Am 24.05.2013 23:17, schrieb Sarah k Alawami:
Ok. yeah I'm trying to create a lot less work for my self especially now
because if I get this job out of town I will be gone for 3 months and I want to
do this as a gift.
The variables and the systems idea will I think make it easier. why o why
On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen m...@wimvd.nl wrote:
Sorry,
hobo is just the Dutch name for oboe. typo
Well, as long as you don't use the Dutch name fagot for bassoon...
Christ van Willegen
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Christ van Willegen cvwille...@gmail.com writes:
On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen m...@wimvd.nl wrote:
Sorry,
hobo is just the Dutch name for oboe. typo
Well, as long as you don't use the Dutch name fagot for bassoon...
An uncle of mine, not remembering the word for
Am 26.05.2013 15:12, schrieb David Kastrup:
Christ van Willegen cvwille...@gmail.com writes:
On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen m...@wimvd.nl wrote:
Sorry,
hobo is just the Dutch name for oboe. typo
Well, as long as you don't use the Dutch name fagot for bassoon...
An
on 2013-05-26 at 15:49 Urs Liska wrote:
When my son was 2 1/2 he was already an enthusiastic soccer player. Once
he kicked too hard and sat on his bottom. His thrilled comment: Boah,
jetzt bin ich umgefallen, weil ich so stark geschissen habe (sorry,
untranslatable ...)
what can i say,
luis jure l...@internet.com.uy schrieb:
on 2013-05-26 at 15:49 Urs Liska wrote:
When my son was 2 1/2 he was already an enthusiastic soccer player.
Once
he kicked too hard and sat on his bottom. His thrilled comment:
Boah,
jetzt bin ich umgefallen, weil ich so stark geschissen habe
Sorry,
hobo is just the Dutch name for oboe. typo
Regards,
Wim.
On 24 May 2013, at 00:51 , David Kastrup wrote:
Wim van Dommelen m...@wimvd.nl writes:
Yes, that is possible if I understand correctly what you want to do.
For example you can make a set of files:
- clarinet-1.ly,
On 24 May 2013, at 03:21 , Sarah k Alawami wrote:
Actually I was thinking the variables for the piano since one of the
sections repeats a lot in the right hand. Will all of that still
compile if I have the files's variables like that or do I need to
then create a veritable for the foe
Ok. yeah I'm trying to create a lot less work for my self especially now
because if I get this job out of town I will be gone for 3 months and I want to
do this as a gift.
The variables and the systems idea will I think make it easier. why o why did
I not do this with the last assignment?
I was thinking of putting my variables in each file that way I can do a bit
less less typing, at least in that file. will this still work in the end when
I compile all files in to one score and parts for the choir and me and the
pianist? Well, I won't need the score, how ever the person
Hi Sarah,
On 23 May 2013, at 19:46 , Sarah k Alawami wrote:
I was thinking of putting my variables in each file
each variable only *once* in a file, I presume
that way I can do a bit less less typing, at least in that file.
will this still work in the end when I compile all files in to
Wim van Dommelen m...@wimvd.nl writes:
Yes, that is possible if I understand correctly what you want to do.
For example you can make a set of files:
- clarinet-1.ly, contains the variable with the notes and everything
for clarinet 1
- hobo.ly, the variable with the notes for the hobo, etc.
Actually I was thinking the variables for the piano since one of the sections
repeats a lot in the right hand. Will all of that still compile if I have the
files's variables like that or do I need to then create a veritable for the
foe itself?
On May 23, 2013, at 3:31 PM, Wim van Dommelen
Hi wjm and list,
On 17/05/13 02:26, wjm wrote:
Greetings!
After watching Sarah K Alawami's work on a score recently on this
user-list, but not having the musical and compositional skills to make
constructive remarks, and after reading the thread entitled 'stylesheet
structure', it occurred to
I think this whole thread is very useful. Thanks for initiating it! And
I totally agree about the value of this list for learners (and others).
Of the many I subscribe to, it's always been the best, by quite a margin.
t.
On 05/17/2013 07:58 PM, wjm wrote:
A bit of my LP background - - -
Greetings Jan,
You wrote:-
+++
After a lot of fiddling around I came up with this schema:-
That reads much like
http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd
what are we missing?
+++
I
I do all of my composing in Lilypond, and have completed numerous large
ensemble projects of significant length. I'd estimate I've written around
20,000 lines of Lilypond and Scheme code in the last two years. My preferred
file structure continues to evolve, but it is basically the following:
I guess you all have looked at the scores by Nicolas Sceaux at
http://nicolas.sceaux.free.fr/ already? They are very well structured.
On 17 May 2013 09:18, Shevek s...@saultobin.com wrote:
I do all of my composing in Lilypond, and have completed numerous large
ensemble projects of significant
On 17 May 2013, at 03:26 , wjm wrote:
After a lot of fiddling around I came up with this schema:-
I use a similar approach.
This approach is well-facilitated in Frescobaldi, using the point-
and-click correlation between the output pane and the relevant input
lol. try nigh impossible if you have absolutely no knowledge of the terminal.
I tried frescoboldi in the windows environment and it sucked. I think for
this arrangement for now I'll have alto2.ly, alto1.ly, soprano2ly, soprano
1-1.ly and soprano1.ly then the piano part.ly or what ever it
A bit of my LP background - - -
Several years ago I was asked by a local church-choir director to
prepare a couple of pieces for use by other church-groups. He knew that
I had used computers for preparing teaching and publication graphics of
one sort or another, and that I had done a little
Jan:
When I click that link, I see this:
http://lilypond.1069038.n5.nabble.com/file/n146067/Coriolan.jpg
What am I supposed to see there? Are there examples or something?
Thanks,
Ben
Jan Nieuwenhuizen wrote
wjm writes:
After a lot of fiddling around I came up with this schema:-
Greetings!
After watching Sarah K Alawami's work on a score recently on this
user-list, but not having the musical and compositional skills to make
constructive remarks, and after reading the thread entitled 'stylesheet
structure', it occurred to me that an approach might be found which
might
does not sound like a bad idea. I'm gong to be working on an arrangement of oh
come equal and hope to get it done by November or so. it's a surprise for a
very special friend of mine who is let's say very fragile in health and I want
to give it to her choir. I'm thinking of writing all the
This is somewhat the approach I'm taking with my Psalter project. each
selection/hymn/psalm setting has a lyric file and a tune file. Each contains
variables such as poet, scripture reference,copyright, etc. that are relevant
and unchanging with that file. This allows me to reuse tunes with
wjm writes:
After a lot of fiddling around I came up with this schema:-
That reads much like
http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd
what are we missing?
Greetings,
Jan
--
Jan Nieuwenhuizen jann...@gnu.org | GNU
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