Trevor,
thank you very much for your solution. I managed to achieve what I wanted
without fully understanding of what's going on. Here's the code:
\version 2.13.3
\relative c' {
\new Staff
\new Voice = visible {
e,16[ e
\once \override Glissando #'minimum-length = #5
\once
Dear community,
I have a problem with a slur, which doesn't look nice, as You can see in the
below quoted snippet.
Off course I know, that I can change the ceontrol-points. I tried to
understand their meaning, but without success.
Could someone, please, give me a hint?
Thanks, Stefan
\version
If have have a typeset page, and it has some bad page turns, how can I
tweak the outputs to control where the page turns are?
Thanks!
Daryna
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Stefan
It is tricky if you don't understand Bezier curves,
but quite easy if messy once they are understood.
Have you read Modifying ties and slurs in
section 5.5.4 Modifying shapes in the
Notation Reference? That gives some clues. It
also helps to Google for Bezier curves. In the
end though
Jonathan Wilkes wrote:
Ok, trying it right now...
--- On Wed, 7/29/09, Nick Payne nick.pa...@internode.on.net wrote:
From: Nick Payne nick.pa...@internode.on.net
Subject: RE: How do you move a note horizontally?
To: 'Jonathan Wilkes' jancs...@yahoo.com, lilypond-user@gnu.org
Date: Wednesday,
Patrick Schmidt wrote Monday, August 03, 2009 9:24 AM
Subject: Re: chord slides
thank you very much for your solution. I managed to achieve what I
wanted without fully understanding of what's going on. Here's the
code:
\version 2.13.3
\relative c' {
\new Staff
\new Voice = visible {
2009/8/3 Daryna Baikadamova daryna.baikadam...@gmail.com:
If have have a typeset page, and it has some bad page turns, how can I
tweak the outputs to control where the page turns are?
You can define \goodbreak and/or \badbreak and use them in your scores.
goodbreak = { \break }
badbreak = {
Helge Kruse wrote Monday, August 03, 2009 12:21 PM
Jonathan Wilkes wrote:
Ok, trying it right now...
--- On Wed, 7/29/09, Nick Payne nick.pa...@internode.on.net
wrote:
From: Nick Payne nick.pa...@internode.on.net
Subject: RE: How do you move a note horizontally?
To: 'Jonathan Wilkes'
2009/8/1 Federico Bruni brunol...@gmx.com:
I'd be really glad to help with the tablature example.
I think a modern piece would be better in this case, as tablature are used
by modern guitarists.
What about a Scott Joplin ragtime arranged for guitar? (it is in the public
domain)
I guess a
2009/8/1 Graham Percival gra...@percival-music.ca:
Also, can you improve any examples? I mean, the Goyescas /
Granados example and Cary / Baca examples look *wicked awesome*.
In contrast, the tablature example bores me to tears, the vocal
music example is probably missing a / accent in
Dear Trevor,
thank You so much for Your excellent and easy understandable explanations!
Now I know, where I have to turn the screws!
Kind regards,
Stefan
2009/8/3 Trevor Daniels t.dani...@treda.co.uk
Stefan
It is tricky if you don't understand Bezier curves,
but quite easy if messy once they
Werner LEMBERG wrote:
Would it be technically feasible/possible to establish a system of
anchors instead?
This would be indeed a great feature!
Reminds me of the GOTO command in BASIC! ;-)
Seriously, I seem to recall that I proposed this feature some 11-12
years ago and at that
I read in the main.cc source that the GUILE start-up is very time
consumming. I
wonder if some modification in the code could be done so that the GUILE
startup
occurs once for several compilation cycles, something as (pseudocode)
Yes, that's been done with the lilypond server. Search the
Daryna Baikadamova schrieb:
There are many WYSIWIG software capable of opening and saving lilypond
files, such as MuseScore, Denemo and Canorus. However what are the
quality of their Lilypond inputs and outputs?
