Re: Change chord type input and chord name output

Le 20/11/2022 à 17:30, Volodymyr Prokopyuk a écrit : However, less verbose scripting could be a huge plus to LilyPond. Well, LilyPond has convenient syntax for most "scripting" use cases. It's just that defining custom chord modifiers is pretty unusual, so it doesn't benefit from a syntax as

Re: Change chord type input and chord name output

Outstanding! Thank you very much! I'm impressed with the flexibility of LilyPond! However, less verbose scripting could be a huge plus to LilyPond. Thank you, Vlad On Sun, Nov 20, 2022 at 2:46 PM Jean Abou Samra wrote: > Hello, > > Le 20/11/2022 à 10:27, Volodymyr Prokopyuk a écrit : > > > >

Re: Change chord type input and chord name output

Hello, Le 20/11/2022 à 10:27, Volodymyr Prokopyuk a écrit : * How can I change the name for the c:aug7 from C7#5 to Co7 for all augmented seventh chords, not only for specific pitches in the chordNameExceptions list? * Similarly, how can I change the name for the half-diminished

Change chord type input and chord name output

Hello, I have few questions about the \chordmode *Questions* - How can I change the name for the c:aug7 from C7#5 to Co7 for all augmented seventh chords, not only for specific pitches in the chordNameExceptions list? - Similarly, how can I change the name for the half-diminished

Re: chord name does not transpose as score using language italino

png file that did not print the > correct chord name. . > > ... > the output png screen print: > [image: image.png] > I am expecting to seeA C#m F#m D C#m Bm > Any help is appreciated. > ming (lyndon) tsang > > > That would be known issue > https:/

Re: chord name does not transpose as score using language italino

> On 7 Sep 2022, at 05:32, ming tsang wrote: > >  > The following code produces a png file that did not print the correct chord > name. . > > ... > the output png screen print: > > I am expecting to seeA C#m F#m D C#m Bm > Any help is a

chord name does not transpose as score using language italino

The following code produces a png file that did not print the correct chord name. . \version "2.23.11" \language "italiano" global = { \key do \major \numericTimeSignature \time 4/4 } chordNames = \chordmode { \global % Chords follow here. la1 dod1:m f

Re: Move chord name down onto staff?

ERG , lilyp...@hillvisions.com > > > Cc: m...@archsys.net, lilypond-user@gnu.org > > > Bcc: > > > Date: Mon, 12 Jul 2021 15:01:32 +0200 (CEST) > > > Subject: Re: Move chord name down onto staff? > > > As a matter of style, I'd do it slightly differ

Re: Move chord name down onto staff?

; Bcc: > > Date: Mon, 12 Jul 2021 15:01:32 +0200 (CEST) > > Subject: Re: Move chord name down onto staff? > > > > As a matter of style, I'd do it slightly differently: > > > > \version "2.23.4" > > > > \layout { > > \context { > >

Re: Move chord name down onto staff?

> > > -- Forwarded message -- > From: Jean Abou Samra > To: Werner LEMBERG , lilyp...@hillvisions.com > Cc: m...@archsys.net, lilypond-user@gnu.org > Bcc: > Date: Mon, 12 Jul 2021 15:01:32 +0200 (CEST) > Subject: Re: Move chord name down onto staff

Re: Move chord name down onto staff?

> Le 11/07/2021 06:33, Werner LEMBERG a écrit : > > > >> I'm not sure how to move the chord names down so they are centered > >> on the staff. Essentially I want the changes on an empty stave but > >> I'm unclear on how to do that. [...] > > Here's one way to do this: > > > > > >

Re: Move chord name down onto staff?

>> I'm not sure how to move the chord names down so they are centered >> on the staff. Essentially I want the changes on an empty stave but >> I'm unclear on how to do that. [...] > > Here's one way to do this: > > > \version "2.20" > > harmony = \chordmode { a1:m s1 f1:m7 s1 } > tune

Re: Move chord name down onto staff?

