Keith OHara wrote
Torsten Hämmerle
torsten.haemmerle at
web.de writes:
I've attached a zip file containing the current (albeit unfinished)
versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily include.
The main obstacle is the rigid way Lilypond
Am 23.07.2014 23:08, schrieb tisimst:
BTW, I've tried contacting Torsten again to see if he has a licensing
preference for LilyJAZZ and LilyJAZZText (OFL, GPL, or whatever). Waiting to
hear back now, though based on others' comments, he may be out of reach
since last year.
Yes, that seems to
Torsten Hämmerle torsten.haemmerle at web.de writes:
I've attached a zip file containing the current (albeit unfinished)
versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily include.
The main obstacle is the rigid way Lilypond handles its (her, his?)
On 14 March 2013 11:36, Torsten Hämmerle torsten.haemme...@web.de wrote:
Hello all,
I've just noticed the my last mail didn't get through to the list for some
reason. Well, here it is again in a second attempt:
In the first place: I've attached a zip file containing the current (albeit
Le jeudi 14/03/13 à 11h36,
Torsten Hämmerle torsten.haemme...@web.de a écrit :
here it is again in a second attempt:In the first place: I've
attached a zip file containing the current (albeit unfinished)
versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily
There are a couple of peculiar side effects. I find that using this turns off
the bar count engraver and it also defeats \improvisationOn resulting in
regular notes instead of parallelogram note heads. The easy workaround is to
use \jazzOff before \improvisationOn. The appearance of the
Henning Hraban Ramm hra...@fiee.net writes:
No, the look of a font isn’t copyrighted, but the name is sometimes a
trademark - that’s why a lot of lookalikes exist whose names point to
the original, like Zurich or Swiss for Helvetica.
Am 2013-03-16 um 00:29 schrieb Martin Tarenskeen:
Am 2013-03-15 um 10:06 schrieb TaoCG:
This is all very interesting, I'd love to have a jazz style font in
LilyPond,
though I don't particularly like the Sigler Jazz font. I much prefer their
Swing font.
I was still wondering if there
Henning Hraban Ramm hra...@fiee.net writes:
But some even use (more or less) the same metrics, like URW Nimbus
Sans [...]
Using the same metrics is on purpose, so the font can be used as a
free drop-in replacement for the original but copyrighted font.
-- Johan
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more difficult to read in certain lighting conditions (I
assume you are a jazz musician as well and know what I mean ...).
Especially for
Am 2013-03-15 um 10:06 schrieb TaoCG:
This is all very interesting, I'd love to have a jazz style font in LilyPond,
though I don't particularly like the Sigler Jazz font. I much prefer their
Swing font.
I was still wondering if there won't be any license issues if the font is
redrawn
On Mar 15, 2013, at 4:52 AM, Robert Schmaus robert.schm...@web.de wrote:
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more difficult to read in certain lighting conditions (I
Am 15.03.2013 16:38, schrieb Tim McNamara:
On Mar 15, 2013, at 4:52 AM, Robert Schmaus robert.schm...@web.de wrote:
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more difficult to
Hi all,
On 2013-Mar-15, at 11:42, Urs Liska li...@ursliska.de wrote:
AFAIK the only way (except creating a pango-font-ree) is to redefine
booktitlemarkup and/or scoretitlemarkup from scratch to be able to access the
font settings for these items (as \markups)
Um… doesn't everyone do this
Am 15.03.2013 16:49, schrieb Kieren MacMillan:
Hi all,
On 2013-Mar-15, at 11:42, Urs Liska li...@ursliska.de wrote:
AFAIK the only way (except creating a pango-font-ree) is to redefine
booktitlemarkup and/or scoretitlemarkup from scratch to be able to access the
font settings for these items
On Mar 15, 2013, at 10:38 AM, Tim McNamara wrote:
On Mar 15, 2013, at 4:52 AM, Robert Schmaus robert.schm...@web.de wrote:
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more
On Fri, 15 Mar 2013, Henning Hraban Ramm wrote:
Am 2013-03-15 um 10:06 schrieb TaoCG:
This is all very interesting, I'd love to have a jazz style font in LilyPond,
though I don't particularly like the Sigler Jazz font. I much prefer their
Swing font.
