the \tweak you suggest does not work (unfortunatly)...
ole
Am 26.08.2007 um 01:38 schrieb Han-Wen Nienhuys:
Ole Schmidt escreveu:
Dear all,
is there a way to place a rest (higher) in \drummode? (like with
\rest
command in normal staffs)
\override the staff-position of the Rest, or
I am having a problem where slurs across system breaks look like 2 slurs -
instead of a slur-with-a-break (i.e. the right end of the slur at the top
system should remain open not curve down like an ending of a slur, and
similar the left begining of the second slur).
I couldn't find a solution for
Hi Arvid,
On 26 Aug 2007 10:35:21 +0200, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
...unlike ties and phrasing slurs?
This one looks strange with both latest 2.10 and 2.11 IMO; I can't get
2.8 to run at the moment to check if this is a regression or not.
-- Arvid
\version 2.8.1
I think the manual is a bit unclear on this topic.
I tried \set Staff.midiMaximumVolume = #0 but it didn't work.
regards,
Tao
--
Pt! Schon vom neuen GMX MultiMessenger gehört?
Der kanns mit allen: http://www.gmx.net/de/go/multimessenger
___
2007/8/25, Kieren MacMillan [EMAIL PROTECTED]:
p.s. This is *definitely* an LSR-worthy tip/trick!
It is indeed; feel free to add it and I'll mark it as approved ASAP :)
Regards,
Valentin
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2007/8/26, Oded [EMAIL PROTECTED]:
Greetings,
I couldn't find a solution for this problem searching through the archive
only another user posing this question 4 years ago with no replies and I
also noticed that this seems to be how slurs are done in all the examples
availbale on the website.
2007/8/26, Han-Wen Nienhuys [EMAIL PROTECTED]:
I think you are all thinking in too complicated directions.
x-aligned-on-self !!! This is awesome!
Han-Wen (if I may repeat myself), you're a God!
I'm immediately adding it to the LSR.
Valentin
___
2007/8/26, Valentin Villenave [EMAIL PROTECTED]:
x-aligned-on-self !!! This is awesome!
Awesome, *but*...
As a result, the first TimeSignature of each system is also aligned
with the left barline (which puts it too far on the left, even before
the Clef). For the very first TimeSignature, no
hello
Put a dynamic at the begin off no sound
%
\version 2.10.29
\score {
\relative c' {
c8
c c d
e4 d
\set Staff.midiMaximumVolume = #0
c8\f^Dyn. for NO sound
e d d
\set Staff.midiMaximumVolume = #1
c2 \f^for sound
}
hello
Put a dynamic at the beginning of your Note where you dont want no sound.
%
\version 2.10.29
\score {
\relative c' {
c8
c c d
e4 d
\set Staff.midiMaximumVolume = #0
c8\f^Dyn. for NO sound
e d d
\set Staff.midiMaximumVolume = #1
c2 \f^for sound
}
You can hide the dynamics with
\once \override Score.DynamicText #'transparent = ##t
Put a dynamic at the beginning of your Note where you dont want no sound.
I think the manual is a bit unclear on this topic.
I tried \set Staff.midiMaximumVolume = #0 but it didn't work.
Hi Valentin,
On 8/26/07, Valentin Villenave [EMAIL PROTECTED] wrote:
2007/8/25, Kieren MacMillan [EMAIL PROTECTED]:
p.s. This is *definitely* an LSR-worthy tip/trick!
It is indeed; feel free to add it and I'll mark it as approved ASAP :)
I've just added it as Forcing visibility of
Have a look at issue 379, ugly slur with key signature and line break.
Ah, so this is possibly a duplicate.
It's classed as a low-priority defect, unfortunately.
It *should* be simple to fix at least this aspect of it, though: Both
ties and phrasing slurs start after the key signature and
2007/8/26, Neil Puttock [EMAIL PROTECTED]:
I've just added it as Forcing visibility of systems with multi-bar rests
when using \RemoveEmptyStaffContext; I hope it's OK.
http://lsr.dsi.unimi.it/LSR/Item?u=1id=312
A bit long, but I couldn't find any shorter title. It's approved now;
however,
Hello everybody,
I'm sending it to -user, to discuss it before making a bug report.
