Re: Jazz chords above slash notation

Hi Robin, > If you need to do a lot of these polychords, you may be better off using two > ChordNames contexts. Oof… Is that really the state of things? Let’s get some syntactic sugar for polychords so nobody has to go through all that (not to mention how it abuses contexts)! Any reason why

Re: Jazz chords above slash notation

Calvin Ransom wrote: I ran across a chord that I am not able to write the following chord, If anyone has any ideas on how I can write this I would greatly appreciate it. If you need to do a lot of these polychords, you may be better off using two ChordNames contexts. Cheers, Robin

Re: Jazz chords above slash notation

Are you thinking of this as a polychord (one chord above another, rather than a chord over a bass note as is usually with a “slash” chord)? Here is a snippet intended to be used as an \include, if I recall correctly, to denote poly chords in \chordmode I haven’t had occasion to use it in

Re: Jazz chords above slash notation

On Wed, Mar 24, 2021 at 04:50:22PM -0700, Calvin Ransom wrote: > I was able to get the chords to work but I ran across a chord that I am not > able to write the following chord, If anyone has any ideas on how I can > write this I would greatly appreciate it. > This is what my attempt got me so

Re: Jazz chords above slash notation

Thank you Aaron, I had to sleep on it and when I woke up it clicked instantly. I was able to get the chords to work but I ran across a chord that I am not able to write the following chord, If anyone has any ideas on how I can write this I would greatly appreciate it. This is what my attempt got

Re: Jazz chords above slash notation

On 2021-03-23 9:26 pm, Calvin Ransom wrote: I am trying to write something like the image below. I was able to typeset the more normal chords ok but I don’t know how to place parts of them in parentheses or how to type the maj9 Review chordNameExceptions and the associated snippet [1] in the

Re: Jazz chords layout question

Thomas Morley wrote: meanwhile a snippet arrived at LSR caring about indenting individual lines, reflecting the discussion in this thread. Now approved as http://lsr.di.unimi.it/LSR/Item?id=1098 Thanks to the author, You're welcome. Also, feedback welcome! Cheers, Robin

Re: Jazz chords layout question

Am So., 14. Juli 2019 um 17:46 Uhr schrieb Jacques Menu : > > Thnks Robin and Harm. > > Here: > > % \showLeftEdge > \pseudoIndent #'(-8 . 0) #55 > > works fine, I attach the results. > > JM > > > Le 14 juil. 2019 à 16:39, Robin Bannister a écrit : > > Oh dear, that recommendation was

Re: Jazz chords layout question

Oh dear, that recommendation was for your first code. The bass clef code needs a LeftEdge.Y-offset of -5 Cheers, Robin On 14.07.2019 12:10, Robin Bannister wrote: Jacques Menu wrote: Didn’t find a way to hide the empty part of the staff to the left of it, stopStaff/startStaff didn’t help.

Re: Jazz chords layout question

Jacques Menu wrote: Didn’t find a way to hide the empty part of the staff to the left of it, stopStaff/startStaff didn’t help. Sorry. This simplistic pseudoIndent is too fragile for general use. It needs to be made robust re vertical extents. In your case you need a LeftEdge.Y-offset of

Re: Jazz chords layout question

Hi Jacques, Am So., 14. Juli 2019 um 01:30 Uhr schrieb Jacques Menu : > > Hello Robin, > > Thanks, the result is already better, with the seconda volta at the right > place after adjusting the parameter of \pseudoIndent. > > Didn’t find a way to hide the empty part of the staff to the left of

Re: Jazz chords layout question

> On 14 Jul 2019, at 00:30, Jacques Menu wrote: > > Hello Robin, > > Thanks, the result is already better, with the seconda volta at the right > place after adjusting the parameter of \pseudoIndent. > > Didn’t find a way to hide the empty part of the staff to the left of it, >

Re: Jazz chords layout question

Jacques Menu wrote: - how can I ‘push’ the beginning of the seconda volta to the middle of the line? You could try a recent hack of mine. %% % cheap alternative to \new Score; fragile wrt. Y positioning pseudoIndent = #(define-music-function (parser location

Re: Jazz chords layout question

Another, tricky ‘solution', though musically incorrect since: - it doesn’t use \repeat: the repeat barlines are added manually; - it adds two hidden skip full measures to push the seconda volta to the right.However:  \set Score.repeatCommands = #'((volta ""))  <> ^\markup {    \scale #'(1.5 . 1.5) 

