Re: Multi Measure Rests in Tab Staff

Am Mo., 12. Aug. 2024 um 13:32 Uhr schrieb Richard Shann : > > If I have Multi Measure Rests in a Tab score empty bars result. > I've tried including the Multi_measure_rest_engraver but to no avail: > > 8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8>< > \version "2.24" > music = { > \compressEmp

Re: TupletBrackets edge thickness

Am Mo., 12. Aug. 2024 um 13:44 Uhr schrieb Karim Haddad : > Sorry to bother you again with this. Your solution works like a charm. > However, apparently in the case of a reduced magstep of a Staff it ceases to > work. Any idea? > I am joining the example here PTAL Cheers, Harm \version "2.24

Re: TupletBrackets edge thickness

Am Mo., 12. Aug. 2024 um 12:53 Uhr schrieb haddad : > Although this is not an imortant feature, ie just esthetic and not that > standard, it would be great to have implemented the controls of these > edges in the tupletbracket properties. You could open an issue as feature-request at GitLab ;) ht

Re: TupletBrackets edge thickness

box, more precisely: by a polygon with the correct slope at least on the connecting side. Sigh. Re-posting the source nevertheless, since in my first attempt I forgot that TupletBrackets can point upwards or downwards. \version "2.24.0" #(define (list-add! lst k x) (list-set! lst

Re: TupletBrackets edge thickness

ox-formed line tips): > > > > So we should probably replace the edge line by a box, more precisely: by a > > polygon with the correct slope at least on the connecting side. Sigh. > > > > Re-posting the source nevertheless, since in my first attempt I forgot >

Re: Dynamics in Lyrics?

Peter Chubb writes: >> "David" == David Kastrup writes: > > David> if you want a > David> context to engrave dynamics, it needs the respective engravers. > > Thanks David, >This all kind-of-works. It'll probably do for my immediate >needs; but the output is a bit ugly. I'l

Re: Issues with Embedding Long LilyPond Scores in LaTeX

[Please always use 'Reply to all' so that the mailing list stays in the thread.] > It did happen in my case. The issue occurred while embedding a > lengthy LilyPond score within a LaTeX document. Despite expecting > the score to be broken into systems and spaced by LaTeX, it was > rendered as a s

Re: Dynamics in Lyrics?

> "David" == David Kastrup writes: David> if you want a David> context to engrave dynamics, it needs the respective engravers. Thanks David, This all kind-of-works. It'll probably do for my immediate needs; but the output is a bit ugly. I'll have to have a think about

Re: TupletBrackets edge thickness

ine by a box, more precisely: by a > polygon with the correct slope at least on the connecting side. Sigh. > > Re-posting the source nevertheless, since in my first attempt I forgot > that TupletBrackets can point upwards or downwards. > > \version "2.24.0"

Re: Dynamics in Lyrics?

This is perfect, but I'll add something else to keep in mind: you can use "\markup \dynamic f" to add dynamics in markup. Thanks, -William On 8/11/24 04:20, David Kastrup wrote: Peter Chubb writes: Hi Folks, Is there a simple way to add dynamic markings to lyrics? In a multi-verse

Re: Issues with Embedding Long LilyPond Scores in LaTeX

Am 11.08.24 um 07:46 schrieb Werner LEMBERG: I’ve encountered an issue when embedding a long LilyPond file into a LaTeX document. [...] Example, please, that demonstrates the problem in a repeatable way, together with instructions how you are generating the final output. My goal is to inclu

Re: Dynamics in Lyrics?