Thank you! You wrote: > \version "2.20" > > harmony = \chordmode { a1:m s1 f1:m7 s1 } > tune = { s1 s1 s1 s1 } > > chordsOnStaff = \with { > % Force the baselines to match. > \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = > #'((basic-distance . 0) (minimum-distance . 0) >

Re: Move chord name down onto staff?

On 2021-07-10 6:06 pm, Mark Probert wrote: I'm not sure how to move the chord names down so they are centered on the staff. Essentially I want the changes on an empty stave but I'm unclear on how to do that. [...] Here's one way to do this: \version "2.20" harmony = \chordmode { a1:m

Move chord name down onto staff?

Hi, all. I'm not sure how to move the chord names down so they are centered on the staff. Essentially I want the changes on an empty stave but I'm unclear on how to do that. TIA .. mark. -- \version "2.20" harmony = \chordmode { a1:m s1 f1:m7 s1 } tune = { s1 s1 s1 s1 } \score { <<

Re: Chord Name Exceptions

> -- Forwarded message -- > From: Gabriel Borin > To: lilypond-user@gnu.org > Cc: > Bcc: > Date: Fri, 9 Apr 2021 14:06:43 -0500 > Subject: Chord Name Exceptions > Hello, > > I have been trying to write a bass part for a big band. Although I am &

Re: Chord Name Exceptions

Thank you, Aaron This code worked, thanks... \version "2.22.0" customChordNames = { -\markup \concat { m \super { 7 ( \flat 5 ) } } } customChordNameExceptions = #(append (sequential-music-to-chord-exceptions customChordNames #t) ignatzekExceptions) \new ChordNames \chordmode

Re: Chord Name Exceptions

Hi Gabriel, Am 09.04.21 um 21:06 schrieb Gabriel Borin: I have been trying to write a bass part for a big band. Although I am mostly happy with the general output of chord names, I don´t like half-diminished notation in Lilypond. I prefer the descriptive "m7(b5) or min7(b5)". I have been

Re: Chord Name Exceptions

On 2021-04-09 12:06 pm, Gabriel Borin wrote: Hello, I have been trying to write a bass part for a big band. Although I am mostly happy with the general output of chord names, I don´t like half-diminished notation in Lilypond. I prefer the descriptive "m7(b5) or min7(b5)". I have been trying

Chord Name Exceptions

Hello, I have been trying to write a bass part for a big band. Although I am mostly happy with the general output of chord names, I don´t like half-diminished notation in Lilypond. I prefer the descriptive "m7(b5) or min7(b5)". I have been trying to use the snippet under this link with no

Re: Custom Chord name

In this case you have two options: → Override ChordName.text to what you want → Create a custom chordName function that somehow handles this. That would be quite hard to do. You can modify it to take some sort of context variable to specify the root or something. I’m not really sure if Chord

Re: Custom Chord name

Sorry, I made a mistake. The result I need for this input c4:1.5.10.14+.16^1 is: gCmaj9 (with the maj9 in uppercase letters). This way is more clear for me, because indicates that the note disposition is a guitar chord (in opposition to piano dispositions). El mié, 24 mar 2021 a las 13:39, Pablo

Custom Chord name

Hi everyone! I've got a problem here: when I introduce the chord c4:1.5.10.14+.16^1 (it's a custom Cmaj7 without the root) the program prints G 6 10 12. I think it should print the note C, not G. I'd like to present the following result *C*gCmaj9 (this is because this is a guitar chord). I've

Re: Do not display chord name after line break

; (let* ((col (ly:item-get-column grob)) >>> (ln (ly:grob-object col 'left-neighbor)) >>> (col-to-check (if (ly:grob? ln) ln col))) >>>(and (eq? #t (ly:grob-property col-to-check 'non-musical)) >&g

Re: Do not display chord name after line break

? #t (ly:grob-property col-to-check 'non-musical)) >> (= 1 (ly:item-break-dir col-to-check) >> >> (make-engraver >> (acknowledgers >>((chord-name-interface this-engraver grob source-engraver) >> >>

Re: Do not display chord name after line break

sen > : > > > > Hi Ernie, > > > > On Mon, Jul 13, 2020 at 7:03 AM Ernie Braganza > wrote: > >> > >> Hello, > >> > >> How can I stop the repeated chord name after the line break? > >> I thought the break-visibility settings f