Re: Jazz chords layout question

Hello Robert and Carl,Thanks for your help!To summurize, after checking the docs for marks: - why do the marks appear without a box around them? because using ‘\mark "A"’ precludes the box. Since the AABA scheme is so common in jazz, using: \mark \markup {\box "A" } solves the issue. - why

Re: Jazz chords layout question

On 7/12/19, 12:33 PM, "Jacques Menu" wrote: Hello folks, I’m trying to setup the attached example as in the following, with an added staff containing empty measures as an exercise score: What I currently get is: Questions:

Re: Jazz chords layout question

Hi Jaques, I guess I can answer some of your questions .. The box issue: check out the mark formatter settings here: http://lilypond.org/doc/v2.19/Documentation/notation/bars.en.html#rehearsal-marks For the percent repeats to appear in a ChordNames context, you'll need to have it accept

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

On Dec 25, 2017, at 5:41 PM, James Harkins wrote: >> > I pasted this into Frescabaldi... >> >> you have to paste it to where lilypond can find it. That is not necessarily >> the font directory of lilypond, but I think that is not a wrong place. >> lilypond does not have

Re:Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

> I pasted this into Frescabaldi... you have to paste it to where lilypond can find it. That is not necessarily the font directory of lilypond, but I think that is not a wrong place. lilypond does not have frescobaldi in the search path. As I read the original post, it's quite plausible that

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Sorry, a necessary adition. I read the document https://github.com/OpenLilyPondFonts/lilyjazz/blob/master/LilyPond-Fonts-Installation-And-Usage.txt to the end in the meantime and found chapter 3 close to the end 3. INSTALLATION (v2.18.0 - 2.19.11) Am 25.12.2017 11:41, schrieb Blöchl Bernhard:

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Am 24.12.2017 16:49, schrieb Daryls_Produce: Hi Forum People: Back in 2011 Nathan Ho posted the following code to share code for jazzers so that they can notate chords in their own way. http://lilypond.1069038.n5.nabble.com/Jazz-Chord-Symbols-tt10516.html#a196223 I pasted this into

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Hello Daryls, Your code sample doesn’t contain music, in fact, only chords display specifications. You can take ideas from the example below. lilyjazz can be found at https://github.com/OpenLilyPondFonts/lilyjazz . It should be accessible to

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Not an answer to your quesion, postings from about 2011 might be outddated? but an actual information for real book (hand written) chord style may be https://github.com/OpenLilyPondFonts/lilyjazz and http://lilypondblog.org/2013/09/lilypond-and-lilyjazz/ There are some more. I think to remeber

Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Hi Forum People: Back in 2011 Nathan Ho posted the following code to share code for jazzers so that they can notate chords in their own way. http://lilypond.1069038.n5.nabble.com/Jazz-Chord-Symbols-tt10516.html#a196223 I pasted this into Frescabaldi, there were no error, but it didn't display

Re: Lilypond and Jazz chords

Hi Kieren and Ponders, I’m very detail-oriented, so things that others might consider “little” often drive me quite crazy. =) Well, "little" is the wrong expression - "not painful enough to invest the time" is closer to the truth. Quite possibly that is easy to fix though Should

Re: Lilypond and Jazz chords

Hi David, > The engraver would convert into something akin to c c' d' f' > bf' (somewhat opaque example since the first is the root pitch and the > others are the relation to the root note, expressed as intervals from > c'). There would be one or several markups for interpreting the c' d' > f'

Re: Lilypond and Jazz chords

Sorry for misunderstanding/misinterpretation. In lilypond I write bes for bflat, In text writing I use bB. On 18.01.2016 15:23, Kieren MacMillan wrote: Hi, Bb/C is built of C Bb D F …which is what I wrote: “bf” is Bb using english note names. May be you did a typing error No. You

Re: Lilypond and Jazz chords

Hi Robert, > It is possible though that all tools for doing that are already present in > LilyJazz ... I simply don't remember now. Sorry, I wasn’t clear: the accidentals in your chord names aren’t using the LilyJazz font, as far as I can tell, whereas the rest of the glyphs (e.g., letters,

