lt;d...@gnu.org> wrote:
> >>
> >>> Risto Vääräniemi <risva...@gmail.com> writes:
> >>>
> >>> > Is there a way to start the volta repeat after the time signature
> >>> change?
> >>>
> >>> Something ak
m> writes:
>>>
>>> > Is there a way to start the volta repeat after the time signature
>>> change?
>>>
>>> Something akin to
>>>
>>>
> I experimented a bit because the first solution did not behave well at line
> breaks.
On 20 October 2016 at 22:16, Risto Vääräniemi <risva...@gmail.com> wrote:
>
> On 20 October 2016 at 21:40, David Kastrup <d...@gnu.org> wrote:
>
>> Risto Vääräniemi <risva...@gmail.com> writes:
>>
>> > Is there a way to start the volta repeat aft
On 20 October 2016 at 21:40, David Kastrup <d...@gnu.org> wrote:
> Risto Vääräniemi <risva...@gmail.com> writes:
>
> > Is there a way to start the volta repeat after the time signature change?
>
> Something akin to
>
>
O
Risto Vääräniemi <risva...@gmail.com> writes:
> Hi,
>
> Is there a way to start the volta repeat after the time signature change?
> By default Lilypond puts the time signature after the bar line. The Gould
> book says that it could / should be before the repeat if it affec
Hi,
Is there a way to start the volta repeat after the time signature change?
By default Lilypond puts the time signature after the bar line. The Gould
book says that it could / should be before the repeat if it affects the
whole repeat (no need to "duplicate" it).
-Risto
-
Am 20.09.2016 um 17:28 schrieb Roderick Mackenzie:
I am still trying to print bagpipe tunes with Lilypond, with a repeat
bar at the start of each part. I am almost there; my only problem now
is that the time signature is printed after the first bar line (the
repeat bar line).
How do I get
choice of
where to put measure marks causes measures of different
length. It's usually preferable to let measures have
different lengths; changing the time signature makes
more for busyness than for clarity.
Changing measure lengths is often done to avoid
having notes that span measures. Another
y from. It has a time signature that looks like:
3
2 x -
4
If I may give some counsel here: Make it easy and just use 6/4. There’s no
additional information we gain from the extraordinary 2x3/4, and IIUC using
meters of 6 is very common in transcriptions of such early music.
I
> On Sep 17, 2016, at 1:32 AM, Pierre Perol-Schneider
> wrote:
>
> Hi Kim,
>
> You can adapt: http://lsr.di.unimi.it/LSR/Item?id=725
>
> e.g.:
>
> \version "2.18.2"
>
> \relative c' {
> \override Score.TimeSignature.stencil =
> #(lambda (grob)
>
> On Sep 17, 2016, at 5:42 AM, Simon Albrecht <simon.albre...@mail.de> wrote:
>
> On 17.09.2016 08:08, Kim Shrier wrote:
>> I am re-typsetting a piece from a modern (1950’s) edition
>> of some 14’th century music, in order to make it easier to
>> read and pl
On 17.09.2016 08:08, Kim Shrier wrote:
I am re-typsetting a piece from a modern (1950’s) edition
of some 14’th century music, in order to make it easier to
read and play from. It has a time signature that looks like:
3
2 x -
4
If I may give some counsel here: Make it easy
016-09-17 8:08 GMT+02:00 Kim Shrier <k...@westryn.net>:
> I am re-typsetting a piece from a modern (1950’s) edition
> of some 14’th century music, in order to make it easier to
> read and play from. It has a time signature that looks like:
>
> 3
> 2 x -
> 4
I am re-typsetting a piece from a modern (1950’s) edition
of some 14’th century music, in order to make it easier to
read and play from. It has a time signature that looks like:
3
2 x -
4
Is there some way to do this in lilypond?
It looks like I could write a scheme function to do
be set up between font-size and Y-offset.
>
> There is such a relation: The time signature in the Score context is
> aligned to the top of the Score, in this case it’s the top of the
> treble clef. So one has to offset by 1.75 (approximate height of
> treble clef above the Staff) and two s
Am 11.08.2016 um 09:54 schrieb Urs Liska:
manually editing Y-offset doesn't
seem like a good idea, as I don't have the impression there's an easy
relation that could be set up between font-size and Y-offset.