Re: Do not display chord name after line break

nie Braganza > wrote: >> >> Hello, >> >> How can I stop the repeated chord name after the line break? >> I thought the break-visibility settings for ChordName would work, for >> example setting the beginning-of-line-invisible value to false: >> \overri

Re: Do not display chord name after line break

Am Mo., 13. Juli 2020 um 19:40 Uhr schrieb Carl Sorensen : > > Hi Ernie, > > On Mon, Jul 13, 2020 at 7:03 AM Ernie Braganza > wrote: >> >> Hello, >> >> How can I stop the repeated chord name after the line break? >> I thought the break

Re: Do not display chord name after line break

Hi Ernie, On Mon, Jul 13, 2020 at 7:03 AM Ernie Braganza wrote: > Hello, > > How can I stop the repeated chord name after the line break? > I thought the break-visibility settings for ChordName would work, for > example setting the beginning-of-line-invisible value to fals

Do not display chord name after line break

Hello, How can I stop the repeated chord name after the line break? I thought the break-visibility settings for ChordName would work, for example setting the beginning-of-line-invisible value to false: \override Score.ChordName.break-visibility = ##(#t #t #f) but that does not have any effect

Re: Changed dim chord name

On 4/4/2018 2:11 PM, Joseph Austin wrote: Is there a way to change the printed name for a dim7 chord from Xº to Xdim7 ? I saw this question asked in an archive but didn't see an answer. Hi, I guess you mean something like this? (see attached) \version "2.19.80" \language "english"

Changed dim chord name

Is there a way to change the printed name for a dim7 chord from Xº to Xdim7 ? I saw this question asked in an archive but didn't see an answer. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: chord name e2:m7(b5)/d

Thank You Torsten and Robert: Thank you for the tips. I use language English sot I change c ees ges bes to c ef gf bf. The result is great. Ming Sent from Mail for Windows 10 ___ lilypond-user mailing list lilypond-user@gnu.org

Re: chord name e2:m7(b5)/d

onal taste as described in Chord Name Exceptions <http://lilypond.org/doc/v2.18/Documentation/snippets/chords#chords-chord-name-exceptions> . The notes contained in the "template chord" always refer to tonic C, so we'll have to specify the notes of a Cm7(b5) in LilyPond

Re: chord name e2:m7(b5)/d

Hi Ming, e : min7.5- / d Should work .., Best, Robert > On 17 Feb 2018, at 00:06, Ming Tsang wrote: > > > Lilyponders > How to generate the second chard name? > Thanks for the help > Ming > > > > > > Sent from Mail for Windows 10 > > >

chord name e2:m7(b5)/d

Lilyponders How to generate the second chard name? Thanks for the help Ming Sent from Mail for Windows 10 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Proposed fix to NR A.1 Chord Name Chart

Appendix A.1 of the Notation Reference contains examples of chords and chords names as used by LilyPond. The list contains a duplicate: , CΔ9, which occurs at measures 32 and 36. Does anyone has a good suggestion for another chord to be put in the list? Otherwise I'll submit a patch to remove

Re: change chord name

On 4/6/16 3:30 AM, "lilypond-devel-bounces+c_sorensen=byu@gnu.org on behalf of Ugo Pecoraro" wrote: >I would change the name of the fourth removing the south to get C4 instead >Csus4. How can j do it? Ugo,

Re: fret-diagram and chord name

Hi, I'm just starting with Lilypond and am using 2.18.2 so I'll just comment on the chord name. I think you should check the notes used at the place of the chord name. If they are e gs b then you have a normal f chord and even though you write it as ef1:sus. If you drop the gs to a fs

Re: fret-diagram and chord name

with Lilypond and am using 2.18.2 so I'll just comment on the chord name. I think you should check the notes used at the place of the chord name. If they are e gs b then you have a normal f chord and even though you write it as ef1:sus. If you drop the gs to a fs then Lilypond will insert an esus2

