On 11.07.2018 10:05, Menu Jacques wrote:
The cross staff chord can actually be obtained with the code below, in
which the upper part of the last two chords has been moved to the
first staff ‘by hand' and rests set up accordingly,
The two actual voices are still independent from each other and
On 11.07.2018 10:05, Menu Jacques wrote:
Is one among the three scores above clearly preferable for a keyboard
player?
And what if moving notes to the first staff conflicts with other music
already present there?
Cross-staff chords are very rarely used in keyboard music and are
definitely
Hello Rutger,
Fine, your solution is cleaner than the one I had come to.
I’ll make good use of that.
Thanks, and a nice day!
JM
> Le 11 juil. 2018 à 09:35, Rutger Hofman a écrit :
>
> Hi Jacques,
>
> if you follow the instructions on cross-staff stems, you will arrive at
> something like
Hi Jacques,
if you follow the instructions on cross-staff stems, you will arrive at
something like this:
\version "2.19.0"
\score {
\new PianoStaff \with {
\consists #Span_stem_engraver
} <<
\new Staff = RH <<
{
\clef treble
Menu Jacques,
Trying to compile your code.
Not successful for the moment.
Shall try later tonight.
Mark
From: Menu Jacques [mailto:imj-...@bluewin.ch]
Sent: Tuesday, July 10, 2018 2:17 PM
To: Mark Stephen Mrotek
Cc: Menu Jacques ; Lilypond-User Mailing List
Subject: Re: Chord
On 10.07.2018 23:16, Menu Jacques wrote:
But in the image from Finale 2014, all pitched notes occur in the
second staff, and I tried to achieve the same.
What do you mean? They are cross-staff chords, so some of the note heads
are on the upper staff.
LilyPond doesn’t currently have any notion
Hello Mark,
That’s the example I was mentioning.
But in the image from Finale 2014, all pitched notes occur in the second staff,
and I tried to achieve the same.
JM
> Le 10 juil. 2018 à 21:59, Mark Stephen Mrotek a écrit :
>
> Menu Jackues
>
> Perhaps this can direct you
>