There is such a relation: The time signature in the Score context is
aligned
I was asked by someone how much effort it is in LilyPond to create a
time signature similar to the one in this post:
http://www.finalemusic.com/blog/new-features-next-version-finale/ but
additionally behaving like a watermark (i.e. grey and in the background).
I came up with the attached proof
Hi,
Am 01.07.2016 um 20:30 schrieb Br. Gabriel-Marie | SSPX:
> Well, so this will get rid of the time-signature,
>
> \override TimeSignature.break-visibility = #all-invisible
I don't know where you put this but I think you need a Staff (or Score)
there because the TimeSignature is in
Well, so this will get rid of the time-signature,
\override TimeSignature.break-visibility = #all-invisible
But I still can't get rid of the three sharps that go with
the clef. This keeps on appearing at the end of the line
and I can't get rid of it. It seems to persist no matter
what
:
During my piece I have a \break which causes the
time-signature to be inserted at the end of that line, but
all my music fits onto one small page, so I don't want
that extra markup.
So how do I suppress the extra time-signature at the end
of the line?
I found this, but it doesn't seem to do
During my piece I have a \break which causes the
time-signature to be inserted at the end of that line, but
all my music fits onto one small page, so I don't want that
extra markup.
So how do I suppress the extra time-signature at the end of
the line?
I found this, but it doesn't seem
2016-06-26 22:01 GMT+02:00 David Kastrup :
> Thomas Morley writes:
>
>> 2016-06-26 19:58 GMT+02:00 Imanuel Habekotte :
>>>
>>> Thanks for trying to help Federico. Does anyone else know a solution
>>> to the problem below?
>>
>>
>>
Thomas Morley writes:
> 2016-06-26 19:58 GMT+02:00 Imanuel Habekotte :
>>
>> Thanks for trying to help Federico. Does anyone else know a solution
>> to the problem below?
>
>
> LilyPond interprets the input successively, repeats are disregarded.
2016-06-26 21:30 GMT+02:00 Thomas Morley :
> 2016-06-26 21:27 GMT+02:00 Thomas Morley :
>> 2016-06-26 19:58 GMT+02:00 Imanuel Habekotte :
>>>
>>> Thanks for trying to help Federico. Does anyone else know a solution to the
2016-06-26 21:27 GMT+02:00 Thomas Morley :
> 2016-06-26 19:58 GMT+02:00 Imanuel Habekotte :
>>
>> Thanks for trying to help Federico. Does anyone else know a solution to the
>> problem below?
>
>
> LilyPond interprets the input successively,
2016-06-26 19:58 GMT+02:00 Imanuel Habekotte :
>
> Thanks for trying to help Federico. Does anyone else know a solution to the
> problem below?
LilyPond interprets the input successively, repeats are disregarded.
So your problem can be reduced to:
{ \time 3/4 R2. \time
Thanks for trying to help Federico. Does anyone else know a solution to
the problem below?
Forwarded message
Subject:Re: Time signature before end of volta repeat
Date: Sun, 26 Jun 2016 18:13:24 +0200
From: Imanuel Habekotte <ima.habeko...@gmail.
\mark \markup {
\musicglyph #"scripts.coda" } }
}
... then I don't see the 4/4 time signature at all, but if I delete
the marked signature (the second \time 3/4), it does show up, though
in the wrong place (it appears after the bar instead of before it).
Kind regards,
Imanuel
Op 26
Il giorno dom 26 giu 2016 alle 9:56, Imanuel Habekotté
<ima.habeko...@gmail.com> ha scritto:
I would like to have a time signature printed before the end bar of a
volta repeat. Here is an example of what I would like to have:
https://html1-f.scribdassets.com/60ssbtzf5s2k8f21/images/2-88fc
> Subject: Re: Removing time signature from end of line
> Hi Alberto,
>
> here's what I would start with:
>
> % -
> \version "2.19.25"
>
> \defineBarLine "|-norepeat" #'("|"
On 05/06/16 11:19, Klaus Blum wrote:
Hi Alberto,
here's what I would start with:
% -
\version "2.19.25"
\defineBarLine "|-norepeat" #'("|" "" "|") % End / Start / Middle of line
\relative c'{
\override
Unfortunately, the two lists use different orders of elements resp. their
meanings...
Cheers,
Klaus
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Hi
I would like to hide the cautionary time signature change from the end
of the staff. I found out that
\set Staff.explicitKeySignatureVisibility = #end-of-line-invisible
works for the key, but I couldn't find the equivalent for the time
signature.
