the first instance of the multi
measure rest the same width as the second one - the third instance just
to check.
Thank you for your time.
James
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
MultiMeasureRest #'minimum-length = #20
R1*16
R1*16
R1*16
}
It doesn't really matter what numbers you use here, but I wonder if
anyone could tell me how I can get the first instance of the multi
measure rest the same width as the second one - the third instance just
to check.
Thank you for your time
' {
\override NoteHead #'font-size = #-3
\stemDown
s e s
}
}
The rest of voice main is placed below voice secondary's note stem
- why, since there's enough space above? And how can I avoid that?
Greetlings from Lake Constance
{
\relative c' {
\override NoteHead #'font-size = #-3
\stemDown
s e s
}
}
The rest of voice main is placed below voice secondary's note
stem - why, since there's enough space above? And how can I
{
\relative c' {
\override NoteHead #'font-size = #-3
\stemDown
s e s
}
}
The rest of voice main is placed below voice secondary's note
stem - why, since there's enough space above? And how can I avoid
fiëé visuëlle wrote:
I need the alternate voice only in some places.
This may be implying that you don't want to set the main voice as
\voiceOne, but rather keep it as (the implicit) \oneVoice.
If this rest collision behaviour is the only thing that is bothering you,
try the following
Well I haven't tested this, but I generally have troubles with slurs
that cross staves, such as you have here. What you want to use are
the control-points and probably some type of offset. A good
implementation of cross-staff slurs someday will be wonderful.
It obviously has to do with grace
--- On Tue, 9/29/09, Neil Thornock neilthorn...@gmail.com wrote:
From: Neil Thornock neilthorn...@gmail.com
Subject: Re: Slur through a rest
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Tuesday, September 29, 2009, 1:43 PM
Well I haven't tested this, but I
Hello,
Below is an example of a slur that's stumping me. Could anyone
suggest a way of avoiding the rest that doesn't mess up the continuation
after the line break? I've tried adjusting 'positions but it doesn't
produce an effect.
Also, I noticed that when I use the \break
Op donderdag 28 mei 2009, schreef Tom Dickson:
If I change the rest to a note, it prints correctly (but has an extra
note). Trying a skip and/or a g8\rest both don't work, either.
Any ideas how to get around this?
You could use \set stanza = #1. to get the first one there.
It may take some
Op donderdag 28 mei 2009, schreef Tom Dickson:
In the attached example, the music begins with a rest (r8) - and
vocalName and shortVocalName don't print on the first line, but do on
subsequent lines.
Any ideas how to get around this?
I found an even better solution. Put the vocalName
In the attached example, the music begins with a rest (r8) - and
vocalName and shortVocalName don't print on the first line, but do on
subsequent lines.
If I change the rest to a note, it prints correctly (but has an extra
note). Trying a skip and/or a g8\rest both don't work, either
Tim McNamara schrieb:
[...]
In jazz lead sheets, the usual method is to write N.C. above the
staff (No Chord) which cues the chordal instruments and rhythm
section to stop playing to allow the break. There's a workaround that
Martial wrote to facilitate this, but it would be nice to have a
\with { \consists Rest_engraver
\override Rest #'stencil = #ly:text-interface::print
\override Rest #'text = #NC
} {
\chordmode { c1
a:m
r2 g2
f1
c4 r2.}
}
\context Voice \relative c' {
c4 d e g
a b a e
Tim Rowe wrote Thursday, May 14, 2009 1:18 AM
2009/5/14 Neil Puttock n.putt...@gmail.com:
In your lyrics definition, you're missing curly brackets around
the
alternatives:
\alternative
{ so }
{ do }
The { do } block isn't part of the \alternative block, so
lilypond
interprets the
On May 14, 2009, at 1:03 AM, Marc Hohl wrote:
Tim McNamara schrieb:
[...]
In jazz lead sheets, the usual method is to write N.C. above the
staff (No Chord) which cues the chordal instruments and rhythm
section to stop playing to allow the break. There's a workaround
that Martial wrote
On 5/14/09 8:07 AM, Tim McNamara tim...@bitstream.net wrote:
into the \chords feels clunky and intrusive to me. I'd prefer to
minimize putting formatting code in the music content as much as
possible. Being able to write something like nc1 (or r1) and have it
interpreted by LilyPond as
Hi.