Re: fret-diagram and chord name

Hi, Lilyponder:There is no reponse to the following email sent Jan 14.  I am hoping someone will answer this time.Immanuel,Ming On Wednesday, January 14, 2015 5:05 PM, MING TSANG tsan...@rogers.com wrote: dear lilyponders:I run the following .ly file and got the following warning

fret-diagram and chord name

dear lilyponders:I run the following .ly file and got the following warning error.1.  how can the warning message be removed?Starting lilypond-windows.exe 2.19.15 [test_unfailing-love.ly]...Processing

Chord name on song section

Hi everyone, I have a song with various sections (intro, verse, chorus, ...) defined as variables. I would like to add chords on top of some of these sections. On the Lilypond manual all the examples add chords as a separate voice using   to bound everything togheter. I have score, tabs and

Re: Chord name on song section

Carlo Vanoni vanoniiscrizi...@yahoo.it writes: This implies that I have defined the harmony for all of the song. How to define (and print) harmony for, say, just the intro? Specify the chords of the intro, and leave the rest empty? -- Johan ___

Re: Chord name on song section

I've used two score sections in situations like this, but then you get separate midi files. Up to you. Knute Snortum (via Gmail) On Tue, Jun 24, 2014 at 8:35 AM, Johan Vromans jvrom...@squirrel.nl wrote: Carlo Vanoni vanoniiscrizi...@yahoo.it writes: This implies that I have defined the

chord name

lilyponders: I am transcribe a score hardcopy and I encounter lily does not generate as the score hardcopy. questions: (1)  are they the same? (2)  how can I make it show as the score hardcopy? (3)  Is there a sample chord name sample? Below is a sample code: \version 2.19.7 \language english

Re: chord name

On 01/06/14 11:34, MING TSANG wrote: lilyponders: I am transcribe a score hardcopy and I encounter lily does not generate as the score hardcopy. questions: (1) are they the same? (2) how can I make it show as the score hardcopy? (3) Is there a sample chord name sample? Below is a sample

Re: chord name

hardcopy. questions: (1)  are they the same? (2)  how can I make it show as the score hardcopy? (3)  Is there a sample chord name sample? Below is a sample code: \version 2.19.7 \language english chordz = \chordmode { bf2:2      % score hardcopy show Bf2 : lily code as bf2:2 -generate as Bfsus2

Chord name exceptions

I would like to have a predefined \hungarianChords command, which is based on the \germanChords (H instead of B, uppercase sharp and flat symbols), but which keeps the default setting E/D instead of E/d. Also, I'd need altered chords (es, fis etc.) to end in Hungarian sz like this: esz, fisz

Re: Chord name exceptions

. Any help, please? Thanks in advance: Nandi Hi, although I've no clue about the hungarian language I come up with the code below. \version 2.16.2 #(define ((chord-name-hungarian-markup-text-alteration B-instead-of-Bb) pitch lowercase?) (define (pitch-alteration-semitones pitch

Re: chord name collide with staff

On 4 févr. 2013, at 01:00, MING TSANG tsan...@rogers.com wrote: Hi fellow lily users: I have a chord name and a melody staff. The chord name collide with the melody staff on 2nd 3rd systems in v2.17.11, but in v2.16.2 they are ok. Please refer to two pdf files and a lily text file

Re: shorthand for force display of chord name?

Hi Eluze, just to be sure: do you mean a different functionality or just a shorter (and postponed) shortcut?! A shortcut for the current functionality. =) Thanks, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: shorthand for force display of chord name?

Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/shorthand-for-force-display-of-chord-name-tp138838p138930.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: shorthand for force display of chord name?

Am 05.01.2013 01:43, schrieb Kieren MacMillan: Hi Eluze, do you mean \once \set chordChanges = ##f No... if I had meant that, I would have said that. ;) I meant what I said: c:min7!, analogous to how ! is used to force the display of accidentals Thanks, Kieren.

shorthand for force display of chord name?

Hi all! I generally have \set chordChanges = ##t in my scores, so that chord names are displayed only at the start of lines and when the chord changes. However, there are some times when I want to force a chord name to appear, regardless of the chordChanges setting. I'd love a shorthand

Re: shorthand for force display of chord name?

