Good morning list,
ties in \voiceTwo etc are attached to the notehead. Slurs are attached
to the end of the stem. See attached example.
I would prefer the ties to behave like the slurs, i.e. attached to the
end of the stem. How can I achieve that?
BTW, I wouldn't be surprised if this is
Rutger Hofman rut...@cs.vu.nl writes:
Good morning list,
ties in \voiceTwo etc are attached to the notehead. Slurs are attached
to the end of the stem. See attached example.
I would prefer the ties to behave like the slurs, i.e. attached to the
end of the stem. How can I achieve that?
Am 01.09.2013 10:12, schrieb Rutger Hofman:
Good morning list,
ties in \voiceTwo etc are attached to the notehead. Slurs are attached
to the end of the stem. See attached example.
I would prefer the ties to behave like the slurs, i.e. attached to the
end of the stem. How can I achieve that?
Please keep replies on the list.
Rutger Hofman rut...@cs.vu.nl writes:
On 09/01/2013 10:21 AM, David Kastrup wrote:
Given the nature of ties, ties in parallel with beams are not very
frequent.
The example you give does not seem like something where one would
ordinarily employ ties.
As David points out the original example is uncommon both regarding ties
and slurs. I like to add another example which represent a more common
use of ties.
As you can see from the ly-file I first use a tie, then a slur, then a
double dot.
I think that you could get away with the second as
- Original Message -
From: Peter Bjuhr peterbj...@gmail.com
To: lilypond-user@gnu.org
Sent: Sunday, September 01, 2013 11:00 AM
Subject: Re: Tie placement in voiceTwo
As David points out the original example is uncommon both regarding ties
and slurs. I like to add another example
(sorry for not including the conversation, but this from my Android phone.)
OK, a slur it must be.
But, although the notation a8( a8) may be uncommon nowadays, it is quite common
in baroque music. Most recently, I met it in BWV 146 mvt 2, all over the place.
It also occurs elsewhere with 3 or 4
Rutger Hofman rhn...@vu.nl writes:
(sorry for not including the conversation, but this from my Android phone.)
OK, a slur it must be.
But, although the notation a8( a8) may be uncommon nowadays, it is
quite common in baroque music. Most recently, I met it in BWV 146 mvt
2, all over the
On Sep 1, 2013 6:01 AM, Peter Bjuhr peterbj...@gmail.com wrote:
As David points out the original example is uncommon both regarding ties
and slurs. I like to add another example which represent a more common use
of ties.
As you can see from the ly-file I first use a tie, then a slur, then a
On 09/01/2013 04:16 PM, David Kastrup wrote:
Rutger Hofman rhn...@vu.nl writes:
(sorry for not including the conversation, but this from my Android phone.)
OK, a slur it must be.
But, although the notation a8( a8) may be uncommon nowadays, it is
quite common in baroque music. Most recently, I
system didn't catch on.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Tie-placement-in-voiceTwo-tp150033p150074.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https
://lilypond.1069038.n5.nabble.com/Tie-placement-in-voiceTwo-tp150033p150074.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
12 matches
Mail list logo
