On Sat, Dec 28, 2013 at 3:22 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Best, I suppose, would be to have a calculated default with a manual override
option. =)
Hi Kieren,
I’m a bit late but:
I did use LilyPond for long and complex scores (operas tend to be a
LOT less complex
Valentin Villenave valen...@villenave.net writes:
- Trust not only the program but the community. I can’t count the
hundreds of times where I got stuck, angstily asked a crucial question
and got my life-defining answer WITHIN MINUTES. Every roadblock I
encountered evidently wasn’t _that_ much
Le 27/12/2013 03:54, Kieren MacMillan disait :
Hi Jean-Charles,
Problem is that the reset occurs at _every_ book-part; you then cannot open a
part on an act basis.
There should be a property:
\paper {
first-page-number = 3
}
That would solve it! =)
Best would be to have it
Hi Jean-Charles,
Best would be to have it “calculated
I disagree: I would definitely want a non-calculated option, as I often have to
set the page number manually.
Best, I suppose, would be to have a calculated default with a manual override
option. =)
Cheers,
Kieren.
Hi Jean-Charles,
Problem is that the reset occurs at _every_ book-part; you then cannot open a
part on an act basis.
There should be a property:
\paper {
first-page-number = 3
}
That would solve it! =)
Cheers,
Kieren.
___
lilypond-user mailing
Le 22/12/2013 01:23, Kieren MacMillan disait :
For Bach, thanks to David Nalesnik and Thomas Morley, a function to center an
unique note and align it with R1\fermataMarkup (like in old scores).
Nice! Is that part of the regular distro now?
No. By the way, you've to be absolutely sure
Would you mind explaining that code? My scheme is, alas, nearly nonexistent,
and I have a project where I would like to change what is page one.
On Dec 21, 2013, at 7:23 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi Jean-Charles,
Thanks for the response.
Have you looked
Hi Jean-Charles,
Thanks for the response.
Have you looked at Nicolas Sceaux's works (http://nicolas.sceaux.free.fr/)?
Yes… but I’ll do so again.
Lily took care of everything.
That’s good to know — Lily’s all I’ve been using to date (except for the odd
“academic” paper).
For Bach, thanks
Am 16.12.2013 22:59, schrieb Kieren MacMillan:
Hello all!
I would love to hear from anyone who has engraved a full opera or musical (with
at least vocal score plus full score) in Lilypond.
First of all: I haven't done this yet. I've only recently prepared a
book where music and text/other
Hi Kieren,
I did a lot of choral pieces. In November there was a public performance
of Der einhundertvierte Psalm of Engelhard Barthe (1906-1977,
musician at St.Katharinen in Hamburg, Germany, until destruction in
world war II) in Hamburg, where I produced (co-working with Barthe's
family) all
Valentin did his full opera, Affaire Etrangere, with Lilypond:
http://wiki.lilynet.net/-Opera-
M.
On Mon, Dec 16, 2013 at 4:59 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all!
I would love to hear from anyone who has engraved a full opera or musical
(with at least
Le 16/12/2013 22:59, Kieren MacMillan disait :
Hello all!
I would love to hear from anyone who has engraved a full opera or
musical (with at least vocal score plus full score) in Lilypond.
Have you looked at Nicolas Sceaux's works (http://nicolas.sceaux.free.fr/)?
For my part, I re-typeset
Hello all!
I would love to hear from anyone who has engraved a full opera or musical (with
at least vocal score plus full score) in Lilypond.
Specifically:
1. Is lilypond-book the only sane way to do it?
2. What functions/extensions/tricks did you use to bend Lily to your will?
3. What pitfalls
Kieren:
I would love to hear from anyone who has engraved a full opera or
musical (with at least vocal score plus full score) in Lilypond.
If you count H.Purcells Dido et Æneas for a full opera, take a look
at:
http://turkos.aspodata.se/noter/dido_et_aeneas/
Specifically:
1. Is
I haven't done one but I am keen to learn. If those who know don't mind me
asking what their strategies/workflows are like for such huge works?
Thanks
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/calling-all-opera-musical-engravers-tp156024p156026.html
Sent from
Dear Kieren and all,
Il 16/12/2013 22:59, Kieren MacMillan ha scritto:
I would love to hear from anyone who has engraved a full opera or musical (with
at least vocal score plus full score) in Lilypond.
I engraved the critical edition of Traetta's /Enea nel Lazio/ in full
score. It's a 18th
On Dec 16, 2013, at 11:59 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hello all!
I would love to hear from anyone who has engraved a full opera or musical
(with at least vocal score plus full score) in Lilypond.
Specifically:
1. Is lilypond-book the only sane way to do
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