I was still wondering if there won't be
Torsten Hämmerle torsten.haemme...@web.de writes:
So finally: what have I done and why? The main obstacle is the rigid
way Lilypond handles its (her, his?) internal music font. I
deliberately decided to stick to an ordinary OTF/TTF font first to
learn how to use external fonts (who knows
Hi Torsten,
thank you very much for your work. This is great!
While I probably won't use it ever for myself, I find that an extremely
useful addition to LilyPond, and I hope you will get enough assistance
to get it into LilyPond's default distribution.
Best
Urs
Am 14.03.2013 11:36,
In the first place: I've attached a zip file containing the current
(albeit unfinished) versions of the LilyJAZZ music and LilyJAZZ Text
font plus the corresponding LilyJAZZ.ily include.
Very impressive!
The main obstacle is the rigid way Lilypond handles its (her, his?)
internal music
2013/3/14 David Kastrup d...@gnu.org:
We currently have three music fonts of more than marginal interest:
LilyPond's own Feta (?), ...
Emmentaler. Of which Feta and Parmesan are subsets.
But Parmesan is only for ancient, and Feta includes braces and
everything, so I guess we can keep calling
Hi Werner, What do you mean with rigid?
Some things related to Feta/Emmentaler access are still being handled deep inside non-public scheme coding or even C source code and consequently very hard to tweak.Amongst the most stubborn stencils are multi measure rests where the glyph names are
Torsten Hämmerle torsten.haemme...@web.de writes:
I'm just happy that in the meantime some main actors as David or
even Jan seem to acknowledge the fact that Lilypond would certainly
benefit from being able to produce jazz output.
It's not just Jazz. This is pretty much par for the course
Gesendet:Donnerstag, 14. Mrz 2013 um 11:53 Uhr
Von:David Kastrup d...@gnu.org
I think what we want to arrive at is a way to drop in music fonts into
LilyPond in a tolerable workable way. I think that we cant avoid at
first the necessity of having the font, if not its glyphs, at least
[please use plain text for your e-mails]
What do you mean with `rigid'?
Some things related to Feta/Emmentaler access are still being
handled deep inside non-public scheme coding or even C source code
and consequently very hard to tweak.
Please open bug reports about those issues. The
Hi Torsten,
On Thu, Mar 14, 2013 at 11:36 AM, Torsten Hämmerle
torsten.haemme...@web.de wrote:
I've attached a zip file containing the current (albeit
unfinished) versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily include.
As an example to demonstrate
Gesendet:Donnerstag, 14. Mrz 2013 um 14:59 Uhr
Von:David Kastrup d...@gnu.orgIts not just Jazz. This is pretty much par for the course for
Barbershop and quite a few other forms of vocal harmony.
Interestingly, not for pop music. I also dont think it is used much
for piano or other
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi Torsten,
On Thu, Mar 14, 2013 at 11:36 AM, Torsten Hämmerle
torsten.haemme...@web.de wrote:
I've attached a zip file containing the current (albeit
unfinished) versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding
Am 14.03.2013 15:38, schrieb David Kastrup:
Note spacing, beaming (!), system brackets and a few other things give
it away. The beaming is probably the worst offender regarding style
consistency.
Would it be possible to use Bezier curves instead of straight lines for
the beams? Some slight
On Thu, Mar 14, 2013 at 2:59 PM, David Kastrup d...@gnu.org wrote:
Torsten Hämmerle torsten.haemme...@web.de writes:
I'm just happy that in the meantime some main actors as David or
even Jan seem to acknowledge the fact that Lilypond would certainly
benefit from being able to produce jazz
On Mar 14, 2013, at 5:36 AM, Torsten Hämmerle wrote:
BUT: Even if all this may be quite an ambitious task, I just started off to
see what's possible and how Lilypond behaves in a jazz context. Fortunately,
the results look quite encouraging. :)
This is very intriguing as a jazz player and
On 7 March 2013 21:52, Thomas Morley thomasmorle...@googlemail.com wrote:
Earlier this day I informed the Author of it in the DLF (the german
LilyPond-Forum).