Peter Chubb writes: > Hi Folks, >Is there a simple way to add dynamic markings to lyrics? In a >multi-verse song, the dynamics can be different verse to verse. > >I'd like to do something like this: > > \score { > << > \new Staff \context Voice = tune {\repeat volta 2 { c c c c

Re: Issues with Embedding Long LilyPond Scores in LaTeX

> I’ve encountered an issue when embedding a long LilyPond file into a > LaTeX document. [...] Example, please, that demonstrates the problem in a repeatable way, together with instructions how you are generating the final output. > My goal is to include a lengthy musical score within the text,

Re: Song with repeat and partial

On 10/08/2024 11:01, Valentin Petzel wrote: I was hoping there was a neat trick that did not involve stubs. But if that is the "traditional" way of doing things I mean, what du you want to see in the end? This sort of notation is very common in vocal music. I know it is common, that w

Re: TupletBrackets edge thickness

, LilyPond's rounded line tips become a problem (actually, the problem wouldn't be just as serious with box-formed line tips): So we should probably replace the edge line by a box, more precisely: by a polygon with the correct slope at least on the connecting side. Sigh. Re-posting

Re: TupletBrackets edge thickness

Dear Lukas-Fabian, Works like a charm. Thank you for this hack. Thanx a lot all of you. Best K On Sat, Aug 10, 2024 at 02:17:07PM +0200, Lukas-Fabian Moser wrote: > Hi Kieren, hi Karim, > > Am 09.08.24 um 16:40 schrieb Kieren MacMillan: > > > Just trying to find out how to manage the thickness

Re: TupletBrackets edge thickness

Hi Lukas, > Well, trying to teach how to fish :-) Greatly appreciated! Elbow-deep in database programming right now, but will look at this in more detail ASAP. > Left to do: We probably also should modify the extents of the resulting > stencil to avoid collisions... If the thickness of the ed

Re: TupletBrackets edge thickness

Thank you Lukas-Fabian for all this precious info. Will test this for sure. Best regards Karim On Sat, Aug 10, 2024 at 02:17:07PM +0200, Lukas-Fabian Moser wrote: > Hi Kieren, hi Karim, > > Am 09.08.24 um 16:40 schrieb Kieren MacMillan: > > > Just trying to find out how to manage the thickness

Re: TupletBrackets edge thickness

Thak you Kieren, Will look into that. Best K On Fri, Aug 09, 2024 at 10:40:59AM -0400, Kieren MacMillan wrote: > Hi Karim, > > > Just trying to find out how to manage the thickness of the edges of > > tupletbrackets and if this is possible (cf. screenshot). In the > > documentation we can adju

Re: TupletBrackets edge thickness

Hi Kieren, hi Karim, Am 09.08.24 um 16:40 schrieb Kieren MacMillan: Just trying to find out how to manage the thickness of the edges of tupletbrackets and if this is possible (cf. screenshot). In the documentation we can adjust the thickness of the whole bracket but not just the edges. Any id

Re: Song with repeat and partial

> I was hoping there was a neat trick that did not involve stubs. But if > that is the "traditional" way of doing things I mean, what du you want to see in the end? This sort of notation is very common in vocal music. signature.asc Description: This is a digitally signed message part.

Re: TupletBrackets edge thickness

Hi Karim, > Just trying to find out how to manage the thickness of the edges of > tupletbrackets and if this is possible (cf. screenshot). In the documentation > we can adjust the thickness of the whole bracket but not just the edges. Any > idea? I would imagine that either TupletBracket.edge-

Re: Clarification on Commercial Use of Fonts Embedded in LilyPond-Generated PDFs

Dear Peter, C059 (the text font) is released under OFL, Emmentaler (the lilypond font) under SIL open license (which means OFL, I think), and Nimbus Sans is a default Linux font and is also free for commercial use (someone can correct me if I'm wrong about any of this).[1] So you're good. Th

Re: Song with repeat and partial

On 09/08/2024 09:54, Valentin Petzel wrote: I have a song with an intro, several stanzas, and a refrain. Each stanza starts on the last beat of the measure.See the attached MWE. Is there a neat way of avoiding having a repeat bar in the middle of a measure while preserving the stanza numbers

Re: Song with repeat and partial

> I have a song with an intro, several stanzas, and a refrain. Each stanza > starts on the last beat of the measure.See the attached MWE. > > Is there a neat way of avoiding having a repeat bar in the middle of a > measure while preserving the stanza numbers is their proper places? I’m a bit con

