>
> Note that in E31, the rational interval 7/4 is on the augmented 6th, or 25
> E31 tonesteps, whereas the minor 7th is on 26 E31 tonesteps, one E31
> tonestep higher.
>
>
Yes, absolutely! Many people think of the interval 7/4 as a type of 7th
(harmonic, barbershop, etc.) but I strongly believe th
On 30 Oct 2013, at 14:09, Clive So wrote:
>> Note that in E31, the rational interval 7/4 is on the augmented 6th, or 25
>> E31 tonesteps, whereas the minor 7th is on 26 E31 tonesteps, one E31
>> tonestep higher.
>
> Yes, absolutely! Many people think of the interval 7/4 as a type of 7th
> (ha
On 29 Oct 2013, at 23:26, Clive So wrote:
> I haven't actually dreamt of using key signatures in 31TET.
Microtonal key signatures are used in Persian music, which looks nice, cf.
Hormoz Farhat, “The Dastgah system in Persian Music”.
> There isn't a working theory of harmony yet, let alone defi
On 28 Oct 2013, at 21:52, Graham Breed wrote:
I have been studying 31 equal temperament and wish to implement Adriaan
Fokker's notation in Lilypond. I would very much appreciate it if you could
give me some help.
In search for a solution, I found a 2008 thread between yo
On 27 Oct 2013, at 23:07, Han-Wen Nienhuys wrote:
> [+lilypond-user]
>
> You should ask on lilypond-user
>
> On Sun, Oct 27, 2013 at 1:07 AM, Clive So wrote:
>> Dear Han-Wen,
>>
>> I have been studying 31 equal temperament and wish to implement Adriaan
>> Fokker's notation in Lilypond. I woul
On 27 Oct 2013, at 23:07, Han-Wen Nienhuys wrote:
> [+lilypond-user]
>
> You should ask on lilypond-user
>
> On Sun, Oct 27, 2013 at 1:07 AM, Clive So wrote:
>> Dear Han-Wen,
>>
>> I have been studying 31 equal temperament and wish to implement Adriaan
>> Fokker's notation in Lilypond. I wou
[+lilypond-user]
You should ask on lilypond-user
On Sun, Oct 27, 2013 at 1:07 AM, Clive So wrote:
> Dear Han-Wen,
>
> I have been studying 31 equal temperament and wish to implement Adriaan
> Fokker's notation in Lilypond. I would very much appreciate it if you could
> give me some help.
>
> In
