Hi Ed,
what else do you think could be stopping it from hiding?
I think RhythmicStaff, by default, does not have \RemoveEmptyStaves — maybe try
\new RhythmicStaff \with { \RemoveEmptyStaves }
and see if that works for you.
Hope this helps!
Kieren.
The only problem is I'm now left with a part (the one that contained all the
\time information) that refuses to auto hide when it just contains whole bar
rests. All the other parts are hiding fine, just not this one. I've removed
all the \time tags so what else do you think could be stopping
2013/9/13 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Ed,
what else do you think could be stopping it from hiding?
I think RhythmicStaff, by default, does not have \RemoveEmptyStaves — maybe
try
\new RhythmicStaff \with { \RemoveEmptyStaves }
and see if that works for you.
Ahh it's so simple when you know the answer! Thanks guys :)
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150764.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user
this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150759.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond
Dear Keiren, I think I understand much better what pushToTag does.
What I would like to know:
Who can I get Bar-Rests instead of spacer-rests for the length of intro
verse and bridge?
2013/9/10 Kieren MacMillan kieren_macmil...@sympatico.ca
Hi David,
Thanks! That does the trick.
Below is
Hi Stefan,
What I would like to know:
Who can I get Bar-Rests instead of spacer-rests for the length of intro verse
and bridge?
This sounds like a job for a music function (applied on the global variable)!
=)
Hope this helps!
Kieren.
___
spacers in \topfoot ?
James thanks for your clarification of the Lilypond philosophy, makes sense
and I wish I'd thought about it 400 bars ago! :(
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150631.html
Sent from the User mailing list archive
Hi Ed,
From this code, I can't even tell what you're trying to accomplish.
Can you send a picture of what you want?
Thanks,
Kieren.
On 2013-Sep-11, at 09:34, EdBeesley edplaysdr...@gmail.com wrote:
toptreb = {
c
}
topfoot = { \clef percussion \stemUp \autoBeamOn \override
Sorry Kieren I was trying to condense a lot of code. Hopefully this shows
what I'm trying to do...
http://lilypond.1069038.n5.nabble.com/file/n150633/example.jpg
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150633.html
Sent from
Hi Ed,
Hopefully this shows what I'm trying to do...
Well, here's my snippet using tags:
\language english
global = {
\time 5/16
\set Timing.beatStructure = #'(5)
s16*5
\time 6/16
\tag #'test s16*6
}
toptreb = \relative c' {
c4. |
}
topfoot = {
\clef percussion
\stemUp
Ahhh I see how it works now. Once I send the part back for proofing I'll have
time to rewrite the structure a bit more sensibly.
Thanks again for all your help :)
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150638.html
Sent from
spacers or rests up to
where you want to start putting in notes, but this will take forever with a
piece like this.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577.html
Sent from the User mailing list archive at Nabble.com
Hi Ed,
I'm writing a frenched score which has large gaps between the reappearance
of some staves. The piece is stuffed full of time signature changes, so I'm
hoping to find a way to skip input by a specified number of bars, or to a
specific bar. The only method I know is by inserting spacers
Dear Ed,
I have often similar problems like You.
My solution is not ideal, but I hope, it helps You a bit:
\version 2.16.2
globalA = {
\time 4/4 s1
}
globalB = {
\time 3/4 s2.
\time 4/4 s1
\time 5/4 s4*5
}
globalC = {
\time 4/4 s1
}
global = {
\globalA
\globalB
\globalC
}
firstStaff
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi all,
What Kieren mentioned is new to me too and I would be curious see, how one
can use these commands in a context You've mentioned.
The idea is as seen in the snippet, below, where certain music is added at
the coda, using tags.
David Kastrup d...@gnu.org writes:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi all,
What Kieren mentioned is new to me too and I would be curious see,
how one can use these commands in a context You've mentioned.
The idea is as seen in the snippet, below, where certain music
?
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150590.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org
Hi all,
What Kieren mentioned is new to me too and I would be curious see, how one
can use these commands in a context You've mentioned.
The idea is as seen in the snippet, below, where certain music is added at the
coda, using tags.
Unfortunately, it doesn't seem to work.
David K: What do I
Hi David,
Thanks! That does the trick.
Below is the snippet as I was envisioning it. I believe it satisfies the OP
request:
I'm writing a frenched score which has large gaps between the reappearance
of some staves. The piece is stuffed full of time signature changes, so I'm
hoping to find a
written all
the time changes into the first staff as I put the notes in.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150605.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond
Dear Ed,
You would *once* type out the full time signature sequence in a variable.
You could use then the $(mmrest-of-length variable)-construct in as many
voices You need.
What Kieren mentioned is new to me too and I would be curious see, how one
can use these commands in a context You've
Hi Ed,
can I ask what the \global tag is doing in your snippet? It seems
to me like it's laying out a map of the time signature change in a piece. Is
this the recommended way to go about this? Up till now I've just written all
the time changes into the first staff as I put the notes in.
I
Thanks yes it does help, although I can't see why you'd add the \global
section after the \codaMusic ?
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Skip-to-Specific-Bar-tp150577p150614.html
Sent from the User mailing list archive at Nabble.com
Hi Ed,
I can't see why you'd add the \global section after the \codaMusic ?
\pushToTag takes two parameters: the music you're trying to push (in this case,
the notes that appear in the second staff right at the coda), and the music
which contains the target tag (in this case, the \global
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
can I ask what the \global tag is doing in your snippet? It seems
to me like it's laying out a map of the time signature change in a piece.
Is
this the recommended way to go about this? Up till now I've just written
all
the time
26 matches
Mail list logo