Also, this change is from a Marcia
. Best
> -charles-
>
>
> > Subject: Re: Time signature at end of score.
> > From: rich...@rshann.plus.com
> > To: sunc...@hotmail.com
> > CC: lilypond-user@gnu.org
> > Date: Wed, 25 May 2016 09:44:18 +0100
> >
> > On Wed, 2016-
On Wed, 2016-05-25 at 08:30 +, Charles Suncana wrote:
> global = {
>
> }
>
> violin = \relative c'' { \time 3/4 d4 e f | g f e | d2.\bar "|."
> \global
> % Music follows here.
>
> }
This isn't the idea - you have emptied the \global and still not placed
the music after the comment
e:
violin = ... { \time 3/4 ...
...
\time 3/4
}
so the piece starts with a time signature and ends with one through
the expansion of the global stanza.
Score wizard on my machine produces:
\version "2.18.2"
\language "english"
\header {
title = "Test"
}
t { }
\midi {
\tempo 4=100
}
}
By deleting the time and key signature in the global block I was able to get
rid of the info after the last bar.
Thanks for the prompt help and encouragement. Best -charles-
From: sunc...@hotmail.com
To: lilypond-user@gnu.org
Subject: Time signature at end
Am 24.05.2016 um 00:47 schrieb Charles Suncana:
Hi, I´m a newbie to Lilypond and am using Frescobaldi to help me use it. At the
end of each engraving Frescobaldi puts a courtesy time signature for the next
expected bar. However when the piece is finished AND converted to PDF, the
courtesy
y time
> signature for the next expected bar. However when the piece is
> finished AND converted to PDF, the courtesy time signature is still
> there at the end of the score. Does anyone know how to remove it?
> -charlesross-
I'm sorry but this description doesn't seem to make much sense to m
Hi, Charles!
On Mon, May 23, 2016 at 5:08 PM, Charles Suncana [via Lilypond] <
ml-node+s1069038n190902...@n5.nabble.com> wrote:
> Hi, I´m a newbie to Lilypond and am using Frescobaldi to help me use it.
> At the end of each engraving Frescobaldi puts a courtesy time signature fo
On 19.05.2016 23:54, David Kastrup wrote:
2.19.40 has
[…]
So I have no idea what problem you are seeing here.
The only problem was that I thought these changes had already made it
into v2.19.39, with which version I made the tests. Sorry for the noise,
and thanks again for this new
David Kastrup <d...@gnu.org> writes:
> Simon Albrecht <simon.albre...@mail.de> writes:
>
>> On 19.05.2016 03:23, David Wright wrote:
>>> \layout {
>>>\context {
>>> \Staff
>>> \override StaffSymbol.break-align-symbols = #'
Simon Albrecht <simon.albre...@mail.de> writes:
> On 19.05.2016 03:23, David Wright wrote:
>> \layout {
>>\context {
>> \Staff
>> \override StaffSymbol.break-align-symbols = #'(time-signature
>> key-signature staff-bar break-alignment)
>
Am 19.05.2016 um 22:19 schrieb Simon Albrecht:
On 19.05.2016 03:23, David Wright wrote:
\layout {
\context {
\Staff
\override StaffSymbol.break-align-symbols = #'(time-signature
key-signature staff-bar break-alignment)
}
}
I tried to use the proper LilyPond list syntax here
On 19.05.2016 03:23, David Wright wrote:
\layout {
\context {
\Staff
\override StaffSymbol.break-align-symbols = #'(time-signature
key-signature staff-bar break-alignment)
}
}
I tried to use the proper LilyPond list syntax here:
\override StaffSymbol.break-align-symbols
first I want to alert the reader that the next staff will have a time
> > signature change. Lilypond does this for me perfectly within a score but
> > between two scores it gets problematic. Consider this code:
> >
> > %%% Start code
> > \version "2.19.4
On Wed 18 May 2016 at 08:43:12 (-0700), Knute Snortum wrote:
> My situation is this: I have two \score sections and at the end of the
> first I want to alert the reader that the next staff will have a time
> signature change. Lilypond does this for me perfectly within a score but
>
Well, that seems to work the same as leaving the s16 off. That is, the
staff lines don't extend over the new time signature.
I've attached a PNG where the top time signature is engraved incorrectly
and the bottom time signature is correct.
