Hi again,
thx so far. Sorry for my English, I think I did not make myself clear enough,
so I'll try to elaborate a little more.
What I have:
- I am setting notes and chords.
- I changed the font for the chords to a custom one (real book style).
- Notes (and related accidentals like flat and
Am 16.02.2011 10:29, schrieb Matthias Hüsken:
Hi again,
thx so far. Sorry for my English, I think I did not make myself clear enough,
so I'll try to elaborate a little more.
What I have:
- I am setting notes and chords.
- I changed the font for the chords to a custom one (real book style).
-
In data martedì 15 febbraio 2011 13:52:32, hai scritto:
See Known issues and warnings in the Notation Reference, section 1.2.6,
Grace notes.
--
Phil Holmes
Ok! Solved!
But now this is the log:
Processing `Impromptu.ly'
Analisi...
Interpreting music...
Preprocessing graphical objects...
2011/2/15 Neil Puttock n.putt...@gmail.com:
You might try adding the Melody_engraver for this: it changes the
neutral-direction based on the stem directions of surrounding notes
(but only in the current bar, I think):
Wow, I did not know the existence of this engraver!
It is not mentioned in
Hi everyone,
I'm new to Lilypond and impressed with the ease of writing music and the
quality of the output.
For writing lead sheets, I changed Lilypond's standard font for printing chord
names to a custom font. While this works perfectly, the style difference
between the chord symbols and
Neil Puttock wrote:
On 15 February 2011 14:25, Rob Canning r...@goto10.org wrote:
where lies the error or is there a better way to do this - am slightly
suprised there is not a build in function for this... maybe there is?
There are several parser limitations you're encountering
So, what I would ideally like to have is a way of making Lilypond use b
and # from a custom font, but exclusively in chord mode. I did quite
some searching but did not come up with anything useful, so I already
feared it might not be easy (or doable at all...).
I think you can achieve
On Sat, Feb 12, 2011 at 6:04 AM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
2011/2/12 Trevor Daniels t.dani...@treda.co.uk:
Jan Warchoł wrote Saturday, February 12, 2011 9:25 AM
I agree too, but in my opinion it's a less important problem than the
one marked in red in the
Yes - this is a known issue:
http://code.google.com/p/lilypond/issues/detail?id=1412
Just ignore the error message.
--
Phil Holmes
- Original Message -
From: Mario Moles
To: lilypond-user@gnu.org
Sent: Wednesday, February 16, 2011 11:06 AM
Subject: Re: strange output
Hi again,
thanks a lot for the pointers in the right direction, I finally got my problem
solved. It is based on the solution found here:
http://www.mailinglistarchive.com/lilypond-user@gnu.org/msg02286.html
In case someone else stumbles upon this problem, here is my (shortened)
solution:
%
2011/2/16 Matthias Hüsken matthias.hues...@math.uni-wuppertal.de:
Hi again,
thanks a lot for the pointers in the right direction, I finally got my problem
solved. It is based on the solution found here:
http://www.mailinglistarchive.com/lilypond-user@gnu.org/msg02286.html
In case someone
On 2/16/11 2:29 AM, Matthias Hüsken
matthias.hues...@math.uni-wuppertal.de wrote:
Hi again,
thx so far. Sorry for my English, I think I did not make myself clear enough,
so I'll try to elaborate a little more.
Your English is great. I just think that none of us knew how to answer you.
Hi again,
while trying to change LilyPond's behaviour concerning bar lines, I stumbled
upon some strange behaviour. What I'd like to achieve: When ending a bar with
e repetition sign :|, I need double lines (||) at the beginning of the
next bar.
I found bar-glyph-alist in scm/output-lib.scm
- Original Message -
From: Xavier Scheuer x.sche...@gmail.com
To: Neil Puttock n.putt...@gmail.com
Cc: Janek Warchoł lemniskata.bernoull...@gmail.com; lilypond-user
lilypond-user@gnu.org
Sent: Wednesday, February 16, 2011 1:23 PM
Subject: Re: engraving question - changing stem
- Original Message -
From: Xavier Scheuer x.sche...@gmail.com
To: Matthias Hüsken matthias.hues...@math.uni-wuppertal.de
Cc: lilypond-user@gnu.org
Sent: Wednesday, February 16, 2011 5:32 PM
Subject: Re: Use custom font's flat (b) and sharp (#) symbols for
chords(solved)
2011/2/16
Sorry for the noise on the mailing list - I knew it was some stupid mistake...
