On Wed, 14 Jan 2015 09:36:52 -0700 (MST)
tisimst tisimst.lilyp...@gmail.com wrote:
Johan Vromans wrote
It works for many structure-related items but unfortunately not for
repeats.
Sure it does!
Thanks for your response. It clearly indicates that LP does, indeed, *not*
process volta
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discussion below:
http://lilypond.1069038.n5.nabble.com/Demo-Score-and-parts-template-tp170276p170503.html
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On Thu, 15 Jan 2015 06:55:21 -0700 (MST)
tisimst tisimst.lilyp...@gmail.com wrote:
Should the LP engine, upon encountering a \repeat volta section,
automatically, under the covers, force that repeat structure upon the
other simultaneous staves/voices, which do NOT contain that same
when you know you'll be re-using the parts like
this demo is supposed to show how to do.
Just my thoughts on the matter,
Abraham
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Johan Vromans jvromans at squirrel.nl writes:
In fact, this is separation of content and structure. It works for many
structure-related items but unfortunately not for repeats.
For example, in the following snippet the score looks right, but in the
midi the repeats are not unfolded. Do you
On Sat, 10 Jan 2015 11:12:26 +0800
James Harkins jamshar...@qq.com wrote:
% Just the notes -- no need to copy anything from global
In fact, this is separation of content and structure. It works for many
structure-related items but unfortunately not for repeats.
For example, in the following
- Original Message -
From: James Harkins jamshar...@qq.com
To: lilypond-user@gnu.org; m...@philholmes.net
Sent: Sunday, January 11, 2015 6:37 AM
Subject: Re: Score and parts template
From: Phil Holmes
Since the question came up about organizing LilyPond code for score and
parts, I
On January 11, 2015 8:06:55 PM Phil Holmes m...@philholmes.net wrote:
So I assume the clarinet in A (which I'd missed) has a lower range than the Bb?
Clarinets in Bb and A have the same written range, extending down to the E
below middle C. This note sounds as concert D on the Bb clarinet,
- Original Message -
From: James Harkins jamshar...@qq.com
To: Phil Holmes m...@philholmes.net; lilypond-user@gnu.org
Sent: Sunday, January 11, 2015 12:18 PM
Subject: Re: Score and parts template
On January 11, 2015 8:06:55 PM Phil Holmes m...@philholmes.net wrote:
So I assume
to the individual score headers? And shouldn't they be in their
own PDFs? I guess they don't HAVE to, but I feel like that is also the
norm for most music.
-Abraham
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Phil Holmes mail at philholmes.net writes:
I believe that, as a tutorial template, it would be more useful to
illustrate how to accommodate key signature indications with transposing
instruments, since this remains the norm for most music.
Ah, OK -- that makes perfect sense. It sounded at
- Original Message -
From: James Harkins jamshar...@qq.com
To: lily-users lilypond-user@gnu.org
Sent: Saturday, January 10, 2015 3:12 AM
Subject: Demo: Score and parts template
Hi,
Since the question came up about organizing LilyPond code for score and
parts, I thought I would make
On Fri, Jan 9, 2015 at 10:12 PM, James Harkins jamshar...@qq.com wrote:
Hi,
Since the question came up about organizing LilyPond code for score and
parts, I thought I would make a quick demo of what I believe to be the
standard way to do it. Somehow I pieced these ideas together from LP code
From: Phil Holmes
Since the question came up about organizing LilyPond code for score and
parts, I thought I would make a quick demo of what I believe to be the
standard way to do it. Somehow I pieced these ideas together from LP code
that I found online (Mozart Horn Concerto, as I
Hi,
Since the question came up about organizing LilyPond code for score and parts,
I thought I would make a quick demo of what I believe to be the standard way to
do it. Somehow I pieced these ideas together from LP code that I found online
(Mozart Horn Concerto, as I recall), but I don't
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