Hi Lucas,
I would like to thank you again. The NullVoice advice has been most
valable. In the meantime I have written a couple of other songs, where
NullVoice spared me much work.
This advice is highly appreciated.
Thanks again.
Best Bernhard
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
On Sun, May 23, 2021 at 8:00 AM Lukas-Fabian Moser wrote:
>
> Hi Bernhard,
>
> > What I did not find was NullVoice. Even while it can be found by google,
> > the term does not seem to appear in the German documentation for unknown
> > reasons.
>
> The German documentation is lagging behind a bit.
Hi Bernhard,
What I did not find was NullVoice. Even while it can be found by google,
the term does not seem to appear in the German documentation for unknown
reasons.
The German documentation is lagging behind a bit. Of course everybody
(me, you, ...) would be invited to help improve them, b
Le 23/05/2021 à 16:49, Bernhard Kleine a écrit :
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
\version "2.21.1"
\language "deutsch"
<<
\new Staff \with { \clef bass }
<<
\new Voice = bassMain \relative {
\time 3/4
fis( h,) e
r a a,8 r
r4 a' a,8 r
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
> \version "2.21.1"
> \language "deutsch"
>
> <<
> \new Staff \with { \clef bass }
> <<
> \new Voice = bassMain \relative {
> \time 3/4
> fis( h,) e
> r a a,8 r
> r4 a' a,8 r
> }
> \new NullVoice = bassAlter
Hi Bernhard,
Am 23.05.21 um 10:40 schrieb Bernhard Kleine:
I have another problem with the score I presented lately:
There is a different start for stanza 2 as shown in the attachment. I
donot know how to code this. The MWE is attached, too.
Actually, that is not a MWE (_minimal_ working exam
I solved it to some degree as you can see in the attachment. When the
"1. Mädel" und "gib acht" are horizontly aligned this problem would be
solved. My knowledge of Liliypond is not deep enough to do so.
Any help welcome. Maybe there are other solutions, but with "rest, skip"
in google I come alwa
