Hi Stefan, hi Lukas,
I think it might be reasonable to directly annotate the Slurs instead. This
allows for nice placement, see the appended example.
Cheers,
Valentin
Am Montag, 30. Mai 2022, 08:17:58 CEST schrieb Stefan E. Mueller:
> Hi Lukas,
>
> yes, that is what I need, I can take it from
Hi Lukas,
yes, that is what I need, I can take it from there - many thanks for the
quick response and solution, and the explanations!
Stefan
--
Stefan E. Mueller
stefan.e.muel...@gmx.de
On Sun, 29 May 2022, Lukas-Fabian Moser wrote:
Hi Stefan,
Am 29.05.22 um 22:42 schrieb Stefan
Hi Stefan,
Am 29.05.22 um 22:42 schrieb Stefan E. Mueller:
I am not sure yet what the difference between a scheme-function and a
music-function is (the second example seems to work whichever definition
is chosen).
A music function must return music, a scheme function can return more
general
Hi Lukas,
many thanks for your quick answer. Obviously, things are more complex
than I thought.
Both of your solutions work for the problem, I tend to be more inclined
towards the second one. But I still have to understand better what is going
on here.
I am not sure yet what the difference
Hi Stefan,
please try to always give a compilable examle, otherwise people have to
collect your ideas from your mail bit by bit :).
You could use an event-function; these are made for postfix use (i.e.
after the respective note):
\version "2.22"
ho = #(define-event-function
When notating guitar music, I use a slur with a markup to indicate
hammer-ons, pull-offs, slides or bendings, like in this example:
\new Staff {
e''8^(^\markup {\halign #-1.5 ho} f''8)
}
I'd like to define a scheme function for the slur and markup, such that I
can write
\new Staff {
e''8 \ho
he final measure
>> to strum a chord more quickly but with the hand over the fretboard
>> (producing a more resonant sound quality).
>>
>> Are there established markings for such performance directives? I have
>> searched for guitar notation examples that might indicate something of th
o the bridge of the
> instrument (producing a drier sound quality), and then in the final measure
> to strum a chord more quickly but with the hand over the fretboard
> (producing a more resonant sound quality).
>
> Are there established markings for such performance directives? I ha
), and then in
the final measure to strum a chord more quickly but with the hand over
the fretboard (producing a more resonant sound quality).
Are there established markings for such performance directives? I have
searched for guitar notation examples that might indicate something of
this nature
Hi Pierre, Federico,
thanks!
--
Orm
Am Dienstag, den 02. Dezember 2014 um 08:58:47 Uhr (+0100) schrieb Pierre
Perol-Schneider:
Oups, space's missing.
So, again, try
fis-3 \2 -\tweak X-offset #-.5 \RH #3
2014-12-02 7:21 GMT+01:00 Pierre Perol-Schneider
Hi,
in the following example, the m is printed above the beam whereas
all other right hand fingerings are notated below the beam. Is this
related to the larger size of the letter m? Can someone shed a light
on this and how this could be avoided?
--
Orm
Il giorno lun 1 dic 2014 alle 23:20, Orm Finnendahl
orm.finnend...@selma.hfmdk-frankfurt.de ha scritto:
Hi,
in the following example, the m is printed above the beam whereas
all other right hand fingerings are notated below the beam. Is this
related to the larger size of the letter m? Can
Hi Orm, hi Federico,
Try :
fis-3 \2 -\tweak X-offset #-.5 \RH #3
Cheers,
Pierre
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Oups, space's missing.
So, again, try
fis-3 \2 -\tweak X-offset #-.5 \RH #3
2014-12-02 7:21 GMT+01:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Orm, hi Federico,
Try :
fis-3 \2 -\tweak X-offset #-.5 \RH #3
Cheers,
Pierre
Is there a funktion for cross/t handles (Quergriff in German)?
It is very important but i didn't find it.
Thx
Lukas Mayer
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http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi all, I am having a little trouble engraving some classical guitar
sheets. I am trying to edit some sheets and they have the notation
showed at the jpg attached. I search lilypond documentation and
haven´t found anything like that ( the C3 above the sheet ). Does
someone can help me with that ?
Am 15. März 2006, 23:15 Uhr (+0100) schrieb Jannik Jeppesen:
Hi...
I added the code, and it helped. But can I somehow change the space between
the diagrams by using the code ragged-right = ##t?
No, you can't use ragged-right for that purpose. You have to insert
some padding between the
Jannik Jeppesen wrote:
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
If you remove that line, you will notice that the chord names
are printed just edge to
I will use my EPS files to the following.
I am making a guitar book, and shall make 2 pages with fret diagrams:
how to make open chords,
how to make barré chords
So i want it to say the chord name, and then the diagram under it, and
nothing else.
Could anyone help me getting started on
Jannik Jeppesen wrote:
I will use my EPS files to the following.
I am making a guitar book, and shall make 2 pages with fret diagrams:
how to make open chords,
how to make barré chords
So i want it to say the chord name, and then the diagram under it, and
nothing else.
