Valentin Villenave in
[EMAIL PROTECTED] :
There was a discussion about that a few months ago; maybe we should
talk about it again...
Thanks to an emailed answer i have the `-ddelete-intermediate-files' option.
This option is now used by default.
is there a better solution to get the vertical brackets displayed
in the attached image than the code below? It's a nasty fiddling,
and it breaks very easily...
These vertical brackets are a special form of arpeggio; see 6.6.7
Arpeggio.
I know, however, it didn't work well.
... or
Hello,
.
I am checking out different types of
music notation software.
When I am trying to read about Lilypond,
the language switches from English to
German, and then 2 times it switched from
English to French.
There must be a way of setting the language
so that it doesn't change frequently.
2007/7/24, Peter Terpstra [EMAIL PROTECTED]:
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00284.html
I absoluteley agree with graham, most people never need the .ps files.
The .ps file is just a temporary file.
I wouldn't put it that way (to me it is an essential fact that
Skippy G. Mardon [EMAIL PROTECTED] writes:
There must be a way of setting the language
so that it doesn't change frequently.
Please follow the link about automatic language selection
at the bottom of the website.
Jan.
--
Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music
2007/7/24, Skippy G. Mardon [EMAIL PROTECTED]:
Hello,
Welcome on the list :)
I am checking out different types of
music notation software.
When I am trying to read about Lilypond,
the language switches from English to
German, and then 2 times it switched from
English to French.
This is
Hi.
What I like to do best, is play a song
on the MIDI keyboard and then have
the notes appear on the screen.
To do this, you might want to have a look at the Rosegarden 4 software.
Best regards,
Gilles
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When I have two textscripts attached to the same note, how do I tweak only one
of them?
I want the text above at the same level as other texts above the same staff,
but I do not want to change the padding for the text below the same note.
\once \override TextScript #'staff-padding = #3
Hi Wilbert,
When I have two textscripts attached to the same note, how do I
tweak only one of them?
Use the \tweak command! ;-)
c^\markup { untweaked } -\tweak #'padding #15 ^\markup { tweaked }
Hope this helps!
Kieren.
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On 7/24/07, Kieren MacMillan [EMAIL PROTECTED] wrote:
Hi Wilbert,
When I have two textscripts attached to the same note, how do I
tweak only one of them?
Use the \tweak command! ;-)
c^\markup { untweaked } -\tweak #'padding #15 ^\markup { tweaked }
I like this.
This brings my
Op dinsdag 24 juli 2007, schreef Trevor Bača:
Kieren MacMillan wrote:
Use the \tweak command! ;-)
c^\markup { untweaked } -\tweak #'padding #15 ^\markup { tweaked }
I like this.
This brings my mental list of \tweak examples to three things:
1. nested tuplet brackets that begin at the
Hi all,
I've just subscribed to the *lilypond-user* list and I'd like to ask a
question...
I am a very beginner to the classical guitar and also to the music
notation... today I struggled a lot and finally I've been able to produce
the notation staff of one of the pieces we've learned to play on
Yes, LP can do guitar tab, but it might leave some rock guitarists wanting.
For classical pieces it would probably be adequate (there's no support, at
least in the version I use - 2.6.5 - for things like bends,
hammer-ons/pull-offs, etc). Just guessing, since I've never really done any
Hi all!
In a piece I am engraving with lilypond I have an acciaccatura leading to a
chord. The acciaccatura should actually lead to a specific note in that
chord (the highest one in my case). However, lilypond treats the chord as
one unit and doesn't allow to lead the acciaccatura to one of the
I'm rather dissatisfied with the way LilyPond prints chord names. After trying
all the ideas some people here have generously given me to try and use my own
chord-name font, I've come to the conclusion that the only practical way to
achieve what I want is by changing the sourcecode to fit my
This is possible, because LilyPond is completely open source. But
before trying to do this, please describe what you want to do. Maybe
others are interested in that way of printing chordnames, too. Maybe
there´s a way to provide a patch for LilyPond that your ideas can
become part of the official
Thank you, Dominic. I'm new here and I hadn't thought of that.
I'll make a pdf with my chord-name font and its various combinations. Who
should I send it to?
(I'm sorry, I don't know how to thread this answer directly under yours at
the forum.)
Send it to the lilypond-user list and also to the devel-list
([EMAIL PROTECTED]).
Maybe we should at first discuss on the users list if this is a
special way of setting chordnames and only you need it or if its
needed by (maybe many) other users too ...
2007/7/24, PabloZum [EMAIL PROTECTED]:
Hello Everyone,
I'm trying to create a new dynamic sign for 'attacco impercettibile'
(this can be found for example in scores of some spectralist composers,
like Gérard Grisey). This sign is supposed to be something like a
striked circle, like the character ɵ or ø character, and it means
Hello,
What is the code for the articulation mark representing the so-called
'Bartok'-pizzicato? (A circle like for flageolets, but with a short
vertical line crossing the circle at the top.) I hadn't found this in
the table of articulation signs in the manual.
Thank you,
Adam
On 7/24/07, Siska Ádám [EMAIL PROTECTED] wrote:
Hello Everyone,
I'm trying to create a new dynamic sign for 'attacco impercettibile'
(this can be found for example in scores of some spectralist composers,
like Gérard Grisey). This sign is supposed to be something like a
striked circle, like
These vertical brackets are a special form of arpeggio; see 6.6.7
Arpeggio.
From that idea, I get this ugly solution
%%
\version 2.10.25
\score {
\new Staff {
\override Staff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
\override Staff.Arpeggio
Op dinsdag 24 juli 2007, schreef Siska Ádám:
'Bartok'-pizzicato
You could do something like:
#(define-markup-command (bartokpizz layout props) ()
(interpret-markup layout props
(markup #:stencil
(ly:stencil-translate-axis
(ly:stencil-add
(make-circle-stencil 0.7
Thank you, this works quite nice, and sorry for the duplicated question
Bye,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Wilbert Berendsen wrote:
Op dinsdag 24 juli 2007, schreef Siska Ádám:
'Bartok'-pizzicato
You could do something
From that idea, I get this ugly solution [...]
Thanks! This is better than my solution.
Werner
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Hello,
I'm trying to set up upper double brackets (the 'con molta pressione'
sign for strings), but I have no idea on how to do this. I found that
there are analysis brackets, but I can't force them to put themselves on
the top of the notes, they don't really have rectangular shape, and they
PabloZum pabzum at terra.com.br writes:
I'm rather dissatisfied with the way LilyPond prints chord names. After
trying all the ideas some people here have generously given me to try and
use my
own chord-name font, I've come to the conclusion that the only practical
way to
achieve
Hi,
This works fine:
%%% EX 1 %%%
\version 2.11.26
\new Staff {
\override TextSpanner #'bound-details #'right #'text = \markup { end }
c'4
}
%%% EX 1 %%%
But this causes explosions:
%%% EX 2 %%%
\version 2.11.26
\new Staff {
c'4
}
\layout {
\context {
\Staff
\override
Hi,
Is there a reason the nibbed output of draw-line is almost 20 times
thicker than usual (rather than just 2 times thicker like the rest of
the TextSpanner)?
%%% EX 1 %%%
\version 2.11.26
\new Staff {
c'4 \startTextSpan
c'4 \stopTextSpan
}
\layout {
\context {
\Staff
In printed music, I often see the coda system at the end of a piece
on its own line and indented.
In Lilypond, I can place the coda symbol and break the line,
but how do I indent the system? Can't figure it out.
Thanks!
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