---
Knute Snortum
(via Gmail)
On Wed, May 18, 2016
Hi Knute,
Using s16*0 solves most of the problem. =)
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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My situation is this: I have two \score sections and at the end of the
first I want to alert the reader that the next staff will have a time
signature change. Lilypond does this for me perfectly within a score but
between two scores it gets problematic. Consider this code:
%%% Start code
Worked like a charm. Thanks!
--
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Am 12.03.2016 um 19:32 schrieb Edward Ardzinski:
I would like the bar number on the second line to be 9, not 5, counting each
bar of 17 as 1 bar of 9 and another of 8...then have 18 on the beginning of
the 3rd line in the pdf
You could use an extra voice for the changing measure lengths
I would like the bar number on the second line to be 9, not 5, counting each
bar of 17 as 1 bar of 9 and another of 8...then have 18 on the beginning of
the 3rd line in the pdf
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2016-03-12 17:36 GMT+01:00 Edward Ardzinski <edward.ardzin...@outlook.com>:
> I'm working on a piece that alternates between 9/8 and 4/4. The compound
> time signature is great. Where in my original piece I had the time changes
> in the fragmentary 2 bar music variables, with th
I'm working on a piece that alternates between 9/8 and 4/4. The compound
time signature is great. Where in my original piece I had the time changes
in the fragmentary 2 bar music variables, with the compound time signature I
removed the time changes and forced a bar line after the 9/8 "me
Hi all,
Does anybody know how to get a double time signature?
If have tried looking for it in the manuala and LSR, but all they provide me
with is a coupound signature.
Gr.
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Hi Christian,
> Does anybody know how to get a double time signature?
> If have tried looking for it in the manuala and LSR, but all they provide me
> with is a coupound signature.
What about simply removing the parentheses from
<http://lsr.di.unimi.it/LSR/Item?id=782>
?
Hope thi
Am 04.12.2015 um 13:42 schrieb Andrew Bernard:
In my option this piece is in 4/2 and I want to set it as such, and I want to
retain the cut c time signature used by the original printer.
\version "2.19.30"
\relative {
\time 2/2
\set Score.measureLength = #(ly:make-moment 4/2)
592)
http://imslp.org/images/c/c9/PMLP426936-merulo_canzoni_tablatura_orgao.pdf
> In my option this piece is in 4/2 and I want to set it as such,
> and I want to retain the cut c time signature used by the original
> printer. That’s not a mensural time signature, so how does one
the cut c time signature used by
the original printer. That’s not a mensural time signature, so how does one do
that in lilypond?
Image attached.
Andrew
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HI Malte,
Thank you. Works just fine. And bar checks in their proper places also work.
Andrew
On 4/12/2015, 23:58, "Malte Meyn"
wrote:
\version "2.19.30"
\relative {
\time 2/2
\set
Hi, Pierre
Thanks so much, it works!!
As I want to use only time signature with dotted note in denominator on the
Libreoffice,
put some comment out, the following pic is what I want.
<http://lilypond.1069038.n5.nabble.com/file/n182915/compound.png>
Sunzunki
--
View this message in c
; Hello LilyPonders,
>
> I'm making music text for school with Lilypond and Libreoffice (OOoLilipond)
>
> could you any solution about time signature?
> I want to change the denominator of time signature, number to note.
> I saw below page and it was worked.
>
> http://
up grob m)))
>
> %%%
>
> \relative c' {
> \override Staff.Flag.stencil = #modern-straight-flag
> \override Staff.TimeSignature.stencil = #format-time-sig-note
> \time 3/8
> \autoBeamOff
> c8 c8 c8
> }
>
>
Hi!
I need a way to modify the double time signature snippet in LSR to
produce something where the numerical part looks like the single-digit
time signature style: something lice
C 3 with both mensural sign and number centered around the central noteline.
Yours
Andreas Stenberg
ps. Would
Andreas,
On 9/23/2015 10:28 AM, Andreas Stenberg [via Lilypond] wrote:
> Hi!
>
> I need a way to modify the double time signature snippet in LSR to
> produce something where the numerical part looks like the single-digit
> time signature style: something lice
> C 3 with
On 23.09.2015 18:28, Andreas Stenberg wrote:
Hi!
I need a way to modify the double time signature snippet in LSR
Which one?