Also when we talk about quality, we often mean the accuracy, how
well the features
There are various tricks involving invisible
notes or slurs which might be used to increase
the spacing between two notes in a monophonic
sequence, or maybe reading section 4.5 Horizontal
spacing in the Notation Reference will give some
better leads. Which is best depends on the
precise
2009/8/2 Graham Norton graha...@iprimus.com.au:
Dear All,
The Unicodes are available from TeXShop Edit Special Characters (in MaC
OS).
And on a PC, Charmap is your friend (installed with all recent
versions of Windows I've used, although not always easy to find --
Start | Run and type
Hello,
I'm having trouble entering the following fragment of music:
\version 2.12.2
\relative c'' {
\time 3/4
\partial 32 cis32~( |
cis4~ cis8~ \acciaccatura e' f~ f4 |
f16 e \times 2/3 { f des a } \times 2/3 { e d c } aes32 g'16.) ees32 b
g d e gis c e |
}
I don't know what Aphex Twin is, or what it has to do with the image, but
I'd guess it's the name of a rock band. Am I right?
I think one of the flutists in the community orchestra I play in had that
on her stand at a rehearsal once so I thought it might be some kind of
inside flute joke...but
Helge Kruse wrote:
I tried MuseScore 0.9.4. I save a simple file in Lilypond format and
open the file again. MuseScore hung. There is a newer version 0.9.5 but
the release notes does not say anything about bug fixing in .ly file
handling. I think, as long as the program cannot read its own
On Mon, Aug 3, 2009 at 12:36 PM, Jonathan Wilkes jancs...@yahoo.com wrote:
Hello,
I'm having trouble entering the following fragment of music:
\version 2.12.2
\relative c'' {
\time 3/4
\partial 32 cis32~( |
cis4~ cis8~ \acciaccatura e' f~ f4 |
f16 e
This is variation of a known problem, namely that you cannot have more
than a single slur simultaneously and that the \acciaccatura draws a
normal slur. If you want a slur that passes an \acciaccatura, use a
\phrasing slur instead, i.e. use \( and \) instead of ( and ).
Strangely enough, I
I wonder if it's possible to tell lilypond to print the triplet feel
symbol at the beginning of the score.
I don't care having swing midi, I need just the symbol.
I mean, something like this:
http://3.bp.blogspot.com/_TG7cLMAyug4/STO6exsyCuI/AA8/l2XfxJRpaDI/s320/triplet_feel_image.png
When using Lyrics and ChordNames contexts, if there happen to be no lyrics
or chord names in a system, the space they would take is collapsed
vertically. This is usually the best option, but I'm currently working on
a score where it produces an awkward result. Is there any way to prevent
this, and
--- On Mon, 8/3/09, Jonathan Kulp jonlancek...@gmail.com wrote:
From: Jonathan Kulp jonlancek...@gmail.com
Subject: Re: cannot end slur
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Monday, August 3, 2009, 10:46 PM
On Mon, Aug 3, 2009 at 12:36 PM,
Jonathan
On 03.08.2009, at 19:36, Jonathan Wilkes wrote:
Hello,
I'm having trouble entering the following fragment of music:
\version 2.12.2
\relative c'' {
\time 3/4
\partial 32 cis32~( |
cis4~ cis8~ \acciaccatura e' f~ f4 |
f16 e \times 2/3 { f des a } \times 2/3 { e
On 02.08.2009, at 15:06, Graham Norton wrote:
Dear All,
The Unicodes are available from TeXShop Edit Special Characters
(in MaC OS).
Just select a character and let the mouse hover over it. (A total
of 2820 glyphs can be obtained this way.)
Here is a table of special French
Tim Rowe wrote:
2009/8/1 Federico Bruni brunol...@gmx.com:
I'd be really glad to help with the tablature example.
I think a modern piece would be better in this case, as tablature are used
by modern guitarists.
What about a Scott Joplin ragtime arranged for guitar? (it is in the public
domain)
Maybe in NR 1.3.2 under slurs there could be a warning at the
bottom that says since \acciaccatura automatically creates a slur, you
can't make an additional slur over it.
Thanks for the explanation.
-Jonathan
--- On Mon, 8/3/09, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
From: Mats
In addition to all the answers you have already received, you may also
want to take a look at http://lsr.dsi.unimi.it/LSR/Item?id=266
(just as in the manual, you should click on the example score to see the
corresponding .ly code).