Am 04.01.2013 21:59, schrieb Kieren MacMillan: Hi all! I generally have \set chordChanges = ##t in my scores, so that chord names are displayed only at the start of lines and when the chord changes. However, there are some times when I want to force a chord name to appear, regardless

RE: shorthand for force display of chord name?

Hi Eluze, do you mean \once \set chordChanges = ##f No... if I had meant that, I would have said that. ;) I meant what I said: c:min7!, analogous to how ! is used to force the display of accidentals Thanks, Kieren.

Re: chord name spacing bug?

chords going out of the page. I'm filling the bug. In the same vein: is there a way to set the padding between consecutive chord names? The \override ChordName in the comment above requests 2 staff-spaces to the left, and 1 staff-space to the right, of each chord name. It works when

Re: chord name spacing bug?

, and 1 staff-space to the right, of each chord name. It works when LilyPond is spacing correctly, the bug you found makes the \override fail as well. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

chord name spacing bug?

HI, This is a problem I periodically come across many times: collision between chord names (note that this happens even with no false bass chords), may be when the melody is active. I have a small example, I have hard time finding a shorter one. Should I fill this as a bug? In the same vein:

Re: chord name spacing bug?

way to avoid chord name collisions would be to change their vertical position, rather than their horizontal position. I think that the notes should govern the horizontal position, and should not be adjusted for chord names. Instead, chord names should be stacked, much like markups are now

Re: chord name size

On 12/28/2010 02:43 PM, Peter Buhr wrote: I want to change the size of the chord names, as in: \override ChordNames #'font-size = #-1 but I can't find the grob name to do this. There's no `s' in ChordName. ___ lilypond-user mailing list

Re: chord name size

Hi, 2010/12/28 Peter Buhr pab...@sympatico.ca: I want to change the size of the chord names, as in: \override ChordNames #'font-size = #-1 but I can't find the grob name to do this. It's \override ChordName #'font-size = #-1 (without the s at the end) Things like this can be found in

Re: Any progress in chord name design?

Am 2010-03-17 um 21:43 schrieb James Bailey: As far as I know, nothing has happened. If you like, you can subscribe to the issue on the tracker and be notified when something happens with it.: http://code.google.com/p/lilypond/issues/detail?id=678 Thanks for the hint. I posted to patch to

Any progress in chord name design?

, and all is well again. (Otherwise I use an unpatched stable 2.12.3) But there was talk about an entirely new system of chord name definition, that allows the modification of the base character. I guess that still didn't show up? (I don't follow the dev list.) Sorry, I can't help

Re: Any progress in chord name design?

an unpatched stable 2.12.3) But there was talk about an entirely new system of chord name definition, that allows the modification of the base character. I guess that still didn't show up? (I don't follow the dev list.) Sorry, I can't help with development myself, I could only offer some money

Re: Any progress in chord name design?

On 3/17/10 1:51 PM, fiëé visuëlle fiee.visue...@gmx.net wrote: Ahoi, I still gratefully use Thomas Morgan's patch from september 2009 to get minor chord names in lowercase, and apply this patch to every new version I install. Today my 2.13.3 stopped working (OSX error dialog comes up,

Re: Bass note under the Chord Name Symbol

Though not a general solution, if you don't have many such chords, you can do the following. As the stencil of the ChordName grob is the same as of the TextScript, that is ly:text-interface::print, you can override the text property using a markup: \override ChordNames.ChordName #'text =

Bass note under the Chord Name Symbol

I have a requirement to print the name of the bass note under the chord symbol separated by a line rather than beside it separated by a slash. F/G is what Lilypond prints.  What I need is F -- G I've searched the docs, the user groups, and sample code, but can't find a way to do this.  Any

Re: [frogs] Changing Chord Name Font Size

the \chordmode command. I would like the chord names to be a little larger and print in bold. Any suggestions are greatly appreciated. Thanks. -- View this message in context: http://n2.nabble.com/Changing-Chord-Name-Font-Size-tp4008276p4008276.html Sent from the LilyPond Frogs mailing