It’s hard to help without a starting point…
Yours, Simon
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Simon Albrecht skrev 23-09-2015 21:29:
On 23.09.2015 18:28, Andreas Stenberg wrote:
Hi!
I need a way to modify the double time signature snippet in LSR
Which one?
It’s hard to help without a starting point…
Yours, Simon
Hups!
Sorry did forget to include this.
#(define ((double-time
? frac) (cdr frac) 4))
I copied these lines from the snippet but I don’t know any case where
defaulting to 4/4 would be necessary; 'fraction exists even if there is
no explicite time signature. (So
;;
(num (car frac))
(den (cdr frac))
;;
should suffice.)
#:override
Am 16.09.2015 um 05:02 schrieb Kieren MacMillan:
Have a look at this LSR snippet: http://lsr.di.unimi.it/LSR/Item?id=642
Yes! That one suffices — and is more elegant — if you don’t need “strange note
values” (like dotted notes) in your denominator(s).
And if you do, you can change the
On Tue, Sep 15, 2015 at 7:12 PM, ViniWolfling
wrote:
> Hi everybody,
>
> Anybody know how to put a note instead of a number in the denominator? Or at
> least /if/ it can be done? For example:
>
>
Hi,
> Have a look at this LSR snippet: http://lsr.di.unimi.it/LSR/Item?id=642
Yes! That one suffices — and is more elegant — if you don’t need “strange note
values” (like dotted notes) in your denominator(s).
Cheers,
Kieren.
Kieren MacMillan, composer
‣
Hello folks,
Is there a way to obtain the following, i.e 3/4 = 9/8, from Jacques Ibert’s «
Deux mouvements »?
Thanks!
JM
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On 2015-07-10 11:47, Menu Jacques wrote:
Hello folks,
Is there a way to obtain the following, i.e 3/4 = 9/8, from Jacques
Ibert’s « Deux mouvements »?
Thanks!
JM
Take a look at this
https://github.com/openlilylib/openlilylib/tree/master/notation-snippets/interchangeable-metres.
Hello Peter,
Great, thanks!
JM
Le 10 juil. 2015 à 12:11, Peter Bjuhr peterbj...@gmail.com a écrit :
On 2015-07-10 11:47, Menu Jacques wrote:
Hello folks,
Is there a way to obtain the following, i.e 3/4 = 9/8, from Jacques Ibert’s
« Deux mouvements »?
Pièce jointe.png
Thanks!
You need the magic of: http://lsr.di.unimi.it/LSR/Snippet?id=782 - Good Luck!
Alex Jones-2 wrote
Does anyone have a suggestion for a good way to accomplish this in
lilypond?
time signature with a second time signature in parentheses?
Screen Shot 2015-05-23 at 5.41.47 PM.png (14K)
lt;http
maybe this helps?
http://lsr.di.unimi.it/LSR/Item?id=782
ole
Am 23.05.2015 um 23:44 schrieb Alex Jones akjonesjeff...@gmail.com:
Does anyone have a suggestion for a good way to accomplish this in lilypond?
time signature with a second time signature in parentheses?
Thanks in advance
Thank you, this works!
It does look a little clunky.
I saw this, which gets the parentheses but doesn’t include the first
non-parenthesized item. Can these two items be combined?
http://www.lilypond.org/doc/v2.19/Documentation/snippets/staff-notation#staff-notation-time-signature
))
#:vcenter ) )
I saw this, which gets the parentheses but doesn’t include the first
non-parenthesized item. Can these two items be combined?
http://www.lilypond.org/doc/v2.19/Documentation/snippets/staff-notation#staff-notation-time-signature-in-parentheses-_002d-method-3
This worked like a charm, thanks to everyone!
-akj
On May 23, 2015, at 7:05 PM, David Nalesnik david.nales...@gmail.com wrote:
#(define ((time-parenthesized-time up down upp downp) grob)
(ly:stencil-combine-at-edge
(grob-interpret-markup grob
(markup #:override '(baseline-skip
Alex,
On Sat, May 23, 2015 at 6:08 PM, Alex Jones akjonesjeff...@gmail.com
wrote:
This worked like a charm, thanks to everyone!
Great!