Re: Lilypond and Jazz chords

Kieren MacMillan writes: > Hi David, > >> The engraver would convert into something akin to c c' d' f' >> bf' (somewhat opaque example since the first is the root pitch and the >> others are the relation to the root note, expressed as intervals from >> c'). There

Re: Lilypond and Jazz chords

On 18.01.2016 14:33, BB wrote: On 18.01.2016 13:29, Kieren MacMillan wrote: might be named Dm9no5/C, Cno5add2add4, Fmaj7add6no3/C depending on the context. Names are interpretations of the notes and always depend on the context. Your chords in the posting be labelled as Bb/C or

Re: Lilypond and Jazz chords

Hi, > Bb/C is built of C Bb D F …which is what I wrote: “bf” is Bb using english note names. > May be you did a typing error No. > You never get correct chord names without knowing the context That’s exactly my point. Regards, Kieren. Kieren MacMillan,

Re: Lilypond and Jazz chords

Kieren MacMillan writes: > Hi David, > >> Here's my take on how to do this more transparently: first have an >> engraver that does the basic chord analysis and writes one or several >> properties with the basic analysis results (like fundamental pitch and >> scale

Re: Lilypond and Jazz chords

On 18.01.2016 13:29, Kieren MacMillan wrote: might be named Dm9no5/C, Cno5add2add4, Fmaj7add6no3/C depending on the context. Names are interpretations of the notes and always depend on the context. Your chords in the posting be labelled as Bb/C or C7(sus2,sus4) Bb/C is built of C Bb D F

Re: Lilypond and Jazz chords

Yes, that's true - I guess that never bothered me ... until now, that is, now that you mention it, thank you very much. Quite possibly that is easy to fix though - I'll look into that asap. Maybe I should add that, while I like producing aesthetically pleasing lead sheets, my first priority

Re: Lilypond and Jazz chords

Hi Robert, > I guess that never bothered me ... until now, that is, now that you mention > it, thank you very much. You’re welcome! I’m very detail-oriented, so things that others might consider “little” often drive me quite crazy. =) > Quite possibly that is easy to fix though Should be.

Re: Lilypond and Jazz chords

Am 18.01.2016 08:44, schrieb Carl-Henrik Buschmann: 18. jan. 2016 kl. 02.40 skrev tim...@bitstream.net: On Jan 17, 2016, at 4:16 PM, Carl-Henrik Buschmann wrote: I'm not talking about code, i'm talking about style. And by the looks of it Sibelius at least have by and

Re: Lilypond and Jazz chords

On Mon, 18 Jan 2016 09:12:42 +0100 Blöchl Bernhard wrote: > Do you really believe that Sibelius was inspired by R? Not sure if troll > Johan Julius Christian („Jean“) Sibelius * 8. Dezember 1865 in > Hämeenlinna; † 20. September 1957 in Järvenpää near

Re: Lilypond and Jazz chords

Am 18.01.2016 um 09:12 schrieb Blöchl Bernhard: [...] Do you really believe that Sibelius was inspired by R? The first edition of Standardized chord symbol notation : (a uniform system for the music profession) von Carl Brandt; Clinton Roemer Englisch was published 1976 by Sherman Oaks, Calif.

Re: Lilypond and Jazz chords

Kieren MacMillan writes: > Hi Simon, > >> Note the effect of sensible code formatting – it can’t be emphasised > often enough… > > I actually had it that way in my example, but decided to put it on one > line to save vertical space in the post. Well, that's

Re: Lilypond and Jazz chords

Carl-Henrik Buschmann writes: > Kieren is thankfully working on this and i hope the brains that code > for lilypond can bash heads together and at least give us a *working* > solution and stop bickering over personal preferences that only hinder > the development. I think

Re: Lilypond and Jazz chords

Thomas Morley writes: > 2016-01-17 22:28 GMT+01:00 Carl-Henrik Buschmann : > > Thanks for code and links! > >> A properly formatet complex chord stacks alterations in parenthesis. > > Well, I disagre - at least as a general verdict. > >> Lilyponds

Re: Lilypond and Jazz chords

-- Note beforehand: I'm sending this from a phone, and I can't control if the attached picture is sent inline or not - hope you can see it, otherwise I'll have to resend it later today. -- Hi Carl-Henrik, Fwiw, I write jazz sheets all the time, and I've trimmed Lilypond to produce stuff