He answered already, reporting having made a lot of improvements and
posting a new image.
Though, no code, perhaps he will post the
Hello all,my name is Torsten (Be-3) and I happen to be the author of this little Lilypond Jazz excursion. ;)And yes, of course I will publish the coding here, albeit not finished, but I shortly before pressing the send button I got a nice blue screen (thank you, windows!) and had to start over
Am 07.03.2013 00:45, schrieb Thomas Morley:
2013/3/6 Shane Brandes sh...@grayskies.net:
there was a jazz font patch somewhile ago.
http://lists.gnu.org/archive/html/lilypond-user/2010-12/msg00290.html
There is some currently unfinished work in the german forum.
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 00:45, schrieb Thomas Morley:
2013/3/6 Shane Brandes sh...@grayskies.net:
there was a jazz font patch somewhile ago.
http://lists.gnu.org/archive/html/lilypond-user/2010-12/msg00290.html
There is some currently unfinished work in the german
Wow, very impressive!
I hate to admit it,
Hehe :-)
but it looks like a game changer of strategic importance to me.
I hope that this extension will find its way into the official
lilypond releases...
What needs to be done for this?
A good question. Do you have a contact e-mail
It looks very good.
On Thu, Mar 7, 2013 at 10:39 AM, David Kastrup d...@gnu.org wrote:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 00:45, schrieb Thomas Morley:
2013/3/6 Shane Brandes sh...@grayskies.net:
there was a jazz font patch somewhile ago.
David Kastrup writes:
Wow, very impressive!
I hate to admit it, but it looks like a game changer of strategic
importance to me. People tend to pick LilyPond to get the best
typesetting.
Yes. Wow.
What needs to be done for this?
I put quite some effort in supporting Gonville as an
Jan Nieuwenhuizen writes:
I put quite some effort in supporting Gonville as an external
font, as at the time it took 5+ hours to build it and we did
not want to ship a font binary-only.
Which is very much appreciated. As a user on Linux I do indeed change
between feta and gonville, easy
Am 07.03.2013 10:44, schrieb Werner LEMBERG:
Wow, very impressive!
I hate to admit it,
Hehe :-)
but it looks like a game changer of strategic importance to me.
I hope that this extension will find its way into the official
lilypond releases...
What needs to be done for this?
I don't know,
2013/3/7 Marc Hohl m...@hohlart.de:
Am 07.03.2013 10:44, schrieb Werner LEMBERG:
Wow, very impressive!
I hate to admit it,
Hehe :-)
but it looks like a game changer of strategic importance to me.
I hope that this extension will find its way into the official
lilypond releases...
What
there was a jazz font patch somewhile ago.
http://lists.gnu.org/archive/html/lilypond-user/2010-12/msg00290.html
Shane
On Wed, Mar 6, 2013 at 1:33 PM, Tim Roberts t...@probo.com wrote:
I had it in my brain that Lilypond had a simple switch to enable the
pseudo-handwritten font and engraving
On Wed, Mar 6, 2013 at 7:33 PM, Tim Roberts t...@probo.com wrote:
I had it in my brain that Lilypond had a simple switch to enable the
pseudo-handwritten font and engraving style that one often sees in jazz and
stage band music, but after a lengthy search last night, I now wonder if I
was
On Wed, Mar 6, 2013 at 10:33 AM, Tim Roberts t...@probo.com wrote:
I had it in my brain that Lilypond had a simple switch to enable the
pseudo-handwritten font and engraving style that one often sees in jazz and
stage band music, but after a lengthy search last night, I now wonder if
I was
2013/3/6 Shane Brandes sh...@grayskies.net:
there was a jazz font patch somewhile ago.
http://lists.gnu.org/archive/html/lilypond-user/2010-12/msg00290.html
There is some currently unfinished work in the german forum.
http://www.lilypondforum.de/index.php?topic=1218.0
But you need an account
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