Re: Song with repeat and partial

On 09/08/2024 04:48, David Wright wrote: On Wed 07 Aug 2024 at 14:43:32 (+0100), Raphael Mankin wrote: Is there a neat way of avoiding having a repeat bar in the middle of a measure while preserving the stanza numbers is their proper places? I wasn't aware that the stanza

Re: Song with repeat and partial

On Wed 07 Aug 2024 at 14:43:32 (+0100), Raphael Mankin wrote: > Is there a neat way of avoiding having a repeat bar in the middle > of a measure while preserving the stanza numbers is their proper  > places? I wasn't aware that the stanza numbers could become detached from their pr

Re: Clarification on the GNU Free Documentation License (GFDL) Applicability

Hello Peter, > ### My Concerns > > 1. **Scope of Source Code Disclosure**: >- According to the GFDL, if I use LilyPond and LaTeX to write a book and > sell it on Amazon, am I required to disclose the entire LaTeX source code > of the book, or just the parts that include LilyPond code? For ins

Re: Clarification on the GNU Free Documentation License (GFDL) Applicability

Please don’t restart this 1000 times discussed nonsense. The result of your typesetting, if you take the PDF or a print, doesn’t contain source code of the used program. Your work is not subject of the program’s license. EOT Hraban

Re: Chords above staff

easier to modify and maintain as you go forward. If you haven’t already, I suggest [re-]reading the Learning and Notation manuals — they’re very good (IMO) at getting you started on the right foot. Hope this helps! Kieren. %%% SNIPPET BEGINS \version "2.24.2" global = { %% Intro

Re: Simile/Percent Repeat + Volta with Alternative

Hello Lukas, the reason is that you are removing the time signature, but not the \after 4*5 before that. \after is a function that takes 3 arguments: The last one is the actual music, the middle one is what you want to put there delayed and the first one is by how much you want to delay it. So

Re: Chords above staff

Hello Walt, the reason is that by default contexts will be ordered in order of creation. So your intro creates the Staff, and then your first Verse will create first a ChordNames and then a Lyrics context. You can use the alignAboveContext context property to change this default ordering: \ve

Re: Sharing my LilyPond "system"

I'm a rank -- very rank ;-) -- amateur when it comes to reading music, music theory, and LilyPond. In fact, I may be somewhat dyslexic given the troubles I've had with various types of printed information -- musical or otherwise. So, my main use for LilyPond has been s-l-o-w-l-y, painfully, transc

Re: Sharing my LilyPond "system"

I, too, have my own collection of Lilypond work, and after a while it was getting to be a pain to keep track of what needed updating where, and finally gave up and created a Github repository for it all, and now, it is the definitive copy of stuff. Lilypond is, after all, source code, and what bet

Re: Time signature at the end of measure before jump to coda

This is what i came up with \version "2.24.4" \relative c'' { f \tweak extra-offset #'(0 . -2) \rightHandFinger \markup{ \parenthesize{ \fontsize #4 \compound-meter #'(6 8) } } } It's hacky but it works. On Sun, Aug 4, 2024 at 1:43 AM Vlado Ilić wrote: > Thanks, > While it does sh

Re: Simile/Percent Repeat + Volta with Alternative

Valentin, my friend, thank you so much. If I may trouble you again, I've encountered a problem while trying to use your method. I've applied it to a 5/4 two bar theme (similar to the case I presented before); however, by removing the "superfluous" time signatures the engraving breaks. I'm trying to

Re: OpenLilyLib include-pattern, instrument header, and \include layout { }

Hi Pond-mates! >> to get the behavior of \header { instrument = "whatever" }, >> as seen with \bookpart, > > What's available for changing the "instrument" header mid-piece, > without using \bookpart at all? %%% SNIPPET BEGINS \version "2.25.11" \paper { scoreTitleMarkup = \markup \fromprope