This solution to the N.C. problem (use r to indicate N.C.)
^^^
Will R also work?
Thanks,
Gilles
___
lilypond-user mailing list
lilypond-user@gnu.org
On 5/14/09 9:03 AM, Gilles Sadowski gil...@harfang.homelinux.org wrote:
Hi.
This solution to the N.C. problem (use r to indicate N.C.)
^^^
Will R also work?
Not right now. I will investigate to see if it is
On May 14, 2009, at 9:12 AM, Carl D. Sorensen wrote:
On 5/14/09 8:07 AM, Tim McNamara tim...@bitstream.net wrote:
into the \chords feels clunky and intrusive to me. I'd prefer to
minimize putting formatting code in the music content as much as
possible. Being able to write something like
2009/5/14 Carl D. Sorensen c_soren...@byu.edu:
Not right now. I will investigate to see if it is easily done.
I think the only way, short of introducing a new event class which
includes both types of rest, would be to remove the listener for rests
and instead add one for rythmic-event. You
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames context?
yes. use:
\score
\context ChordNames \with { \consists Rest_engraver } {
...
}
I've never seen something like that. What this rest
2009/5/12 Tim Rowe digi...@gmail.com:
Can anybody work out why the g is in a volta bracket labelled 1.-2.
-- that seems odd, as neither the note nor the word should be there on
the second pass.
In your lyrics definition, you're missing curly brackets around the
alternatives:
\alternative
{
2009/5/14 Neil Puttock n.putt...@gmail.com:
In your lyrics definition, you're missing curly brackets around the
alternatives:
\alternative
{ so }
{ do }
The { do } block isn't part of the \alternative block, so lilypond
interprets the volta as having a repeat count of two, with only
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score
\context ChordNames \with { \consists Rest_engraver } {
...
}
I've never
Am 14.05.2009 um 07:08 schrieb Brett Duncan:
James E. Bailey wrote:
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score
\context ChordNames
On May 13, 2009, at 11:11 PM, James E. Bailey wrote:
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score
\context ChordNames \with { \consists
volta 2
{
do re mi fa |
}
\alternative
{ so }
{ do }
}
\score {
\new Staff { \melody }
\addlyrics { \words }
}
But if an alternative begins with a rest, I get a spurious repeat mark
where the lyric comes in:
\version 2.12.2
\include english.ly
melody = \relative c
Hi Tim,
If I set lyrics against a repeat with alternative endings the way I
find in the documentation, it all works fine -- usually. This is ok,
for example.
melody = \relative c' {
\repeat volta 2 {
c4 d e f |
}
\alternative
{
{ g1 }
{ c,1 }
}
}
words = \lyricmode {
2009/5/12 Kieren MacMillan kieren_macmil...@sympatico.ca:
Is that really in the documentation? With voltas and barchecks in the
lyrics? =\
I've lost where I found it now, so maybe I was just thought I was
still in the documentation on the webpage I was browsing!
\version 2.12.2
\include
Hi Tim,
I've lost where I found it now, so maybe I was just thought I was
still in the documentation on the webpage I was browsing!
It might be there... I'm just surprised that the docs have such a
thing (which clearly cause a problem).
But presumably I have to count up the bars and put
to the preceding syllable since that
would break if there's a rest before the repeat
sign.
/Mats
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Mats,
This is unfortunately not a good habit and I remember several
emails on the mailing lists over the years where people have got
problems because they have used this solution. Since I'm getting
senile I cannot recall exactly what the problem was (an immediate
problem that comes to
solve the problem to instead attach them to the preceding
syllable since that would break if there's a rest before the repeat
sign.
/Mats
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
James
2009/5/12 Mats Bengtsson mats.bengts...@ee.kth.se:
This is unfortunately not a good habit and I remember several emails on the
mailing lists over the years where people have got problems because they
have used this solution. Since I'm getting senile I cannot recall exactly
what the problem
Hi Tim,
\unfoldRepeats won't work).
