>> I fully understand what you say, and similar symbols are used for
>> singers, too, however, I think this somehow contradicts what
>> lilypond is intended to do: engraving well-formatted music. It's
>> not lilypond's job to imitate hand-written marks! In other words,
>> I want to see some *pri
At 13:06 24/06/2014 +0200, Werner LEMBERG wrote:
It's not lilypond's job to imitate hand-written marks! In other
words, I want to see some *printed* editions with such entries [sc.
over bar lines] so that we can adjust lilypond accordingly, if necessary.
In some Puccini scores, marks for poss
On Tue, Jun 24, 2014 at 4:06 AM, Werner LEMBERG wrote:
> I fully understand what you say, and similar symbols are used for
> singers, too, however, I think this somehow contradicts what lilypond
> is intended to do: engraving well-formatted music. It's not
> lilypond's job to imitate hand-written
>> I can't believe that it doesn't affect spacing. As soon as you
>> insert something visible into the score that has a timing value
>> (and a breathing mark definitely has, if probably not specified
>> exactly), it *must* take part of the horizontal formatting. You
>> even give a hint how to pos
On 24/06/14 08:13, Werner LEMBERG wrote:
>> - The mark generally doesn't affect the music spacing or beaming in
>> any way.
> I can't believe that it doesn't affect spacing. As soon as you insert
> something visible into the score that has a timing value (and a
> breathing mark definitely has, i
> - The mark generally doesn't affect the music spacing or beaming in
> any way.
I can't believe that it doesn't affect spacing. As soon as you insert
something visible into the score that has a timing value (and a
breathing mark definitely has, if probably not specified exactly), it
*must* ta
On Mon, Jun 23, 2014 at 10:24 PM, David Kastrup wrote:
> You don't say which frustration. You apparently want to have automatic
> beams across breath marks. To me, that does not make a lot of sense.
Sorry, I took out too much context from the original message. It's
pretty common in horn music (
Jay Anderson writes:
> On Wed, Mar 6, 2013 at 6:00 PM, Thomas Morley
> wrote:
>> Well, nowadays we have the 'collision-interfaces-property but adding
>> breathing-sign-interface to it seems to have no effect.
>>
>> \version "2.17.12"
>>
>> respectBS = {
>> \override Beam #'collision-interfaces
On Wed, Mar 6, 2013 at 6:00 PM, Thomas Morley
wrote:
> Well, nowadays we have the 'collision-interfaces-property but adding
> breathing-sign-interface to it seems to have no effect.
>
> \version "2.17.12"
>
> respectBS = {
> \override Beam #'collision-interfaces =
> #'(beam-interface
>
2013/3/7 Nathan :
> Hello,
>
> It says in the docs that \breathe interrupts automatic beams.
FWIW, 2.12.3 didn't divide the beams.
I didn't found a single point to apply, though.
> How do I
> override this behavior without resorting to manual beaming?
>
> In other words, I have something like the
Hello,
It says in the docs that \breathe interrupts automatic beams. How do I
override this behavior without resorting to manual beaming?
In other words, I have something like the following snippet:
\relative c' {
c8 d \breathe e f g f \breathe e d
c d \breathe e f g f \breathe e d
c1
}
a
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