Re: Lilypond and Jazz chords

Chill pills for everybody! Smile :-) > 18. jan. 2016 kl. 09.39 skrev David Kastrup : > > There is no "brains that code" who have to placate "us" by "at least > giving us a *working* solution". I see how that might have been misunderstood, but please belive it was with the best

Re: Lilypond and Jazz chords

Hi David, > Here's my take on how to do this more transparently: first have an > engraver that does the basic chord analysis and writes one or several > properties with the basic analysis results (like fundamental pitch and > scale offsets). Those properties are made part of text-interface. > >

Re: Lilypond and Jazz chords

, > >> it involves the (fantastic) LilyJazz package which was created by Thorsten >> Hämmerle some time ago. > > Why are the alterations in the chord names not LilyJazz? Well, now that you mention it, they might well be. It's been quite some time since I worked on that. What I *am* sure of is

Re: Lilypond and Jazz chords

This is smashing! Great job. The alignment of the chords, is it possible to push above the staff like traditional chords? The 8, is it part of a multi rest? > 18. jan. 2016 kl. 11.40 skrev Robert Schmaus : > > > -- > Note beforehand: I'm sending this from a phone,

Re: Lilypond and Jazz chords

On Mon, 18 Jan 2016 11:40:47 +0100 Robert Schmaus wrote: > Fwiw, I write jazz sheets all the time, and I've trimmed Lilypond to > produce stuff like this: Nice, very nice! It's a shame the "8" won't match... I've tried to obtain something like this some years ago, but

Re: Lilypond and Jazz chords

Thanks! I can post the code for that if you're interested, I just can't promise I'll be able to do that tonight. And it involves the (fantastic) LilyJazz package which was created by Thorsten Hämmerle some time ago. If can get a hold of that, and put it together with Kieren's suggestions,

Re: Lilypond and Jazz chords

Hi Robert, > it involves the (fantastic) LilyJazz package which was created by Thorsten > Hämmerle some time ago. Why are the alterations in the chord names not LilyJazz? > If can get a hold of that, and put it together with Kieren's suggestions, > that's basically it - the rest is routine

Re: Lilypond and Jazz chords

> On Jan 18, 2016, at 1:44 AM, Carl-Henrik Buschmann > wrote: > > >> 18. jan. 2016 kl. 02.40 skrev tim...@bitstream.net: >> >>> >>> On Jan 17, 2016, at 4:16 PM, Carl-Henrik Buschmann >>> wrote: >>> >>> While i might agree with you to some extent

Re: Lilypond and Jazz chords

> 18. jan. 2016 kl. 02.40 skrev tim...@bitstream.net: > >> >> On Jan 17, 2016, at 4:16 PM, Carl-Henrik Buschmann >> wrote: >> >> While i might agree with you to some extent this is also a practial matter: >> >> 1) Whether or not you call it maj or *triangle*, m or MI

Re: Lilypond and Jazz chords

olumbus.net>: > > Am 17.01.2016 21:33, schrieb Carl-Henrik Buschmann: > >> http://i.imgur.com/crR5239.png [3] >> I have googled my ass off on how to get "jazz chords" properly >> formated. > > What is "properly" formated? Where is your wrong

Re: Lilypond and Jazz chords

>> Am 17.01.2016 21:33, schrieb Carl-Henrik Buschmann: >>> http://i.imgur.com/crR5239.png [3] >>> I have googled my ass off on how to get "jazz chords" properly >>> formated. >> What is "properly" formated? Where is your wrong formated code examp

Re: Lilypond and Jazz chords

Hi Carl-Henrik, > As far as i can see this Brandt & Roemer thing is a work in progress. Indeed. > I'm thankfull somebody seems to be working on it! You’re welcome. =) > There is however much to be done before chords in Lilypond are mature enough > to use for jazz chord notation. I don’t

Re: Lilypond and Jazz chords

nglist about coding. I can look up your image at http://lilypond.1069038.n5.nabble.com/Re-Lilypond-and-Jazz-chords-td186007.html [1] but that's going on my nerves. Nevertheless, some of the chord-symbols there are lilypond-default, some not. Use chord-exceptions for them. -Harm   Den 17. jan. 2