As I said in the title, there's an annoying thing when typesetting an
orchestral score with some Piano or Harp parts in it: when your harp
(or piano) only plays a few notes with one single hand, the
2007/8/26, Valentin Villenave [EMAIL PROTECTED]:
The existing solutions are:
-whenever only one hand is playing, systematically add invisible notes
to the other hand so the staff doesn't disappear. As Neil mentioned,
it is ugly.
Here is a quick-and-dirty function I wrote a few months ago,
Hi Valentin,
this is, IMO, a bug: neither a Piano nor a Harp part
should ever be reduced to a single staff!
I disagree, and there are many hand-engraved examples to back me up
-- for example, Stravinsky's Petrushka (Edition Russe de Musique,
1912) clearly shows the Harp I part as two
2007/8/26, Kieren MacMillan [EMAIL PROTECTED]:
Hi Kieren,
I disagree, and there are many hand-engraved examples to back me up
-- for example, Stravinsky's Petrushka (Edition Russe de Musique,
1912) clearly shows the Harp I part as two staves with brace (most of
the time) AND as a single
2007/8/26, Kieren MacMillan [EMAIL PROTECTED]:
Actually, it does... see for example http://lists.gnu.org/archive/
html/lilypond-user/2006-07/msg00244.html.
I had never thought the SystemStartBrace had a collapse-height
property like the SystemStartBracket; thank you for the tip (I'm
adding it
Hi Valentin:
we agree to say that keeping alive both staves of a PianoStaff
should be the default behavior (or at least, should be possible).
If this isn't a bug, this is at least a missing feature...
Absolutely! =)
Kieren.
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lilypond-user
2007/8/26, Valentin Villenave [EMAIL PROTECTED]:
As a result, the first TimeSignature of each system is also aligned
with the left barline (which puts it too far on the left, even before
the Clef). For the very first TimeSignature, no big deal: one can
easily add an \once \override. But when
Hi Kieren/Valentin,
On 8/26/07, Kieren MacMillan [EMAIL PROTECTED] wrote:
Hi Valentin:
we agree to say that keeping alive both staves of a PianoStaff
should be the default behavior (or at least, should be possible).
If this isn't a bug, this is at least a missing feature...
Absolutely!
2007/8/26, Han-Wen Nienhuys [EMAIL PROTECTED]:
2007/8/26, Valentin Villenave [EMAIL PROTECTED]:
As a result, the first TimeSignature of each system is also aligned
with the left barline (which puts it too far on the left, even before
the Clef).
I thought that was desired. If you don't do
On 8/14/07, Neil Puttock [EMAIL PROTECTED] wrote:
Hi everybody,
Here's a layout section I'm using to allow rehearsal marks to be printed
on more than one stave in an orchestral score:
\layout {
\context { \Score
\remove Staff_collecting_engraver
\remove
2007/8/23, Jack Cooper [EMAIL PROTECTED]:
While OpenOffice isn't technically a freeware version of Microsoft Office,
I don't know how else to describe it to folks who have never heard of it
or used it. And since I wrote these intro notes, I am more inclined
to use GIMP for image editing and
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Am Sonntag, 26. August 2007 schrieb Valentin Villenave:
2007/8/26, Oded [EMAIL PROTECTED]:
Greetings,
I couldn't find a solution for this problem searching through the archive
only another user posing this question 4 years ago with no replies
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Am Sonntag, 26. August 2007 schrieb Reinhold Kainhofer:
I looked at an old edition of Mozart's Verspera sollenis de confessore (KV
339), which was published by Breitkopf Härtel in 1896. It seems that
ties and slurs that span a line break do not
Neil Puttock wrote:
I've just encountered another problem - clef changes skew the
rehearsal mark positioning to the left of the bar-line:
That's since the default setting for the break-align-symbols property of
the
RehearsalMark objects is #'(staff-bar clef), which gives the desired
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