Re: OpenLilyLib include-pattern, instrument header, and \include layout { }

On Tue, Aug 6, 2024 at 10:21 PM Karlin High wrote: > to get the behavior of \header { instrument = "whatever" }, > as seen with \bookpart, Another idea: What's available for changing the "instrument" header mid-piece, without using \bookpart at all? -- Karlin High Missouri, USA

Re: Fingering brackets

Luca Fascione wrote: I'm looking for a way to make a "fingering bracket": this would be a vertical bracket on the left or right of a few simultaneous notes, to indicate they are all to be fingered with the same finger. Things to note: - I can't use the arpeggio mark, because it's not uncommon

Re: Multiple fingering and glides

Am Donnerstag, 1. August 2024, 22:36:40 MESZ schrieb Fennel: > Hi all, > > I'm working on a project that involves multiple fingerings for each note, > and shift lines or glides between some notes. Since lilypond will only > engrave glides between notes with the same fingering, I'm using finger 5 t

Re: Simile/Percent Repeat + Volta with Alternative

Am Mittwoch, 7. August 2024, 06:53:02 MESZ schrieb Lucas Cavalcanti: > Hello. I'm migrating from Guitar Pro to Lilypond and I'm trying to > replicate something that I've always done in my scores and lead sheets: > [image: image.png] > I'm having a bit of a pickle while trying to recreate this score

Re: Multiple fingering and glides

Am Di., 6. Aug. 2024 um 05:14 Uhr schrieb Fennel : > > Multiple fingerings are being used because I'm working on a heavily annotated > edition of a work that suggests multiple sets of fingerings for a single > passage. To summarize, alternative fingerings, right? > I'm currently choosing to eng

Re: multiple pluck fingering on single note?

>> >> this is a question addressed mainly to guitar players: Is it >> >> possible to have more than a single pluck fingering attached to >> >> a note (for tremolo or similar things)? I've looked around a >> >> bit but couldn't find an answer... > > Another case came to my mind: trills executed

Re: multiple pluck fingering on single note?

Am Di., 6. Aug. 2024 um 14:38 Uhr schrieb Werner LEMBERG : > > > >> this is a question addressed mainly to guitar players: Is it > >> possible to have more than a single pluck fingering attached to a > >> note (for tremolo or similar things)? I've looked around a bit but > >> couldn't find an answ

Re: Fingering brackets

Here you go: https://gitlab.com/lilypond/lilypond/-/issues/6736 Thanks again Werner L On Tue, Aug 6, 2024 at 10:01 PM Luca Fascione wrote: > Ok cool, thanks Werner. > I'll make a ticket > > L > > On Tue, Aug 6, 2024 at 6:38 PM Werner LEMBERG wrote: > >> >> >> > I'm looking for a way to make a

Re: Fingering brackets

Ok cool, thanks Werner. I'll make a ticket L On Tue, Aug 6, 2024 at 6:38 PM Werner LEMBERG wrote: > > >> > I'm looking for a way to make a "fingering bracket": [...] > >> > >> Please file an issue, > > > > Is this not something I can code myself in Scheme? > > I don't know (Harm can certainly m

Re: Fingering brackets

>> > I'm looking for a way to make a "fingering bracket": [...] >> >> Please file an issue, > > Is this not something I can code myself in Scheme? I don't know (Harm can certainly make a better educated guess than me), but my gut feeling says that it is a hard problem, especially to get the hori

Re: Fingering brackets

On Tue, Aug 6, 2024 at 5:47 PM Werner LEMBERG wrote: > > > I'm looking for a way to make a "fingering bracket": [...] > > Please file an issue, > Sure! Is this not something I can code myself in Scheme? L -- Luca Fascione

Re: Fingering brackets

> I'm looking for a way to make a "fingering bracket": [...] Please file an issue, which essentially contains your e-mail text together with the images. Werner

Re: multiple pluck fingering on single note?