Another problem is that the midi output doesn't play the repeat
I believe that's the same problem, i.e., \unfoldRepeats would be used
in the MIDI block in order to force the repeat to be played.
Kieren.
___
into every voice was the way to go.
Unfortunately, although that works fine on notes, and it works on
lyrics as long as no alternative begins with a rest, I can't get it to
work in my case where an alternative begins with a rest but does
contain at least one note :-(
At least I've advanced beyond
Mark Polesky wrote:
Here's another solution. The only issue is that
I don't know how to configure it so that you
can modify extra-x-padding and extra-y-padding
on-the-fly. Anyone?
moved to new thread:
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00383.html
(moved from bug-lilypond to lilypond-user)
Here's another solution. The only issue is that
I don't know how to configure it so that you
can modify extra-x-padding and extra-y-padding
on-the-fly. Anyone?
- Mark
\version 2.13.0
\pointAndClickOff
#(define (whiteout-volta-stil grob)
How do I designate a whole rest in a 5/4 measure? I am getting barcheck
failures with R1 and also with R1 r4
I'm sure it's something simple I'm missing here.
Thanks,
Chip
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
How do I designate a whole rest in a 5/4 measure? I am getting
barcheck failures with R1 and also with R1 r4
I'm sure it's something simple I'm missing here.
R4*5
Thanks,
Chip
___
lilypond-user mailing list
lilypond-user@gnu.org
http
Chip wrote:
How do I designate a whole rest in a 5/4 measure? I am getting barcheck
failures with R1 and also with R1 r4
I'm sure it's something simple I'm missing here.
Thanks,
Chip
Why not just R1*5/4 ?
___
lilypond-user mailing list
lilypond
Kieren MacMillan wrote:
How do I designate a whole rest in a 5/4 measure? I am getting
barcheck failures with R1 and also with R1 r4
I'm sure it's something simple I'm missing here.
R4*5
Thanks, I expected it would be something simple.
--
Chip
Thanks,
Chip
Hi
I wanted to have something like that :
\set Score.skipBars = ##t
\time 12/8 r1*12/8*4
ie the multi measure rest with a big 4 on top of it, meaning 4 12/8
measures.
This works well for basic 4/4 time, but I don't succeed in not 4/4. Is
there a trick to have this ?
Thanks,
L
Check the section on whole measure rests. You should have a capital 'R'
instead of a lower case 'r' after your time signature.
-David
lucifree wrote:
Hi
I wanted to have something like that :
\set Score.skipBars = ##t
\time 12/8 r1*12/8*4
ie the multi measure rest with a big 4 on top
I wanted to have something like that :
\set Score.skipBars = ##t
\time 12/8 r1*12/8*4
^^^
Should be a capital R.
Best,
Gilles
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I'm fairly new to LilyPond and I'm wondering if there is a recommended way to
put a fermata below a full-measure rest. I tried:
R_\fermataMarkup
which put it in the right place but did not invert it (it still opening
downward). I also tried:
{ R } \\ { s_\fermata }
which sort of worked
-measure rest. I tried:
R_\fermataMarkup
which put it in the right place but did not invert it (it still opening
downward). I also tried:
{ R } \\ { s_\fermata }
which sort of worked except the fermata was off to the left and the rest was too
high on the staff. I assume both of those can
Another question.
Is there any way to know the TimeSignature's fraction of
current staff In your LSR code at ly:rest-interface::dot-rests ?
I want to change the number of underline as following.
TimeSignature x/4 (4/4, 3/4, 2/4, ...)
r4 - black circle without under line
r8 - black circle
Robin Bannister wrote:
Chipwrote:
I want a multi-measure rest with no number on it.
This gets rid of the number:
mmrNoNum = \once \override MultiMeasureRestNumber #'stencil = ##f
as in:
\mmrNoNum R1*16
Cheers,
Robin
Thanks, that's one I haven't seen in the NR or LM or Snippets. I placed
I would like to use a multi-measure rest, the long horizontal solid bar
style, to indicate a rest period of any number of measures. I am trying
to print lead sheets for some raggae music and the singer often changes
things from one gig to the next. The horn players just listen for
certain cues
Chipwrote:
I want a multi-measure rest with no number on it.
