On Wed, Apr 9, 2008 at 9:38 PM, Mats Bengtsson [EMAIL PROTECTED]
wrote:
This can certainly be a good practice to separate out annotations or
dynamics and such. This is one aspect of separating musical content from
typesetting layout.
i'm happy to find a way to globalize rehearsal marks,
Hi Bernie,
i'm happy to find a way to globalize rehearsal marks, double bar
lines, etc.
can anyone help me figure out why my /global block is creating
a new staff below my instrument staves each time?
Your code adds the \global in its own (implicit) Staff:
\new StaffGroup = horns
In constructing a small combo piece, I'm not sure how to modularize individual
parts.
For example, notes are specific to a certain instrument whereas a segno
or coda is common to all parts.
I'm confused as to where these things get inserted.
For example, Do I put the coda symbol in each of
Stan Mulder wrote:
In constructing a small combo piece, I'm not sure how to modularize individual
parts.
For example, notes are specific to a certain instrument whereas a segno
or coda is common to all parts.
I'm confused as to where these things get inserted.
For example, Do I put the
David Bobroff bobroff at centrum.is writes:
What I do is to put road-map stuff (key changes, time changes, repeats,
segnos etc.) in a 'global' block. Then I combine that with parts for
the individual part scores, and with the top staff in the main score.
David,
Is there an example
Stan Mulder wrote:
David Bobroff bobroff at centrum.is writes:
What I do is to put road-map stuff (key changes, time changes, repeats,
segnos etc.) in a 'global' block. Then I combine that with parts for
the individual part scores, and with the top staff in the main score.
David,
Is there
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Stan Mulder wrote:
| In constructing a small combo piece, I'm not sure how to modularize
individual
| parts.
|
| For example, notes are specific to a certain instrument whereas a segno
| or coda is common to all parts.
I've been wondering this
David Bobroff bobroff at centrum.is writes:
You can put all sorts of things in the 'global' block like rehearsal
marks, too.
I get it now. Thanks.
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Thanks for that David. I've been doing this to separate out dynamic
markings, but I didn't know you could do the same with voltas and the like.
/me goes off to try it
- -- Shamus
David Bobroff wrote:
| Don't know if there's a simple example in
Stan == Stan Mulder [EMAIL PROTECTED] writes:
Stan David Bobroff bobroff at centrum.is writes:
What I do is to put road-map stuff (key changes, time changes,
repeats, segnos etc.) in a 'global' block. Then I combine that
with parts for the individual part scores, and with the top staff
in
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Shamus wrote:
| Thanks for that David. I've been doing this to separate out dynamic
| markings, but I didn't know you could do the same with voltas and the
like.
|
| /me goes off to try it
Wow! Works like a charm! This is not only going to save me
Quoting Shamus [EMAIL PROTECTED]:
| Thanks for that David. I've been doing this to separate out dynamic
| markings, but I didn't know you could do the same with voltas and the
like.
|
| /me goes off to try it
Wow! Works like a charm! This is not only going to save me lots of time,
but what's
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