At Tue, 21 Jun 2011 13:42:01 +1000,
Nick Payne wrote:
> You can't have a tie between notes in different voices. Re-arrange the voices
> to have the notes in
> the same voice (or alternatively, create an extra voice with hidden notes
> that has the tie).
This may not always be possible.
> And
>
Hey all,
I am lilypond-booking a latex document where I endeavor to insert short
snippets into fragments of text :
The dynamic should be between
\begin{lilypond}
\markup { \dynamic "ppp" }
\end{lilypond}
and
\begin{lilypond}
\markup { \dynamic "pp" }
\end{lilypond}
.
The typeset result is not n
Am Dienstag, 21. Juni 2011, 10:55:29 schrieb m...@apollinemike.com:
> Hey all,
>
> I am lilypond-booking a latex document where I endeavor to insert short
> snippets into fragments of text :
>
> The dynamic should be between
> \begin{lilypond}
> \markup { \dynamic "ppp" }
> \end{lilypond}
This c
On 21 June 2011 11:26, Reinhold Kainhofer wrote:
>
> This could be achieved way easier if you manage to make the feta font
> available to latex (actually, I'd need that too. For my critical reports, I
> simply use ppp / pp written in the default font, not in the music font).
>
> I started this a w
"m...@apollinemike.com" writes:
> I am lilypond-booking a latex document where I endeavor to insert
> short snippets into fragments of text :
>
> The dynamic should be between
> \begin{lilypond}
> \markup { \dynamic "ppp" }
> \end{lilypond}
> and
> \begin{lilypond}
> \markup { \dynamic "pp" }
> \
Hello,
As I already stated somewhere on this list (and as Xavier mentioned just
before), I'm currently working on such a LaTeX package, that allows to
consider Lilypond glyphs as glyphs in LaTeX. The idea is to a some commands
like, for instance, \fetamf that would include that dynamic in a LaTeX
Dear community,
in version 2.12.3 I used this code (I think written by Graham) for so called
aksak-meters like 7/8 (2+2+3) etc.:
%%% example for aksak:
\version "2.12.0"
aksak = #(define-music-function
(parser layout timesig compound) (list? list?)
#{
% measure length + beaming
\set Ti
Jon,
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Xavier
Scheuer [x.sche...@gmail.com]
Sent: 20 June 2011 17:04
To: Jon Toohill
Cc: lilypond-user
Subject: Re: Reverting to
On 21 June 2011 12:46, Stefan Thomas wrote:
>
> Dear community,
> in version 2.12.3 I used this code (I think written by Graham) for so called
> aksak-meters like 7/8 (2+2+3) etc.:
>
> %%% example for aksak:
> \version "2.12.0"
> aksak = #(define-music-function
> (parser layout timesig compound)
Dear Xavier,
Yes, I think the second snippet isn't far awy from what I would like to do.
But I would like to get a code, that alows me to use the same syntax like
before \aksak #'(timesignature ) #'(beatgroup ) ) and this I can't do with
the code in this link.
2011/6/21 Xavier Scheuer
> On 21 Ju
Hello,
Another solution, new to 2.14, is listed in the changes (from 2.12) :
Image :
http://lilypond.org/doc/v2.14/Documentation/cf/lily-c0fe533f.png
Code:
http://lilypond.org/doc/v2.14/Documentation/cf/lily-c0fe533f.ly
Philippe___
lilypond-user mai
A slur from one chord to another is positioned relative to the complete chord.
In my opinion this reduces readability of the score. Shouldn't the slur go from
the note inside of the chord wich it actually starts on to the note which it
actually ends on (from a to bes in attached example for flam
> Marc Mouries mouries.net> writes:
>
> >
> > The common templates for orchestral music require to remove comments when
> > using separate files. (ex: http://lsr.dsi.unimi.it/LSR/Item?id=359).
> > I am using the following structure that does not require commenting and
> > un-commenting the score p
On 11-06-20 09:30 PM, James Harkins wrote:
(Side note: on my Ubuntu machine, lilypond 2.14.1 choked on the non-breaking spaces
copied over from the HTML-formatted e-mail. Tons of "unexpected string" errors.
I can't think of any good reason why non-breaking spaces should cause parsing to fail.
Op Mon, 20 Jun 2011 09:20:43 -0400
Brett McCoy schreef:
> I was
> thinking recently what would really make Frescobaldi rock even more is
> customizable keybindings, I would love to have emacs keybindings.
You can customize the keybindings in Frescobaldi 1.x:
Settings->Configure Shortcuts. Under
A slur from one chord to another is positioned relative to the complete chord.
