> On 29 Apr 2019, at 22:20, Martin Tarenskeen wrote:
>
> On Mon, 29 Apr 2019, Hans Åberg wrote:
>
>> One can write
>> \time #’(2 2 2 3) 9/4
>
> Thanks. I'm working on a piece right now where I can use that.
The slow 9/4 is common in Greek rebetiko, the meter coming from Turkey. In some
of
Martin Tarenskeen writes:
> On Mon, 29 Apr 2019, Hans Åberg wrote:
>
>> One can write
>> \time #’(2 2 2 3) 9/4
>
> Thanks. I'm working on a piece right now where I can use that.
On 2.19.83 you should be able to write \time 2,2,2,3 9/4 instead,
slightly more readable. And not susceptible to
On Mon, 29 Apr 2019, Hans Åberg wrote:
One can write
\time #’(2 2 2 3) 9/4
Thanks. I'm working on a piece right now where I can use that.
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> On 29 Apr 2019, at 18:51, Martin Tarenskeen wrote:
>
> On Mon, 29 Apr 2019, Hans Åberg wrote:
>
>>> I have a piece of music where measures have 4/4 time and 5/4 and it looks
>>> like this:
>>>
>>> {
>>> \time 4/4
>>> c4 c c c
>>> \time 5/4
>>> c c c c c
>>> \time 4/4
>>> c c c c
>>> \time
On Mon, 29 Apr 2019, Hans Åberg wrote:
I have a piece of music where measures have 4/4 time and 5/4 and it looks
like this:
{
\time 4/4
c4 c c c
\time 5/4
c c c c c
\time 4/4
c c c c
\time 5/4
c c c c c
}
and the pattern goes on like that to the very end of piece.
If it is regular
> On 28 Apr 2019, at 23:06, Robert Kubosz wrote:
>
> I have a piece of music where measures have 4/4 time and 5/4 and it looks
> like this:
>
> {
> \time 4/4
> c4 c c c
> \time 5/4
> c c c c c
> \time 4/4
> c c c c
> \time 5/4
> c c c c c
> }
> and the pattern goes on like that to the
Thanks Rick, your idea is closest to what I wanted. Definetely I will
adapt this in my scores! :-)
Brian, Kieren -- thank you for your responses.
On 29.04.2019 16:17, Rick Kimpel wrote:
> >I have a piece of music where measures have 4/4 time and 5/4
>
> Robert,
> Do you intend to print the
Am 28.04.19 um 23:06 schrieb Robert Kubosz:
Hello Lilyponders!
I have a piece of music where measures have 4/4 time and 5/4 and it looks
like this:
{
\time 4/4
c4 c c c
\time 5/4
c c c c c
\time 4/4
c c c c
\time 5/4
c c c c c
}
and the pattern goes on like that to
On 2019-04-28 2:06 pm, Robert Kubosz wrote:
Hello Lilyponders!
I have a piece of music where measures have 4/4 time and 5/4 and it
looks
like this:
{
\time 4/4
c4 c c c
\time 5/4
c c c c c
\time 4/4
c c c c
\time 5/4
c c c c c
}
and the pattern goes on like that to the very
Hi Robert,
> I have a question: can I declare the alternating time signature on the
> beginning of piece once so I don't have to declare it for every measure?
http://lsr.di.unimi.it/LSR/Item?id=782
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website:
Hello Lilyponders!
I have a piece of music where measures have 4/4 time and 5/4 and it looks
like this:
{
\time 4/4
c4 c c c
\time 5/4
c c c c c
\time 4/4
c c c c
\time 5/4
c c c c c
}
and the pattern goes on like that to the very end of piece.
I have a question: can I declare
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf
--
Creditor, n.:
A man who has a better
Found it:
#(define ((time-equals-time up down upp downp) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:column (up down))
#:vcenter =
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