Keith OHara wrote
Torsten Hämmerle
torsten.haemmerle at
web.de writes:
I've attached a zip file containing the current (albeit unfinished)
versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily include.
The main obstacle is the rigid way Lilypond
Torsten Hämmerle torsten.haemmerle at web.de writes:
I've attached a zip file containing the current (albeit unfinished)
versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily include.
The main obstacle is the rigid way Lilypond handles its (her, his?)
Torsten Hämmerle torsten.haemme...@web.de writes:
So finally: what have I done and why? The main obstacle is the rigid
way Lilypond handles its (her, his?) internal music font. I
deliberately decided to stick to an ordinary OTF/TTF font first to
learn how to use external fonts (who knows
In the first place: I've attached a zip file containing the current
(albeit unfinished) versions of the LilyJAZZ music and LilyJAZZ Text
font plus the corresponding LilyJAZZ.ily include.
Very impressive!
The main obstacle is the rigid way Lilypond handles its (her, his?)
internal music
2013/3/14 David Kastrup d...@gnu.org:
We currently have three music fonts of more than marginal interest:
LilyPond's own Feta (?), ...
Emmentaler. Of which Feta and Parmesan are subsets.
But Parmesan is only for ancient, and Feta includes braces and
everything, so I guess we can keep calling
On Mar 14, 2013, at 5:36 AM, Torsten Hämmerle wrote:
BUT: Even if all this may be quite an ambitious task, I just started off to
see what's possible and how Lilypond behaves in a jazz context. Fortunately,
the results look quite encouraging. :)
This is very intriguing as a jazz player and
Hello all,my name is Torsten (Be-3) and I happen to be the author of this little Lilypond Jazz excursion. ;)And yes, of course I will publish the coding here, albeit not finished, but I shortly before pressing the send button I got a nice blue screen (thank you, windows!) and had to start over