Thought of something. Why specify the numbers of the time signature in
effect? Not that it saves much time, but you could do this for a slightly
shorter
Hi lilyponders,
On the score I’m engraving there is repetitively measure of 2 and 3 fourths
(like \repeat unfold 10 {\time 2/4 s2 \time 3/4 s2.})
I’d like to have one time signature 2/4+3/4, but with bar lines every 2 and
3 fourths. Using \compoundMeter #'((2 4) (3 4)), bars come only every 7
above produces:
http://lilypond.1069038.n5.nabble.com/file/n172947/03.png
Any help is very much appreciated.
Best,
Gilberto
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Works perfectly well. Thank you so much, Pierre, I really appreciate your
help!
Best,
Gilberto
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I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
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--
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A man who has a better
=
(#:column (upp downp)))
On 03/04/2015 05:25 PM, Dave Higgins wrote:
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
Creditor, n
Hi,
I'm typesetting Renaissance music and I'm trying to show a mensural time
signature followed by a proportion, i.e. cut 'tempus perfectum' 3/2, as here
appears on page 2:
http://javanese.imslp.info/files/imglnks/usimg/1/11/IMSLP78902-PMLP43368
Hi Francesco,
See: http://lsr.di.unimi.it/LSR/Item?id=725
It would go:
\version 2.18.2
#(define ((double-time-signature glyph a b) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 2.5) #:number
(#:line ((markup (#:fontsize 4 #:musicglyph
Perfect! Thanks a lot!
Messaggio originale
Da: pierre.schneider.pa...@gmail.com
Data: 21/02/2015 16.52
A: Francesco Spigafras...@libero.it
Cc: lilypond-userlilypond-user@gnu.org
Ogg: Re: Mensural time signature + proportion
Hi Francesco,
See: http://lsr.di.unimi.it/LSR/Item?id=725
!
-Abraham
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I'd like to extract the current numerator and denominator of the time
signature at any point in time. How can I do this in scheme? A robust
solution (i.e., one that can handle compound time signatures) is always
preferred, but I can settle for normal time signatures with a single
numerator
2015-01-22 2:09 GMT+01:00 tisimst tisimst.lilyp...@gmail.com:
I'd like to extract the current numerator and denominator of the time
signature at any point in time. How can I do this in scheme? A robust
solution (i.e., one that can handle compound time signatures) is always
preferred, but I can
-Original Message-
I want to write a piece with a alla-breve time signature but with four half
notes in a measure (4/2).
Is it better to overwrite the time signature stencil and use \time 4/2 or do
it like this:
\version 2.18.2
\relative c'' \scaleDurations 1/2 {
\time 2/2
Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Friday, October 10, 2014 3:46 AM
To: Mark Stephen Mrotek; lilypond-user
Subject: Re: Time signature differs from measure length
-Original Message-
I want to write a piece with a alla-breve time signature but with four
half
Am 10.10.2014 um 12:45 schrieb Noeck:
-Original Message-
I want to write a piece with a alla-breve time signature but with four half
notes in a measure (4/2).
Is it better to overwrite the time signature stencil and use \time 4/2 or do it
like this:
\version 2.18.2
\relative c
Stephen Mrotek; lilypond-user
Subject: Re: Time signature differs from measure length
Am 10.10.2014 um 12:45 schrieb Noeck:
-Original Message-
I want to write a piece with a alla-breve time signature but with
four half notes in a measure (4/2).
Is it better to overwrite the time
a matter of interpretation if
modern editors choose to insert barlines every 2/2 or 4/2. And the 19th
and 20th centuries often continue to refer to ancient music also in
rhythmic concerns, so today there are both meanings, and you won’t be
able to determine one measure’s duration from the cut c time
I stand corrected.
Mark
-Original Message-
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Friday, October 10, 2014 1:23 PM
To: Mark Stephen Mrotek; 'lilypond-user'
Subject: Re: Time signature differs from measure length
Am 10.10.2014 um 21:53 schrieb Mark Stephen Mrotek
Hi Simon,
\time 2/2
\set Timing.measure-length = #(ly:make-moment 4 2)
thanks for this code. I like this solution best. To be precise it is
measureLength instead of measure-length:
\version 2.18.2
{
\time 2/2
\set Timing.measureLength = #(ly:make-moment 4 2)
b2 b b b
}
And thanks for
4:14 PM
To: lilypond-user
Subject: Time signature differs from measure length
Hi,
I want to write a piece with a alla-breve time signature but with four half
notes in a measure (4/2).
Is it better to overwrite the time signature stencil and use \time 4/2 (if
yes, how?) or do it like
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