Decreasing font size of chord name root note

Please look at - http://picasaweb.google.co.jp/Lilypondakira/Lilypond#5367578175183729026 Root name of chord (/F, /D) is so large that I can't recognize what is chord name or what is root note, so I want to decrease font size of chord name root note. I also want to change /F to on F

Re: Decreasing font size of chord name root note

On Aug 8, 2009, at 8:11 AM, Akira wrote: Please look at - http://picasaweb.google.co.jp/Lilypondakira/ Lilypond#5367578175183729026 Root name of chord (/F, /D) is so large that I can't recognize what is chord name or what is root note, so I want to decrease font size of chord name root note

Re: Bass in Chord Name

works. After several tunings and tries I found very simple solution for my need. I do not even need to change property-init.ly and chord-name.scm. I shouldn't use internal \germanChords directive, but define in my lilypond file the following: \set chordRootNamer = #(chord-name-german-markup #t

Re: Bass in Chord Name

= #(chord-name-german-markup #t) Ok, then I have misunderstood this function, I thought that it will use German names for the bass notes , i.e. Fis instead of F#. After this both chords and basses in chords are represented using H and B (not B and Bb). Surprisingly how simple solution became

Re: Bass in Chord Name

/p23516595/a4_justified.ly a4_justified.ly Here I have two issues; one is how to force F# as bass in Chord name (instead of fis) and second is how to force position of Ref above clef (not starting repeat sign). -- View this message in context: http://www.nabble.com/Bass-in-Chord-Name

Re: Bass in Chord Name

for rendering score: http://www.nabble.com/file/p23516595/a4_justified.ly a4_justified.ly Here I have two issues; one is how to force F# as bass in Chord name (instead of fis) and second is how to force position of Ref above clef (not starting repeat sign). You have to remove the \germanChords command

Re: Bass in Chord Name

{} or other scopes (inside/outside {}). -- View this message in context: http://www.nabble.com/Bass-in-Chord-Name-tp23429277p23519588.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user

Re: Bass in Chord Name

and where \germanChords is defined. The definition is in ly/property-init.ly and looks as follows: germanChords = { \set chordRootNamer = #(chord-name-german-markup #t) \set chordNoteNamer = #note-name-german-markup } So I searched where note-name-german-markup is defined, and it could be found

Re: Bass in Chord Name

template in OOoLilypond (lilypond macro for OpenOffice.org). However I still don't know how to achieve F# as bass in chord. -- View this message in context: http://www.nabble.com/Bass-in-Chord-Name-tp23429277p23506093.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com

Re: Bass in Chord Name

Hi Stjepan: I do not use english.ly. I use template in OOoLilypond (lilypond macro for OpenOffice.org). However I still don't know how to achieve F# as bass in chord. If you include the (full, minimal) snippet that isn't working, we can try to diagnose/fix it for you. Cheers, Kieren.

Re: Bass in Chord Name

On 5/12/09 10:35 AM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote: Kieren MacMillan wrote: Hi Stjepan, I'd like to get the following chord D7/F#. How to define this F# as bass in chord? I can use d:7/fis but I get fis, not wanted F# as bass. If you're using english.ly, you

Bass in Chord Name

/Bass-in-Chord-Name-tp23429277p23429277.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Bass in Chord Name

Hi Stjepan, I'd like to get the following chord D7/F#. How to define this F# as bass in chord? I can use d:7/fis but I get fis, not wanted F# as bass. If you're using english.ly, you need to use fs (not fis). Kieren. ___ lilypond-user mailing

chord name position

greetings! i don't understand why the chord names end up below the staff when i do this: - \version 2.11.61 changes = \chords { c1 c1 } slashes = { \override NoteHead #'style = #'slash b'1 b'1 } \score { \new Staff \changes \slashes

Re: chord name position

Hi. changes = \chords { c1 c1 } slashes = { \override NoteHead #'style = #'slash b'1 b'1 } \score { \new Staff \changes \slashes } --- would someone be kind enough to explain? \new Staff appears before

