> *From:* Shane Brandes [mailto:shane.bran...@gmail.com]
> *Sent:* Monday, March 7, 2022 7:40 AM
> *To:* Mark Stephen Mrotek
> *Cc:* Lilypond-User Mailing List
> *Subject:* Re: slur to chord
>
>
>
> Run the code as I set it down. you should see a slur from the b to the a
on, yet it only removes the slur it does not
> reposition it.
>
>
>
> Mark
>
>
>
> *From:* Shane Brandes [mailto:shane.bran...@gmail.com]
> *Sent:* Sunday, March 6, 2022 9:46 PM
> *To:* Mark Stephen Mrotek
> *Cc:* Lilypond-User Mailing List
> *Subject:* Re: slur
Shane,
Shall inspect context. Perhaps something prior is affecting.
Thank you for your assistance.
Mark
From: Shane Brandes [mailto:shane.bran...@gmail.com]
Sent: Monday, March 7, 2022 7:40 AM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: slur to chord
Run
Hi Mark,
> Thank you, yet the slur still connects with the fis rather than the a.
Not here:
Perhaps there's something non-standard with your configuration?
— Kieren
: slur to chord
Hi Mark,
Maybe this?
\version "2.22.1"
\relative c' {
\slashedGrace { b'8^( } 8)
}
Hope that helps!
Kieren
Hi Mark,
Maybe this?
\version "2.22.1"
\relative c' {
\slashedGrace { b'8^( } 8)
}
Hope that helps!
Kieren
Shane,
Thank you for the suggestion, yet it only removes the slur it does not
reposition it.
Mark
From: Shane Brandes [mailto:shane.bran...@gmail.com]
Sent: Sunday, March 6, 2022 9:46 PM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: slur to chord
\version
\version "2.22.1"
\relative c' {
\slashedGrace b'8 ^( 8
}
On Sun, Mar 6, 2022 at 10:41 PM Mark Stephen Mrotek
wrote:
> Hello All,
>
>
>
> How do I get the slur go from the acciaccatura to the “a”?
>
>
>
> Thank you for your kind attention..
>
>
>
> \version "2.22.1"
>
>
>
> \relative c' {
Hello All,
How do I get the slur go from the acciaccatura to the "a"?
Thank you for your kind attention..
\version "2.22.1"
\relative c' {
\acciaccatura b'8 8
}
Mark Stephen Mrotek
Try adding a \slurUp before the \acciaccatura.
I hope you know that you can save some typing by using \relative mode
(in this specific case, where you have many chords that are larger than a
quarter, you could stick to absolute octaves, but still save lots of typing
by inputting the music one oct
I am having the following problem - any suggestions would be
appreciated
I cannot make a slur from the E grace note at the start of the
second bar go to the F#, it goes to the A in all the four
examples I tried below. As you can see, I have tried to think
laterally, but without success so far...
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