In my opinion this reduces readability of the score. Shouldn't the slur go from
the note inside of the chord wich it actually starts on to the note which it
actually ends on (from a to bes in attached example for fla
A slur from one chord to another is positioned relative to the complete chord.
In my opinion this reduces readability of the score. Shouldn't the slur go from
the note inside of the chord wich it actually starts on to the note which it
actually ends on (from a to bes in attached example for flam
On Jun 21, 2011, at 1:26 PM, Markus Pfaff wrote:
> A slur from one chord to another is positioned relative to the complete chord.
>
> In my opinion this reduces readability of the score. Shouldn't the slur go
> from the note inside of the chord wich it actually starts on to the note
> which it
Hi Marc,
> the problem with this approach is that one has to edit one file that contains
> all the music, (which can be long) then has to switch to another file that
> contains the score part for the part currently being edited. It seems a
> simple things but it makes a big difference when one
2011/6/21 Markus Pfaff :
> A slur from one chord to another is positioned relative to the complete chord.
>
> In my opinion this reduces readability of the score.
> Shouldn't the slur go from the note inside of the chord
> wich it actually starts on to the note which it actually ends on
> (from a t
Hi James,
2011/6/16 James Harkins :
> Is it not possible?
I'm afraid it's not possible to create "true" cross-staff ties.
I see two possible workarounds, depending on the output you want to
achieve (to be honest i don't know which one is correct from
notational point of view):
- fake ties using s
2011/6/21 James Harkins :
> I'm working on a piece now for sheng, a Chinese instrument related to the
> free reed mouth organ /khaen/ common in Laos and Northeast Thailand. Like the
> guitar in the original example here, it's polyphonic (within fingering
> limitations) and most often notated on
Hello all,
Shouldn't (or at least didn't at one time) dynamics and markup "fall" towards
the staff if there is no collision?
[I don't keep old versions of the app, but I *swear* this is a recent change…]
For example, consider the snippet
\version "2.15.1"
\relative d''' {
r2 r4 d^\ppp |
\
- Original Message -
From: "Kieren MacMillan"
To: "Lilypond-User Mailing List"
Sent: Tuesday, June 21, 2011 3:51 PM
Subject: padding/collision question
Hello all,
Shouldn't (or at least didn't at one time) dynamics and markup "fall"
towards the staff if there is no collision?
[I don
On 6/21/2011 8:44 AM, in lilypond-user Digest, Vol 103, Issue 73,
lilypond-user-requ...@gnu.org wrote:
A non-text attachment was scrubbed...
Name: ChordSlur.pdf
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I am still extremely puzzled by the inclusion of information
Il giorno mar, 21/06/2011 alle 11.35 -0500, Patrick Karl ha scritto:
> How do list members deal with these issues?
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
Click on the link abo
On 6/21/11 7:19 AM, "Colin Campbell" wrote:
> On 11-06-20 09:30 PM, James Harkins wrote:
>> (Side note: on my Ubuntu machine, lilypond 2.14.1 choked on the non-breaking
>> spaces copied over from the HTML-formatted e-mail. Tons of "unexpected
>> string" errors. I can't think of any good reason wh
Carl Sorensen byu.edu> writes:
> > On 11-06-20 09:30 PM, James Harkins wrote:
> >> (Side note: on my Ubuntu machine, lilypond 2.14.1 choked on the
> >> non-breaking
> >> spaces copied over from the HTML-formatted e-mail.
> I have the same problem on OSX. Some of the lines have A0 instead of 20
Thanks to all for your quick help!
I adjusted the voices so that the E naturals I
intend to tie are in the same lilypond voice. The tie
now renders and correct notation results _however_ the
problem I have now, is that direction of the stems that
lilypond has chosen for each voice is _not_ the di
-- Forwarded message --
From: Sepand Shahab
Date: Tue, Jun 21, 2011 at 6:02 PM
Subject: Re: stem direction [Was: Snippet: Tie does not appear]
To: Ivan Kuznetsov
Hi Ivan,
You can use \stemUp \stemDown and \stemNeutral to go back to normal.
Similarly, \tieUp \tieDown and \tieNe
Ivan Kuznetsov gmail.com> writes:
> How does one override lilypond's stem directions for aparticular note or
> voice.
> Is there a way to force in which directionthe "tie is written"?
\stemDown \tieDown
You probably want to learn to create and name voices with
\new Voice = "second" and \cont
I just saw that version 2.15.2 was released. Is there a page somewhere
listing the list of bug fixed?
PS: I went to
http://lilypond.org/doc/v2.15/Documentation/changes-big-page.html but the
page lists changes about the major version from 2.12 to 2.14
-Marc
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