 PM, Urs Liska wrote:
>> "Music Engraving on Metal Plates":
>> http://www.youtube.com/watch?v=345o3Wu95Qo
>
> That's awesome!
> However, despite the fact that this man is truly skilled, there are
> some imperfections. For example http://youtu
On Sun, Feb 10, 2013 at 12:18 PM, Urs Liska wrote:
> "Music Engraving on Metal Plates":
> http://www.youtube.com/watch?v=345o3Wu95Qo
That's awesome!
However, despite the fact that this man is truly skilled, there are
some imperfections. For example http://youtu.be/345o3Wu95Qo?t=2m23s -
the eight
riginal Message -
From: "Phil Holmes" mailto:m...@philholmes.net>>
To: "Vaughan McAlley" mailto:vaug...@mcalley.net.au>>, "lilypond-user"
mailto:lilypond-user@gnu.org>>
Sent: Monday, February 11, 2013 9:37:14 AM
Subject: Re:
oxidization.
Shane
On Mon, Feb 11, 2013 at 5:08 AM, bobr...@centrum.is wrote:
>
>
> - Original Message -
> From: "Phil Holmes"
> To: "Vaughan McAlley" , "lilypond-user" <
> lilypond-user@gnu.org>
> Sent: Monday, February 11, 2013 9:37
- Original Message -
From: "Phil Holmes"
To: "Vaughan McAlley" , "lilypond-user"
Sent: Monday, February 11, 2013 9:37:14 AM
Subject: Re: A must-see for anybody on this list
- Original Message -
From: "Vaughan McAlley"
To: "lily
- Original Message -
From: "Vaughan McAlley"
To: "lilypond-user"
Sent: Monday, February 11, 2013 1:26 AM
Subject: Re: A must-see for anybody on this list
On 11 February 2013 10:23, Shane Brandes wrote:
The hand engraving was amazing. I liked the "I do
On 11 February 2013 10:23, Shane Brandes wrote:
>
>The hand engraving was amazing. I liked the "I don't make mistakes" quote.
>
> Shane
I never thought much about how music used to be engraved, but when I
did there were always more questions than answers.
I’m surprised how close it was to w
On 10 February 2013 21:43, Henning Hraban Ramm wrote:
>
> Am 2013-02-10 um 21:18 schrieb bobr...@centrum.is:
>
>> I assumed SCORE, too, but this would imply Sibelius if that was Henle we
>> were looking at in the second video:
>>
>> http://www.sibeliusblog.com/meta/henles-music-engraving-video/
>
The hand engraving was amazing. It makes you wonder what sort of metal
exactly the plates are. I liked the "I don't make mistakes" quote.
Is it possible that program was an in house adaptation of Music Tex or
one of the others?
Shane
On Sun, Feb 10, 2013 at 4:43 PM, Henning Hraban Ramm wrot
Am 2013-02-10 um 21:18 schrieb bobr...@centrum.is:
> I assumed SCORE, too, but this would imply Sibelius if that was Henle we were
> looking at in the second video:
>
> http://www.sibeliusblog.com/meta/henles-music-engraving-video/
>
> Also, Sibelius keyboard input does bear a number of simila
On 02/10/2013 09:08 PM, Henning Hraban Ramm wrote:
No it doesn’t ;-)
I know it's _not_ Lilypond, but it does appear to share some similarities.
It’s SCORE, see http://en.wikipedia.org/wiki/SCORE_(software)
Doesn't look like SCORE markup to me:
http://www.ccarh.org/courses/253/handout/scorei
Message -
From: "Henning Hraban Ramm"
To: "Joseph Rushton Wakeling"
Cc: lilypond-user@gnu.org
Sent: Sunday, February 10, 2013 8:08:54 PM
Subject: Re: A must-see for anybody on this list
Am 2013-02-10 um 19:29 schrieb Joseph Rushton Wakeling:
> On 02/10/2013 05:21 PM, Lu
Am 2013-02-10 um 19:29 schrieb Joseph Rushton Wakeling:
> On 02/10/2013 05:21 PM, Luca Rossetto Casel wrote:
>> Another one,
>> http://www.youtube.com/watch?v=m5uPPJj_M_o
>
> Does anyone know anything about the computer engraving software shown in this
> second video? I don't recognize it, but
On 02/10/2013 05:21 PM, Luca Rossetto Casel wrote:
Another one,
http://www.youtube.com/watch?v=m5uPPJj_M_o
Does anyone know anything about the computer engraving software shown in this
second video? I don't recognize it, but it's striking how similar it looks to
Lilypond.
_
Il 10/02/2013 12:18, Urs Liska ha scritto:
"Music Engraving on Metal Plates":
http://www.youtube.com/watch?v=345o3Wu95Qo
Another one,
http://www.youtube.com/watch?v=m5uPPJj_M_o
Luca
--
Caselle da 1GB, trasmetti allegati fino a 3GB e in piu' IMAP, POP3 e SMTP
autenticato? GRATIS solo con
context:
http://lilypond.1069038.n5.nabble.com/A-must-see-for-anybody-on-this-list-tp140705p140710.html
Sent from the User mailing list archive at Nabble.com.
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Wonderful video, very useful for lilypond translators.
It was posted in this list some time ago, from Werner IIRC
Urs Liska ha scritto:
>"Music Engraving on Metal Plates":
>http://www.youtube.com/watch?v=345o3Wu95Qo
>
>Astonishing!
>
>___
>lilypond-us
On 10 févr. 2013, at 12:18, Urs Liska wrote:
> "Music Engraving on Metal Plates":
> http://www.youtube.com/watch?v=345o3Wu95Qo
>
> Astonishing!
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilyp
"Music Engraving on Metal Plates":
http://www.youtube.com/watch?v=345o3Wu95Qo
Astonishing!
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