Re: Lilypond and Jazz chords

Hi Blöchl, > 1. Why is Cm69 (ly) = C6/9 (BR)? Where is the "MI" gone? Is it kind of > implied? I don't see it. If you followed the thread further, you’d see that it was an error: the “MI” is, of course, supposed to be there. That error been fixed in my [private] copy, which I am continuing to

Re: Lilypond and Jazz chords

Hi Tim, > that is a matter of individual preferences. Agreed. > Cmaj7#4 is less trouble to read than Cmaj7(#4) on the bandstand in an > unfamiliar tune. Disagreed. > 90% of the extensions that are written on lead sheets are ignored anyway in > favor of what the musician’s ear tells him or

Re: Lilypond and Jazz chords

While i might agree with you to some extent this is also a practial matter: 1) Whether or not you call it maj or *triangle*, m or MI is indeed a matter of culture and personal taste. But consider the following: A C7, a dominant, might tell a performing musician lots but when dealing with

Re: Lilypond and Jazz chords

Hi Carl-Henrik, Here’s a start for you. Hope this helps! Kieren. SNIPPET BEGINS \version "2.19.35" \language "english" chordFlat = \markup \concat { \hspace #0.1 \raise #0.5 \fontsize #-1 \flat \hspace #0.2 } chordSharp = \markup \concat { \hspace #0.1 \raise #0.5 \fontsize #-1 \sharp

Re: Lilypond and Jazz chords

png [3] I have googled my ass off on how to get "jazz chords" properly formated. What is "properly" formated? Where is your wrong formated code example? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/

Re: Lilypond and Jazz chords

Thank you. This is indeed a good start! However. How to adjust the lenght of the parenthesis? As of now they only encapsule 1/3 of the stack. I havent the foggiest on how to make them "flexible". > 17. jan. 2016 kl. 22.25 skrev Kieren MacMillan > : > > Hi

Re: Lilypond and Jazz chords

2016-01-17 19:55 GMT+01:00 Carl-Henrik Buschmann : > Any news regarding this? Well, what's "this"? LilyPond exists, yes. There is no common definiton of "JazzChords". So, no news. ;) Maybe you may want to be a little more specific? Cheers, Harm

Re: Lilypond and Jazz chords

Hi Carl-Henrik, > I'm wondering if lilypond is able to notate complex chords Still not sure exactly what you mean… As far as I understand (and have used), Lilypond can notate any chord you want, given the correct custom chord naming. I’ve been building an include file around the Brandt system,

Re: Lilypond and Jazz chords

Hi Carl-Henrik, > I have googled my ass off on how to get "jazz chords" properly formated. The > lilypond manual isn't exactly being straight about the matter. I do know it > *should* be possible and i'm humbly asking for a hint at formating as shown > in the pictur

Re: Lilypond and Jazz chords

Am 17.01.2016 21:33, schrieb Carl-Henrik Buschmann: http://i.imgur.com/crR5239.png [3] I have googled my ass off on how to get "jazz chords" properly formated. What is "properly" formated? Where is your wrong formated code example?

Re: Lilypond and Jazz chords

This is undesirable. 17. jan. 2016 kl. 21.59 skrev Blöchl Bernhard <b_120902342...@telecolumbus.net>: Am 17.01.2016 21:33, schrieb Carl-Henrik Buschmann: http://i.imgur.com/crR5239.png [3] I have googled my ass off on how to get "jazz chords" properly formated. What i

Re: Lilypond and Jazz chords

Any news regarding this? Carl-Henrik ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Lilypond and Jazz chords

are not mind readers, hard to know what you prefer or not.) http://i.imgur.com/crR5239.png I have googled my ass off on how to get "jazz chords" properly formated. The lilypond manual <http://lilypond.org/doc/v2.16/Documentation/notation/chord-mode#extended-and-altered-chords> isn

Re: Lilypond and Jazz chords

> On Jan 17, 2016, at 3:28 PM, Carl-Henrik Buschmann > wrote: > > A properly formatet complex chord stacks alterations in parenthesis. Hemmm, that is a matter of individual preferences. As a jazz musician I find parentheses in chords add to the visual clutter and add no

Re: Lilypond and Jazz chords

2016-01-17 22:28 GMT+01:00 Carl-Henrik Buschmann : Thanks for code and links! > A properly formatet complex chord stacks alterations in parenthesis. Well, I disagre - at least as a general verdict. > Lilyponds default is > [...] undesirable. Ofcourse I disagree again, ;)