/Mats
Amiable wrote:
Amiable wrote:
Hi, New user to
Hi,
I don't know why and wherefore - but removing the acciaccatura seems
to allow the slur to fulfill itself - whether it is a matter of the
acciaccatura making the staff too high, or a bug, or something more
subtle I don't know enough about Lilypond to say, but I hope this helps.
Regards
A phrasing slur goes all the way.
(Don't ask me why!)
Cheers,
Robin
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Jonathan
The problem is that acciaccatura and appoggiatura
are both slurred to the following note, and slurs
cannot be nested. If you change the \acciaccatura
to \grace (which isn't slurred to the following
note) your slur will continue to the g.
You can add the slash to the grace note with
Jonathan
Stupid of me! I gave the correct analysis of
your problem but the wrong solution!
You should use a phrasing slur, \( .. \)
instead of a slur, ( .. ). Then the acciaccatura
slur doesn't get in the way.
Trevor
- Original Message -
From: Trevor Daniels t.dani...@treda.co.uk
I am retypesetting orchestral parts. I create a global part which
contains common stuff such as time signature, tempo, rehearsal marks
volta and double bars. Then each instrument has its own part.
To create an orchestral part, the global part is combined with the
instrument part
\score {
On Mon, Aug 03, 2009 at 12:10:18PM -0300, hernan gonzalez wrote:
I read in the main.cc source that the GUILE start-up is very time
consumming. I
wonder if some modification in the code could be done so that the GUILE
startup
occurs once for several compilation cycles, something as
On Mon, Aug 03, 2009 at 02:52:25PM +0100, Tim Rowe wrote:
A pop example presents obvious copyright issues.
No; an *existing* commercial pop example has copyright issues.
Using a copyleft pop song would be fine as long as we include the
copyleft license issues (attribution, etc). Inventing a new
Hi Mats,
Reminds me of the GOTO command in BASIC! ;-)
An *extremely* underrated and powerful command. ;-p
One alternative way to achieve the same thing is to simply do a
global =
{
\time 4/4 s4*4*10
\time 3/4 s4*3*5
\time 7/4 s4*7
{ \time 4/4
\bar |. }
\anchoredStuff
}
Nope: that
On Mon, Aug 03, 2009 at 11:02:31PM +0200, Federico Bruni wrote:
Tim Rowe wrote:
2009/8/1 Federico Bruni brunol...@gmx.com:
What about a Scott Joplin ragtime arranged for guitar? (it is in the public
domain)
Scott Joplin rags may be public domain, but are any guitar
arrangements of them? Or
Denemo 0.8.6 claims to be able to edit and save lilypond file. What
do you think about the quality of its Lilypond export? How accurate,
and how human-readable is Lilypond output produced by Denemo 0.8.6?
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Hey, thanks for all the help everyone. I had the cannot end slur
warning a lot of places in a previous score, and I'm pretty sure
it was all due to the nested slur in the \acciaccatura.
Best,
Jonathan
--- On Tue, 8/4/09, Trevor Daniels t.dani...@treda.co.uk wrote:
From: Trevor Daniels
Dear All,
iMac TeXShop MACROS give another way of inserting non-standard
characters into LilyPond lyrics without using unicodes explicitly (my
version of TeXShop will not allow me to insert characters directly
from the Special Character table into a file).
Firstly,
In System
On Mon, Aug 3, 2009 at 2:58 PM, Mats Bengtssonmats.bengts...@ee.kth.se wrote:
Reminds me of the GOTO command in BASIC! ;-)
Seriously, I seem to recall that I proposed this feature some 11-12 years
ago and at that Han-Wen at that time answered with a No!!! (I don't
remember any details and
On Mon, Aug 3, 2009 at 12:19 AM, hernanhgonza...@gmail.com wrote:
My main frustration with Lilypond is speed. In my setup (Win-XP, P4 3.0Ghz, 1G
ram) to process a fairly simple scoresheet (2 or 3 pages) it takes about 8
seconds. That might not seem a great deal, but it is really annoying when
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