>> this is a question addressed mainly to guitar players: Is it >> possible to have more than a single pluck fingering attached to a >> note (for tremolo or similar things)? I've looked around a bit but >> couldn't find an answer... > > For chords very often, for single notes mainly for educati

Re: multiple pluck fingering on single note?

Am Di., 6. Aug. 2024 um 13:49 Uhr schrieb Werner LEMBERG : > > > Folks, > > > this is a question addressed mainly to guitar players: Is it possible > to have more than a single pluck fingering attached to a note (for > tremolo or similar things)? I've looked around a bit but couldn't > find an ans

Re: Alternative small note in brackets?

11:08 pm Kieren MacMillan, wrote: > Hi Alasdair, > > > It looks like the sort of thing that would be best incorporated in a > function, called something like, say "bracketise", which can then be easily > called in the score as " \bracketise b' ". I'll go

Re: Multiple fingering and glides

Multiple fingerings are being used because I'm working on a heavily annotated edition of a work that suggests multiple sets of fingerings for a single passage. I'm currently choosing to engrave harmonic symbols (the flageolets) as fingering objects as well because I need them to behave like fing

Re: \with-url relative link?

Jean, As always, thanks very much for the help and the quick reply! best, LT On Mon, Aug 5, 2024 at 12:44 PM Jean Abou Samra wrote: > Le lundi 05 août 2024 à 11:18 -0700, l t a écrit : > > Hi, > > Wondering if it is possible to have lilypond produce a working relative > url > > link on a pdf, wh

Re: \with-url relative link?

Le lundi 05 août 2024 à 11:18 -0700, l t a écrit : > Hi, > Wondering if it is possible to have lilypond produce a working relative url > link on a pdf, where, if I had a file in the same directory as the outputted > PDF, I could do something like this: > \markup  { \with-url  #"test.mid" } > or > \

Re: Alternative small note in brackets?

Hi Alasdair, > It looks like the sort of thing that would be best incorporated in a > function, called something like, say "bracketise", which can then be easily > called in the score as " \bracketise b' ". I'll go back through my scores to > see if I

Re: Alternative small note in brackets?

in the score as " \bracketise b' ". I'll go back through my scores to see if I can re-teach myself how to write, and use, a function. Thanks again! Cheers, Alasdair On Mon, 5 Aug 2024 at 09:38, Valentin Petzel wrote: > How about this: > > \new Staff << &

Re: Alternative small note in brackets?

How about this: \new Staff << {b,} \new CueVoice { \shiftOff\stemUp \override Parentheses.font-size = #2 \override Parentheses.stencils = #(lambda (grob) (list (grob-interpret-markup grob (markup #:vcenter #:center-align #:bold "[")) (grob-interpret-markup

Re: Vertically align objects of same class?

Am Sonntag, 21. Juli 2024, 08:12:07 MESZ schrieb Fennel: > Valentino, > > Your function seems to not work for polyphonic passages as in the example > below. Is there a fix for the function, would using \voiceOne and \voiceTwo > explicitly for this polyphonic context make a difference? > Hello Fe

Re: Alternative small note in brackets?

On Sun, Aug 4, 2024 at 7:33 AM Alasdair McAndrew wrote: > Hello, > > I have a situation where the main note is below the stave, and an > alternative note is provided, an octave higher, which is in the stave. > This alternative note has a small note head which is in (square) brackets, > and its st

Re: Time signature at the end of measure before jump to coda

Thanks, While it does show what i want, problem is that next measures (g4 in this example) also takes 6/8 time. Example \version "2.24.4" music = \fixed c' { f1 \repeat segno 2 { g1 \alternative { \volta 1 { \repeat unfold 4 { a2 } \break \key f \major \time 6/

Re: OneStaff + Lyrics problem

On Sat 03 Aug 2024 at 19:46:57 (-0300), Lucas Cavalcanti wrote: > Hello. I'm transcribing a piece and I have come to need to use the > "OneStaff" feature: I need to switch between multiple types of staff > between this song. However, I'm facing a problem while inputting lyrics: > the lyrics are ali