Re: Lilypond and Jazz chords

Hi Harm, > The main problem is that current LilyPond-default is very hard to tweak +1^10 [sic] ;) > I once started rewriting chordnames. [1] > Finally it aimed at easy user-tweakable formatting. > Maybe, I'll get back to it once … If you’re serious about doing it in the near future,

Re: Lilypond and Jazz chords

Hi Simon, > Note the effect of sensible code formatting – it can’t be emphasised often > enough… I actually had it that way in my example, but decided to put it on one line to save vertical space in the post. Cheers, Kieren. Kieren MacMillan, composer ‣

Re: Lilypond and Jazz chords

On 17.01.2016 22:35, Carl-Henrik Buschmann wrote: Thank you. This is indeed a good start! However. How to adjust the lenght of the parenthesis? As of now they only encapsule 1/3 of the stack. I havent the foggiest on how to make them "flexible". You might have a look in the NR, section A.11

Re: Lilypond and Jazz chords

> On Jan 17, 2016, at 4:16 PM, Carl-Henrik Buschmann > wrote: > > While i might agree with you to some extent this is also a practial matter: > > 1) Whether or not you call it maj or *triangle*, m or MI is indeed a matter > of culture and personal taste. But consider

Re: Lilypond and Jazz chords

> On Jan 17, 2016, at 4:18 PM, Kieren MacMillan > wrote: > > Hi Tim, > >> that is a matter of individual preferences. > > Agreed. > >> Cmaj7#4 is less trouble to read than Cmaj7(#4) on the bandstand in an >> unfamiliar tune. > > Disagreed. > >> 90% of the

Re: Lilypond and Jazz chords

Hi Tim, > I am not sure that Lilypond handles polychords gracefully either It doesn’t, as far as I can tell. Improving that situation is part of my goal with my B stylesheet effort (as they explicitly consider polychords). > An doctoral candidate submitting an analysis of jazz performance or a

Re: Jazz chords

On 05/22/2012 12:47 AM, lilyp...@umpquanet.com wrote: On Mon, May 21, 2012 at 05:51:25PM +0200, rosea.grammostola wrote: Hi, What is the status of this? http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00285.html What do you mean by 'status'? It works for me. I've tweaked the

Re: Jazz chords

On 5/22/12 16:53 , rosea.grammostola wrote: On 05/22/2012 12:47 AM, lilyp...@umpquanet.com wrote: On Mon, May 21, 2012 at 05:51:25PM +0200, rosea.grammostola wrote: Hi, What is the status of this? http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00285.html What do you mean by

Re: Jazz chords

On 05/22/2012 04:57 PM, Choan Gálvez wrote: On 5/22/12 16:53 , rosea.grammostola wrote: On 05/22/2012 12:47 AM, lilyp...@umpquanet.com wrote: On Mon, May 21, 2012 at 05:51:25PM +0200, rosea.grammostola wrote: Hi, What is the status of this?

Re: Jazz chords

On 05/22/2012 04:57 PM, Choan Gálvez wrote: On 5/22/12 16:53 , rosea.grammostola wrote: On 05/22/2012 12:47 AM, lilyp...@umpquanet.com wrote: On Mon, May 21, 2012 at 05:51:25PM +0200, rosea.grammostola wrote: Hi, What is the status of this?

Jazz chords

Hi, What is the status of this? http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00285.html I'm searching for a way to display A7(#5) Regards, \r ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Jazz chords

On Mon, May 21, 2012 at 05:51:25PM +0200, rosea.grammostola wrote: Hi, What is the status of this? http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00285.html What do you mean by 'status'? It works for me. I've tweaked the markup to suit my tastes, and have added some additional

jazz chords fretboards

Hi all, I'm starting to learn Jazz guitar on my own, well, with a friend of mine who'd be singing. I have no teacher, but I've noticed there are many, many resources on the net. I've found this

RE: jazz chords fretboards

Bart )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of bart deruyter )Sent: 10 July 2011 09:25 )To: lilypond-user@gnu.org )Subject: jazz chords fretboards ) )Hi all, ) )I'm

Re: jazz chords fretboards

On 7/10/11 2:25 AM, bart deruyter bart.deruy...@gmail.com wrote: Hi all, I'm starting to learn Jazz guitar on my own, well, with a friend of mine who'd be singing. I have no teacher, but I've noticed there are many, many resources on the net. I've found this pdf

