On 01/02/14 08:05, Federico Bruni wrote:
2014/2/1 Rachael Thomas Carlson r...@sleeplimited.org
mailto:r...@sleeplimited.org
Sometimes the standard notation is at sounding pitch and sometimes
it is at pitch as if there were no capo.
In all books I know (staff + tabstaff) I always
On 01/31/2014 09:53 PM, Rachael Thomas Carlson wrote:
In standard notation (without tabulature) you will often find that the
music is written with the pitch notated as if there wasn't a capo.
Very rarely will you find music that is written at sounding pitch with
a capo.
I'm a classic
2014/2/1 Rachael Thomas Carlson r...@sleeplimited.org
Sometimes the standard notation is at sounding pitch and sometimes it is
at pitch as if there were no capo.
In all books I know (staff + tabstaff) I always see the latter: pitch as if
it were no capo.
I use transpose in the midi block so
On 2014-02-01 04:53, Rachael Thomas Carlson wrote:
Hello Hilary:
Hello Rachael and other contributors
Please excuse a short notation question!
This is a fun question!
[...]
In all cases, one will find that there is an indication of the use of a
capo in the area of the top of the score that
Hilary Snaden h...@newearth.demon.co.uk writes:
Transposing seemed the most intuitive solution, but it's good to hear
what real guitarists prefer. I'd gone with Capo on 4 above the first
bar of the guitar part, it's now Capo on IV.
I'm acquainted to Capo 4 but I guess it's a matter of taste.
Please excuse a short notation question!
What's the preferred way of notating music for a guitar with capo?
Sounding pitch, or as a transposing instrument (so that a guitar capoed
on the third fret is effectively a guitar in E flat)?
--
Hilary
___
Hello Hilary:
Please excuse a short notation question!
This is a fun question!
What's the preferred way of notating music for a guitar with capo?
Sounding pitch, or as a transposing instrument (so that a guitar capoed
on the third fret is effectively a guitar in E flat)?
This would depend