This gets rid of the number:
mmrNoNum = \once \override MultiMeasureRestNumber #'stencil = ##f
as in:
\mmrNoNum R1*16
Cheers,
Robin
___
lilypond-user mailing list
lilypond-user
Hello List
\fermataMarkup does the trick for a regular fermata over a measure rest, is
there something like \longfermataMarkup ? Any other way to do this ?
Regards
Tom
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
tom,
On Feb 4, 2009, at 10:31 PM, Tom Hall wrote:
\fermataMarkup does the trick for a regular fermata over a measure
rest, is
there something like \longfermataMarkup ? Any other way to do this ?
R1^\markup{\musicglyph #scripts.ulongfermata}
regards,
sb
--
Simon Bailey
Oompa Loompa
Hi users.
I want to customize rest by its duration, as following
r4 -- black circle
r8 -- black circle with under line
I tried following code.
RestIV = {
\once \override Rest #'stencil = #ly:text-interface::print
\once \override Rest #'text = \markup {
\halign
Thanks for your great idea.
So, I can continue my work.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Montag, 2. Februar 2009 10:09:55 今井雄治 wrote:
Hi users.
I want to customize rest by its duration, as following
r4 -- black circle
r8 -- black circle with under line
Attached is a scheme example how to do this (it checks the duration
Stefan Waler wrote:
Thanks Mats - this did the job!
I really wish there were any tools in lilypond for merging rests over
a complete (polyphonic) staff...
Search for rests in the LSR, http://lsr.dsi.unimi.it/
/Mats
___
lilypond-user mailing
Hi,
I would like to write a whole measure rest into a staff which I left
just before - is this possible somehow? I tried using two voices with
the result that the rest is is not centered vertically anymore (which
is, BTW, always very annoying anyway).
Thanks for your help!
Stefan
c1
how to set the vertical position of the whole bar rest
(set the staff position to 0 to get the default
position).
/Mats
Stefan Waler wrote:
Hi,
I would like to write a whole measure rest into a staff which I left
just before - is this possible somehow? I tried using two voices
-of-overriding
you will learn how to set the vertical position of the whole bar rest
(set the staff position to 0 to get the default
position).
Thanks Mats - this did the job!
I really wish there were any tools in lilypond for merging rests over a
complete (polyphonic) staff...
Stefan
if you want to use the \rest-feature you have to switch to \notemode
first:
bd4 \notemode {c4 \rest}
hth
ole
Am 01.01.2009 um 00:38 schrieb corallina:
I have been using the c4\rest method when I need to position a
rest on
at a particular location
when I tried it on the percussion
greetings;
Thank you
I tried it this morning and it works
On Fri, Jan 2, 2009 at 1:45 AM, Ole Schmidt oleschm...@gmx.net wrote:
if you want to use the \rest-feature you have to switch to \notemode first:
bd4 \notemode {c4 \rest}
hth
ole
Am 01.01.2009 um 00:38 schrieb corallina:
I
if you want to use the \rest-feature you have to switch to \notemode
first:
bd4 \notemode {c4 \rest}
hth
ole
Am 01.01.2009 um 00:38 schrieb corallina:
I have been using the c4\rest method when I need to position a
rest on
at a particular location
when I tried it on the percussion
I have been using the c4\rest method when I need to position a rest on
at a particular location
when I tried it on the percussion staff it gives an error. I tried
something like this bd4\rest.
Also I should mention that I am using a custom percussion stave so I
would like all rests to line
Hi, is this a bug or a feature? - on Lilypond 2.10.33 if you do
c'1 R1*4 d' e'
it leaves some extra blank bars after the D.
To get around it, you have to write
c'1 R1*4 d'1 e'
i.e. you can't assume that the 1 from the
R1*4 will carry over to the next note.
Should this be mentioned in the
On Mon, Dec 08, 2008 at 06:08:57PM +, Silas S. Brown wrote:
c'1 R1*4 d'1 e'
i.e. you can't assume that the 1 from the
R1*4 will carry over to the next note.