I tried to override the wrong value, it should have been
\override Score.BarLine #'break-glyph-function = #my-bar-line::calc-glyph-name
instead of
\override Staff.BarLine #'glyph-name = #my-bar-line::calc-glyph-name
I'm currently transcribing parts from music with frequently changing
meters and segments where a part is resting. The sequence below is
typical.
\time 3/4 R1*3/4 |
\time 3/8 R1*3/8 |
\time 4/4 R1*8/4 | % 2 bars
\time 3/8 R1*3/8 |
Does anyone know how to write a music function
Ok, I give up for tonight - obviously, before writing my last mail I tested
while having the new barline definitions in scm/output-lib.scm (instead of
reverting that file).
Which means I cannot get things to work without modifying scm/output-lib.scm.
Any ideas how to put this into a .ly file
This is the code:
\version 2.12.3
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\tempo 4 = 120
\new Staff {
\relative c' {
c d c b
a c d c
c d c b
g c d c
I can't answer your question, but I have two responses to the dilemma.
First, R2. is more compact than R1*3/4, and R1*2 is better than
R1*8/4. Same with R4*5 vs R1*5/4.
Also, if you happen to use Vim -- I keep all my time signatures in a
separate file from the notes. It's then simple to map
2011/2/16 Disc Magnet discmag...@gmail.com:
This is the code:
\version 2.12.3
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\tempo 4 = 120
\new Staff {
\relative c' {
c d c b
a c d c
Thanks Neil, those are good tips. I'm a long time vim user so
shortcuts are certainly a possibility. OTOH, I've recently found that
JEdit + LilyPondTool makes a real difference in my productivity
compared to vim + some helper scripts I had put together.
I know JEdit has its own Java-based macro
Hi,
currently I'm working on a song book with lilypond-book.
I would like to have equal page margins on the left and right of 1 cm. So I
configured the page layout with the LaTex geometry package. Lilypond-book
adopts the staff length accordingly: The right space from the end of a staff
line to
Matthias Hüsken wrote:
What I'd like to achieve:
When ending a bar with the repetition sign :|,
I need double lines (||) at the beginning of the next bar.
It looks as though you actually mean ending/beginning lines, not bars.
[...]
(:|| . (:| . ||))
[...]
Unfortunately, this does not work:
Disc Magnet,
-Original Message-
From: Disc Magnet discmag...@gmail.com
Date: Thu, 17 Feb 2011 00:37:04 +0530
To: lilypond-user lilypond-user@gnu.org
Subject: Right hand notes have too many ledger lines.
This is the code:
\version 2.12.3
\score {
\new PianoStaff
\set
On 2/16/11 12:07 PM, Disc Magnet discmag...@gmail.com wrote:
I have attached the PDF output with this email. In his score, the
treble clef is supposed to be played with right hand and the bass clef
with left hand. However, in the treble clef (right hand), we have two
notes ('a' and 'g')
Hullo all. I am creating chant templates for the 8 tones, and need repeat
barlines at the beginning of each section. I know how to acheive that in the
gregorian.ly style, but how do I do this if I do not have that feature on?
i.e. no gregorian.sty and cadenzaOn? Before, I would type:
\repeat
Disc Magnet discmag...@gmail.com writes:
I have attached the PDF output with this email. In his score, the
treble clef is supposed to be played with right hand and the bass clef
with left hand. However, in the treble clef (right hand), we have two
notes ('a' and 'g') which are below the
2011/2/16 Disc Magnet discmag...@gmail.com:
I have attached the PDF output with this email. In his score, the
treble clef is supposed to be played with right hand and the bass clef
with left hand. However, in the treble clef (right hand), we have two
notes ('a' and 'g') which are below the
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