Hey list ... I wanted to thank all of you who responded. Your comments were
very helpful and I've now incorporated all of them. I've completed my first
transcription: J.S. Bach's Art of the Fugue, Contrapunctus I from string
quartet into brass quartet.
_
bb writes:
> Beside that monster "minimal" example it becomes clear that with
> % Global definitions
> global = {
> \time 2/2
> \key d \minor
> s1*78
> \bar "|."
> }
> the key is set global. Global is global, so you get the key of d-minor
> for the whole code. (It is a guess, I cannot ch
Beside that monster "minimal" example it becomes clear that with
% Global definitions
global = {
\time 2/2
\key d \minor
s1*78
\bar "|."
}
the key is set global. Global is global, so you get the key of d-minor
for the whole code. (It is a guess, I cannot check it with that code
fragment.)
http://lilypond.org/tiny-examples.html
Regards
Am 11.11.2017 um 02:51 schrieb Patrick Smith:
> Another first-time LilyPond poster/user here!
>
> I've been using LilyPond for about a week now and I'm really loving it
> already.
>
> I'm a brass player who is using LilyPond to create beautiful
> en
Patrick Smith writes:
> Another first-time LilyPond poster/user here!
>
> I've been using LilyPond for about a week now and I'm really loving it
> already.
>
> I'm a brass player who is using LilyPond to create beautiful engravings for
> brass ensembles. I'm also an engineer who wishes he was bet
Welcome! :-)
I've got most of the basics working however I'm having trouble with the
> transpositions. They aren't working as I expected. I thought the
> transposition function would take care of putting the parts into the right
> key. But, all of the parts have a key signature of d minor (one fla
Another first-time LilyPond poster/user here!
I've been using LilyPond for about a week now and I'm really loving it
already.
I'm a brass player who is using LilyPond to create beautiful engravings for
brass ensembles. I'm also an engineer who wishes he was better at
programming and LilyPond.
An
