Keith OHara wrote:
For a better solution, I suggest you search the mailing list archives
for MarkLine
http://lists.gnu.org/archive/html/lilypond-user/2008-06/msg00159.html
The details of this solution seem to need updating to work with the
current
version of LilyPond, but the concept
Hello,
On 19 January 2012 10:10, Shevek s...@saultobin.com wrote:
Keith OHara wrote:
For a better solution, I suggest you search the mailing list archives
for MarkLine
http://lists.gnu.org/archive/html/lilypond-user/2008-06/msg00159.html
The details of this solution seem to need
On 01/18/2012 06:09 PM, Phil Holmes wrote:
- Original Message - From: Colin Campbell c...@shaw.ca
To: lilypond-user@gnu.org
Sent: Wednesday, January 18, 2012 1:58 PM
Subject: Re: pdf to .ly?
On 12-01-18 05:12 AM, Gerard McConnell wrote:
Hello,
Does anybody here know of software that
Hi again Svetlana,
I’ve revisited the functions for coloring symbols, and I've eliminated the
need to provide a list of every character your text might include. This
was liable to cause problems (omissions not showing up in the score, the
problem with the non-breaking space you found, etc.) and
Hello,
1) how can I set the distance between sustain pedal and staff on lily 2.15.22 ?
I tried (see the attached example):
\override Score.SustainPedalLineSpanner #'padding = #'20
(as well as Y-offset and some other options) but it doesn't seem to work...
2) is it possible to change
Message: 2
Date: Thu, 19 Jan 2012 00:34:09 -0200
From: Caio Barros caio.bar...@gmail.com
To: Keith OHara k-ohara5...@oco.net
Cc: lilypond-user@gnu.org
Subject: Re: Collision between tie and pitched trill
Yes, but it's still a collision.
It looks ok at 2.14.2. I don't see a collision.
On Tue, 2012-01-17 at 15:02 -0500, PMA wrote:
David Raleigh Arnold wrote:
Your last sentence here hits on *the* issue in my original post.
Why indeed would I...? But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I would like, of course, to find a
Open software people tend to consider artists as being
equivalent to programmers, so they think artists
should starve. I have no sympathy with that view.
Obviously. Knowledge should be free, Yale to the
contrary. Art shouldn't be free until the artist gets his.
The source code of the
Does anybody here know of software that could convert a .pdf into .ly?
Mayber .pdf to .xml first, then to .ly?
Or .pdf into .svg, or some sort of image file? I got some music from the
IMSLP site, it needs to be rotated and cleaned up a bit.
free command line software:
- pdftk:
PMA-2 wrote:
David Raleigh Arnold wrote:
But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I would like, of course, to find a (major, well run) public archive
without such constraints.
Have you actually spoken to anyone over at IMSLP about
Hayden Muhl wrote:
PMA-2 wrote:
David Raleigh Arnold wrote:
But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I would like, of course, to find a (major, well run) public archive
without such constraints.
Have you actually spoken to anyone over at
On Thu, 2012-01-19 at 11:05 -0800, Bernardo Barros wrote:
Open software people tend to consider artists as being
equivalent to programmers, so they think artists
should starve. I have no sympathy with that view.
Obviously. Knowledge should be free, Yale to the
contrary. Art shouldn't be
Oh, this is interesting -- I'll pursue re Mondrup and Youtube.
But I should add -- figuring your Yale references must be
inspired by my email address -- that I am not Yale faculty,
but an alumn (School of Music, DMA '80). As such, I am
granted an eternal aya.yale.edu pointer to my whatever
On Thu, 19 Jan 2012 13:47:06 +0100
Rutger Hofman rut...@cs.vu.nl wrote:
SharpEye also has a freeware version with some restrictions. One of
them is that it does not generate MusicXML. It can create NIFF
though, and I wrote a converter from NIFF to Lilypond: niff2ly.
Actually, there are two
David Raleigh Arnold d...@openguitar.com writes:
On Thu, 2012-01-19 at 11:05 -0800, Bernardo Barros wrote:
Open software people tend to consider artists as being
equivalent to programmers, so they think artists
should starve. I have no sympathy with that view.
Obviously. Knowledge should
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set
my pieces, and composition has taken a back seat for a few years). I
just want to say that looking at the new features in 2.14 (and in 2.12
before that), it's incredible what everyone has done, so much thanks!
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set my
pieces, and composition has taken a back seat for a few years). I just want
to say that looking at the new features in 2.14 (and in 2.12 before that),
Hello,
On 19 January 2012 21:32, m...@apollinemike.com m...@apollinemike.com wrote:
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set my
pieces, and composition has taken a back seat for a few years). I
Hi Frank,
2012/1/17 Frank Steinmetzger war...@gmx.de:
Hello gurus
I already wrote a whole paragraph to describe my problem, but an image is far
simpler. Please see the attached screenshot to get an idea of my problem.
The
ness syllables are not aligned to one another, because alto and
On 19 Jan 2012, at 21:58, David Raleigh Arnold wrote:
On Thu, 2012-01-19 at 11:05 -0800, Bernardo Barros wrote:
Open software people tend to consider artists as being
equivalent to programmers, so they think artists
should starve. I have no sympathy with that view.
Obviously. Knowledge
Hi Frank,
On Thu, Jan 19, 2012 at 3:48 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Hi Frank,
2012/1/17 Frank Steinmetzger war...@gmx.de:
Is there an automatic way to resolve this, i.e. that all ness
syllables are
properly aligned again?
It appears the text will be aligned
On 01/19/2012 01:32 PM, m...@apollinemike.com wrote:
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set my
pieces, and composition has taken a back seat for a few years). I just want to
say that looking at
Hi David,
2012/1/19 David Nalesnik david.nales...@gmail.com:
Hi Frank,
On Thu, Jan 19, 2012 at 3:48 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Hi Frank,
2012/1/17 Frank Steinmetzger war...@gmx.de:
Is there an automatic way to resolve this, i.e. that all ness
syllables are
On 20 January 2012 10:29, Benedict Singer sing...@mac.com wrote:
On 01/19/2012 01:32 PM, m...@apollinemike.com wrote:
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set
my pieces, and composition has taken a
Hi Harm!
On Thu, Jan 19, 2012 at 6:34 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Hi David,
2012/1/19 David Nalesnik david.nales...@gmail.com:
Hi Frank,
On Thu, Jan 19, 2012 at 3:48 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Hi Frank,
2012/1/17 Frank
In this example is not so visible. But is there.
In smaller staff sizes it gets worse because the tie is thicker. I actually
saw this error in an orchestral score with very small staffs.
\version 2.14.2
#(set-global-staff-size 8)
\relative g'' {
\pitchedTrill g1 ~ \startTrillSpan a g2
}
If
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