Umm, no. You *can* assume that the 1*4 from the R1*4 carries
over to the next note.
Should this be mentioned in the
I have a 4 measure multi-measure rest, I want to put a Segno above the
right-most barline. I've looked in the snippets library and the handbook and all
the examples leave out this situation. Can someone give me an example of how to
do this?
Thanks
After much experimenting I got it working.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
2008/10/22 Mats Bengtsson [EMAIL PROTECTED]:
The following version of your example seems to work
Thank you, Mats.
(note that \cadenzaOff is equivalent to \set Score.timing = ##f
whereas \cadenzaOn does a bit more than just setting it
to true again, see the file property-init.ly).
\score {
Hello,
please, how to put whole measure rest in unmetered music's bar?
Music is already typed with removed Time_siginature_engraver and
Score.timing switched off. A dozen of pieces already typed.
I guess I can set timing on and... :-)
Weird.
Please, help.
Thank you.
--
Dmytro O. Redchuk
,
please, how to put whole measure rest in unmetered music's bar?
Music is already typed with removed Time_siginature_engraver and
Score.timing switched off. A dozen of pieces already typed.
I guess I can set timing on and... :-)
Weird.
Please, help.
Thank you.
--
Dmytro O. Redchuk
Hi.
Maybe that
\cadenzaOn
is what you should use.
Best,
Gilles
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
]:
Hi.
Maybe that
\cadenzaOn
is what you should use.
No, in my minimal example i can not put whole measure rest
inside cadenza even in Score.timing switched on
(and manual barlines commented out).
Best,
Gilles
--
=
Mats
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
View this message in context:
http://www.nabble.com/fermata-over-rest%2C-tempo-positioning%2C-solo-tutti-tp19422519p19449959.html
Sent from the Gnu - Lilypond - User mailing list
2008/9/12 Trevor Daniels [EMAIL PROTECTED]:
Jo
Have a look at the Known issues in section 1.2.5.2 Bar numbers in the 2.11
Notation Reference - it is not possible to print a 1 on the first bar.
http://www.mail-archive.com/lilypond-user@gnu.org/msg39763.html
You have read this thread :-)
On 12.09.2008, at 08:01, jo.clarinet wrote:
I don't actually want/need the first bar numbered - just 5, 10 etc. I
think the problem here is I simply don't understand what each bit
of the
process means, whereas the other LilyPond commands I've encountered
so far
seem more straightforward.
Dmytro O. Redchuk
2008/9/12 Trevor Daniels [EMAIL PROTECTED]:
Jo
Have a look at the Known issues in section 1.2.5.2 Bar numbers in the
2.11
Notation Reference - it is not possible to print a 1 on the first bar.
http://www.mail-archive.com/lilypond-user@gnu.org/msg39763.html
You have read
2008/9/12 Trevor Daniels [EMAIL PROTECTED]:
Yes. But if you read it more carefully you will notice this sets the number 1
I've posted smth like this that time:
{
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
\bar
\repeat unfold 4 { c4 c c c }
}
over the
Dmytro O. Redchuk Friday, September 12, 2008 9:06 AM
2008/9/12 Trevor Daniels [EMAIL PROTECTED]:
Yes. But if you read it more carefully you will notice this sets the
number 1
I've posted smth like this that time:
{
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
I would like to know if it's possible to get a fermata over a full-
measure rest (i.e., R1\fermata). So far, my attempts haven't worked,
and I end up having to use a whole rest shifted over.
On 11.09.2008, at 07:46, Paul Scott wrote:
On Sep 10, 2008, at 10:30 PM, jo.clarinet wrote:
I've
On Thu, 11 Sep 2008, James E. Bailey wrote:
I would like to know if it's possible to get a fermata over a full-measure
rest (i.e., R1\fermata). So far, my attempts haven't worked, and I end up
having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
It can be found
James
Ralph has been beavering away adding index entries to the manuals, and this
is now a really helpful resource, getting better day by day. In your case
the index to the Notation Reference has an entry under f for fermata on
multi-measure rest. The referenced page says R2.^\fermataMarkup
I would like to know if it's possible to get a fermata over a
full-measure rest (i.e., R1\fermata). So far, my attempts haven't
worked, and I end up having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
The question is: Why hasn't James found this immediately
I know, right?