Re: Lilypond and Jazz chords

Tim McNamara wrote: On Jul 22, 2009, at 11:12 PM, David Fedoruk wrote: In my discussion with my jazz professional, we looked at complex chords, in fact we deliberately looked for complex ones to find out how they were expressed. We found, quite amazingly that the more complex the chord got

Re: Lilypond and Jazz chords

On Jul 22, 2009, at 11:12 PM, David Fedoruk wrote: In my discussion with my jazz professional, we looked at complex chords, in fact we deliberately looked for complex ones to find out how they were expressed. We found, quite amazingly that the more complex the chord got the more

Re: Lilypond and Jazz chords

In my discussion with my jazz professional, we looked at complex chords, in fact we deliberately looked for complex ones to find out how they were expressed. We found, quite amazingly that the more complex the chord got the more ambiguous its name became. The other thing we noted is that

Re: Lilypond and Jazz chords

Hi: I did, as I mentioned earlier, visit my local music store and looked at their selection of fake books. I found what was the first legally published one in its new format. I was dissa pointed. Although it was as nicely typeset as the New Rea Book from Shur Music, there was no explanation of

Re: Lilypond and Jazz chords

On Jul 15, 2009, at 8:42 PM, David Fedoruk wrote: I did, as I mentioned earlier, visit my local music store and looked at their selection of fake books. I found what was the first legally published one in its new format. I was dissa pointed. That's not very specific. By chance were you

Re: Lilypond and Jazz chords

David Fedoruk wrote: The original BerkLee Real Fake book is no longer available, nor are some of the others. These fake books have to have thousands of clearances to be ablel to put these books together as they are and be able to be legally sold. Ironically, their The Real Book was a

Lilypond and Jazz chords

-- Forwarded message -- From: David Fedoruk david.fedo...@gmail.com Date: Sun, Jul 12, 2009 at 4:25 PM Subject: Re: Lilypond and Jazz chords To: Carl D. Sorensen c_soren...@byu.edu Hello: I've seen a number of people talking about the right way to name chords used in jazz

Re: Lilypond and Jazz chords

Hi, I've seen a number of people talking about the right way to name chords used in jazz. The problem is that there is no one right way currently. I agree. However my jazz musican still had quibbles because he thought that the interval alterations should be in a column right beside the chord

Re: Lilypond and Jazz chords

Carl D. Sorensen wrote: On 6/23/09 5:19 PM, Tim McNamara tim...@bitstream.net wrote: On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote: On 6/23/09 9:16 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote: Tim McNamara wrote: On Jun 15, 2009, at 2:00 PM,

Re: Lilypond and Jazz chords

Tim McNamara wrote: On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote: Wol et al: Let's take the notes C, Eb, F, Ab. Which chord is that? What's the root? You can easily go from the name to the notes, but not the other way round. We *could* parse it from the first note, i.e. in

Re: Lilypond and Jazz chords

On 6/23/09 9:16 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote: Tim McNamara wrote: On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote: Wol et al: Would it be reasonable to separate the functions of putting notes on the staff and chord names above the staff, and let the

Re: Lilypond and Jazz chords

On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote: On 6/23/09 9:16 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote: Tim McNamara wrote: On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote: Wol et al: Would it be reasonable to separate the functions of putting notes on the

Re: Lilypond and Jazz chords

On 6/23/09 5:19 PM, Tim McNamara tim...@bitstream.net wrote: On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote: On 6/23/09 9:16 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote: Tim McNamara wrote: On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote: Wol et al:

Re: Lilypond and Jazz chords

On Jun 23, 2009, at 11:36 PM, Carl D. Sorensen wrote: On 6/23/09 5:19 PM, Tim McNamara tim...@bitstream.net wrote: On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote: On 6/23/09 9:16 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote: Tim McNamara wrote: On Jun 15, 2009, at

Re: Lilypond and Jazz chords

In message c65907ef.9d32%c_soren...@byu.edu, Carl D. Sorensen c_soren...@byu.edu writes But there is a (to me) surprisingly large contingent of users who claim that there is no well-defined connection between chord names and chord notes, and that they want total control over the symbols to be

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