Could anyone help
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
---
And then please look at my following file. (Sorry it is so long, just to let
you get an idea of my prob)
PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Wednesday, March 15, 2006 8:46 PM
Subject: Re: Guitar notation
Jannik Jeppesen wrote:
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2
Ok one more question...
Why is there less space between chord name and diagram in the G chords, that
there is in the other chords when it now is specified with the following
code? As I see it it also is in C an B that meens every second line
any idea?
\with{\override
So you say that it is impollible to have 2 diagrams in one line, with only
one cm space between
And in the next line have four diagrams with also one cm space between?
Thats what I am looking for... Very sad, if it is not possible...
Try putting this somewhere into your layout definition:
Jannik Jeppesen wrote:
Ok one more question...
Why is there less space between chord name and diagram in the G
chords, that there is in the other chords when it now is specified
with the following code? As I see it it also is in C an B that
meens every second line any idea?
Hi all..
How do I whrite
A score with only fret diagrams?
I can only figure out to use the "^\markup
\fret-diagram" command...
And Is it possible to whrite arrows to show
strumming on the guitar?
All for now...
\Jannik
___
lilypond-user
...plus you need to change the clef to a treble cleff with an 8
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question. It's included
as an
example in the section entitled Clef, can you propose any way to make
it even easier to find?
...plus you need to change the clef to a treble cleff with an 8
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question.
Because they are guitarists?
:-)
SCNR
Thomas (guitarist)
___
Well look at that, there it is right at the top of page 85 in the PDF. My
apologies Mats - I'll change my template.
\clef G_8
From: Mats Bengtsson [EMAIL PROTECTED]
To: Vaylor Trucks [EMAIL PROTECTED]
CC: [EMAIL PROTECTED], lilypond-user@gnu.org
Subject: Re: Guitar notation
Date: Thu, 17
Thomas Scharkowski wrote:
...plus you need to change the clef to a treble cleff with an 8
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question.
Because they are guitarists?
:-)
SCNR
The queston was rather why they
You know the old joke:
How do you make a guitarist play quieter and slower? Give him sheet music.
From: Thomas Scharkowski [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Subject: Re: Guitar notation
Date: Thu, 17 Nov 2005 13:02:59 +0100
...plus you need to change the clef to a treble cleff
I cannot speak for others, but for myself I can say the resason is - I
didn't check all that thoroughly before asking the question. Mia Culpa
The queston was rather why they found it so hard to find the
information in the manual. ;-)
/Mats
Hi.
Is there anyone who can send me an example on a a blues scale with tab
starting on 5. fret? (or somthing similar)
I really cant figure out how to tell lilypond exactly where to specify the
tab...
Please.
Jannik
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lilypond-user mailing
\context Staff = guitar \guitar
\context TabStaff = guitar \guitartab
\layout { }
\midi { \tempo 4=120 }
}
From: Jannik Jeppesen [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Subject: Guitar notation
Date: Wed, 16 Nov 2005 17:15:15 +0100
Hi.
Is there anyone who
see the manual, section 7.5.
here another working example:
%%
\version 2.7.10
pentatonic = \relative c
{
a\6 c\6 d\5 e\5 g\4 a\4 c\3 d\3 e\2 g\2 a c
% alternatively this also works:
% \set TabStaff.minimumFret = #5
% a c d e g a c d e
}
...plus you need to change the clef to a treble cleff with an 8 beneath
the loop - but I haven't found that clef yet.
From: Jannik Jeppesen [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Subject: Guitar notation
Date: Wed, 16 Nov 2005 17:15:15 +0100
Hi.
Is there anyone who can send me
Subject: RE: Guitar notation
Here is the template I use for a combination chords / standard / tab
staff - with the A minor pentatonic scale starting on the 5th fret.
\version 2.6.0
\header
{
title = A minor pentatonic scale
composer = none
meter = you choose
}
% - GUITAR -
gtr
Hi all,
first of all many thanks for this great software.
In classcial guitar notation the clef C bears an 8 directly attached to it to
show that the instrument is noted an octave lower than it sounds. Is there a
clef in the repository?
I managed to work out the fingering but is there a way
Did you look in the section on Clefs in the manual?
/Mats
Kai Gorlich wrote:
Hi all,
first of all many thanks for this great software.
In classcial guitar notation the clef C bears an 8 directly attached to it to
show that the instrument is noted an octave lower than it sounds
Hi All, I am a newby lilypond user and a classical guitar player, I
was looking for guitar bar notation and I didn't find anywere; I find
the textspanner that Is almost what I want, but textspanner seams to
have just - - - - notation and bor bar should be a continue line.
does someone know
On 28-May-05, at 6:54 AM, Allan Spagnol Comar wrote:
Hi All, I am a newby lilypond user and a classical guitar player, I
was looking for guitar bar notation and I didn't find anywere; I find
the textspanner that Is almost what I want, but textspanner seams to
have just - - - - notation and bor
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