David Kastrup wrote
> Excuse me?
Ah, yes, sorry, of course…
I just looked at Ming's example, had (for an unknown reason) something
*\naturalizeMusic* in mind and completely ignored what I had said before
about intervals.
When transposing F major down a minor second, we will get E major quite
natu
Torsten Hämmerle writes:
> Apart from that, LilyPond will use suitable enharmonic key signatures if
> things (i.e. accidentals) are getting too weird.
> In your example, the second key signature (F major) will *not* be converted
> into Fb major (with 6 flats and even one double-flat!) but into E
Hi Ming,
I think there is a general misunderstanding:
When saying "\transpose ef d", ef and d do *not* mean key signatures but
reference pitches defining an interval, nothing more, nothing less.
For specifying a key signature, by the way, you'd also have to state the
mode (e.g. minor, major, dori
