On 15 March 2017 at 18:12, David Wright wrote:
> I took your source and changed two things:
> a4 → a0
> 64/256 → 1/32
> and it looks superficially ok to me.
Thanks, that was the hint I needed!
> Perhaps you just have a room problem.
Yes, I guess there are some hidden
On Thu 16 Mar 2017 at 12:40:28 (+1100), Andrew Bernard wrote:
> Hi Adam,
>
> I have tried lots of solutions for this. I am thinking this cannot be
> satisfactorily done in lilypond at this time. The attached solution
> works up to a point, but the chord names clash. Using really large
> paper -
Hi Adam,
I have tried lots of solutions for this. I am thinking this cannot be
satisfactorily done in lilypond at this time. The attached solution
works up to a point, but the chord names clash. Using really large
paper - which I also tried - to gain space such as architectural A0
does not seem
On Wed 15 Mar 2017 at 16:07:31 (+), Adam Spiers wrote:
> On 15 March 2017 at 14:33, Robert Schmaus wrote:
> > Am 15/03/2017 um 14:54 schrieb Adam Spiers:
> >> On 15 March 2017 at 13:45, Robert Schmaus wrote:
> >>> How about this:
> >>>
> >>>
On 15 March 2017 at 14:33, Robert Schmaus wrote:
> Am 15/03/2017 um 14:54 schrieb Adam Spiers:
>> On 15 March 2017 at 13:45, Robert Schmaus wrote:
>>> How about this:
>>>
>>> \context {
>>> \Score
>>> proportionalNotationDuration =
On 15 March 2017 at 14:35, Klaus Blum wrote:
> Adam Spiers-5 wrote
>> On 15 March 2017 at 12:28, Simon Albrecht wrote:
>>> why not put all the music expressions in one score in
>>> parallel?
>> But please could you give an example of how to do that, bearing in mind that
>>
ame.
Cheers,
Klaus
Blue-Train-chords-parallel.ly
<http://lilypond.1069038.n5.nabble.com/file/n201133/Blue-Train-chords-parallel.ly>
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Am 15/03/2017 um 14:54 schrieb Adam Spiers:
On 15 March 2017 at 13:45, Robert Schmaus wrote:
Hi Adam,
you're right ... I might have changed something else. Anyway, applying the
overrides to the Score seems to be the correct way.
I tried your file. Maybe you'll have
On 15 March 2017 at 12:28, Simon Albrecht wrote:
> Am 15.03.2017 um 01:11 schrieb Adam Spiers:
>> It would be very instructive to produce a clear visualisation of the
>> harmonic variations he uses in each chorus, so I have dropped the
>> notes of the solo from the .ly
Am 15.03.2017 um 01:11 schrieb Adam Spiers:
It would be very instructive to produce a clear visualisation of the
harmonic variations he uses in each chorus, so I have dropped the
notes of the solo from the .ly file, leaving only the chords, rendered
in landscape, with all the choruses vertically
On 15 March 2017 at 05:48, Robert Schmaus wrote:
> Just a thought - you apply the SpacingSpanner modifications to context
> \Score ... did you already try to apply those to context \ChordNames
> instead? That *does* change something, but I'm not sure if it is what you
>
Just a thought - you apply the SpacingSpanner modifications to context
\Score ... did you already try to apply those to context \ChordNames
instead? That *does* change something, but I'm not sure if it is what
you want ...
Cool analysis, by the way!
Best,
Robert
Am 15/03/2017 um 01:11
Hi all,
How can I achieve proportional spacing when I only have chord names
and bar lines, and no staff or notes? Attached is a file with a very
naive attempt which fails to achieve this; corrections would be most
welcome.
For the curious, the background and motivation behind this question is
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