On 11.09.2008, at 09:53, Werner LEMBERG wrote:
I would like to know if it's possible to get a fermata over a
full-measure rest (i.e., R1\fermata). So far, my attempts haven't
worked, and I end up having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
I know, right?
Oops, I mixed up the names, sorry.
Werner
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On 11.09.2008, at 10:26, Werner LEMBERG wrote:
I know, right?
Oops, I mixed up the names, sorry.
No, I really should have found that on my own. I can be daft, too.
___
lilypond-user mailing list
lilypond-user@gnu.org
This is what I was looking for - a fermata over a whole bar's rest - thank
you!
Zoltan Selyem-2 wrote:
On Thu, 11 Sep 2008, James E. Bailey wrote:
I would like to know if it's possible to get a fermata over a
full-measure
rest (i.e., R1\fermata). So far, my attempts haven't worked
--
View this message in context:
http://www.nabble.com/fermata-over-rest%2C-tempo-positioning%2C-solo-tutti-tp19422519p19432532.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
On 11.09.2008, at 13:09, jo.clarinet wrote:
2. I can get tempo indications like Allegro, Andante etc printed
up, but
when tempo changes occur in the course of a piece, they seem to
come up
about half-a-bar before they should. I set the \mark\markup for
just before
the first note of the new
the beginnings of lines..
Thanks for your patience,
Jo
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
:-):-)
--
View this message in context:
http://www.nabble.com/fermata-over-rest%2C
On 11.09.2008, at 17:39, jo.clarinet wrote:
I have one more question (for the moment - I think I'll be OK for a
while
now!). How do I get the bar numbers to come up as 5, 10, 15 etc
rather
than at the beginning of each line? (I've several times come across
links
to just this subject but,
On Thu, 2008-09-11 at 08:39 -0700, jo.clarinet wrote:
I have one more question (for the moment - I think I'll be OK for a while
now!). How do I get the bar numbers to come up as 5, 10, 15 etc rather
than at the beginning of each line? (I've several times come across links
to just this
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
View this message in context:
http://www.nabble.com/fermata-over-rest%2C-tempo-positioning%2C-solo-tutti-tp19422519p19445486.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com
Subject: Re: fermata over rest, tempo positioning, solo/tutti
James E. Bailey-2 wrote:
On 11.09.2008, at 17:39, jo.clarinet wrote:
How do I get the bar numbers to come up as 5, 10, 15 etc
rather
than at the beginning of each line?
http://kainhofer.com/~lilypond/Documentation/user
2008/9/11 Trevor Daniels [EMAIL PROTECTED]:
Jo
Have a look at the Known issues in section 1.2.5.2 Bar numbers in the 2.11
Notation Reference - it is not possible to print a 1 on the first bar.
http://lsr.dsi.unimi.it/LSR/Item?u=1id=504
...or if you want 1 and every nth:
#(define
apologise in
advance if these are really obvious questions, and hope you don't mind me
asking.
1. How can I get a fermata sign over a rest? I've tried all the permutations
I can think of but with no luck!
2. I can get tempo indications like Allegro, Andante etc printed up, but
when tempo changes occur
of the links given don't work on my computer! So I
apologise in
advance if these are really obvious questions, and hope you don't
mind me
asking.
1. How can I get a fermata sign over a rest? I've tried all the
permutations
I can think of but with no luck!
r4\fermata will put a fermata
Arno,
The good news is, yes it can be done, and quite simply. You simply need
to set Staff.ignoreFiguredBassRest = ##f.
Carl,
You're a genius (or quite close to it)
Arno Rog
___
lilypond-user mailing list
lilypond-user@gnu.org
has
to play one chord, starting at the location of the rest and during the remainder
of the example.
It is customary (and is used frequently) to display a line starting from the
first rest all the way to the last note.
schematically:
r g a b
---
It can also happen that for example a sharp
801 - 900 of 1178 matches
Mail list logo