Re: Time signature at the end of measure before jump to coda

On Sat, 3 Aug 2024 at 17:17, Vlado Ilić wrote: > > So i need something like in the first picture, on coda i have different time signature than the one before the jump so i need to mark time change just before the jump. Also related, in the second image i need to mark time and key change before jum

Re: "oom pah" and chord line

Le mer. 31 juil. 2024 à 18:18, Gilles Sadowski a écrit : > > Hello. > > A common accompaniment motive is "oom pah": > https://en.wikipedia.org/wiki/Oom-pah > > An excerpt of a LilyPond-generated score is attached. > I get this PDF output by encoding separately the "oom" ("bassoon" line) > and th

Re: Multiple fingering and glides

Am Fr., 2. Aug. 2024 um 05:42 Uhr schrieb Werner LEMBERG : > > > > I'm working on a project that involves multiple fingerings for each > > note, and shift lines or glides between some notes. [...] > > Hopefully Harm has some time to help here since he is the original > author of the fingering glid

Re: Multiple fingering and glides

> I'm working on a project that involves multiple fingerings for each > note, and shift lines or glides between some notes. [...] Hopefully Harm has some time to help here since he is the original author of the fingering glide code, IIRC. > 1. The \once text override is applying to the entire

Re: Spontini and page numbers

This is a LilyPond bug, not a Spontini issue. Which LilyPond version are you currently using? Did you try other versions as well? In any case, if changing LilyPond doesn't solve the issue I can show you alternative ways to print page numbers, but I will be home with my PC available on Monday, so pl

Re: Where can I see if there are answers.

> Op 1 aug. 2024 om 06:21 heeft Zlobinsky Michael het > volgende geschreven: >  > Hi Peter, > > thanks for your friendly support. > So the problem is still there. A programmer should have a look at the (I > guess) PHP- and MySQL-code. > > The links should lead to the head of each thread. My

Aw: Re: Aw: Re: Where can I see if there are answers.

Hi Peter,thanks for your friendly support.So the problem is still there. A programmer should have a look at the (I guess) PHP- and MySQL-code. The links should lead to the head of each thread. My e-mail answer is not the only one with a broken link. I didn't found any link in an e-mail that w

Re: Where can I see if there are answers.

On this list many (most?) people include in their reply the address of the person they're responding to, as well as the list address. On Tue 30 Jul 2024 at 06:31:30 (+0200), Zlobinsky Michael wrote: > I see links like following in the e-mails. > [ … ] I was asking your question over eight years a

Re: Key cancellation moving key signatures rightwards

> I have a situation with a lot of transposing instruments and some > key changes. I have disabled key cancellations, but of course they > are necessary if the new key has no sharps or flats. When naturals > are required, they push key signatures to the right, even though the > two will never ap

Re: creating mixtures

Dear David, when I do \multitranspose c << e g c >> {c4 d e f g1 } I get test.ly:4:53: warning: this Voice needs a \voiceXx or \shiftXx setting Maybee, it has to do, that I have version 2.22.2 It works with \multitranspose c {c' d' e' f' g'1} { } but all notes have the same duration. Am D

Re: creating mixtures

Stefan Thomas writes: > With your help, I was able to create a function that can generate sequences > of a motif in a simple way: > >> multitranspose = >> #(define-music-function (initton seq motiv ) (ly:pitch? ly:music? >> ly:music? ) >> (music-clone seq 'elements >>(map (lambda (p) #{

Re: Aw: Re: Where can I see if there are answers.

I think that link is broken; but it wuldn't contain any answers to a question anyway. Your last question is at https://lists.gnu.org/archive/html/lilypond-user/2024-07/msg00171.html If you go to the bottom of the page for an email that has answers, youll see a 'next in thread' button. Your email

Aw: Re: Where can I see if there are answers.

