On Mon, 15 Aug 2016 12:33:44 -0500
David Wright wrote:
> My contention there was that the volta construction can produce the
> correct score and the correct midi when applied correctly (ie to all
> the voices).
How do you think I produced correct scores and MIDI for
David Wright writes:
> On Mon 15 Aug 2016 at 17:20:09 (+0200), Johan Vromans wrote:
>>
>> I change my remark to: "Specifying the structure of a score in
>> \global is wonderful, it just doesn't play nice with MIDI, because no
>> voice can impose a MIDI repeat
On Mon 15 Aug 2016 at 17:20:09 (+0200), Johan Vromans wrote:
> On Mon, 15 Aug 2016 09:39:39 -0500
> David Wright wrote:
>
> > I'm sorry, but your wishlist has nothing to do with the statement
> > "Specifying the structure of a score in \global is wonderful, it just
> >
Johan Vromans writes:
> On Mon, 15 Aug 2016 09:39:39 -0500
> David Wright wrote:
>
>> I'm sorry, but your wishlist has nothing to do with the statement
>> "Specifying the structure of a score in \global is wonderful, it just
>> doesn't work with
On Mon, 15 Aug 2016 09:39:39 -0500
David Wright wrote:
> I'm sorry, but your wishlist has nothing to do with the statement
> "Specifying the structure of a score in \global is wonderful, it just
> doesn't work with midi."
There is something called the principle of
On Mon 15 Aug 2016 at 09:18:57 (+0200), Johan Vromans wrote:
> On Sun, 14 Aug 2016 21:45:51 -0500
> David Wright wrote:
>
> > This is true, they are not. In fact, I don't quite understand what
> > you mean by "applying" \global "to the music parts". All the Voices
> >
Mark Knoop writes:
> At 10:32 on 15 Aug 2016, Johan Vromans wrote:
>>On Mon, 15 Aug 2016 10:22:14 +0200
>>David Kastrup wrote:
>>
>>> That's not really surprising. The "repeats are shown" just by
>>> changing the bar line type, ...
>>
>>That is the explanation
Johan Vromans writes:
> On Mon, 15 Aug 2016 10:22:14 +0200
> David Kastrup wrote:
>
>> That's not really surprising. The "repeats are shown" just by changing
>> the bar line type, ...
>
> That is the explanation of the current behaviour.
>
> What I want to
At 10:32 on 15 Aug 2016, Johan Vromans wrote:
>On Mon, 15 Aug 2016 10:22:14 +0200
>David Kastrup wrote:
>
>> That's not really surprising. The "repeats are shown" just by
>> changing the bar line type, ...
>
>That is the explanation of the current behaviour.
>
>What I want to say
On Mon, 15 Aug 2016 10:22:14 +0200
David Kastrup wrote:
> That's not really surprising. The "repeats are shown" just by changing
> the bar line type, ...
That is the explanation of the current behaviour.
What I want to say is that it would be nice if instead it would
be like the
Johan Vromans writes:
> On Sun, 14 Aug 2016 21:45:51 -0500
> David Wright wrote:
>
>> This is true, they are not. In fact, I don't quite understand what
>> you mean by "applying" \global "to the music parts". All the Voices
>> are just Voices,
On Sun, 14 Aug 2016 21:45:51 -0500
David Wright wrote:
> This is true, they are not. In fact, I don't quite understand what
> you mean by "applying" \global "to the music parts". All the Voices
> are just Voices, aren't they?
>
> Anyway, the repeat structure has to be
On Sat 13 Aug 2016 at 10:09:11 (+0200), Johan Vromans wrote:
> On Fri, 12 Aug 2016 14:58:10 -0700
> "H. S. Teoh" wrote:
I can't speak to ScoreMarks as I haven't understood it or
tried it out yet.
> > % Score for midi only
> > \score {
> > <<
> >
On Fri, 12 Aug 2016 14:58:10 -0700
"H. S. Teoh" wrote:
> % Score for midi only
> \score {
> <<
> \new Staff << \global \fluteIPart >>
For midi, \unfoldRepeats is necessary.
Last time I tried, the repeats (in \global) were
On Fri, Aug 12, 2016 at 10:58:08PM +0200, Johan Vromans wrote:
> On Fri, 12 Aug 2016 09:21:22 -0700
> "H. S. Teoh" wrote:
>
> > global = {
> > \tempo "Allegro" 4 = 120
> > s1*16
> > \mark "A"
> > s1*16
> >
On Fri, 12 Aug 2016 09:21:22 -0700
"H. S. Teoh" wrote:
> global = {
> \tempo "Allegro" 4 = 120
> s1*16
> \mark "A"
> s1*16
> \tempo "Largo" 4 = 45
> s1*16
> \mark "B"
>
On Fri, Aug 12, 2016 at 04:29:41PM +0100, Mark Knoop wrote:
[...]
> However I have just submitted a potential fix for this, see here
> https://codereview.appspot.com/308910043/ for its progress.
[...]
Thanks so much for doing this!! Looking forward to when I can have
ScoreMarks show up properly
Mark,
On Aug 12, 2016, at 11:29 AM, Mark Knoop wrote:
> However I have just submitted a potential fix for this, see here
> https://codereview.appspot.com/308910043/ for its progress.
Thank you so much for doing this!
It will be a wonderful and helpful feature, when
On Fri, Aug 12, 2016 at 04:30:01PM +0200, Thomas Weber wrote:
> There are two things about rehearsal marks in orchestral scores I'd
> like to know about.
>
> Firstly, how can I separate rehearsal marks (and other structural
> stuff like \break or \pageBreak) from the actual musical content? Can
Am 12.08.2016 um 17:29 schrieb Mark Knoop:
> At 16:30 on 12 Aug 2016, Thomas Weber wrote:
>
>> Secondly, how can I make rehearsal marks appear both on the very top
>> staff and the top staff of the strings? As far as I can see,
>> rehearsal marks will always be put at the very top staff.
> See
Am 12.08.2016 um 16:30 schrieb Thomas Weber:
> Secondly, how can I make rehearsal marks appear both on the very top staff
> and the top staff of the strings? As far as I can see, rehearsal marks will
> always be put at the very top staff.
>
I'm not completely sure but probably by \remove-ing
At 16:30 on 12 Aug 2016, Thomas Weber wrote:
>There are two things about rehearsal marks in orchestral scores I'd
>like to know about.
>
>Firstly, how can I separate rehearsal marks (and other structural
>stuff like \break or \pageBreak) from the actual musical content? Can
>I somehow add a
Am 12.08.2016 um 16:30 schrieb Thomas Weber:
> There are two things about rehearsal marks in orchestral scores I'd like to
> know about.
>
> Firstly, how can I separate rehearsal marks (and other structural stuff like
> \break or \pageBreak) from the actual musical content? Can I somehow add
There are two things about rehearsal marks in orchestral scores I'd like to
know about.
Firstly, how can I separate rehearsal marks (and other structural stuff like
\break or \pageBreak) from the actual musical content? Can I somehow add a
virtual staff to carry the rehearsal mark
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