Re: Terrible question about a distinctive chord name system

Dear hhpmusic, I've already started with some of the funktionsbezeichnungen. I think, it will be a lot of work to make a library with all the necessary sympols. But maybee we can share the work. ___ lilypond-user mailing list lilypond-user@gnu.org

re: terrible question for a distinctive chord name system

Dear Werner: THank you for your advice. Here's my first exercise for suspension notes. I don't know whether the result looks satisfying. Could you all help me? \version 2.11.49 \include mydefs.ly #(ly:set-option 'point-and-click #f) \header { tagline = ##f title = \markup { \fontsize #2 Ex.

Re: terrible question for a distinctive chord name system

THank you for your advice. Here's my first exercise for suspension notes. I don't know whether the result looks satisfying. Could you all help me? Attached an improved version, at least optically. Since I'm not acquainted with the details of those special chord notation, I can only

Re: terrible question for a distinctive chord name system

IupperI = \relative c'' { \voiceOne IupperII = \relative c' { \voiceTwo Those \voiceOne and \voiceTwo are redundant, of course. Werner ___ lilypond-user mailing list lilypond-user@gnu.org

Terrible question about a distinctive chord name system

or 1950s by the pre Soviet Union, thus the Sbosobin edition. This edition uses a very distinctive chord naming system--functional chord name system. For example, the tonic major triad is written as T, subtonic triad is S, and dominant is D. Chords share two notes of both T and S or D and T

Re: Terrible question about a distinctive chord name system

This edition uses a very distinctive chord naming system--functional chord name system. For example, the tonic major triad is written as T, subtonic triad is S, and dominant is D. Chords share two notes of both T and S or D and T are prefixed by two function letters

Re: chord name size

tensions - thanks for mentioning it Rick! Brett ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/chord-name-size

Re: Proposed chord name font (PDF included)

prefer). The problem in Lilypond is I think that it tries to connect explicit tones to a chord symbol (correct me if I am wrong). But chord names shouldn't be like that, they should be just text and let the interpreter have some space to make his/her own thing of the chord name. for example

RE: Proposed chord name font (PDF included)

to be able to write out any chord *name*. I'm in the early stages of writing a book in two versions, one in English and one in Brazilian Portuguese. The Brazilian chord naming standard is different from both the European and the American ones, and is not supported in LilyPond's current version

Re: Proposed chord name font (PDF included)

for a collection of notes)? Are chord names unique for a collection of notes, or can there be multiple chord names for one collection of notes? I want to be able to write out any chord *name*. I'm in the early stages of writing a book in two versions, one in English and one in Brazilian

Re: Proposed chord name font (PDF included)

I like the chords you propose. Daniel Tonda Castillo 2007/7/27, PabloZum [EMAIL PROTECTED]: This is a proposed Arial-based font that could be included in future versions of LilyPond. Actually, it's more a range of possibilities than a new font. Placing chord extensions like b9 and #11 one

How to supress Volta for \new Staff-sections // Chord name bes won't be interpreted correctly

Hi, I'd like to place volta brackets over the chord names as described in section LilyPond Tips and Tricks in documentation. Therefor, I put the voltaOnThisStaff property in my chords section - with success. But now I can't get rid off of the default staff voltas. I always end up with

Re: How to supress Volta for new Staff-sections // Chord name bes won't be interpreted correctly

Quoting Oguz Erden [EMAIL PROTECTED]: Hi, I'd like to place volta brackets over the chord names as described in section LilyPond Tips and Tricks in documentation. Therefor, I put the voltaOnThisStaff property in my chords section - with success. But now I can't get rid off of the default

chord-name font size issues

behaviour? i would think that vertical distance should be scaled with the font size. as a workaround, is there a way of globally adjusting the chord-name superscript height? i don't see anything in the docs. i'm on 2.11.12 thanks! .pltk

Re: Align Chord Name with Chord Position

You didn't really say what kind of alignment you want. Also, it is good habit to cut down the example files to only illustrate the specific problem you are asking about. However, here is an example that gives (at least almost) centered alignment. If you want left alignment, just replace

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