Great! 👍🏻 I don't expect that this could be the Problem.Thanks!Greetings from Germany Mjchael --Gesendet mit der GMX Mail AppAm 30.07.24, 08:54 schrieb Peter Chubb : > "Zlobinsky" == Zlobinsky Michael writes: Zlobinsky> I see links like following in the e-mails. Zlobinsky> <

Aw: Re: Where can I see if there are answers.

I don't have to https://lists.gnu.org/archive/html/lilypond-user/attachments/20240730/84a0adde/attachment.htmThat's the actual link.--Gesendet mit der GMX Mail AppAm 30.07.24, 08:54 schrieb Peter Chubb : > "Zlobinsky" == Zlobinsky Michael writes: Zlobinsky> I see links like foll

Re: Where can I see if there are answers.

> "Zlobinsky" == Zlobinsky Michael writes: Zlobinsky> I see links like following in the e-mails. Zlobinsky> ; Strip off the > at the end of the URL --- looks like something in your mail reader is changing >

Re: Graphical markup between objects?

Hi all, Fixed the fork objects such that they correctly render the apex of the fork halfway on the part of the two fingerings. Check it out! -Fennel On Tuesday, June 25th, 2024 at 12:34 PM, Fennel wrote: > Thanks. As far as the "fork" style is concerned, Aaron, your example is > great! Learn

Re: Engravers, fingerings and acknowledgments

On Tue, Jul 30, 2024 at 5:57 AM David Kastrup wrote: > Lukas-Fabian Moser writes: > > > You're using append! wrong. > > So try > > > > (set! fl (append fl ...)) > > (append! '() ...) > > cannot modify an empty list in-place because there is only one empty > list in the whole system and it is an

Re: Engravers, fingerings and acknowledgments

Lukas-Fabian Moser writes: > Hi Luca, > > without having tested your code: You're using append! wrong. > > From the Guile documentation: "append! is permitted, but not required, to > modify the given lists to form its return." > So the exclamation mark does not imply that your list gets modified

Re: Engravers, fingerings and acknowledgments

Hi Luca, without having tested your code: You're using append! wrong. >From the Guile documentation: "append! is permitted, but not required, to modify the given lists to form its return." So the exclamation mark does not imply that your list gets modified in-place, but rather that you don't care

Re: Suggestions for the lilypond-user archive search

search, then most of the emails there (and in Re: X) will also > match, filling up the screen. > > (2) The upper limit for a search term should probably be increased. We > have faster computers now, and there are more emails in the archive, > the second of which results in more hits

Re: Vertically align objects of same class?

On Fri, 26 Jul 2024 at 02:11, Fennel wrote: > > Setting staff-affinity = #DOWN should mean that the brackets appear above the staff instead of below, right? Hello, staff-affinity is used for spacing purposes. Use alignAboveContext, as explained in NR 5.1.7 Context layout order https://lilypond.o

Re: Transforming lilypond input

Aha. I _also_ removed the use of m-chordify and now it all works as you said. Great, slur problem solved. And thanks again -- Luca Fascione

Re: Transforming lilypond input

(as a test I also added \remove New_fingering_engraver and all the fingering went away, do it is doing something) On Sat, Jul 27, 2024 at 4:06 PM Luca Fascione wrote: > > > On Sat, Jul 27, 2024 at 1:31 PM David Kastrup wrote: > >> Have you tried my other suggestion of just removing it so that i

Re: Transforming lilypond input

On Sat, Jul 27, 2024 at 1:31 PM David Kastrup wrote: > Have you tried my other suggestion of just removing it so that its work > is taken over by the New_fingering_engraver which is what you want? > I tried both this \layout { \context { \Voice \remove Fingering_engraver \consists

Re: Is there a clever way to reverse a score?

Hi all, >> It does indeed! My musical vocabulary is lacking. I had no idea what to call >> "reversing the score". Thanks, Kieren! >> (And I see "inversion" on the same page, which I may fool around with as >> well, once I get the full grasp of how it "flips things upside-down".) > > "Retrograde

Re: Is there a clever way to reverse a score?

On 27/07/2024 11:56, Kevin Cole wrote: On Sat, Jul 27, 2024 at 6:25 AM Kieren MacMillan mailto:kie...@kierenmacmillan.info>> wrote: Hi Kevin, > As I experiment, I've thought about playing my wee and few compositions backwards. I'm wondering if someone's already come up w

Re: Transforming lilypond input

Luca Fascione writes: > Well... touché. Your talking about right hand fingering (-p) confused me :-) > How do I dig myself out of this? > I don't want to make poor use of your time here, I'd just need some > pointers, > and maybe I'll be back with questions. I

Re: Transforming lilypond input

Luca Fascione writes: > Well... touché. Your talking about right hand fingering (-p) confused > me :-) That was actually a typo for -\p so it is likely my own fault. -- David Kastrup

Re: Is there a clever way to reverse a score?

On Sat, Jul 27, 2024 at 6:25 AM Kieren MacMillan < kie...@kierenmacmillan.info> wrote: > Hi Kevin, > > > As I experiment, I've thought about playing my wee and few compositions > backwards. I'm wondering if someone's already come up with a relatively > simple way to reverse the order of the notes

Re: Transforming lilypond input

Well... touché. Your talking about right hand fingering (-p) confused me :-) How do I dig myself out of this? I don't want to make poor use of your time here, I'd just need some pointers, and maybe I'll be back with questions. Thanks L On Sat, Jul 27, 2024 at 12:45 PM David Kastrup wrote: > Luc

Re: Transforming lilypond input

Luca Fascione writes: > Hi David, I just tried out your suggestion, and it works quite well. > One issue I found is that it moves slurs from "above the beam" to "at > the notehead" (in fact, it seems to me the slur is actually "at the > fingering") Which is exactly the issue I predicted you'd wa

Re: Is there a clever way to reverse a score?

Hi Kevin, > As I experiment, I've thought about playing my wee and few compositions > backwards. I'm wondering if someone's already come up with a relatively > simple way to reverse the order of the notes in a score. https://lilypond.org/doc/v2.24/Documentation/notation/changing-multiple-pitche

Re: Vertically align objects of same class?

Any ideas as to why the staff-affinity option is being ignored here? \layout { \context { \Dynamics \consists Horizontal_bracket_engraver \override HorizontalBracket.direction = #UP \consists Note_heads_engraver \consists Rhythmic_column_engraver

Re: Transforming lilypond input

Actually no, I won't want to ask that, I don't think :-) You see, right hand fingering at the top/bottom, away from the note head is just fine. And so is string number, for that matter. A big part of the reason is that they are substantially more sparse than left hand fingerings are, and being sp

Re: Transforming lilypond input

Luca Fascione writes: > Ok, so. I tested this eventChords idea, and it seems to behave as if this > a-4 > was entered as this > -4 > but unfortunately I actually need this > > how can I achieve that? Uh, yes. How about #(define (my-chordify music) (map-some-music (lambda (m) (i

Re: Transforming lilypond input

Ok, so. I tested this eventChords idea, and it seems to behave as if this a-4 was entered as this -4 but unfortunately I actually need this how can I achieve that? Thanks a lot David, Luca On Wed, Jul 24, 2024 at 10:19 PM Luca Fascione wrote: > Thus might do it yes. > Does even chords transfor

Re: Transforming lilypond input

Thus might do it yes. Does even chords transform single notes into chords, does nothing to chords and leaves untouched everything else? (Key changes, time markings changes, all that stuff) Thanks David! L On Wed, 24 Jul 2024, 21:01 David Kastrup, wrote: > Luca Fascione writes: > > > Hi, > > a

Re: Transforming lilypond input

Luca Fascione writes: > Hi, > as some of you might remember, I mostly use lilypond to engrave music for > classical guitar. And I am after a fairly specific way to engrave the > fingering indications in particular. > > Cutting off a long story, one of the consequences of what I want is that I > h

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